Seghers

First edition on ordinary paper.
Autograph inscription from René Fallet to Roger Caillois.
A rare and good copy.

first edition on the current paper.
Signed autograph of Georges Ribemont-Dessaignes Elizabeth Carmelt.
Iconography.
Two small marginal miss on the second flat.

With seven color plates by Paul Eluard and 32 black and white reproductions of collages by Max Ernst. One of 610 numbered copies on alma Marais, the only printing.
Two small traces of insignificant sunning to head and foot of spine.

first edition.
Binding to the editor bradel full gray cardboard, smooth back.
Signed autograph for a fan to Serge Gainsbourg.
We enclose a postcard of the Rue de Verneuil where Serge Gainsbourg lived from 1968 to 1991.
Iconography, nice copy.

First edition, one of 80 copies   numbered on Alfa papermarais only leading copies after 28 Holland paper.
autograph dedication of the author autograph signed and dated Yvonne Galli to a close friend.
Nice copy.

first edition for which there is no announced leading copies.
Signed autograph Serge Pierre Loiselet and his wife Suzanne enriched a small drawing of an anchor and a heart and a star.
Book decorated with numerous illustrations of the author.
spine and boards slightly and marginally insolated without gravity.

first edition on the current paper.
Signed autograph of Louis Aragon to Emile Henriot.
Nice full copy of the errata slip pasted on top of the first guard.

Editon originale pour laquelle il n'a pas été tiré de grands papiers.
Précieux envoi autographe signé de Louis Aragon à Gisèle Freund enrichi de la signature autographe de Georges Sadoul.
Iconographie.
Présentation, choix de textes établis par Georges Sadoul.
spine et plats partiellement décolorés.

first edition for each of the volumes.
autograph dedication of the author autograph signed Pierre Béarn Jean Marie Corney on the first volume: "... this short theatrical novel that gives reason to Aragon poem: there is no happy love ..."
Trailer "Price Verlaine 1957" preserved on which Pierre Béarn added these words: "From the French Academy!"
A hitch restored Length of the case.

Edition, one of 12 copies hors commerce scholars on China and dedicated to the bookstore Blaizot, deluxe edition.
Binding chocolate brown half morocco with corners, back with five nerves, golden tail date marbled paper plates, guards and contreplats snake way, wrappers and back preserved and bound in, gilded head, elegant binding signed Devauchelle.
autograph dedication of the author signed autograph of Louis Aragon ". A Marcel Clouzot to thank a Pushkin and many other things"
Beautiful copy fully established.

Collective Edition of wich no leading copies exists.
Signed autograph of Louis Aragon Geneviève Perrault.
A tiny tear without gravity head back, otherwise nice copy.

Second edition.
Signed autograph of the author Gerard Bauer: "sympathetically ... (is this still true?) ..."
A slight hitch without the first flat head gravity.

New edition in the original part because revised and expanded.
Signature autograph Georges Brassens a photograph representing the 129 page.
Iconography.
Marginal abrasions on the dishes, a trace of the second label foot flat that caused a lack of paper.

First edition, one of 2000 numbered copies on vélin paper.

Paper yellowed as usual, one small spot, not serious, to lower cover.

Second edition after the rare original edition that was published the same year. Fold-out poem by Paul Eluard with color designs and drawings by his friend the French artist Fernand Léger.
Silk-screen printed on strong beige paper.
Very small traces of foxing to head, otherwise a magnificent and very rare copy.

First edition on ordinary paper.
Inscribed by André de Richaud to Pascale Audret in pencil.
Small stains on the first cover.

New edition, with some parts in first edition, on ordinary paper.
Selection of poems and texts by Louis Parrot, bibliography established by J.H. Levesque, unpublished works, manuscripts, drawings, portraits.
Spine slightly sunned, otherwise handsome copy.

New revised edition, one year after the first edition.
Inscription from Guillevic.
Cover illustrated with a black and white photographic portrait.
Iconography.
Spine with minor rubbing traces, covers very slightly and marginally faded with some corner creases, handsome interior condition.

First edition on ordinary paper.
Only 8 copies were printed on Holland paper in deluxe format.
Fine inscription from Robert Goffin.
Cover illustrated with an oil portrait by Liliane Barbin, reproduced in black and white.
Iconography.
Spine very slightly pinched at head and tail, handsome copy.

First edition on ordinary paper. Only 8 copies were printed on Holland paper in deluxe format.
Inscribed by Alain Bosquet.
Cover illustrated with a black and white photographic portrait.
Iconography.

First edition, one of 500 numbered copies on Hélioneige laid paper, the only deluxe copies.
Inscribed by the author.
Cover illustrated with a fragment of a Carpaccio painting.
Handsome copy.

Second edition, one of 50 numbered copies on Robur paper, deluxe issue.
Spine and covers lightly and marginally faded without consequence, otherwise a pleasant copy.

Reprint published in 2000 numbered copies.
Folded cover illustrated by Picasso.
Light rubbing to covers.

First edition of which no deluxe copies are mentioned.
Spine split, one joint cracked at head and foot, otherwise a rare and handsome copy.

First edition, one of 900 numbered copies on alfa, the only issue with 17 Auvergne and 82 Arches. Some foxing affecting the last leaves.

First edition, one of 30 numbered copies on Rives paper, deluxe copy.
Light shadow affecting the front cover otherwise handsome copy, retaining its deckled edges.

First edition, one of 80 numbered copies on Arches laid paper, deluxe issue after 15 on Auvergne.
Handsome copy despite a marginal shadow on the justification page.

First edition, one of 300 numbered copies on bouffant paper, the only issue with 3 Chine and 32 Lafuma.
Handsome copy complete with the publisher's small catalogue.

First edition of which there were no deluxe copies.
Autograph inscription signed by the author to Jacques Perrey.
A small stain of no consequence on the endpaper, a trace of folding on the back cover. Iconography, from the 'Cinéma d'aujourd'hui' collection.