Inscribed Books

New edition for standard paper, press service mark at the top of the second plate.
Foreword by Armand Godoy.
Beautiful autograph shipment signed by Oscar Wenceslas by L. Milosz to Mademoiselle Nizan.

First edition, one of 1000 ex numbered on Alfa paper, ours not justified.
Beautiful copy.
Precious autograph shipment signed by Jean Cassou to Maurice Sachs.

First edition, one of 200 numbered copies on Alfa paper reserved for the press.
B el copy.
Autograph dedication signed by Emmanuel Berl to Henri Petit.

first edition.
Rare autograph dedication of the author of Carlos B. Quiroga to the Latin American Review.
Back slightly insolated, otherwise pleasant copy.

first edition.
Pleasant copy.
Autograph shipment dated and signed by René Depestre to Michel Deguy enriched with an autograph shipment signed by Claude Couffon.

first edition on current paper, there is no mention of large papers.
Slightly soiled back and boards.
Autograph dated and signed by Elie Wiesel to a friend named Ion: "... because he knows how to tell."

First edition on current paper, one of 1450 numbered copies on Djebel vellum.
Pleasant copy.
Autograph signed by René Char to Marcel Arland.

Commentaires


Seuil | Paris 1961 | 14 x 20.5 cm | original wrappers
First edition of which there were no grand papier (deluxe) copies, one of the advance (service de presse) copies.
One clear, small water stain at the top of the very lightly sun-damaged spine, tiny tears at the top and bottom of the spine.
Work decorated with illustrations and photographs by Chris Marker.
Very rare and humorous handwritten presentation signed by Chris Marker to André and [Sacha?]: «et ce n'est pas fini.» («and it isn't finished.»)

Second edition partly original as revised and enlarged.
Autograph shipment signed by Florent Fels to Doctor Collet enriched with an autograph shipment signed by Carzou as well as an original drawing in colored pencils representing a floral decoration.
Iconography.
Back slightly wrinkled as usual, nice copy.

first edition on current paper.
Back slightly insolated without gravity and with a lack in the head.
Autograph dedication signed by Sacha Guitry to Sam Aron.

first edition on current paper, there is no mention of large papers.
Bradel binding in half percaline periwinkle, smooth back decorated with a golden floral pattern, double golden thread in the tail, title label of red shagreen with some small traces of friction, marbled paper boards, golden head, binding of the contemporary unsigned but attributable to Lancelin.
Autograph signed by André Theuriet to his publisher Paul Ollendorff.
Beautiful copy pleasantly established.
Provenance: Paul Ollendorff library.

First edition, one of 30 numbered copies on Holland paper, head print.
Autograph signed by Jean Sarment to Paul Bonet.
Beautiful copy wide-margined.

first edition.
Pleasant copy, iconography.
Autograph signed by Father Jaouen to a friend named Tamara enriched with the handwritten signature of Alain Maucorps.

William Klein, photographie etc...


Centre Georges Pompidou | Paris 1983 | 21 x 31 cm | publisher's binding
First edition of the catalogue for the retrospective of the photographer William Klein's work at the Georges Pompidou centre.
Publisher's binding, illustrated boards.
Beautiful copy, rich iconography.
Handwritten inscription signed by William Klein: «à l'unique, à l'irremplaçable Fanny, avec toute mon amitié, Bill.» («To the unique and irreplaceable Fanny, with all my love, Bill.»)

first edition printed in 60 numbered copies on Arches paper vellum.
Illustrated book of 8 original drypoints by Jacques Pajak.
Signatures of Jacques Monnier and Jacques Pajak at the justification of the draw.
Shirt flat slightly and marginally insolated without gravity, a small trace of ballpoint pen on the case.
Pleasant copy.

first edition.
Small angular gaps on the boards.
Autograph signed by André Gervais to Jean Paillard.

first edition on current paper.
Marginal stitches on the boards, back slightly exposed.
Autograph signed by Roger Vailland to Jeanne Billard.
.

First edition, one of the numbered copies of the first broadcast to the press, mention of second edition.
Ex-dono with pen at the head of a guard as ex-libris.
Precious and beautiful autograph signed by Francis Jammes to Jacques-Emile Blanche: "To Jacques Blanche these leaves where the fauna that his genius painted"

First edition of the French translation for which it was not printed from large papers.
Pleasant copy.
Handwritten signature of Günter Grass on the half title page.

First collected edition, partly original, by far the most important and most sought-after (cf. Clouzot), with Chateaubriand having revised and reworked a large part of his writings.
This set also contains in first edition several texts including Les Natchez, Le Dernier Abencérage, Le Voyage en Amérique, and Moïse (placed at the end of vol. XXII and often lacking).

Each volume illustrated with a frontispiece by Charles Thompson.

Bound in contemporary navy blue half shagreen, spines with five raised bands, marbled paper boards, marbled endpapers and pastedowns. A few spots of foxing.

Together with these collected works, uniformly bound: a volume entitled Œuvres diverses (collecting several political pamphlets in first edition); Le Congrès de Vérone (2 vols., Delloye, 1838); Essai sur la littérature anglaise and Milton’s Paradise Lost (both Gosselin, 1839).

In the volume Œuvres diverses, important presentation inscription signed by François-René de Chateaubriand to Monsieur (Henri) Bayart on the half-title of La nouvelle proposition relative au bannissement de Charles X et de sa famille.

This inscription, dating from the writer’s final years, is addressed to Henri Bayart (1825–1892), godson of the Duchesse de Berry and brother of Sophie-Josèphe Bayart, a close friend of François-René and his wife. The Chateaubriands and the Bayart family formed bonds of friendship and business during the Hundred Days and remained close until the end of their lives. As staunch legitimists devoted to the Bourbon cause, they even attempted the impossible in seeking to have the writer appointed governor to the young Comte de Chambord, claimant to the French throne. When writing this inscription, probably around 1843, Chateaubriand was at the twilight of his political and literary life; close to the Comte de Chambord, then exiled in England, the Bayarts once again tried to intercede on his behalf, sending Henri Bayart, without success, to persuade the last Bourbon heir to invite the ageing writer into his circle.

A rare and fine set in uniform bindings, containing numerous first editions and enriched with an important presentation inscription.

First edition, one of 25 numbered copies on vellum, only large papers.
Beautiful copy despite two small spots at the bottom of the first board.
Autograph dated and signed by Yasmina Reza to a friend named Ion: "To you, my dear Ion, this copy on vellum N ° IV, for your twentieth birthday! I invite you and your friend Strinberg to snuggle up against me so that we can laugh, laugh, as we like. "

First edition, one of the numbered copies.
Publisher's binding in full black canvas, smooth back, first board illustrated with a reproduction of a work by Guy Rey-Millet
Beautiful complete copy of his rhodoïd which includes three marginal losses, illustrated work of reproductions of works of Guy Rey-Millet.
Precious autograph dedication signed by René Etiemble: "For André Breton, with a sure eye, with faithful admiration, and the memory of Etiemble".

first edition on current paper.
Sun back, three spots on the first board, small marginal tears on the second board which also has, at the top, three traces of folds.
Autograph dedication signed by Edouard Dujardin to Benjamin Crémieux.

first edition on current paper.
Illustrated cover.
A small tear at the bottom of the back.
Autograph dedication signed by Jacques Prévert to the great Rimbaldian and gallerist Henri Matarasso: "To the matarasso friend-master, to become happy with it. Jacques Prévert." enriched with the autograph signature of André Pozner.

first edition on current paper, one of the review copies service.
A small restoration at the head of the back.
Precious autograph signed by Blaise Cendrars: "To Ungaretti with the good memory of Blaise Cendrars."

Think dirty be naughty feel happy


no publisher | no place 2010
| 16 x 24 cm | original wrappers
First edition printed in 400 copies.
Photographs by Toums.
Autograph inscription signed by Toums: «Fuck art ! Let’s act... Bisous. Toums» enriched with a little drawing representing an inverted crucifix.

First edition on current paper.
Signed autograph Henri Massis François Daudet: "... this" package "of his" old ", affectionately."

Illustrated edition, frontispiece, of an original engraving by Pablo Picasso on a flyer, one of 1000 numbered copies.
Stained boards, an angular fold at the foot of the second board.
We enclose two reproductions of photographs of judo shots.
Our copy is enriched with an original drawing of Robert J. Godet representing a devil in judoka kimono surmounted by two intertwined katanas embellished with this autograph dated and signed: "Why does this young devil look so pitiful Because he feels that if he continues to work bent in two, he will never have the black belt, wishing him for it soon Robert J. Bucket Black Belt 18.11.50 ".

First edition of this collective tribute to the poet Claude Aubert.
Iconography.
Unpublished texts and poems by Claude Aubert followed by a tribute by Grisélidis Réal, Georges Borgeaud, Lorenzo Pestelli, Jean-Georges Lossier, Albert Py and Marcel Raymond.
Grisélidis Real, writer, painter and prostitute, is a great romantic figure of the late twentieth century. A lover, militant, fighter and poet, she upset the customs of Geneva society. She is now buried in the Cemetery of the Kings in Geneva between Jean Calvin and Jorge Luis Borgès.
Nice copy.
Rare autograph dedication dated and signed by Grisélidis Réal: "To Madame Mélamet with my friendship Grisélidis Real In memory of the beautiful days of Easter 1974 in his house in Nevers."

First edition.
Nice copy.
Autograph signed by Raymond Las Vergnas to Madame Corbelette.

First edition.
Pleasant copy despite a small marginal tear on the first board.
Signed autograph Jacques Brandicourt to the bookseller Michel Couppé: "... who loves and sells beautiful literature ..."

First edition for which it was not drawn from great papers.
Rare autograph signed by Tonino Benacquista to a friend named Pierre: "Pierre This is a working tool (it saves photocopying) while waiting for Hollywood, good to you."

First edition, one of 20 numbered copies on vellum Arches paper reserved for the bibliophilic society of "XX".
Rare and nice copy under double cover of "XX" and Grasset.
Handwritten signature of Joseph Peyré to the justification of the draw .

Edition of the year of the original.
Binding full carton vellum style, smooth back, title label of brown shagreen, boards struck at their centers of the golden arms of Count Paul Biver, guards and contreplats of handmade paper, covers and back preserved, gilded head, binding of l 'time.
Illustrated book of 21 wood and 143 initials of Adolfo de Carolis
Beautiful copy nicely drawn with the golden arms of Paul Biver.
Signed autograph dedication of Gabriele d'Annunzio to Count Paul Biver.

First Edition for which he was not drawn from large paper.
Some bites on the boards.
Rare autograph dedication signed by Benjamin Fondane to the poet Raymond Datheil.

First Edition for which he was not drawn from large paper.
Pleasant copy despite a trace of crease margin of the first board.
Signed autograph of Jorge Semprun Jacques Duchateau.

First edition on current paper.
Nice copy.
Beautiful autograph signed by André Frénaud Georges Raillard and Annabel and Jean-Marie Queneau: "... in memory of his father who is one of the men I loved the most."

First edition for which it was not drawn from great papers.
Two small tears in the foot of the back.
Autograph tribute signed by Albert Charpentier.

First edition of the French translation by S Heller.
Binding in red half calf, back with five small nerves set with golden dots and adorned with double gilded and decorated boxes, piece of black calf title, double gilded nets framing of marbled paper plates, guards and contreplats of combed paper, head gilded, Contemporary binding.
Some small foxinges.
Rare and nice copy nicely established.
Autograph dedication signed by S Heller to Dr. Renauldin.

First edition for which it was not drawn from great papers.
Nice copy.
Autograph dedication signed by Henri Azeau to Michel Couppé: "... this book of a past that is perhaps that of a future ..."

First edition for which it was not drawn from great papers.
Pleasant copy despite a clear wetness at the top of the first board.
Autograph signed by Tran-Minh Tiet Michel Couppé.

Yves Tanguy First edition of this work conceived by Marcel Duchamp, one of 1150 numbered copies.
Publisher's bindings, black spine and grey boards, small signs of wear on the joints and spine ends.
Work illustrated with 55 reproductions of works by Yves Tanguy, 2 of which are in colour.
Presentation copy, dated and signed by Yves Tanguy to Georges Gallowhur enhanced with an original drawing produced in black ink.

First edition.
Nice copy, photographic cover.
Autograph dedication signed by Robert Hue to a couple of activists.

First edition.
Nice copy.
Rich iconography.
Autograph signed by Gisèle Freund to a friend named Elisabeth.

First edition of this exhibition catalog.
Text in German.
Nice copy.
Rich iconography.
Autograph dedication dated and signed by Gisèle Freund to a friend named Elisabeth.

First edition, of which only 500 copies were issued. With an etched frontispiece portrait of Théophile Gautier by Emile Thérond.

With a substantial prefatory letter by Victor Hugo.

Red morocco binding, gilt date at the foot of spine, marbled endpapers, Baudelairian ex-libris from Renée Cortot's collection glued on the first endpaper, wrappers preserved, top edge gilt.
Pale foxing affecting the first and last leaves, beautiful copy perfectly set.
Rare handwritten inscription signed by Charles Baudelaire: “ à mon ami Paul Meurice. Ch. Baudelaire. ” (“To my friend Paul Meurice. Ch. Baudelaire.”)
An autograph ex-dono slip by Victor Hugo, addressed to Paul Meurice, has been added to this copy by ourselves and mounted on a guard. This slip, which was doubtless never used, had nevertheless been prepared, along with several others, by Victor Hugo in order to present his friend with a copy of his works published in Paris during his exile. If History did not allow Hugo to send this volume to Meurice, this presentation note, hitherto unused, could not, in our view, be more fittingly associated.

Provenance: Paul Meurice, then Alfred and Renée Cortot.

First edition, one of the rare copies on Holland paper of which no mention is made.
Half black shagreen bindings with corners, spines faded and sunned with five raised bands decorated with gilt fleurons, marbled paper boards with light scratches of no consequence, endpapers and pastedowns of floral-patterned paper, red edges.
Some small annotations often chronological in pencil and reading marks in black ink on certain leaves and in the table of contents, some light foxing.
Our copy is also extra-illustrated with press clippings and leaves of reading notes written by a previous owner.
Work decorated with 13 plates hors-texte which do not appear to be contained in the volumes on ordinary paper.

First edition consisting of an album of 27 prints colored or in black in or inset, most numbered and justified by Adlen, one of the 243 numbered copies on offset Sirène du Marais.
Some small foxing mainly affecting the very first and last leaves.
Our copy is quite complete of the 27 prints it must contain, and not 25 as erroneously announced to the justification of the print.
Serge's text.
Signed autograph dedication of Adlen to Armand Lanoux below the justification of the draw.

First edition, one of the review copies service.
Pleasant copy despite the back slightly insolated head and foot.
Autograph dedication dated and signed by Michel Butor to his friend the art critic and specialist of the New Roman Georges Raillard on the front page which was also punched by Michel Butor with a punch.

First edition on current paper.
Three clear spots on the second board, otherwise nice complete copy of his prayer to insert.
Tricolor autograph dedication signed by Henri Pichette to Xavier Louis: "... from the heart to the soul ..."

First edition for which it was not drawn from great papers.
Ex-dono feather above the signature of Louis Althusser.
Handwritten signature of Louis Althusser on the first guard.

First edition for which it was not drawn from great papers.
Small foxing on boards and most leaflets.
Iconography, preface by General Roques.
Autograph dedication signed by Henri Manjaud to Sergeant Velcin.

First Edition, one of 62 numbered copies on Alfa paper, only leading copies after 30 "pur-fil" paper.
Nice copy.
Autograph dedication signed by Henri Massis to Jean Pétillard

First edition of the French translation by José Maria de Heredia.
Bindings in half brown morocco with corners, back with five nerves set with gilded nets and adorned with crossed golden swords overcoming a honorific golden distinction, golden dates in tails, framing of gilt fillets on marbled paper plates, guards and contreplats of paper in the tank, golden heads.
Signed autograph of José Maria de Heredia to Leon Charmolüe on the first volume.
A small snag on an upper corner of the third volume.
Nice copy pleasantly established.

First Edition, printed stamp of press service at the bottom of the second plate.
Binding half shagreen havana corners, back with four nerves set with gilded nets, paper plates effects moiré and gold, guards and contreplats of handmade paper, preserved covers.
Autograph signed by Francis Carco to Marcel Thiébaud.

First edition, one of 45 numbered copies on "pur-fil" paper, only leading copies.
Nice copy.
Autograph dedication signed by Henri Massis to Mr. Jean Pétillard: "... these pages to serve the history of an era that we now witness."

First edition, one of 300 numbered copies on large vellum Arches paper, ours specially printed for Eugene Montfort, justified and numbered by Gaston Chérau .
Nice copy.
Autograph dedication dated and signed by Gaston Chérau to Eugène Montfort: "... a friend and a faithful admirer ..."

First edition, one of the review copies service.
Clear foxing without gravity on the boards, complete copy of his prayer to insert.
Autograph signed by Maurice de Vlaminck to Monsieur Van de Voorde.

First edition.
Iconography.
Pleasant full copy of his illustrated jacket.
Beautiful autograph dated and signed by Colonel Remy: "To Professor Charonnat, the comrade of combat, in memory of a sad but glorious time, a tribute of faithful friendship."

First edition, one of 40 numbered copies on "pur-fil" paper, only leading copies.
Nice copy.
Autograph signed by Alfred Fabre-Luce to Dr. J. Quelet.

First edition, one of 25 numbered copies including well, on loose leaf, an original engraving Yves Mairot numbered and justified, head print.
Nice copy.
Publisher's binding in full canvas sand, smooth back, complete copy of his illustrated jacket.
Texts by Gabriel Monnet, Yves Mairot and Michel Gauthier-Darley.
Handwritten signatures of Yves Mairot and Michel Gauthier-Darley below the justification of the draw.

First edition, one of the few non-trade copies on vellum BE.
Nice copy.
Prefaces of Pierre Mac-Orlan and Roland Dorgelès.
Illustrated book, frontispiece, drawing by Gus Bofa.
Autograph signed by Georges Guierre, in the form of an unpublished quatrain entitled "Bells", to Jules Kaehrling

First edition, one of 500 numbered copies on laid to shape.
Back and marginally insolated boards, nice interior state.
Autograph dedication signed by François-Paul Alibert to André Nadal: "... these poems which were mostly designed under the sign of music".

First Edition printed in small numbers on Auvergne.
Back and flat very slightly and marginally insolated.
Pleasant illustrated example of original woods of François Angeli.
Autograph dedication dated and signed Henri Pourrat Anne-Marie Kempf: "... wishing she likes, a little later, this paper in hand, our paper mills, and their devil same, with the compliment the best of the country of Ambert ... "

First illustrated edition printed with 750 numbered copies on Auvergne.
Binding in full red shagreen, slightly discolored back with three big nerves, marginally discolored boards, guards and contreplats of handmade paper, gilded head, preserved cover, Contemporary binding.
Illustrated book of engraved woods by François Angeli.
Autograph signed by Henri Pourrat to Gilbert Kempf on a piece of paper Auvergne pasted on a guard.

First edition, one of the numbered copies on white vellum.
Handsome copy despite two small sunning marks at head and foot of spine.
Work illustrated with numerous illustrations by Yves Brayer engraved on wood and in color by Gérard Angiolini.
Fine autograph inscription signed by Henri Pourrat to Gilbert Kempf: "... cette histoire de l'homme et de la brebis dans une Auvergne plus (mot illisible) et plus ensoleillée que l'Auvergne..." ["... this story of man and sheep in an Auvergne more (illegible word) and more sunny than Auvergne..."]

First edition, one of 725 numbered copies on Auvergne, only leading copies.
Pleasant copy decorated with illustrations by Henri Charlier.
Autograph signed by Henri Pourrat on a piece of paper Auvergne to Gilbert Kempf: "This book of the mountain and its people, - and he can make friends with them ..."

Edition adorned with 26 original illustrations by Charles Fouqueray, one of the numbered copies on vellum astra.
Pleasant copy despite two small traces of sunstroke in the head and foot of the back.
Signed autograph dedication of Vercel to Mr. and Mrs. Emile Ehrbar: "... these boreal images as a kind of sympathy ..."

First edition on current paper.
Nice copy.
Autograph signed by Alain Robbe-Grillet to a friend.

First Edition printed with 150 copies numbered and justified by André Hurtret on superior offset .
Illustrated book of 23 drawings by the author.
Back and flat slightly and marginally insolated.
Autograph dedication dated and signed André Hurtret to Mr. and Mrs. Bertin.

First edition, one of 100 numbered copies on Holland paper, the only deluxe copies.
A tear at foot of first cover, covers marginally discolored and sunned, a dampstain at head of second cover.
Handsome interior condition.
Signed autograph inscription by Jean Psichari, the dedicatee's name has been erased.

New edition.
Nice copy.
Autograph dedication signed by Albert Cossery to Jacques Chevallier.

Greeting card printed and addressed to Georges and Alice Raillard for the year 1968 signed by Hans Hartung and his wife Anna-Eva Bergman.
Beautiful copy, envelope attached.

First edition, one of 38 numbered copies on wove paper, ours one of 18 hors commerce copies, the only deluxe copies.
Fine copy.
Autograph inscription signed by Paul Allard to Louis Cheronnet: "... en souvenir d'un remords et d'une faute qui prive ce livre de tout sens philosophique. Paul Allard." ["... in memory of a remorse and a fault which deprives this book of all philosophical meaning. Paul Allard."]

First edition, one of 60 numbered copies on Alfa paper, ours one of the 10 out of trade, only leading copies after 35 vellum Marais.
Nice copy despite the back very slightly insolated.
Beautiful autograph dedication signed by Jacques Chardonne to his friend the writer and publisher Jean-Paul Caracalla and his wife: "For Jeanine and Jean-Paul Caracalla with the warm and well-known friendship

First edition, one of the copies on Japan of which no mention is made.
Back slightly insolated without gravity.
Beautiful and rare copy at all margins.
Precious autograph signed by André-Ferdinand Herold: "To the venerated master Leconte de Lisle with respectful admiration."

First edition, one of the review copies service.
Small foxing in the margins of the boards and on the back, a clear wetness at the head of the second board.
Precious autograph dedication signed by Raymond Queneau to his close friend and biographer Jean Queval, like him, figure and creator, Oulipo.
.

First edition, one of the review copies service.
Insolated back, clear marginal wetness on the boards.
Precious autograph dedication signed by Raymond Queneau to his close friend and biographer Jean Queval, like him, figure and creator, Oulipo.
.

First edition, one of the review copies service.
Freckles on the boards and the back.
Precious autograph dedication signed by Raymond Queneau to his close friend and biographer Jean Queval, like him, figure and creator, Oulipo.
.

First edition.
Rare and nice copy.
Autograph dedication signed by Roger Bouffé: "To Bernard Martin with the challenge of carrying out a reflection with a view to a common achievement".
.

Greeting card addressed to Georges and Alice Raillard for the year 19767 and signed by Albert Rafols-Casamada and his wife Maria .
Beautiful copy of this greeting card on which Maria added these words: "A year full of joir, we wish you, your friends Maria and Albert".

First edition of the French translation, one of the review copies service.
A small hitch in the back of the back slightly discolored.
Signed autograph dedication from Lawrence Durrell in English to Françoise Cardot in blue marker.

First edition for which there is no mention of leading copies.
Binding half brown Moroccan brown, back thinned with four nerves set with double gilded nets and triple golden boxes, back with some traces of rubbing, golden date tail, gilt fillet on marble paper plates, guards and contreplats of paper in the bowl, gilded head, preserved covers, ex-libris glued on a contreplat, Contemporary binding.
Our copy is enriched by an autograph ticket signed by Jules Lemaître, stamped on a guard who left a shadow on the page opposite.

First edition, one of 40 numbered copies on "pur-fil" paper, only leading copies.
Nice copy decorated with 16 illustrations.
Autograph signed by Maurice Andrieux Gerard Mainguet.

First edition of the catalog of the exhibition of recent works by Albert Rafols-Casamada at the gallery Joan Prats in November-December 1984.
Illustrated book of reproductions of Albert Rafols-Casamada's works.
Catalan text by Rosa Queralt.
Signed autograph Albert Rafols-Casamada, in French, Georges Raillard and his wife Alice "Dear friends, after the pleasant stay in Paris, I just opened the exhibition in Barcelona. Well done, Albert.

First edition of the catalog of the exhibition of the works of Albert Rafols-Casamada exhibited at the gallery Joan Prats and which was published for the opening of November 16, 1978.
Binding of the editor in full cream canvas, smooth back, illustrated jacket with tears and a significant marginal lack at the top of the first board.
Illustrated book of 85 reproductions of Albert Rafols-Casamada's works.
Catalan, Spanish, French and English quadrilingual text, press cuttings have left a shadow on the guards.
Autograph dedication dated and signed Albert Rafols-Casamada, in French, Georges (Raillard) and his wife Alice enriched with a drawing.

First edition on current paper.
Pleasant copy with illustrations by Jiri Kolar.
We enclose a postcard on which Michel Butor has made an autograph dedication dated and signed to his friend the art critic and specialist of the New Roman Georges Raillard.

First edition of the catalog of the exhibition dedicated by the Galeria de Cyprus art of Barcelona during the summer of 1996.
Beautiful illustrated copy of reproductions of works by Frédéric Amat.
Multicolor autograph signed by Frédéric Amat Georges Raillard made in black felt and also with touches of paint pink, blue, green, yellow, red.
The inks and paintings of the shipment have been unloaded on the opposite page.

First edition of the catalog of the exhibition dedicated by the Galeria Belarte in Barcelona in 1965 to the works of Daniel Argimon.
Back and flat marginally insolated and discolored, pleasant interior state.
Illustrated copy of reproductions of works by Daniel Argimon.
Texts by Carlos Antonio Arean, Juan Eduardo Cirlot, Arnaldo Puig and Cesareo Rodriguez Aguilera.
Signed autograph of Daniel Argimon to his friend the art critic Georges Raillard.

First edition of this book dedicated to Igor Strawinsky, a copy of the press service.
Pleasant copy despite the back slightly insolated, small dumps of adhesive paper heads and feet of the guards.
Biblical autograph dedication dated and signed by Michel Butor to his friend the art critic and specialist of the New Roman Georges Raillard.