First edition, one of 38 numbered copies on alfa paper, the only deluxe copies issued.
A very handsome copy.
First edition, one of 38 numbered copies on alfa paper, the only deluxe copies issued.
A very handsome copy.
First edition of Pierre Drieu la Rochelle's first book, one of 150 numbered copies on Hollande laid paper, the only deluxe copies.
Precious autograph inscription signed by Pierre Drieu la Rochelle : « to Charles Maurras this anxious testimony. Pierre Drieu la Rochelle ex. sergeant in the 146th Infantry. October 1st, 1917. »
Important testimony of the young Drieu la Rochelle's admiration – then in full intellectual development – for the « master of Martigues » to whom he sends this copy of his war poems composed in 1916 after being wounded at Verdun.
Demobilized and disillusioned by a war for which he had enlisted hoping to wash away the defeat of 1870, Drieu oscillates between Aragon's communism and Maurras's integral nationalism. Having discovered the latter in adolescence, he considers him from then on as one of his intellectual masters alongside Maurice Barrès, Rudyard Kipling and Friedrich Nietzsche. In November 1918, he would write to him: « It is you, it is your prudent thought that destroyed in me, around 1915 or 1916, my Germanic conception of joyful war. Having fought in the infantry during the first winter, I already knew all too well that war was not joyful... »
Glorifying Maurras as « the greatest political thinker of the last century » (Gilles), he is – like many young people of his generation – seduced by the patriotic aura as well as the taste for action and morality embodied by the leader of Action Française. Throughout the 1920s, the ambivalent Drieu will hesitate on which political path to take, before evolving toward fascism, definitively abandoning Maurrassian conservative ideology.
Very rare first edition printed in 25 numbered copies, ours being the unique copy printed on vellum and bearing No. 1, a deluxe copy.
Printed proof stamp on the half-title page: "E. Capiomont & Cie imprimeurs. 37, rue de Seine, Paris 30Janvier 188. Epreuve"
Full chocolate brown morocco binding, spine very slightly faded with four raised bands, gilt date and gilt "épreuves" notation at foot of spine, gilt roulettes on headcaps, marbled endpapers and pastedowns, frame of six gilt fillets on pastedowns, original wrappers preserved, top edge gilt, double gilt fillets on leading edges, bookplate pasted on one pastedown, slipcase with chocolate brown morocco borders, marbled paper boards, grey felt lining, magnificent binding signed by R. Aussourd.
Provenance: from the prestigious library of the great bibliophile Doctor Lucien-Graux with his bookplate pasted on one pastedown.
Very rare and handsome deluxe copy perfectly executed by René Aussourd.
First and complete edition in 7 issues of this review founded and directed by Emmanuel Berl and Pierre Drieu la Rochelle, one of the rare copies on Madagascar paper of which no mention is made.
Bound in half red morocco-grained shagreen with corners, spine with five raised bands set with black fillets, some very light traces of rubbing on spine, date and place gilt at foot, marbled paper boards, endpapers and pastedowns of moiré-effect and gilt paper, top edge gilt, contemporary binding signed by Lagadec, elected best craftsman of France in 1927.
Manuscript signature of Emmanuel Berl at foot of the last page of the fifth issue.
First edition in French, one of 8 numbered copies on Imperial Japan paper, ours being one of 3 hors commerce copies, deluxe printing.
Some foxing to boards and certain deckled edges.
A rare full-margined copy.
First edition, one of 100 numbered copies on hollande paper, deluxe issue (only the first volume numbered).
Each volume includes a historical introduction by Philippe De Gaulle.
Ex-libris pasted to the front of each volume.
A very fine copy with wide margins, complete in twelve volumes of this important work, commencing in 1905 and concluding in April 1969.
First edition, one of 350 numbered copies on handmade paper, ours unnumbered, the only deluxe copies.
Half-shagreen red binding, spine with five raised bands highlighted with gilt dotting and decorated with double gilt fillets, small stains on spine, marbled paper boards, endpapers and pastedowns, front cover preserved, corners very slightly bumped, speckled top edge, contemporary binding.
Precious autograph inscription dated and signed by Marcel Bleustein, who took the pseudonym Blanchet during the Resistance, to Paul Verneyras.
Press man, union activist and politician, Paul Verneyras joined the Resistance from 1940 by participating in the development of the Libération-Nord movement with Gaston Tessier. For his action during the occupation, Paul Verneyras was decorated with the rosette of the Resistance and made officer of the Legion of Honor.
Moving tribute from one Resistant to another Resistant.
First edition, one of 150 numbered copies on vellum, the only deluxe copy.
Bound in half red chagrin, spine with five raised bands set with gilt dotted lines and decorated with double gilt fillets, marbled paper boards, endpapers and flyleaves of mould-made paper, first cover preserved, speckled top edge.
A pleasant copy.
First edition, one of 100 numbered copies on handmade vellum, the only deluxe copies.
Bound in half-red shagreen, spine with five raised bands decorated with gilt dots and ornamented with double gilt fillets, marbled paper boards, marbled endpapers and pastedowns, front cover preserved, top edge speckled.
Preface by General Roques.
Handsome copy complete with its folding map at the end of the volume.
First French edition, one of 77 numbered copies on pur fil, only deluxe issue.
Preface by Albert Camus.
Nice copy housed under a chemise and slipcase by Devauchelle.
First edition, one of 9 numbered copies on Japon, only deluxe issue aside from 35 copies on pur fil, and a few on colored paper.
Small restorations to spine-ends.
Illustrated with 20 photographs, including 7 photographs by Man Ray, 4 by Brassaï, one each by Dora Maar, Henri Cartier-Bresson and Rogi André, as well as artworks by Max Ernst, and the statue of a "female character" by Giacometti, in which the writer saw "the very emanation of the desire to love and to be loved in search of its real human object, in its painful ignorance".
First edition, one of 41 numbered copies on Hollande paper, from the deluxe issue.
Contemporary half black morocco binding, smooth spine, wood-effect paper boards, marbled paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, other edges untrimmed, binding signed L. Bergeron.
A fine copy.
First edition, one of 120 numbered copies on laid paper, deluxe copy.
Handsome copy.
Second edition with some parts in first edition (with 5 added tales), Félix Vallotton's illustrations in first issue, one of 20 numbered copies on japon, only deluxe issue.
Bradel binding, brown 3/4 cloth, smooth spine with floral motif stamped in gilt at center, twice ruled in gilt at foot, slightly chafed morocco title-label, marbled paper boards, original covers and spine preserved, contemporary binding signed Carayon.
Small clear stains to the top edge of first board, one corner slightly rubbed, a spot of foxing at foot of the first few pages.
Illustrated with 50 drawings by Félix Vallotton.
Rare and handsome copy housed in a contemporary binding by Carayon.
First edition, one of 100 copies on Japon, the only deluxe issue.
Navy blue half shagreen with slight color restoration, spine with five raised bands abundantly framed in gilt, blue watered silk flyleaves, marbled endpapers and pastedowns, original wrappers and spine preserved, gilt top edge, binding signed J. Querelle.