Stock

first edition.
Binding rubbed in half chocolate sheepskin, smooth back decorated with double boxes and cold fillets, leveled upper caps, gilded initials in tail, Contemporary binding.
Copy free of freckles.
Autograph signed by Henry Becque to Adrien Bernheim.

First edition of the French translation for which it was not printed from large papers.
Small traces of folds on the corners of the first board.
Iconography.
Handwritten signature of Jerry Lewis on the cover page.

First edition, one of the review copies service.
Some marginal foxinges on the boards.
Autograph signed by Maurice de Vlaminck to Mr. Van de Voerde.

First edition.
The film pelicullé of the back having a tendency to detach and having caused misses, pleasant interior state.
Signed autograph dedication of Antoni Tapies, in French, to his friend Georges (Raillard), great specialist of the work of Antoni Tapies, and his wife Alice: "... with the greatest esteem ..."
Our copy includes, on the margins of some sheets, reading marks (a blue ball pen reading mark) and a hand-written correction (page 95) by Georges Raillard in pencil.

First edition of the French translation for which it was not drawn from great papers.
Iconography.
A stain on the edge of the first sheets, film pelicullé tending to detach from the back.
Our copy is enriched with pencil drawings on the guards and pages 118-119 of which we do not know the author.
Rare autograph dedication signed by Melina Mercouri, in French, to her friend Jani (Brown) .

First edition on current paper, it has been printed only 20 "pur-fil" paper in large papers.
Illustrated book, frontispiece, a portrait of Jean Cocteau by Pablo Picasso.
A lack in the back of the head, paper dumps in heads and feet of the title page and the last guard affecting, the autograph on the title page, page of fake title tending to unplug .
Jean Cocteau signed autograph: "My dear friends, read this little book during which I often think of you so clean, so fresh, so beautiful, so classic, with all my heart, Jean."

Autograph letter signed by Roland Barthes addressed to Georges Raillard. A page and 1/2 written in black felt pen on a letterhead from Johns Hopkins University in Baltimore. Envelope with the same attached header.
Two central folds inherent in mailing mail.
"Dear friend, Your letter has followed me late here where I am visiting professr for a while yet I thank you very much for your faithful trust but this year again

First edition, one of the review copies service.
Back slightly insolated and warped.
Autograph signed by Paul Morand Maurice Martin du Gard.

Complete edition of the French translation prepared by Alice Raillard and for which it was not drawn from great papers.
Nice copy.
Preface by Georges Raillard.
Signed autograph dedication of Jorge Amado, in Portuguese, to his translator Alice (Raillard) and her husband the art critic Georges.

First edition for which it was not drawn large papers.
A fold on the first board continuing until the first few sheets.
Iconography.
Signed autograph of Juliette Gréco to a friend named Annick.

Second edition.
Back with a small tear in the head, a lack at the head of the second board.
Beautiful autograph dedication signed by Jean Cocteau Maurice Martin du Gard: "Dear Maurice, you tease me, but you love me, I know it ... Jean, for you, your wife and Philippe, one day."

New edition dated 1904 on the first cover.
Some spots to endpapers.
Handsome autograph inscription signed by Joris-Karl Huysmans to Séverine.

First edition established, prefaced and annotated by Marie-Thérèse Eychart and for which it was not drawn from great papers.
Nice copy.
Signed autograph of Marie-Thérèse Eychart to Charles Dobzynski: "... this other face of Elsa that, perhaps, he already glimpsed ..."

first edition of the French translation prepared by Kikou Yamata and for which no large papers were taken, one of the review copies service.
Signed autograph signed by Kikou Yamata to Pierre Dumayet.
Two small tears on the back and my bits.

first edition for which it was not taken from large papers.
Autograph signed by Pierre Monnier to Pierre-Robert Leclercq.
Iconography, pleasant copy.

First edition, one of 71 numbered copies on Hollande paper, the only grand papier (deluxe) copies after 10 Chine and 10 Japon.
Discreet repairs on the spine, endpapers all over and slightly shaded, some small foxing.
A nice copy with edges preserved.

First edition, one of 32 numbered copies on vélin pur fil du Marais paper, the tirage de tête.
With 16 illustrations.
Spine slightly sunned, otherwise a good copy.

First edition, review copy.
Signed autograph Jean Rostand Bernard Milleret.
Small tears without gravity top and bottom of the back.

Second edition illustrated with an engraved composition frontispiece by Auguste Delâtre.
One small lack to foot of spine very slightly sunned.

First edition.
Autograph inscription from Joris-Karl Huysmans to Charles Foley.
Two small tears repaired to a joint.

First edition, one of 100 numbered copies on Hollande paper, the tirage de tête after 10 on China and 21 on Japan paper.
Splendid grey morocco binding by Noulhac, spine in six compartments (very slightly faded), gilt date to foot, gilt roulettes to headpieces, red morocco pastedowns, endpapers of moiré paper and later marbled paper, double gilt fillets to edges of covers, covers preserved, all edges gilt, paper slipcase lined in brown felt.
This copy retaining the color frontispiece by Pierre Roche, printed on églomisé paper and the etching by Eugène Delâtre of an unpublished portrait of Joris-Karl Huysmans.
A very good copy in a lined morocco binding by Noulhac.

Edition on current paper, second edition statement.
Signed autograph of Kikou Louis Fabulet enriched with an ideogram.
Back dated, small spots on the second flat.

First edition of the second book of the author.
Two slight traces of sunning, not serious, to head and foot of spine.
A good copy.

First edition, one of 57 numbered copies on Hollande paper, the tirage de tête after 20 on Japan paper.
Tiny spots sur les spine, a good copy.

First edition, one of 330 numbered copies on pure vellum wire.
Our copy is enriched with an autographed postcard of Henri Fauconnier in which he reveals his literary tastes especially for Giono.
Illustrated book, frontispiece, a reproduction of an original etching by Charles Falconer.
Nice copy.

First edition, one of 25 numbered copies on Hollande paper justified by the publisher, the only large paper copies.
With a frontispiece portrait of Jean Jaurès, engraved by Jean Lébedeff.
A tiny angular lack to head of upper cover, the first and final endpapers faded all over, the subsequent pages slightly and partly faded, a good copy.

First edition, one of 320 numbered copies on alfa paper, the only large paper copies.
A good copy despite small traces of adhesive paper to endpapers.

First edition, review copy.
Precious autograph signed Delavignette Robert Henri Beraud.
Some small minor foxing.

Edition of wich no leading copies exists.
Signed autograph Pierre Monnier Frederic Valmain: "... that is for signs of talent and friendship ..." enriched this autograph signed Arletty: "A Frederick who knows the model from. wholeheartedly. Arletty. "
Iconography.
Nice copy.

First edition of the French translation, one of 8 numbered copies on Imperial Japan, head print.
Binding to the bradel in cardboard vellum style, smooth back, title, name of the author and monogram with the feather which have faded on the back, boards illustrated in their centers of two watercolors representing wooded landscapes, guards and contreplats of handmade paper, covers and back preserved, binding executed and watercolor by Monique Cros who glued his ex-libris at the foot of a guard.
Hooks in feet of cuts.

First edition on ordinary paper.
A good copy despite small spots, not serious.

First edition, review copy.
Signed autograph of Jacques Chardonne Paul Rival.
A small lack head back, foxing on the first board that also includes, in front, a black ink stain also affecting the first guard, nice interior state.

First edition, one of 115 numbered copies on pur fil du Marais.
Slighlty sunned spine, otherwise a good copy.

First edition, one of 20 numbered copies on Holland paper, the only major paper.
Binding half morocco blue at corners, back with four nerves decorated with gilded floral garlands, gold tail date marbled paper plates, guards and contreplats of flowered paper, nets gilded on the cuts, wrappers and back preserved and bound in, gilded head on witnesses, contemporary binding signed René Kieffer.
autograph dedication of the author autograph signed and dated by Elemir Bourges Henry Thuile on the half-title page that is shaded.
Nice copy wide-margined established pleasantly binding signed at the time.

First edition of the French translation which was not drawn large paper, review copy.
Rare autograph signed Georges Theotokas, French, Georges Altmann for which he says his address in Paris at the Hotel Lutetia.
A lack in foot of the back, a pale wetting Length affecting the whole body of the book.

First edition, an advance (service de presse) copy.
Handsome autograph inscription from Jacques Chardonne to Marcel Jouhandeau.
Spine sunned.

First edition on ordinary paper.
Autograph inscription dated and signed by Alain to his friend (Aline) Texcier : "... souvenir d'amitié."
A good copy.

first edition on the current paper.
Binding half black morocco, smooth spine, gilt fillet on marbled paper plates and gilded in the style of the 20s, contreplats guards and plain paper, wrappers and back preserved and bound in, gilded head, signed binding Goy & Vilaine.
Precious autograph signed by Jean Cocteau to Léon-Paul Fargue on the cover page.
Beautiful copy fully established.

ZWEIG Stefan. La Guérison par l'esprit [Healing the Spirit]
Stock, Paris 1934, 12,5 x 19 cm, half morocco
First edition of the French translation, for which there were only 65 grand papier (deluxe) copies on alfa paper, an advance [service de presse] copy.
Half navy blue morocco over marbled paper boards by T. Boichot, spine in six compartments, date gilt at foot of spine, pastedowns and endpapers of grey-blue paper, covers and spine (sunned) preserved, top edge gilt.
Rare autograph inscription dated and signed by Stefan Zweig to Julien Luchaire.
In a good binding.

First edition of the French translation, review copy.
Precious and beautiful autograph signed by French Stefan Zweig to Jules Romains, "In the expensive Jules Romains, which I like as a friend and I admire as a master. Stefan Zweig. "Enriched by autograph dedication of the author an autograph signed by the translator, Alzir Hella:" A Jules Romains, the part of the author and cordially Alzir Hella. "
Stefan Zweig had met Jules Romains attending members of the Créteil Abbey in the early twentieth century and the two men were quickly linked to a strong friendship. Love one another as a cosmopolitan Europe, they met regularly at the option of multiple crossings of the Old Continent, Hyeres to Berlin via Paris, Vienna or Salzburg.
In 1925, Zweig discovered the room Elizabethan Volpone Ben Jonson and adapted it in German. He convinced the Romans, who had attended a performance at the Burgtheater in Vienna to draft a French version. The two writers worked on it together, in close cooperation; this version was given by Charles Dullin at the Workshop Theatre in 1928 and was a huge success.
While the tragedy of war had removed the two men, Romans, for sixty years Zweig - a few months before his suicide - paid him tribute in a book entitled Stefan Zweig, large European (New York, Editions of French House, 1941), which he had sent an autographed copy bound in full morocco.
This is the Alzir Hella translator, author of the second shipment to Jules Romains, that France owes much to his love of Stefan Zweig: "Man, wrote to him one day the Austrian, you have all my work in hand, you the only one that does. "
Rare copy with a dedication autograph valuable witness to the friendship between these two great pacifists that were Stefan Zweig and Jules Romains.