Supple and very light, this beautiful, silky, puffy paper is nonetheless considered the least prized of luxury limited issues, and is not even regarded as a true “grand papier” (large paper, or special paper issue). In France, papier Alfa is used for authors' copies, or limited copies with the highest number, often printed in large quantities. In England, where large paper copies are less common, Alfa became the default publishing paper from the end of the 19th century. Often inexpensive, copies on Alfa are very pleasant to read and offer a good approach to book collecting.
First edition, one of 23 numbered copies on alfa paper, the only deluxe paper issue together with 10 copies on pur fil.
Endpapers slightly toned and lightly foxed.
First edition, one of numbered copies on alfa.
A good copy.
Autograph inscription from Irène Némirovsky to monsieur Maier.
First edition, one of 126 numbered copies on alfa, complete with the original signed etching by Brassaï, , the tirage de tête.
Autograph inscription by Brassaï.
Additionally, this copy is further enriched with three leaves on which Brassaï has recorded some thoughts in holorhyme: "Epopée rimée des peaux périmées / Les chameaux volés tuent les chats mauves aux laitues / L'émule d'Epicure opère au quai Malaquais, les mules des piqûres aux perroquets mal laqués..."
Introduction by Henry Miller.
A very good copy with exceptional additions.
