Writers & Painters

First edition, one of 2,000 numbered copies on wove paper.

Publisher's full burgundy morocco-grained sheepskin, smooth spine, covers framed with double gilt fillets, burgundy paper endpapers and pastedowns, top edge gilt, burgundy morocco-edged slipcase with sides covered in burgundy paper.

A few minor stains to the slipcase.

Illustrated with works by Joan Miro, Pablo Picasso, Max Ernst, André Masson, Henri Matisse, Wassily Kandinsky, Paul Klee, Paul Cézanne, Georges Braque...

An attractive copy.

Poignant signed presentation inscription from Louis Aragon: "A Jean-Pierre Lecointre le dernier livre de moi qu'Elsa aura lu. Aragon."

First edition, one of the review copies.

A very good copy.

Signed presentation inscription from Jean Cocteau to Claude Aveline: "... ce très long métrage et cet oiseau de nuit de tout coeur...

First edition, with no deluxe copies issued.

Richly illustrated. A fine copy.

Precious dated and signed presentation inscription from André Malraux: "Pour Fanny et D. Galanis leur vieil ami André Malraux dec.47."

First collected edition, one of the numbered copies on alfa paper.

An attractive copy.

Signed autograph presentation inscription by Jean Cocteau on the half-title.

Edition illustrated with 159 original illustrations by Louis Jou, printed in a single issue of 135 named and numbered copies on Rives laid paper.
A shadow from newspaper clippings to the left margin of the front free endpaper.

Fine copy housed in a brown full-board chemise and slipcase.

First edition, one of 50 numbered copies on Marais Crèvecoeur paper, issued as part of the publisher’s deluxe limitation.

Spine and boards faintly sunned and toned as usual, with a small spot to the lower outer corner of the front board.

As stated in the limitation, this copy includes its original etching by Jacques Villon, signed in the plate.

First edition of the catalogue published for the exhibition of works by Max Ernst, held from 15 November to the end of December 1961.

A fine copy.

Illustrated, with a foreword by Alain Bosquet.

Signed autograph inscription by Max Ernst to Madame de Harting.

Rare first edition comprising a fine series of 40 two-tone lithographs by Yuko Watanabe depicting Japanese types, scenes of traditional life, costumes, and more: Ronin, hara-kiri, samurai, the attack on Shogun Nobunaga, a geisha’s visit, young women paying a call, a game of go...

Not in Colas, nor Hiler & Hiler; lacking from the Bn; not in Nipponalia or Cordier. Wenckstern, I, p. 228 (gives the Yokohama address, undated, and mentions two volumes, the second—of which no trace could be found—containing 25 plates).

Bound in full beige cloth, smooth spine without lettering, lithograph mounted on the upper cover; twentieth-century binding.

Minor tears affecting three...

Rare and luxurious invitation card for the exhibition organized by art critic André Warnod on "art nègre," a term he coined in 1910 in the journal Comœdia to originally designate African and Oceanic statuary. From January 20 to February 20, 1926, four painters were invited to exhibit at the art gallery of the Grande Maison de Blanc, Place de l'Opéra in Paris. These were most likely the French artists Marguerite Guy-Lemm (née Lemaire) and Luc-Albert Moreau, the Uruguayan Pedro Figari, and the Dutchman Kees van Dongen.

Fine...

First edition, one of 40 numbered copies on Ingres paper, deluxe issue.

A fine copy.

First edition of the French translation, of which no deluxe paper copies were issued.

A fine copy.

Preface by Salman Rushdie, the work illustrated with drawings by the author.

Signed autograph inscription from Glen Baxter to Michel Crépu.

First bilingual edition with texts in Spanish and French, one of the numbered copies.

Publisher’s full beige cloth bindings, smooth spines, complete with their illustrated dust jackets and slipcase.

A richly illustrated work featuring numerous black and colour reproductions of Vieira da Silva’s artworks.

Texts by Jean-François Jaeger, Guy Weelen, Jean-Luc Daval, Diane Daval Béran, Virginie Duval...

A fine copy, complete with the chronological list of works reproduced in colour, inserted as a loose leaf.

First edition, richly illustrated with reproductions of works by Edouard-Marcel Sandoz.

Publisher’s full cream cloth binding, smooth spine, complete with its illustrated dust jacket.

A very handsome copy.

First edition, one of 220 numbered copies printed on Vélin du Marais.

Rubbing to the slipcase and chemise, otherwise a clean and attractive copy.

Illustrated with 25 intaglio engravings by Elisabeth-Mary Burgin.

First edition, one of 30 numbered copies on Ingres d'Arches paper, the deluxe issue.

A fine copy.

Partly original edition, with no mention of a deluxe paper issue.

Half black shagreen binding, spine with five raised bands tooled with gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt edges, contemporary binding.

Pleasant copy.

First edition, one of 1,000 numbered copies on offset.

A fine copy.

Illustrated with 10 drawings by René Magritte.

Partly original edition, entirely revised.

Some foxing.

Rare copy preserved in its original wrappers.

Illustrated edition with 57 wood engravings drawn and engraved by Frans Masereel, one of the numbered copies on English paper.

Minor tears without consequence at the head and foot of the spine, a pleasing copy exceptionally enriched with a second state (on Japan or China paper) of 9 of the engravings.

Almost entirely unpublished handwritten letter from the painter Eugène Delacroix to the love of his youth, the mysterious “Julie”, now identified as being Madame de Pron, by her maiden name Louise du Bois des Cours de La Maisonfort, wife of Louis-Jules Baron Rossignol de Pron and daughter of the Marquis de La Maisonfort, Minister of France in Tuscany, patron of Lamartine and friend of Chateaubriand.

90 lines, 6 pages on two folded leaves. A few deletions and two bibliographical annotations in pencil on the upper part of the first page (“n^o114”).

This letter is one of the last to his lover in private ownership, all of Delacroix's correspondence to...

First edition of the exhibition catalogue presenting 37 works by Claude Monet at the Galerie Durand-Ruel from 9 May to 4 June 1904.

During the exhibition, most of the paintings were immediately purchased by American collectors.

Binding in vellum-effect paper boards, names of the catalogue preface writer and the painter inscribed in ink, water-effect paper endpapers, covers and spine preserved, curious ex-libris drawn by H. P. Gassier glued to a pastedown endpaper, binding signed Gonon.
Preface by Octave Mirbeau.

A rare and pleasant copy.

First edition, one of 150 numbered copies on offset, only print after 20 numbered copies.
Title vignette glued on the first board.

Text in French, English and German.
Illustrated with 14 photographs of the author performing different kinds of suicides.

Autograph manuscript signed by the painter and writer Jacques-Émile Blanche, entitled « Serge de Diaghileff ». Five leaves written in black ink, with numerous corrections in blue. Autograph foliation in black ink, later foliation in blue pencil. Leaf 4, originally in two parts, was joined with a strip of adhesive affixed to the verso.

Crossed-out passages and corrections.

A very fine funeral oration by Jacques-Émile Blanche for his friend Serge Diaghilev, director of the celebrated Ballets Russes.
The painter and writer Jacques-Émile Blanche pays tribute to the genius of Serge Diaghilev, shortly after his death in Venice in 1929. Chosen as...

First edition of this important album devoted to Algiers and several towns of the Regency, published in Paris by Charles Motte in 1835. The work comprises 50 lithographs on mounted China paper after drawings by Émile-Aubert Lessore and William Wyld, printed by Charles Motte. It was first issued in five thematic parts devoted to buildings, landscapes, types and scenes, before being gathered into a single volume. Cf. Gérard Sangnier, Bibliothèque algérienne, no. 207; Playfair, 517; Tailliart, 896; Gay, 919; Brunet III, 1018. Not in Blackmer.

First edition, with no mention of deluxe paper copies.
Precious signed autograph inscription from Octave Mirbeau to his friend Jules Renard.
Blue pencil mark by Jules Renard on the front cover.
Our copy is further enriched with Jules Renard's celebrated ex-libris, designed and engraved by Henri de Toulouse-Lautrec.

First edition of the French translation. No grands papiers (deluxe copies) were printed.
Some loss of plastic film on the spine, two light damp-stains on the upper and lower edges.
Signed and dated by Andy Warhol with an original drawing on three pages: verso of the first cover, endpaper and title page.

First edition, one of 25 copies on handmade laid paper, numbered and justified by the publisher, the only deluxe issue.
 
Bradel binding in half chocolate-brown morocco with corners, smooth spine, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, illustrated wrappers by Manuel Orazi and backstrip preserved.
Work illustrated with 136 black and colour drawings, in- and out-of-text, by Georges Bottini.
 
Bookplate mounted.
 
Our copy is enriched with a full-page original drawing, signed by Georges Bottini and heightened in black ink, depicting Jacques Beaudarmon wearing a bowler hat and conversing with the « môme...

First edition, printed on vellum paper in 260 numbered copies.

Bradel binding in half vellum-style boards, smooth spine, gilt title running lengthwise, gilt fillet framing the marbled paper covers, top edge gilt.

A long orange offset to the margin of the lower cover on the vellum-style board, light orange offsets to the margins of the white endpapers.

Illustrated with 68 plates reproducing drawings by Max Liebermann in facsimile.

This copy retains the two original etchings by Max Liebermann, each signed by him in pencil.

First edition and first issue of the suite of 24 color lithographs.

Publisher’s original soft illustrated folder, flat red cloth spine without lettering (expertly restored), red cloth framing on the boards, showing some soiling; original cloth ties intact and present.

Some occasional foxing.

First edition printed in 700 numbered copies, ours being one of the 50 non-commercial copies.

Publisher's binding in full blue cloth, smooth spines, copies complete with their illustrated dust jackets.

Rich iconography.

Beautiful copy in two volumes, complete with its soft cardboard case.

First edition, one of 40 numbered copies, the only copies printed on deluxe paper.

A handsome and scarce copy.

Illustrated with full-page color drawings by André François.

Pencil signature by Vincent Pachès at the colophon.

First edition, one of 950 copies on Vélin Vidalon signed by André Marchand, the only printing following 49 copies on Vélin d'Arches.

Bound in black morocco-backed boards with corners, smooth spine, gilt fillet borders on cat's eye paper-covered boards, marbled endpapers and pastedowns, original wrappers and spine preserved, all edges gilt. Slipcase edged in black morocco, marbled paper panels. Binding signed by D. Saporito.

Illustrated with 50 splendid original lithographs by André Marchand, printed by Mourlot.

Featuring previously unpublished texts by Georges Spyridaki, René Lacôte, Georges Hugnet, Gabriel Audisio, Raymond Queneau, David Herbert...

Autograph letter signed and dated "20 floréal year 79 19 May" [19 May 1871?], 3 pages on a bifolium of blue paper. Small lack of paper affecting a few letters, usual folds from mailing.

Rare letter by painter and illustrator Gérard-Séguin, known for his portrait of Honoré de Balzac (Musée des Beaux-Arts de Tours). Written in the midst of the Paris Commune, as famine and fighting ravaged the capital, the artist delivers a desperate yet spirited plea from the artist.

This letter is one of the few surviving manuscripts by Gérard-Séguin whose biography remains largely unknown: "Little is known about the life and work of Jean...

First edition, one of the 300 numbered copies printed on red “bouffant” paper, the only deluxe issue alongside 5 copies on hollande. Covers slightly and marginally soiled, two initials in red ink in the upper left corner of the front cover.

Illustrated with a “portrait de crotte de bique et couillandouille par eux-mêmes” [portrait of goat-dropping and dick-and-drumstick by themselves.]

Very famous work from the Dadaist canon, written by Pansaers one year before his untimely death — the...

First edition, one of 15 copies printed on japon impérial, most limited deluxe issue.

Bradel binding with grey box spine, front board in plexiglass revealing the original cover, back board in grey box, original wrappers and spine preserved, housed in a soft grey paper chemise lined with light grey felt; unsigned binding by Mercher.

Illustrated with three original lithographs, including the original colour illustration on the cover.

Discreet repairs to...

Autograph note signed by Caran d'Ache to a lady friend, 18 lines in pencil on a bifolium, with each letter written in uppercase.

Tears repaired with adhesive patches, minor loss to corners not affecting the text.

"Admirable madame ! Grandpierre & non Dampierre est votre proche voisin rue d'Offemont. Je me traîne à vos pieds heureux de baiser la pointe de vos pieds. Caran d'Ache."

The rue d'Offemont, located in the Plaine Monceau district, is now known as rue Henri Rochefort.

First edition, printed in 105 copies on Rives wove paper, this copy being one of the 60 with an original etching signed in pencil by Annie Proszynska.

Colophon signed in pencil by both Guy Rohou and Annie Proszynska.

Illustrated with 15 original etchings by Annie Proszynska, including a frontispiece, a full-page plate, a double-page plate, and 12 in-text illustrations.

A fine copy, complete with its original Siena moiré cloth chemise and slipcase.

First edition, one of 50 numbered copies on Japan paper, ours not numbered but printed for the publisher, a copy from the deluxe issue.

Half black morocco binding, spine with five raised bands, date gilt-stamped at foot, moiré paper sides, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed in blind by Ch. Septier.

Illustrated with 21 hors-texte engravings by Daniel Vierge, along with numerous in-text black-and-white engravings.

Our copy, as with all copies on Japan paper, includes the hors-texte engravings in two states.

A handsome and finely bound copy.

Autograph note dated and signed by Henri Laurens, 7 lines in black ink, addressed to a Mr Fardel, most likely Gildas Fardel, the prominent art collector.

A handsome example.

Henri Laurens writes to postpone their appointment, as he will not be at his studio at the agreed time.

A major collector of abstract art, Gildas Fardel donated part of his collection to the Musée des Beaux-Arts in Nantes in 1958.

Autograph letter dated and signed by André Breton, 21 lines in blue ink on a single sheet, addressed to Georges Isarlo of the journal Combat-Art concerning a text given to him by his friend José Pierre.

True to form, the leading figure and high priest of Surrealism seeks to clarify matters with his correspondent: "Vous comprendrez sûrement le souci que je puis avoir de ne pas, sous un vain prétexte d'anniversaire, laisser dénaturer le sens et gâter le fruit de quarante années de lutte et voudrez bien considérer qu'il a pour tous ses signataires - répondants du surréalisme aujourd'hui - la même importance vitale que pour moi."

Autograph manuscript by André Breton initialed three times by his hand, written in black ink on two leaves. Multiple crossed-out and rewritten passages, annotations by his hand in pencil.
Pagination in blue pen on each of the leaves. Published in the review Medium, Paris, 1st series (sheet) no. 8, June 1953.
Breton delivers spirited literary and artistic chronicles for the Surrealist review Médium - and lashes out with great virulence against the "false witnesses" and "dubious witnesses" who criticize Surrealism.
The praise of Premier bilan de l'art actuel by his friend Robert Lebel becomes the occasion for a violent attack...

Original drawing in graphite and blue and pink colored pencils signed by Antoine de Saint-Exupéry, on a sheet of watermarked paper "Navarre". Horizontal fold.

One of Saint-Exupéry's quirky characters in a suit and bow tie, spawn from the baroque and overflowing imagination of the Little Prince's author. The writer-aviator-artist very rarely signed his graphic works.




 
 
 

Original drawing with graphite, blue and pink colored pencils signed by Antoine de Saint-Exupéry, on a sheet of watermarked paper “Navarre”. Hor­izontal fold, pencil annotation in the upper left margin, very small loss of paper in the lower right margin.

A remarkable caricature signed by Saint-Exupéry, akin to a cartoon character. The writer-aviator-artist very rarely signed his graphic works.

Autograph letter signed by painter Elis­abeth Vigée-Lebrun addressed to his­torical painter and portraitist Hortense Haudebourt-Lescot. Two pages in black ink on a bifolium. Autograph address of Mme Haudebourt, 19 rue Rochefou­cauld, on verso of second leaf. Usual horizontal folds, tear without damage to the text on the second leaf due to the wax seal. A bibliographer's note in blue pencil on the verso of the last leaf.

First edition of this monograph devoted to the Czech poet and painter Ladislav Novak, one of 500 numbered copies, this copy unnumbered, the only issue after 50 copies on Mat Sup.

Texts by Edouard Jaguer, Ladislav Novak, Henri Chopin, and Frantisek Smejkal.

Our copy, like the 30 copies on Mat Sup from the deluxe issue, is exceptionally enriched with the two original lithographs, each numbered and signed in pencil by Ladislav Novak, but does not include the signed original alchimage.

 Autograph letter signed by Eugène Delacroix, with autograh date "29 December 1856", one and a half pages on a bifolium, with usual folds. 

A precious letter by Delacroix to his celebrated colleague, who laid out the squares, avenues, and gardens of the capital while the painter adorned its ceilings.

Delacroix here addresses the architect responsible for the embellishment of the Champs-Élysées, the Place de la Concorde, and the Avenue de l'Étoile. As architect to the City of Paris and to the Government, he who drew up the plans for the vast renovations in the Bois de Boulogne and its two lakes. He moved within the painter's circle (his name...

Original edition illustrated with reproductions of works by Ania Staritsky.
A handsome copy.

First edition, illustrated with three reproductions of works by Victor Brauner, Jacques Hérold and Yves Tanguy. One of 450 numbered copies on satin-finish paper.

Illustrated wrappers. A fine copy.

First edition on ordinary paper.

A transverse crease to the upper edge of the front wrapper.

Illustrated.

Rare dated and signed presentation inscription from Fernand Legros to the journalist Brigitte Kantor: "... avec ma gratitude pour un journaliste objectif et attentif..."

First edition, one of 22 copies of the deluxe issue numbered in Roman numerals, together with 9 presentation copies, the only copies to feature an original collage cover by Olivier O. Olivier.

Illustrated with 25 reproductions of works by Olivier O. Olivier.

Signed presentation inscription in pencil from Olivier O. Olivier to a friend named Lise.

First edition of the French translation, printed in an edition of 90 copies numbered on wove paper and signed by John Crombie and Sheila Bourne.

Illustrated throughout by Sheila Bourne.

A rare and fine copy of this artist's book created by Sheila Bourne and her husband, John Crombie.

New edition, partly original.
Publisher's full grey cloth, smooth spine, a pleasant copy complete with its illustrated dust jacket.
Richly illustrated.
Signed presentation inscription from Yves Bonnefoy to Jacques Hartmann and his wife Nancy.
 

First edition, printed in a small number of copies, of these extracts from the Cahiers de la Pléiade.

A few stains to the boards, with small red ink stains on the first page of Michel Tapié's text.

Signed presentation inscription from Henri Michaux to his friend, the painter and draughtsman Bernard Saby: "Les hommes qui ne donnent pas leur adresse ne craignent pas les exorcismes. Mais tout de même où est-il ce Saby? H.M."

Inspired both by his investigations into serial music and by his use of mescaline and hashish, Bernard Saby's painting aroused keen interest among his contemporaries. In 1956, his friend Henri Michaux gave him space in...

First collected edition, partly first edition, one of 129 numbered copies on wove paper, enhanced with an original engraving by Pierre Alechinsky, signed and numbered by the artist; our copy is one of the first 10 to contain a manuscript leaf, as stated in the limitation notice.

Signed by Yves Bonnefoy beneath the limitation notice.

A rare and fine copy.

First edition, extensively illustrated with reproductions of works by Speedy Graphito.

Text by Jean Seisser.

On the final free endpaper, a signed presentation inscription from Speedy Graphito to a man named François, surrounded by an original drawing.

First edition, privately printed in a small number of copies as an offprint from issue No. 6 of the review Hermès, devoted to the theme of emptiness, of which Henri Michaux was the first editor-in-chief.

A few stains to the upper wrapper.

Signed autograph inscription by Henri Michaux to his friend, the painter and draughtsman Bernard Saby: "Quelques mots encore amicalement à Bernard Saby. Henri Michaux."

Inspired both by his investigations into serial music and by his experiments with mescaline and hashish, Bernard Saby's painting aroused keen interest among his contemporaries. In 1956, his friend Henri Michaux welcomed him into the pages of...

First edition on ordinary paper.

Publisher's full black cloth, smooth spine, black endpapers and pastedowns.

Illustrated with 100 photographs by Pierre Molinier, with text by Pierre Bourgeade.

A very good copy.

First edition, one of the press copies.

Work illustrated with 57 reproductions of collages by Jacques Prévert.

A precious copy belonging to the actor Pierre Brasseur, Prévert's friend and collaborator, containing: 

• an autograph inscription signed by Jacques Prévert on the half-title page: "Pour Pierre Jacques", embellished with two small charms,
• an original collage depicting a bat dressed as a nun with outstretched wings below the justification of the print run, 
• facing the justification page, an autograph inscription signed by Jacques Prévert to Pierre Brasseur and Catherine Sauvage...

First French edition, one of 75 numbered copies on Arches wove paper, the deluxe issue.

A rare and handsome copy.

This copy is complete with the original silkscreen by Victor Vasarely, numbered and signed in justification by the artist.

First edition.

Wrappers illustrated by Louis Icart.

Exceptional signed autograph inscription by Louis Icart: "à mon ami, au peintre Edouard Chimot \"Gouverneur de... Javea\" - ces scènes rapportées d'Espagne ! En hommage cordial. Louis Icart."

Illustrated edition with 20 original black engravings by Marianne Clouzot, one of 675 copies printed on Lana wove paper.
Slipcase spine sunned, joints rubbed, boards uniformly and lightly toned, internally in very good condition.

Illustrated edition featuring 20 original colour engravings by Marianne Clouzot, issued in a limited edition of 375 copies on Rives wove paper.
Spine of the chemise and boards of the slipcase lightly sunned at the margins, as is usually the case, the boards evenly and lightly toned, a fine copy internally.

Our copy is further enhanced by an original blue ballpoint drawing by Marianne Clouzot depicting the profile of a nun, accompanied by a signed autograph inscription to Etienne Crémieu-Alcan.

Illustrated edition featuring 25 original colour watercolours by Lucien Boucher, printed in an edition of 750 copies on Rives wove paper.
As is usually the case, the chemise spine and the slipcase boards are lightly sunned at the edges, the boards uniformly and lightly toned; a fine copy internally.

Illustrated edition with original colour engravings by Marianne Clouzot, one of 575 copies printed on Rives wove paper.
As is generally the case, the chemise spine and the slipcase boards are lightly sunned, the boards evenly and slightly toned, otherwise a fine copy internally.

First edition, one of 350 numbered copies on regular issue paper.

Publisher's full yellow cloth binding, smooth spine, housed in its black full-cloth slipcase, complete with the original silk tie.

A few minor nicks to the slipcase.

Profusely illustrated throughout.

Contributions by Brassaï, Magda Bolumar, Joan Miro, Joan Brossa, Luis Bunuel, Alexander Calder, Eduardo Chillida, Jacques Dupin, Nina Kandinsky, Roland Penrose, Pablo Picasso, Rafols Casamada, Georges Raillard, Josep Lluis Sert, Michel Tapié, Yvon Taillandier, Antoni Tapies, Patrick Waldberg...

An exceptionally rare complete collection in six issues of this important Dada journal, including the very rare sixth no. of July 1921 entitled "Invention et proverbe".

Contributions by Paul Eluard, André Breton, Céline Arnauld, Tristan Tzara, Philippe Soupault, Louis Aragon, Jean Cocteau, Francis Picabia, Jean Paulhan, Maurice Raynal, Georges Ribemont-Dessaignes, Jacques-Emile Blanche, Théodore Fraenkel, among others.

One of the most significant Dada journals published at the height of the movement with its very rare subscription leaflet.

Undoubtedly the finest example of poetic parody conceived by the Dadaists as a radical response...

Illustrated edition featuring original lithographs by Edmond Lajoux, one of 40 numbered copies printed on Rives wove paper.

A pleasing copy, complete with its slipcase and chemise, both partially and lightly sunned, a minor condition issue.

The slipcase is slightly split at the upper edge.

As called for in the limitation statement, our copy retains the black suite of the illustrations as well as an original preparatory artwork for the illustrations.

Our copy is further exceptionally enriched with an original signed colour watercolour by Edmond Lajoux depicting a column of French infantrymen carrying their packs and...

First illustrated edition, printed on alfa bouffant paper, one of the copies from the only issue after 50 copies on Japan paper and 100 on Arches.

Illustrated with 15 wood-engravings by Pierre Bonnard, including a vignette on the upper cover, a frontispiece, and 4 plates hors texte.

Contemporary grey half morocco over bands, spine faded and tooled in gilt with double and broad fillets, moiré and gilt paper-covered boards framed with a black rule and triple gilt fillets, matching moiré and gilt endpapers, original wrappers and spine preserved, top edge gilt, an elegant unsigned Art Deco binding.

A handsome copy in an attractive binding.