Marguerite de Navarre, Louise Labé, Mesdames de Sévigné, Lafayette et de Stael, Sand, Colette, Nemirovsky, Beauvoir, Duras, Yourcenar, Sarraute... Women have left their mark on the history of literature, which has not always done them justice...
First edition, one of 25 numbered copies on bouffant vellum paper from the Salzer mills, ours being No. 1, the only deluxe paper issue.
Handsome copy of this work awarded the Grand Prix du Roman of the Académie française.
First edition of the theatrical adaptation.
Contemporary binding in red half morocco with corners, spine with five raised bands framed by gilt fillets, adorned with double gilt panels and decorative tooling, gilt fillets framing the marbled paper boards, combed paper endpapers and pastedowns, combed edges.
A few stains to the covers, a crisp and clean copy, free of foxing.
Signed autograph inscription by George Sand to the actor Fresne : « à monsieur Fresne, souvenirs affectueux. G. Sand. »
Fresne had performed in her play Molière at its premiere at the Théâtre de la Gaîté i
First edition, with no mention of deluxe paper copies.
Half red marbled sheep binding, spine faded with four raised bands decorated with a gilt floral motif, light rubbing to the bands, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, front cover preserved, modest contemporary binding.
Rare signed and inscribed copy by the author Colette Andris to Jean Blavet.
Novelist, music-hall performer and actress, a forgotten and short-lived muse of the Roaring Twenties music-hall, Colette Andris (the pseudonym of Pauline Toutey) managed to write three novels between 1929 and 1935, with a lot of autobiographical elements. She would die in the prime o
Autograph letter signed by Marguerite Yourcenar, dated 23 January 1957, two pages in black ink on a single sheet, with the original envelope included.
On two densely written pages, Yourcenar confides her editorial frustrations to her close friend, the painter Elie Grekoff, recounting the blasphemous act of her publisher, who had torn in "en deux ou plutôt en quatre" [‘two or rather four’] the dedicated copy of her poetry collection Les Charités d’Alcippe (1956) and returned it to her by post. She discusses joint projects with Grekoff and requests that he accept the profits from a work he illustrated
First edition, one of 55 numbered copies on pur fil paper, most limited deluxe issue.
Endleaves and half-title slightly and partially shaded.
Exceedingly rare and handsome copy of this seminal text of modern feminism.
Our copy is housed in a custom gray clamshell box, square spine titled in red, author's name and subtitles in black, first panel hollowed revealing a black and white photograph of Simone de Beauvoir as a young woman under a plexiglass, title in red, author's name, first volume number and subtitle in black, second panel hollowed revealing a color photograph of the author in her prime under plexiglass, titled in red, author's name, second volume number and subtit
