Robert Laffont

First edition, one of 950 numbered copies on white Rives laid paper, the only deluxe copies after 50 on tinted Vidalon laid paper.
Work illustrated with 18 original compositions by Rémy Hétreau engraved on wood and hand-colored with pochoir.
Handsome copy.

First edition, one of 120 numbered copies on alfa paper, the only deluxe copies.
Some light interior foxing.

First edition illustrated with 5 original color illustrations by Valentine Hugo, one of 12 lettered copies on white Rives vellum.
Our copy lacks the original drawing by Valentine Hugo that accompanied the 12 lettered copies.
Handsome copy despite the spine very slightly sunned without significance.

First edition, review copy.
autograph dedication of the author autograph signed and dated by jean dutourd to sister-Aimée (Guérin born Lemercier): "To my dear Aimée kiss with No. 83 / B, said step-brotherly kiss Pym.."
Traces of friction on the split bits heads and feet.

First edition of the French translation for which there were no large paper copies.
Autograph inscription from Norman Mailer to Bob Calen.
A good copy.

First edition of which there were no large paper copies.
A good copy.

First edition, one of 30 numbered copies on alfa Navarre, the only large paper copies with a few hors commerce copies also on alfa.
A good and rare copy.

First edition of which there were no large paper copies.
A good copy.

First edition in French, one of 100 numbered copies on pur fil paper du marais paper, the tirage de tête.
A good copy.

The first edition, of which there were no deluxe copies.
Signed and inscribed copy.
Iconography.
Very light worming to edges without significance.

First edition, one of 70 numbered copies on vélin de Rives, the only large paper copies.
A very good and rare copy with good margins.

First edition, one of 30 numbered copies on pur fil du Marais, the only large paper copies with some hors commerce copies, as well on pur fil du Marais.
A slight trace of angular to upper cover, a good copy.

First edition, of which no deluxe copies were issued, one of the service de presse copies.

First edition, of which there were no deluxe copies.
Handsome copy, iconography.
Autograph inscription signed by Charles Trenet to Bernard Oudin.

The first edition, of which there were no deluxe copies.
Handsome copy, iconography.
Signed and inscribed copy by Jean-Pierre Chevènement to François Dècle: "... qui, je l'espère, trouvera dans ce livre une autre manière de comprendre notre histoire..." ["...who, I hope, will find in this book another way to understand our history..."]

The richly illustrated first edition.
Publisher's full white cloth bindings, smooth spines, covers illustrated with a drawing by Pablo Picasso, complete with their cellophane dust jackets which show, for some, minor corner losses of no significance.
A handsome complete set in five volumes.

First edition for which it was not drawn from large papers.
Autograph signed by Françoise Giroud to the great resistant Charles Gombault.

first edition for which it was not drawn from large papers.
Bradel binding in full marbled paper, smooth back, piece of black morocco title, rereading signed Thomas Boichot.
Jean-François Revel's Papillon or Oral Literature follows the text.
Henri Charrière, dit Papillon, ward of the nation and petty criminal, had been sentenced to prison in 1931 for a murder he has always denied. Over thirty years later, he recounts his terrible experience in this autobiographical text. He describes the violence, injustice, illnesses or attempts to escape, crowned by years of exile in South America: "Pure of all contact, note its editor, and of any literary ambition, what he writes it is “as he tells you”, we see it, we feel it, we live it […]. "The book was a huge success before being made into a film with Steve McQueen in the lead role.
Beautiful autograph shipment dated and signed on full page, and almost devoid of punctuation, from Henri Charrière to a friend he calls Ray: "Ray. To Ray, you who spend your life in the midst of the people of the Opera, the beautiful chores the beautiful girls the beautiful decorations you will in this book know the plight of a man in "the path of rot" I really like your personality (sic) the light of your eyes and the fine tone (illegible word) of a woman with the soul of a girl Your friend Butterfly 26.10.69 "

First edition for which it was not drawn from great papers.
Nice full copy of his trailer.
Beautiful autograph dedication signed by Jean d'Ormesson to Pierre (Moinot): "A little beauty my dear Pierre - Alas, it is not mine ... - to tell you and Madeleine to you my old and deep affection What kind of memories do we share ... They are dear to me, I kiss you both. "

First edition on current paper.
Pleasant full copy of his trailer and his jacket.
Autograph dedication dated and signed by Jean Raspail Michel Guilmet and his wife: "... to defend our memory to all." Paris, Dec. 7, 1986. Jean Raspail. "

First edition for which it was not drawn from great papers.
Nice full copy of his trailer.
Beautiful autograph dedication signed by Jean d'Ormesson to a friend named Bertrand: "A little beauty my dear Bertrand (pity it's not me!) To tell you both my very faithful affection, to which I tell you my warm wishes, I kiss you one and the other, Jean. "

First edition for which it was not drawn from great papers.
A small spot at the head of a guard, nice copy.
Autograph dedication signed by Alphonse Boudard to Raymond Mary.

First edition for which it was not drawn large papers.
Nice full copy of his trailer.
Beautiful autograph dedication signed by Jean d'Ormesson to a friend named Jorge: "May God keep you in his holy guard, my dear Jorge, I embrace you both."

First edition of the French translation of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
A nice copy retaining its dust jacket.
Autograph inscription signed by Graham Greene, in English, to Max (Gallo) and his wife Tina.

First edition for which it was not drawn large papers.
Back very slightly insolated and warped, two brown spots at the foot of the first board.
Autograph signed by Bertrand Blier to Georges Conchon

First edition.
Small tears without gravity in the back of the head.
Signed autograph dedication from Toursky to Pierre Dommangeat: "... this poetry of man ..."

First edition for which it was not drawn large papers.
Back slightly discolored and lightened, stamp printed library on the front page.
Autograph tribute signed Bernard Clavel full page, photographer and publisher Camille Lusardi.

First edition for which it was not drawn large papers.
Rare autograph dedication signed by Danielle Collobert to Georges Schrocker.

First edition of the French translation for which it was not drawn great papers.
Wrinkled back.
Iconography.
Autograph tribute signed Charlie Chaplin.

New edition partly original for which it was not drawn from great papers.
Back and marginally insolated boards, a price tag glued to the bottom of the second board.
Autograph dedication dated and signed by Jean Raspail to Dr. Delcour.