
Rare first edition, with the wrapper and title page dated 1874.
Half black morocco binding with corners, spine with five raised bands, date at foot, gilt fillet on boards, combed paper pastedowns and endpapers, original wrappers preserved, top edge gilt, binding signed Alix.
Printed in 1869 by Lacroix, this edition was not released for sale for fear of censorship. Only about ten copies were stitched and given to the author (five have been recorded to date). In 1874, Jean-Baptiste Rozez, another Belgian publisher-bookseller, acquired the stock and published the work with a wrapper and cancel title page dated 1874, without publisher's imprint. It was in his...
First edition, one of the first-issue copies press-numbered, from a total limitation of just 23 deluxe copies on Holland paper.
Illustrated with a frontispiece portrait of Guillaume Apollinaire by Pablo Picasso.
Spine sunned with discreet restorations.
Our copy is preserved in a red half morocco chemise, spine with five raised bands, date lettered at the foot, paper-covered boards, matching paper slipcase edged in red morocco, the whole signed by Boichot.
Rare presentation copy signed and inscribed by Guillaume Apollinaire: "à Henri Ghéon dont j'aime la poésie, Guillaume Apollinaire".
Our copy further contains five manuscript corrections in...
First complete collected edition and first illustrated edition. The first edition of Dom Garcie de Navarre, L’Impromptu de Versailles, Dom Juan ou le Festin de Pierre, Les Amans magnifiques, and La Comtesse d’Escarbagnas. With thirty copper engraved illustrations by Jean Sauvé after Pierre Brassart, 9 of them included in the pagination.19th-century red full morocco binding, spines with five raised bands, date gilt at foot, double gilt fillets to edges of covers and spine-ends, large inner gilt dentelle, marbled endpapers, all edges gilt. Bindings...