Scuro

Third edition, partly original, expanded with 25 poems, along with a lengthy introduction by the poet Théophile Gautier and several articles and letters by Barbey d'Aurevilly, Dulamon, Sainte-Beuve, Charles Asselineau, Custine, Edouard Thierry et Émile Deschamps selected by Baudelaire.
With a steel-engraved frontispiece portrait of the author by Nargeot.
One of the rare first issue copies with the correct date of 1868 on the title and without statement of edition.
This comprehensive edition contains 25 unpublished poems, totaling 151 poems (100 poems in the 1857 edition). Among the new poems, eleven are from Les Épaves.
Although...

Three autograph letters signed by Gérard de Nerval (2 pages signed « Gérard »), Théophile Gautier (1 page), and a third, unsigned letter (1 page) penned by a certain « Robert » (cf. Nerval's letter)
 
Louis Desessart, Théophile Gautier's appointed publisher, co-published Nerval’s play Léo Burckart with Barba in 1839. Following financial difficulties, he was forced to take refuge « in that sad and charming city of Brussels ».
 
The three friends wrote this letter from Paris, where they had reunited following Nerval’s long journey to...

Original photograph of Ravachol flanked by gendarmes, period albumen print mounted on card with a red border, bearing the handwritten caption « Ravachol à Montbrison » at the foot.

This image was taken by Auguste Berthon, a photographer based in Saint-Étienne, on the eve of Ravachol’s execution, during a walk in the prison yard at Montbrison. This promenade is mentioned in the surveillance reports of the Conciergerie: « Le détenu a été conduit à la promenade à 8 heures, a déjeuné à 9 heures et est retourné à la promenade de 10 heures à midi où il était encore lorsque nous avons été remplacés. » (11 May 1892)
Very skilful...

First edition on ordinary paper.

Publisher’s full cloth binding, flat spine, minor inconsequential wear to headcaps and corners.

Illustrations.

Rare and valuable presentation copy to Odette and Francis Ponge.

Autograph letter signed by Charles Baudelaire, written in pencil and addressed to his mother. Dry-stamped stationery of the Grand Hôtel Voltaire, Faubourg Saint-Germain. Address to Madame Aupick in Honfleur (Calvados) in the author's hand, together with several postal markings dated 13 and 14 July 1858. Several underlinings, deletions and corrections by Baudelaire. Trace of a wax seal bearing Charles Baudelaire's initials in pencil, probably in the author's hand. A small portion of the second leaf has been excised, with no loss of text.
This letter was first published in the Revue de Paris on 15 September 1917.
From the former collection of...

First edition, one of 60 numbered copies on vélin d'Arche papers, the only grand papier (deluxe) copies with a few hors commerce also on vergé d'Arches.
Illustrated with 6 original lithographs by Antoni Tapies.

A very nice copy.
HAndwritten signatures of Antoni Tapies and Georges Raillard to colophon.

First edition, one of 10 numbered copies on Hollande paper, the only large paper copies along with 10 on China.
Contemporary half red morocco over marbled paper boards, spine in six compartments with gilt flowers, marbled endpapers and pastedowns, covers preserved, top edge gilt.
Provenance : from the Lallemand de Mont collection, Stanislas de Guaita's son in law with his ex libris to pastedown.
A rare large paper copy with an exceptional provenance. 

First edition, of which there were no large paper copies.

Near contemporary red half morocco over marbled paper boards by P. Ruban, spine in six compartments, raised bands bounded by black fillets, date gilt at foot of spine, marbled endpapers and pastedowns, covers preserved, top edge gilt.

Attractive ex libris engraved by Provost-Blondel on pastedown, representing a helmet with a feather, medallion and a strip with the motto “Tojours en face.” The ex libris belonged to Victor Coué, a 2^nd Lieutenant killed in the First World War.
This copy has two frontispieces: one lithograph heightened by Félicien Rops showing a caricature of Barbey d'Aurevilly...

Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.

Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.

Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.

Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.

Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.