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Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
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Lucien Vogel éditeur
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  2. Lucien Vogel éditeur

Lucien Vogel éditeur

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  • L. Vogel
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  • Lucien Vogel chez Jules Meynial

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Lucien Vogel éditeur
  1. La Cueillette. Robe en toile à carreaux (pl.42, La Gazette du Bon ton, 1921 n°6)La Cueillette. Robe en toile à carreaux (pl.42, La Gazette du Bon ton, 1921 n°6)
    Georges LEPAPE

    La Cueillette. Robe en toile à carreaux (pl.42, La Gazette du Bon ton, 1921 n°6)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower dgauche in the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  2. Les Quatre bouquets. Robe du soir garnie de fleurs (pl.50, La Gazette du Bon ton, 1920 n°7)Les Quatre bouquets. Robe du soir garnie de fleurs (pl.50, La Gazette du Bon ton, 1920 n°7)
    BENITO

    Les Quatre bouquets. Robe du soir garnie de fleurs (pl.50, La Gazette du Bon ton, 1920 n°7)

    Lucien Vogel éditeur|Paris Septembre 1920|24 x 18 cm|une feuille
    original print in color, printed on laid paper, signed upper left of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  3. A l'Oasis ou La Voute pneumatique. Robe du soir, de Paul Poiret (pl.53, La Gazette du Bon ton, 1921 n°7)A l'Oasis ou La Voute pneumatique. Robe du soir, de Paul Poiret (pl.53, La Gazette du Bon ton, 1921 n°7)
    André-Edouard MARTY (Paul POIRET)

    A l'Oasis ou La Voute pneumatique. Robe du soir, de Paul Poiret (pl.53, La Gazette du Bon ton, 1921 n°7)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    The Gazette has good taste, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury...
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  4. Antinéa. Manteau du soir de Paul Poiret (pl.19, La Gazette du Bon ton, 1920 n°3)Antinéa. Manteau du soir de Paul Poiret (pl.19, La Gazette du Bon ton, 1920 n°3)
    Georges LEPAPE (Paul POIRET)

    Antinéa. Manteau du soir de Paul Poiret (pl.19, La Gazette du Bon ton, 1920 n°3)

    Lucien Vogel éditeur|Paris Avril 1920|18 x 24 cm|une feuille
    original print in color extensively enhanced palladium, printed on laid paper, signed upper right of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches...
    Sold
  5. Amal et la lettre du roiAmal et la lettre du roi
    Tsugouharu, Léonard FOUJITA, André GIDE

    Amal et la lettre du roi

    Lucien Vogel|Paris 1922|21.50 x 27.50 cm|reliure de l'éditeur
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  6. La Femme et les Pantins. Marionnettes (pl.II, La Gazette du Bon ton, 1913, n°4.)La Femme et les Pantins. Marionnettes (pl.II, La Gazette du Bon ton, 1913, n°4.)
    Georges LEPAPE

    La Femme et les Pantins. Marionnettes (pl.II, La Gazette du Bon ton, 1913, n°4.)

    Lucien Vogel éditeur|Paris 1913|19.50 x 25 cm|une feuille
    original hand colored print in color to gold pulled on laid paper, signed lower right in the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
    Sold
  7. Des ombrelles (pl.III, La Gazette du Bon ton, Avril 1913 n°6)Des ombrelles (pl.III, La Gazette du Bon ton, Avril 1913 n°6)
    Georges LEPAPE

    Des ombrelles (pl.III, La Gazette du Bon ton, Avril 1913 n°6)

    Lucien Vogel éditeur|Paris 1913|18 x 24 cm|une feuille

    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, these luxury publications "are for bibliophiles and worldly...
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  8. Américaines (Croquis, La Gazette du Bon ton, 1922 n°2)Américaines (Croquis, La Gazette du Bon ton, 1922 n°2)
    CHASTEL, Gérard BAUËR

    Américaines (Croquis, La Gazette du Bon ton, 1922 n°2)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|en feuilles
    Text signed Gerard Bauer and illustrated with drawings by Chastel.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon...
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  9. Le ruban employé dans la mode et la couture ainsi que dans tous les autres arts de l'habillement féminin (Croquis, La Gazette du Bon ton, 1922 n°3)Le ruban employé dans la mode et la couture ainsi que dans tous les autres arts de l'habillement féminin (Croquis, La Gazette du Bon ton, 1922 n°3)
    DAVID, RODIER

    Le ruban employé dans la mode et la couture ainsi que dans tous les autres arts de l'habillement féminin (Croquis, La Gazette du Bon ton, 1922 n°3)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|relié
    Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches are signed XIX and XXI David, respectively on the lower right and left boards.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69...
    Sold
  10. Album des dames, leurs modes et frivolités (Croquis, La Gazette du Bon ton, 1922 n°1)Album des dames, leurs modes et frivolités (Croquis, La Gazette du Bon ton, 1922 n°1)
    DAVID

    Album des dames, leurs modes et frivolités (Croquis, La Gazette du Bon ton, 1922 n°1)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|relié
    Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches are signed XIX and XXI David, respectively on the lower right and left boards.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69...
    Sold
  11. Croquis de mode : Costumes inspirés d'ordres religieux (Croquis, La Gazette du Bon ton, 1922 n°10). - Les manteaux du soir en fourrure combinée avec des soieries de Bianchini et Férier (Croquis, La Gazette du Bon ton, 1922 n°9). - Costumes inspirés de figures géométriques (Croquis, La Gazette du Bon ton, 1922 n°8)Croquis de mode : Costumes inspirés d'ordres religieux (Croquis, La Gazette du Bon ton, 1922 n°10). - Les manteaux du soir en fourrure combinée avec des soieries de Bianchini et Férier (Croquis, La Gazette du Bon ton, 1922 n°9). - Costumes inspirés de figures géométriques (Croquis, La Gazette du Bon ton, 1922 n°8)
    DAVID, André PERUGIA

    Croquis de mode : Costumes inspirés d'ordres religieux (Croquis, La Gazette du Bon ton, 1922 n°10). - Les manteaux du soir en fourrure combinée avec des soieries de Bianchini et Férier (Croquis, La Gazette du Bon ton, 1922 n°9). - Costumes inspirés de figures géométriques (Croquis, La Gazette du Bon ton, 1922 n°8)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|relié
    Set of eight original prints in color, drawn on laid paper. The boards are introduced by a presentation of the front pages of sketches, followed by a detailed description of the back sketches I and II are signed David in the lower right boards.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to...
    Sold
  12. Où va la mode, vers quelle ligne, quelle époque, quel pays ? Contenant huit croquis de robes modernes inspirées d'époques très différentes (Croquis, La Gazette du Bon ton, 1922 n°6)Où va la mode, vers quelle ligne, quelle époque, quel pays ? Contenant huit croquis de robes modernes inspirées d'époques très différentes (Croquis, La Gazette du Bon ton, 1922 n°6)
    DAVID, ANONYME

    Où va la mode, vers quelle ligne, quelle époque, quel pays ? Contenant huit croquis de robes modernes inspirées d'époques très différentes (Croquis, La Gazette du Bon ton, 1922 n°6)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|relié
    Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches XLI, XLIII, XLV and XLVIII are signed David, respectively bottom left and right boards.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor...
    Sold
  13. Le manteau court en peaux et fourrures (Croquis, La Gazette du Bon ton, 1922 n°7)Le manteau court en peaux et fourrures (Croquis, La Gazette du Bon ton, 1922 n°7)
    DAVID, ANONYME

    Le manteau court en peaux et fourrures (Croquis, La Gazette du Bon ton, 1922 n°7)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|relié
    Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches are signed XIX and XXI David, respectively on the lower right and left boards.
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69...
    Sold
  14. Weil, ses fourrures (Publicité, La Gazette du Bon ton, 1921)Weil, ses fourrures (Publicité, La Gazette du Bon ton, 1921)
    PIGEAT (Weil)

    Weil, ses fourrures (Publicité, La Gazette du Bon ton, 1921)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed upper right of the board. Text on the back.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models...
    Sold
  15. La Citroën et tous les sports. Le tennis (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°6)La Citroën et tous les sports. Le tennis (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°6)
    Pierre MOURGUE

    La Citroën et tous les sports. Le tennis (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°6)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board. Text on the back announcing the publication by Editions Lucien Vogel of Antony and Cleopatra by W. Shakespeare, translated by André Gide and illustrated by Drésa.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to...
    Sold
  16. La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)
    Pierre MOURGUE

    La Citroën et les sports. Le Polo (Publicité, Volume 2, La Gazette du Bon ton, 1922 n°7)

    Lucien Vogel éditeur|Paris 1922|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board. Text on the back.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models...
    Sold
  17. Croquis de mode par Raoul Dufy. Soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°1) [suivi de] Robes pour l'été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°4)Croquis de mode par Raoul Dufy. Soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°1) [suivi de] Robes pour l'été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°4)
    Raoul DUFY, BIANCHINI-FERIER

    Croquis de mode par Raoul Dufy. Soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°1) [suivi de] Robes pour l'été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier (Croquis, La Gazette du Bon ton, 1920 n°4)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|relié

    [FASHION] DUFY Raoul & BIANCHINI-FERIER. Croquis de mode par Raoul Dufy
    Lucien Vogel éditeur, Paris 1920, 18 x 24 cm, bound
    Set of 12 original lithographs in color, on vergé paper, signed in plate by Dufy.
    Eight original color prints and one large folded leaf presenting 4 plates, signed in plate on lower right hand side by Raoul Dufy. Covers preserved, description of the plates on the back.
    Soieries de Bianchini-Férier (“Croquis”, La Gazette du Bon ton, 1920 n° 1) [suivi de] Robes pour l’été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier...
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  18. Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis, La Gazette du Bon ton, 1920 n°2)Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis, La Gazette du Bon ton, 1920 n°2)
    Guy-Pierre FAUCONNET (William SHAKESPEARE)

    Maquettes de costumes dessinées par Fauconnet pour le Conte d'hiver de Shakespeare, représenté au Théâtre du Vieux-Colombier (Croquis, La Gazette du Bon ton, 1920 n°2)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|relié
    Set of four original lithographs in color, drawn on laid paper, signed lower right and left boards. Text on the back explaining the boards.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color...
    Sold
  19. Intérieurs modernes par MAM (Croquis, La Gazette du Bon ton, 1921 n°1) - Installation moderne d'un jeune ménage, composition par Lucie Renaudot, exécution de P.A. Dumas (Publicité, La Gazette du Bon ton, 1921 n°2) - Intérieurs modernes par MAM (Croquis, La Gazette du Bon ton, 1921 n°1) - Installation moderne d'un jeune ménage, composition par Lucie Renaudot, exécution de P.A. Dumas (Publicité, La Gazette du Bon ton, 1921 n°2) -
    ANONYME (MAM)

    Intérieurs modernes par MAM (Croquis, La Gazette du Bon ton, 1921 n°1) - Installation moderne d'un jeune ménage, composition par Lucie Renaudot, exécution de P.A. Dumas (Publicité, La Gazette du Bon ton, 1921 n°2) -

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|en feuilles
    Set of eight original prints in color, drawn on laid paper, signed lower right and left boards. The boards are introduced by a text signed Jean Cocteau and represent costumes for Shakespeare (two Bergeres Paulina or Time).
    Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She...
    Sold
  20. Deux costumes de sport (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°9, p.287)Deux costumes de sport (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°9, p.287)
    Georges LEPAPE (JAMES & C°)

    Deux costumes de sport (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°9, p.287)

    Lucien Vogel éditeur|Paris 1913|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right. Text describing the boards on the back.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting...
    Sold
  21. L'utile précaution (Publicité, Volume 1, La Gazette du Bon ton, 1912 n°8, p.255)L'utile précaution (Publicité, Volume 1, La Gazette du Bon ton, 1912 n°8, p.255)
    André-Edouard MARTY (Sormani)

    L'utile précaution (Publicité, Volume 1, La Gazette du Bon ton, 1912 n°8, p.255)

    Lucien Vogel éditeur|Paris 1912|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower. Text describing the boards on the back.
    Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsely frightened!. The...
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  22. Une robe pour Deauville (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°8, p.253)Une robe pour Deauville (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°8, p.253)
    Paul MERAS (Buzenet)

    Une robe pour Deauville (Publicité, Volume 1, La Gazette du Bon ton, 1913 n°8, p.253)

    Lucien Vogel éditeur|Paris 1913|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right. Text on the back.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  23. La Marseillaise (La Gazette du Bon ton, n°8-9. Été 1915 )La Marseillaise (La Gazette du Bon ton, n°8-9. Été 1915 )
    Etienne DRIAN

    La Marseillaise (La Gazette du Bon ton, n°8-9. Été 1915 )

    Lucien Vogel éditeur|Paris 1915|19 x 24.30 cm|une feuille
    original print in color drawn on laid paper, signed lower left on the board.

    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication...
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  24. Avenue du bois (La Gazette du Bon ton, n°8-9. Été 1915 )Avenue du bois (La Gazette du Bon ton, n°8-9. Été 1915 )
    Etienne DRIAN

    Avenue du bois (La Gazette du Bon ton, n°8-9. Été 1915 )

    Lucien Vogel éditeur|Paris 1915|19 x 24.30 cm|une feuille
    original print in color drawn on laid paper, signed lower left on the board.

    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication...
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  25. Sans sa voiture (La Gazette du Bon ton, n°8-9. Été 1915 )Sans sa voiture (La Gazette du Bon ton, n°8-9. Été 1915 )
    Etienne DRIAN

    Sans sa voiture (La Gazette du Bon ton, n°8-9. Été 1915 )

    Lucien Vogel éditeur|Paris 1915|19 x 24.30 cm|une feuille
    original print in color drawn on laid paper, signed lower left on the board.

    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication...
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  26. Parfum élégant, Essence mystérieuse de Morny (Publicité, Volume 2, La Gazette du Bon ton, 1920 n°8)Parfum élégant, Essence mystérieuse de Morny (Publicité, Volume 2, La Gazette du Bon ton, 1920 n°8)
    Félix LORIOUX (MORNY)

    Parfum élégant, Essence mystérieuse de Morny (Publicité, Volume 2, La Gazette du Bon ton, 1920 n°8)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right.
    Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsely frightened!. The Taste bucolic in the...
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  27. Un chapeau de ruban pour l'été (Publicité, Volume 1, La Gazette du Bon ton, n°9 1913)Un chapeau de ruban pour l'été (Publicité, Volume 1, La Gazette du Bon ton, n°9 1913)
    ANONYME (Charlotte HEMARD)

    Un chapeau de ruban pour l'été (Publicité, Volume 1, La Gazette du Bon ton, n°9 1913)

    Lucien Vogel éditeur|Paris 1913|18 x 24 cm|une feuille
    original print in color, printed on laid paper. Text on the reverse signed by Nada.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  28. A. Janesich, Joaillier (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°4)A. Janesich, Joaillier (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°4)
    Edouard HALOUZE (JANESICH)

    A. Janesich, Joaillier (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°4)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed upper right of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  29. Van Cleef et Arpels, Joailliers (Publicité, La Gazette du Bon ton, 1920)Van Cleef et Arpels, Joailliers (Publicité, La Gazette du Bon ton, 1920)
    Edouard HALOUZE (VAN CLEEF & ARPELS)

    Van Cleef et Arpels, Joailliers (Publicité, La Gazette du Bon ton, 1920)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed on the top left of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  30. L'ondulation permanente Eugène (Publicité, La Gazette du Bon ton, 1920)L'ondulation permanente Eugène (Publicité, La Gazette du Bon ton, 1920)
    ANONYME (Eugène PERMA)

    L'ondulation permanente Eugène (Publicité, La Gazette du Bon ton, 1920)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper. Two advertising stickers on the back "The magical Marcel method of permanent hair waving" and "Les Editions du Bon Ton."
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is...
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  31. L'embarras du choix ou Les jolis colliers (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°3) [suivi de] Robes d'après-midi de Jeanne LanvinL'embarras du choix ou Les jolis colliers (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°3) [suivi de] Robes d'après-midi de Jeanne Lanvin
    Jean LE SOYEUX (TECLA)

    L'embarras du choix ou Les jolis colliers (Publicité, Volume 1, La Gazette du Bon ton, 1920 n°3) [suivi de] Robes d'après-midi de Jeanne Lanvin

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsely frightened!. The Taste bucolic in...
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  32. La Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°2) [suivi de] Mallette de voyage de Mappin & WebLa Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°2) [suivi de] Mallette de voyage de Mappin & Web
    ANONYME (ARLY)

    La Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°2) [suivi de] Mallette de voyage de Mappin & Web

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board. advertising board for Mappin & Webb travel of briefcase on the back.
    Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a...
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  33. La Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°1) [suivi de] Le livre captivant, ameublements de style chez Mercier FrèresLa Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°1) [suivi de] Le livre captivant, ameublements de style chez Mercier Frères
    Edouard HALOUZE (ARLY)

    La Bohême, parfum enivrant (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°1) [suivi de] Le livre captivant, ameublements de style chez Mercier Frères

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board. advertising board for decorating at Mercier Brothers.
    Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman...
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  34. La matinée ensoleillée, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)La matinée ensoleillée, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)
    Pierre MOURGUE, Georges LEPAPE

    La matinée ensoleillée, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed on the top left of the board. Three advertising vignettes for Paul Caret, Poussin (both Georges Lepape) and Lucien Editions Vogiel overleaf.
    Regular contributor to the Gazette du Bon tone, Pierre Mourgue adapts his style to the great artistic movements of the early twentieth century: if it adopts a decidedly Art Deco feature in its first achievements, he leaves later gradually gain by the trait of his American colleagues with whom he worked increasingly in the years 1940 to 1950, leaving at the same time the pages of the Gazette to prefer them as publishing the Atlantic Vogue.
    Lepape...
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  35. La consultation du baromètre, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)La consultation du baromètre, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)
    Pierre MOURGUE (MERCIER Frères)

    La consultation du baromètre, ameublements de style chez Mercier Frères (Publicité, La Gazette du Bon ton, 1921)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board. Text on the back.
    Regular contributor to the Gazette du Bon tone, Pierre Mourgue adapts his style to the great artistic movements of the early twentieth century: if it adopts a decidedly Art Deco feature in its first achievements, he leaves later gradually gain by the trait of his American colleagues with whom he worked increasingly in the years 1940 to 1950, leaving at the same time the pages of the Gazette to prefer them as publishing the Atlantic Vogue.
    Lepape Georges, meanwhile, is formed Humbert workshop alongside Braque, Picabia or Laurencin, and begins to...
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  36. La mode masculine, Barclay [suivi de] Cloquella et Organdina. Gilets de Rodier (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°3)La mode masculine, Barclay [suivi de] Cloquella et Organdina. Gilets de Rodier (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°3)
    Bernard BOUTET DE MONVEL (BARCLAY)

    La mode masculine, Barclay [suivi de] Cloquella et Organdina. Gilets de Rodier (Publicité, Volume 1, La Gazette du Bon ton, 1921 n°3)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper and signed at the bottom of the board. advertising board for jackets Rodier overleaf.
    Initiated from the beginning to the etching technique, Bernard Boutet de Monvel is also known in the early years of the twentieth century for his mastery of oil painting. Along with his success as etcher, of Monvel also carries fashion designs that are found in the pages of Femina and the Garden of the new fashions; its many activities the note by the couturier Paul Poiret who collaborates with him from 1908 until his friendship with Lucien Vogel opened the doors of the Daily Bon Ton in 1912 and worked alongside...
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  37. Le boeuf sur le toit (La Gazette du Bon ton, 1920)Le boeuf sur le toit (La Gazette du Bon ton, 1920)
    BENITO (Jean COCTEAU)

    Le boeuf sur le toit (La Gazette du Bon ton, 1920)

    Lucien Vogel éditeur|Paris 1920|18 x 24 cm|une feuille
    original print in color, printed on paper. Text on the reverse signed John Bonnefon.
    Born in Spain, Eduardo Garcia Benito first became known as a commercial artist including working with printers like Alfred Tolmer in 1913 or in 1916. Another Draeger illustrator Georges Lepape, working at the same time for Draeger, while drawing parallel fashion plates for the Gazette du Bon tone; it is for this same magazine that Benito working hand after producing vignettes where slender female bodies embody the creations of Jeanne Lanvin, Beer or Larsen. The figures, from Cubist inspiration, irresistibly evoke the paintings of Modigliani, in which members drawn alongside similar faces in...
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  38. [MAPPIN & WEBB] Articles de fumeur de grand luxe, Mappin & Webb (La Gazette du Bon ton, 1921 n°1)[MAPPIN & WEBB] Articles de fumeur de grand luxe, Mappin & Webb (La Gazette du Bon ton, 1921 n°1)

    [MAPPIN & WEBB] Articles de fumeur de grand luxe, Mappin & Webb (La Gazette du Bon ton, 1921 n°1)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board. Text on the back.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of...
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  39. La Porte ouverte sur la campagne. Robe d'après-midi, de Paul Poiret (pl.6, La Gazette du Bon ton, 1923 n°1)La Porte ouverte sur la campagne. Robe d'après-midi, de Paul Poiret (pl.6, La Gazette du Bon ton, 1923 n°1)
    André-Edouard MARTY (Paul POIRET)

    La Porte ouverte sur la campagne. Robe d'après-midi, de Paul Poiret (pl.6, La Gazette du Bon ton, 1923 n°1)

    Lucien Vogel éditeur|Paris 1923|18 x 24 cm|une feuille
    original print in color, printed on laid paper, signed upper left of the board.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion...
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  40. Les dessous à la mode. Lingerie féminine de Lemaître (La Gazette du Bon ton)Les dessous à la mode. Lingerie féminine de Lemaître (La Gazette du Bon ton)
    Charles MARTIN (LEMAÎTRE)

    Les dessous à la mode. Lingerie féminine de Lemaître (La Gazette du Bon ton)

    Lucien Vogel éditeur|Paris 1912|18 x 24 cm|une feuille
    original print in color with three vignettes, printed on laid paper, signed lower right of a thumbnail.
    Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
    Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting...
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  41. Impéria. Robe et manteau du soir, de Worth (pl.35, La Gazette du Bon ton, 1924-1925 n°5)Impéria. Robe et manteau du soir, de Worth (pl.35, La Gazette du Bon ton, 1924-1925 n°5)
    George BARBIER (Charles-Frederick WORTH)

    Impéria. Robe et manteau du soir, de Worth (pl.35, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  42. Sur la terrasse (pl.36, La Gazette du Bon ton, 1924-1925 n°5)Sur la terrasse (pl.36, La Gazette du Bon ton, 1924-1925 n°5)
    Roger CHASTEL

    Sur la terrasse (pl.36, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  43. Le Cady improvisé. Robe de golf et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1924-1925 n°5)Le Cady improvisé. Robe de golf et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1924-1925 n°5)
    Georges LEPAPE (Jeanne LANVIN)

    Le Cady improvisé. Robe de golf et robe de fillette de Jeanne Lanvin (pl.37, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  44. La Patinoire. Costume et manteau, pour les sports d'hiver, de Madeleine Vionnet (pl.38, La Gazette du Bon ton, 1924-1925 n°5)La Patinoire. Costume et manteau, pour les sports d'hiver, de Madeleine Vionnet (pl.38, La Gazette du Bon ton, 1924-1925 n°5)
    Madeleine RUEG (Madeleine VIONNET)

    La Patinoire. Costume et manteau, pour les sports d'hiver, de Madeleine Vionnet (pl.38, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  45. Marchand de yaourt (pl.40, La Gazette du Bon ton, 1924-1925 n°5)Marchand de yaourt (pl.40, La Gazette du Bon ton, 1924-1925 n°5)
    Lado GOUDIACHVILI

    Marchand de yaourt (pl.40, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right...
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  46. Chanteurs ambulants (pl.41, La Gazette du Bon ton, 1924-1925 n°5)Chanteurs ambulants (pl.41, La Gazette du Bon ton, 1924-1925 n°5)
    Lado GOUDIACHVILI

    Chanteurs ambulants (pl.41, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  47. Le Petit Port (pl.42, La Gazette du Bon ton, 1924-1925 n°5)Le Petit Port (pl.42, La Gazette du Bon ton, 1924-1925 n°5)
    Jacques DEMACHY

    Le Petit Port (pl.42, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right...
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  48. Rêverie. Robes, de Jeanne Lanvin (pl.44, La Gazette du Bon ton, 1924-1925 n°6)Rêverie. Robes, de Jeanne Lanvin (pl.44, La Gazette du Bon ton, 1924-1925 n°6)
    Georges LEPAPE (Jeanne LANVIN)

    Rêverie. Robes, de Jeanne Lanvin (pl.44, La Gazette du Bon ton, 1924-1925 n°6)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  49. Sur la digue. Chapeau, de Marthe Collot (pl.45, La Gazette du Bon ton, 1924-1925 n°6)Sur la digue. Chapeau, de Marthe Collot (pl.45, La Gazette du Bon ton, 1924-1925 n°6)
    André-Edouard MARTY (Marthe COLLOT)

    Sur la digue. Chapeau, de Marthe Collot (pl.45, La Gazette du Bon ton, 1924-1925 n°6)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  50. Consultation. Chaussures de Pérugia (pl.46, La Gazette du Bon ton, 1924-1925 n°6)Consultation. Chaussures de Pérugia (pl.46, La Gazette du Bon ton, 1924-1925 n°6)
    Pierre MOURGUE (André PERUGIA)

    Consultation. Chaussures de Pérugia (pl.46, La Gazette du Bon ton, 1924-1925 n°6)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  51. Le Matin et le Soir. Robes, de mousseline cirée, de Worth (pl.47, La Gazette du Bon ton, 1924-1925 n°6)Le Matin et le Soir. Robes, de mousseline cirée, de Worth (pl.47, La Gazette du Bon ton, 1924-1925 n°6)
    George BARBIER (Charles-Frederick WORTH)

    Le Matin et le Soir. Robes, de mousseline cirée, de Worth (pl.47, La Gazette du Bon ton, 1924-1925 n°6)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
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  52. Au bois. Tailleur, de Madeleine Vionnet (pl.48, La Gazette du Bon ton, 1924-1925 n°6)Au bois. Tailleur, de Madeleine Vionnet (pl.48, La Gazette du Bon ton, 1924-1925 n°6)
    Madeleine RUEG (Madeleine VIONNET)

    Au bois. Tailleur, de Madeleine Vionnet (pl.48, La Gazette du Bon ton, 1924-1925 n°6)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
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  53. Bérénice. Diadème et collier, de Cartier (pl.49, La Gazette du Bon ton, 1924-1925 n°7)Bérénice. Diadème et collier, de Cartier (pl.49, La Gazette du Bon ton, 1924-1925 n°7)
    ANONYME (CARTIER)

    Bérénice. Diadème et collier, de Cartier (pl.49, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
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  54. Nuit de Riviera. Robe du soir, de Jenny (pl.52, La Gazette du Bon ton, 1924-1925 n°7)Nuit de Riviera. Robe du soir, de Jenny (pl.52, La Gazette du Bon ton, 1924-1925 n°7)
    André-Edouard MARTY (JENNY)

    Nuit de Riviera. Robe du soir, de Jenny (pl.52, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  55. Grille en fer forgé pour le Pavillon de l'élégance par Baguès (pl.53, La Gazette du Bon ton, 1924-1925 n°7)Grille en fer forgé pour le Pavillon de l'élégance par Baguès (pl.53, La Gazette du Bon ton, 1924-1925 n°7)
    ANONYME (BAGUES)

    Grille en fer forgé pour le Pavillon de l'élégance par Baguès (pl.53, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
    Sold
  56. Longhi. Robe du soir, de Jeanne Lanvin (pl.54, La Gazette du Bon ton, 1924-1925 n°7)Longhi. Robe du soir, de Jeanne Lanvin (pl.54, La Gazette du Bon ton, 1924-1925 n°7)
    Georges LEPAPE (Jeanne LANVIN)

    Longhi. Robe du soir, de Jeanne Lanvin (pl.54, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  57. Le Jeu interrompu. Etui de golf, d'Hermès (pl.57, La Gazette du Bon ton, 1924-1925 n°7)Le Jeu interrompu. Etui de golf, d'Hermès (pl.57, La Gazette du Bon ton, 1924-1925 n°7)
    Pierre MOURGUE (HERMES)

    Le Jeu interrompu. Etui de golf, d'Hermès (pl.57, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  58. La Nuit enchantée. Robe et manteau, de Madeleine Vionnet (pl.58, La Gazette du Bon ton, 1924-1925 n°7)La Nuit enchantée. Robe et manteau, de Madeleine Vionnet (pl.58, La Gazette du Bon ton, 1924-1925 n°7)
    Madeleine RUEG (Madeleine VIONNET)

    La Nuit enchantée. Robe et manteau, de Madeleine Vionnet (pl.58, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  59. Sur la pelouse. Robe, de Paul Poiret (pl.59, La Gazette du Bon ton, 1924-1925 n°7)Sur la pelouse. Robe, de Paul Poiret (pl.59, La Gazette du Bon ton, 1924-1925 n°7)
    André-Edouard MARTY (Paul POIRET)

    Sur la pelouse. Robe, de Paul Poiret (pl.59, La Gazette du Bon ton, 1924-1925 n°7)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  60. Le Jugement de Pâris. Travestis de Jeanne Lanvin pour le Bal de la parure (pl.60, La Gazette du Bon ton, 1924-1925 n°8)Le Jugement de Pâris. Travestis de Jeanne Lanvin pour le Bal de la parure (pl.60, La Gazette du Bon ton, 1924-1925 n°8)
    Georges LEPAPE (Jeanne LANVIN)

    Le Jugement de Pâris. Travestis de Jeanne Lanvin pour le Bal de la parure (pl.60, La Gazette du Bon ton, 1924-1925 n°8)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
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  61. La Danseuse aux jets d'eau. Robe de danse, de Worth (pl.61, La Gazette du Bon ton, 1924-1925 n°8)La Danseuse aux jets d'eau. Robe de danse, de Worth (pl.61, La Gazette du Bon ton, 1924-1925 n°8)
    George BARBIER (Charles-Frederick WORTH)

    La Danseuse aux jets d'eau. Robe de danse, de Worth (pl.61, La Gazette du Bon ton, 1924-1925 n°8)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
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  62. Amour, délices et orgues. Robe et manteau du soir, de Paul Poiret (pl.62, La Gazette du Bon ton, 1924-1925 n°8)Amour, délices et orgues. Robe et manteau du soir, de Paul Poiret (pl.62, La Gazette du Bon ton, 1924-1925 n°8)
    André-Edouard MARTY (Paul POIRET)

    Amour, délices et orgues. Robe et manteau du soir, de Paul Poiret (pl.62, La Gazette du Bon ton, 1924-1925 n°8)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  63. Le Bel écrin. Modèle de Pérugia (pl.63, La Gazette du Bon ton, 1924-1925 n°8)Le Bel écrin. Modèle de Pérugia (pl.63, La Gazette du Bon ton, 1924-1925 n°8)
    Pierre MOURGUE (André PERUGIA)

    Le Bel écrin. Modèle de Pérugia (pl.63, La Gazette du Bon ton, 1924-1925 n°8)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  64. Le Chapeau de velours. Chapeau, de Marthe Collot (pl.65, La Gazette du Bon ton, 1924-1925 n°8)Le Chapeau de velours. Chapeau, de Marthe Collot (pl.65, La Gazette du Bon ton, 1924-1925 n°8)
    José ZINOVIEW (Marthe COLLOT)

    Le Chapeau de velours. Chapeau, de Marthe Collot (pl.65, La Gazette du Bon ton, 1924-1925 n°8)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  65. Rendez-vous Villa Gori. Robe et manteau de Worth (pl.66, La Gazette du Bon ton, 1924-1925 n°9)Rendez-vous Villa Gori. Robe et manteau de Worth (pl.66, La Gazette du Bon ton, 1924-1925 n°9)
    George BARBIER (Charles-Frederick WORTH)

    Rendez-vous Villa Gori. Robe et manteau de Worth (pl.66, La Gazette du Bon ton, 1924-1925 n°9)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  66. L'Adieu à la plage. Manteau de voyage, de Madeleine Vionnet (pl.67, La Gazette du Bon ton, 1924-1925 n°9)L'Adieu à la plage. Manteau de voyage, de Madeleine Vionnet (pl.67, La Gazette du Bon ton, 1924-1925 n°9)
    Madeleine RUEG (Madeleine VIONNET)

    L'Adieu à la plage. Manteau de voyage, de Madeleine Vionnet (pl.67, La Gazette du Bon ton, 1924-1925 n°9)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  67. Le Rouleau de musique. Robe d'après-midi et robe de fillette, de Jeanne Lanvin (pl.68, La Gazette du Bon ton, 1924-1925 n°9)Le Rouleau de musique. Robe d'après-midi et robe de fillette, de Jeanne Lanvin (pl.68, La Gazette du Bon ton, 1924-1925 n°9)
    Georges LEPAPE (Jeanne LANVIN)

    Le Rouleau de musique. Robe d'après-midi et robe de fillette, de Jeanne Lanvin (pl.68, La Gazette du Bon ton, 1924-1925 n°9)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the...
    Sold
  68. L'Amazone bleue (pl.5, La Gazette du Bon ton, 1924-1925 n°1)L'Amazone bleue (pl.5, La Gazette du Bon ton, 1924-1925 n°1)
    Charles LOUPOT

    L'Amazone bleue (pl.5, La Gazette du Bon ton, 1924-1925 n°1)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  69. Manteau de fourrure. Manteau de fourrure, de M-A. Leroy (pl.7, La Gazette du Bon ton, 1924-1925 n°1)Manteau de fourrure. Manteau de fourrure, de M-A. Leroy (pl.7, La Gazette du Bon ton, 1924-1925 n°1)
    Charles LOUPOT (MAX-LEROY)

    Manteau de fourrure. Manteau de fourrure, de M-A. Leroy (pl.7, La Gazette du Bon ton, 1924-1925 n°1)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  70. Les Graces et Vénus en cheveux courts. Manteau et robes pour le soir, de Paul Poiret (pl.9, La Gazette du Bon ton, 1924-1925 n°2)Les Graces et Vénus en cheveux courts. Manteau et robes pour le soir, de Paul Poiret (pl.9, La Gazette du Bon ton, 1924-1925 n°2)
    André-Edouard MARTY (Paul POIRET)

    Les Graces et Vénus en cheveux courts. Manteau et robes pour le soir, de Paul Poiret (pl.9, La Gazette du Bon ton, 1924-1925 n°2)

    Lucien Vogel éditeur|Paris 1924-1925|36 x 24 cm|une feuille
    Double original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  71. Cortège. Robes du soir, de Worth (pl.10, La Gazette du Bon ton, 1924-1925 n°2)Cortège. Robes du soir, de Worth (pl.10, La Gazette du Bon ton, 1924-1925 n°2)
    George BARBIER (Charles-Frederick WORTH)

    Cortège. Robes du soir, de Worth (pl.10, La Gazette du Bon ton, 1924-1925 n°2)

    Lucien Vogel éditeur|Paris 1924-1925|36 x 24 cm|une feuille
    Double original color print heightened with palladium, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches...
    Sold
  72. Les Belles Dames du paravent. Robes et manteaux, de Doucet (pl.12, La Gazette du Bon ton, 1924-1925 n°2)Les Belles Dames du paravent. Robes et manteaux, de Doucet (pl.12, La Gazette du Bon ton, 1924-1925 n°2)
    ANONYME (Jacques DOUCET)

    Les Belles Dames du paravent. Robes et manteaux, de Doucet (pl.12, La Gazette du Bon ton, 1924-1925 n°2)

    Lucien Vogel éditeur|Paris 1924-1925|36 x 24 cm|une feuille
    Double original color print heightened with gold, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models...
    Sold
  73. Le Mignon petit soulier. Modèles de Perugia (pl. 13, La Gazette du Bon ton, 1924-1925 n°2)Le Mignon petit soulier. Modèles de Perugia (pl. 13, La Gazette du Bon ton, 1924-1925 n°2)
    Jean GRANGIER (André PERUGIA)

    Le Mignon petit soulier. Modèles de Perugia (pl. 13, La Gazette du Bon ton, 1924-1925 n°2)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  74. La Confidence. Robe du soir, et robe de fillette, de Callot Soeurs (pl. 14, La Gazette du Bon ton, 1924-1925 n°2)La Confidence. Robe du soir, et robe de fillette, de Callot Soeurs (pl. 14, La Gazette du Bon ton, 1924-1925 n°2)
    Jean GRANGIER (Soeurs CALLOT)

    La Confidence. Robe du soir, et robe de fillette, de Callot Soeurs (pl. 14, La Gazette du Bon ton, 1924-1925 n°2)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  75. Frisson d'automne. Manteaux de fourrure, de Max-A. Leroy (pl. 15, La Gazette du Bon ton, 1924-1925 n°2)Frisson d'automne. Manteaux de fourrure, de Max-A. Leroy (pl. 15, La Gazette du Bon ton, 1924-1925 n°2)
    Charles LOUPOT (MAX-LEROY)

    Frisson d'automne. Manteaux de fourrure, de Max-A. Leroy (pl. 15, La Gazette du Bon ton, 1924-1925 n°2)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  76. La Bague neuve ou La Jalousie dissimulée. Robes, de Paul Poiret (pl.17, La Gazette du Bon ton, 1924-1925 n°3)La Bague neuve ou La Jalousie dissimulée. Robes, de Paul Poiret (pl.17, La Gazette du Bon ton, 1924-1925 n°3)
    André-Edouard MARTY (Paul POIRET)

    La Bague neuve ou La Jalousie dissimulée. Robes, de Paul Poiret (pl.17, La Gazette du Bon ton, 1924-1925 n°3)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
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  77. "Une minute, et je suis prête..." Robe et manteau du soir, de Jeanne Lanvin (pl.19, La Gazette du Bon ton, 1924-1925 n°3)"Une minute, et je suis prête..." Robe et manteau du soir, de Jeanne Lanvin (pl.19, La Gazette du Bon ton, 1924-1925 n°3)
    Georges LEPAPE (Jeanne LANVIN)

    "Une minute, et je suis prête..." Robe et manteau du soir, de Jeanne Lanvin (pl.19, La Gazette du Bon ton, 1924-1925 n°3)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of...
    Sold
  78. Rouge et Or. Robe du soir, de Worth (pl.20, La Gazette du Bon ton, 1924-1925 n°3)Rouge et Or. Robe du soir, de Worth (pl.20, La Gazette du Bon ton, 1924-1925 n°3)
    George BARBIER (Charles-Frederick WORTH)

    Rouge et Or. Robe du soir, de Worth (pl.20, La Gazette du Bon ton, 1924-1925 n°3)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of...
    Sold
  79. Mlle Jeanne Marnac dans "Manon, fille galante". Souliers de Perugia, costume de George Barbier (pl.22, La Gazette du Bon ton, 1924-1925 n°3)Mlle Jeanne Marnac dans "Manon, fille galante". Souliers de Perugia, costume de George Barbier (pl.22, La Gazette du Bon ton, 1924-1925 n°3)
    George BARBIER (Charles-Frederick WORTH)

    Mlle Jeanne Marnac dans "Manon, fille galante". Souliers de Perugia, costume de George Barbier (pl.22, La Gazette du Bon ton, 1924-1925 n°3)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of...
    Sold
  80. Tourisme en montagne. Amortisseurs Hartford (pl.24, La Gazette du Bon ton, 1924-1925 n°3)Tourisme en montagne. Amortisseurs Hartford (pl.24, La Gazette du Bon ton, 1924-1925 n°3)
    PLANAS

    Tourisme en montagne. Amortisseurs Hartford (pl.24, La Gazette du Bon ton, 1924-1925 n°3)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  81. La Visite. Robes et manteaux, de Jeanne Lanvin (pl.25, La Gazette du Bon ton, 1924-1925 n°4)La Visite. Robes et manteaux, de Jeanne Lanvin (pl.25, La Gazette du Bon ton, 1924-1925 n°4)
    Georges LEPAPE (Jeanne LANVIN)

    La Visite. Robes et manteaux, de Jeanne Lanvin (pl.25, La Gazette du Bon ton, 1924-1925 n°4)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  82. Un nécessaire. Bijou, de Cartier (pl.26, La Gazette du Bon ton, 1924-1925 n°4)Un nécessaire. Bijou, de Cartier (pl.26, La Gazette du Bon ton, 1924-1925 n°4)
    (CARTIER)

    Un nécessaire. Bijou, de Cartier (pl.26, La Gazette du Bon ton, 1924-1925 n°4)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right...
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  83. Une broche et des boucles d'oreilles. Bijoux, de Cartier (pl.28, La Gazette du Bon ton, 1924-1925 n°4)Une broche et des boucles d'oreilles. Bijoux, de Cartier (pl.28, La Gazette du Bon ton, 1924-1925 n°4)
    (CARTIER)

    Une broche et des boucles d'oreilles. Bijoux, de Cartier (pl.28, La Gazette du Bon ton, 1924-1925 n°4)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, non signed.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right...
    Sold
  84. Artémis. Manteau, de Worth (pl.29, La Gazette du Bon ton, 1924-1925 n°4)Artémis. Manteau, de Worth (pl.29, La Gazette du Bon ton, 1924-1925 n°4)
    George BARBIER (Charles-Frederick WORTH)

    Artémis. Manteau, de Worth (pl.29, La Gazette du Bon ton, 1924-1925 n°4)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  85. Le Mannequin d'or. Robe, de Paul Poiret (pl.31, La Gazette du Bon ton, 1924-1925 n°4)Le Mannequin d'or. Robe, de Paul Poiret (pl.31, La Gazette du Bon ton, 1924-1925 n°4)
    André-Edouard MARTY (Paul POIRET)

    Le Mannequin d'or. Robe, de Paul Poiret (pl.31, La Gazette du Bon ton, 1924-1925 n°4)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print heightened with gold, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models...
    Sold
  86. Le Choix difficile. Souliers, de Pérugia (pl.33, La Gazette du Bon ton, 1924-1925 n°4)Le Choix difficile. Souliers, de Pérugia (pl.33, La Gazette du Bon ton, 1924-1925 n°4)
    Jean GRANGIER (André PERUGIA)

    Le Choix difficile. Souliers, de Pérugia (pl.33, La Gazette du Bon ton, 1924-1925 n°4)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  87. Le Donneur de conseils. Robe du soir, de Paul Poiret (pl.34, La Gazette du Bon ton, 1924-1925 n°5)Le Donneur de conseils. Robe du soir, de Paul Poiret (pl.34, La Gazette du Bon ton, 1924-1925 n°5)
    André-Edouard MARTY (Paul POIRET)

    Le Donneur de conseils. Robe du soir, de Paul Poiret (pl.34, La Gazette du Bon ton, 1924-1925 n°5)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  88. Coucou ! Robe, de Paul Poiret (pl.1, La Gazette du Bon ton, 1924-1925 n°1)Coucou ! Robe, de Paul Poiret (pl.1, La Gazette du Bon ton, 1924-1925 n°1)
    André-Edouard MARTY (Paul POIRET)

    Coucou ! Robe, de Paul Poiret (pl.1, La Gazette du Bon ton, 1924-1925 n°1)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  89. L'Offrande de la rose. Robe d'après-midi et robe d'enfant, de Jeanne Lanvin (pl.2, La Gazette du Bon ton, 1924-1925 n°1)L'Offrande de la rose. Robe d'après-midi et robe d'enfant, de Jeanne Lanvin (pl.2, La Gazette du Bon ton, 1924-1925 n°1)
    Georges LEPAPE (Jeanne LANVIN)

    L'Offrande de la rose. Robe d'après-midi et robe d'enfant, de Jeanne Lanvin (pl.2, La Gazette du Bon ton, 1924-1925 n°1)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
  90. Me voici ! Robe, de Worth (pl.3, La Gazette du Bon ton, 1924-1925 n°1)Me voici ! Robe, de Worth (pl.3, La Gazette du Bon ton, 1924-1925 n°1)
    George BARBIER (Charles-Frederick WORTH)

    Me voici ! Robe, de Worth (pl.3, La Gazette du Bon ton, 1924-1925 n°1)

    Lucien Vogel éditeur|Paris 1924-1925|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    Sold
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