Presses de la Cité

First edition, one of the 100 numbered copies on papier de luxe, the only deluxe copies ("grands papiers").
Nice copy.

First edition for which it was not drawn from papers.
Binding of the editor in full blue cloth, complete copy of his illustrated jacket that has small minor tears in the back of the head.
Signed autograph of René Barjavel to Mr. Lachereff.

First edition, one of 100 numbered copies on alfa paper, the only grand papier (deluxe) copies.
A nice copy.

First edition of the French adaptation established by Paul-Emile Victor and for which it was not drawn great papers.
Binding of the publisher full burgundy web, smooth back, complete copy of his illustrated jacket that has only very slight marginal tears.
Printed stamp from the Haroun Tazieff library on the first guard.
Precious autograph dated and signed by Paul-Emile Victor to Haroun Tazieff affectionately nicknamed Garouk.

First edition of which it was not drawn of great papers.
Publisher's binding in full gray cardboard, nice complete copy of his illustrated jacket that has two very slight tears in the head and foot of the back.
Iconography.
Rare autograph dedication signed by Arno Breker to Pierre Drancey (whom Arno Breker spelled Drancay) .

First edition, one of 20 numbered copies on papier de luxe, the only large paper copies.
A very good copy.

First edition of the French adaptation established by Paul-Emile Victor and why it was not drawn large papers.
Publishers'binding with full canvas burgundy, smooth back, full copy of his illustrated jacket that has only very slight marginal tears.
autograph dedication of the author autograph signed and dated by Paul-Emile Victor to a friend.

first edition on the current paper.
Publishers'binding with full canvas burgundy, smooth back, full copy of his illustrated jacket that has small tears and marginal gaps without gravity.
Signed autograph of Georges Blond Alain Decaux.
Iconography.

First edition, one of 200 numbered copies on vélin alfama du Marais paper, the only large paper copies.
Half black morocco by Goy & Vilaine, spine in six compartmners, gilt date to foot, covers and spine preserved, top edge gilt.
A very good, elegantly bound, copy.

Edition of wich no leading copies exists.
autograph dedication of the author autograph signed and dated by Jean-Marie FITERE Raymond Thevenin.
illustrated covers, enclosed press clipping.

first edition on the current paper.
Signed autograph of Georges Simenon Ulla Minart "... remember an interview where I learned a lot and where Madame Minart said it better than me what I wanted to say ...
The dedicatee added his name, place and date above the autograph, address below.
A small spot on the pamphlet.

First edition, one of 60 numbered copies on papier de luxe, the only large paper copies.
Three small scratched to covers.

First edition, one of 100 numbered copies on papier de luxe, the only large paper copies.
A good copy.

First edition, one of 100 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition, one of 100 numbered copies on alfa, the only large paper copies.
A good copy.

First edition, one of 100 numbered copies on papier de luxe, the only large paper copies.
A rare and good copy.

First edition, one of 100 numbered copies on pur fil, the only large paper copies.
Very light traces of a little rubbing, not serious, on the joints, otherwise a good copy.

First edition, one of 100 numbered copies on pur fil, the only large paper copies.
Very light traces of a little rubbing, not serious, on the joints, otherwise a good copy.

First edition, one of 100 copies de luxe numbered, the only large paper copies.
Bibliophile's stamp to endpaper.

First edition, one of 100 numbered copies on Lana, the only large paper copies.
Tiny foxing in the margins, a very good copy retaining his illustrated dust jacket.
Extremely scarce.

The first edition, of which there were no deluxe copies.
Publisher's full dark blue boards, with the illustrated dust jacket complete, showing three small spots of discoloration of no consequence.
Signed and inscribed by Maurice Chevalier to Florence Gould.
Iconography, preface by Marcel Pagnol.
Handsome copy.

First edition in French, of which there were no deluxe copies.
A handsome copy retaining its beautiful illustrated dust jacket which shows some minor lacks at head and foot of spine.

First edition, there were only 100 large paper copies.
Handsome autograph inscription from the author to Georges Simenon.
A very good copy.

First edition, of which there were no deluxe copies.
Beautiful full-page autograph inscription from the author to Georges Simenon.
Handsome copy, lacking dust jacket.