Gallimard (1911 - )

First Edition paper flow for the first volume; review copy for the second.
In the first volume, autograph dedication of the author autograph signed and dated by Paul Morand to his friend François Legueu. "... I passed pleasure above all I would like the death as a cask, everything can be learned your friend. . P.Morand, March 1968. "
For the second, signed autograph bicolor autograph dedication of the author Paul Morand to his friend François Legueu "financial mentor, tribute mini historian and friend, automobileclubment him, Morand.
Two annotations in black ballpoint pen on the last guard dedicatee of the first volume.
Back of the second volume slightly...

First edition of the French translation of which there were no large paper copies.
With an autograph inscription from Federico Fellini to a friend named Pascal.
Good copy with illustrated dust jacket.

First collected edition, one of 63 numbered copies on Hollande, tirage de tête.
A very good copy.

First edition, one of 35 numbered copies on pur fil, the only large paper copies.
Spine very slightly sunned, not serious, otherwise a good copy.

First edition, one of 210 numbered copies on vélin pur fil paper, the tirage de tête after 35 Hollande
A fine, unsophisticated copy.

First edition.
Richly illustrated.
A very good copy retaining its dust jacket and its plastic wrappers.

First edition, one of 45 numbered copies on pur fil paper, the tirage de tête.
A very good copy.

A la recherche du temps perdu [In Search of Lost Time]
Grasset & Nrf | Paris 1913-1927 | 12 x 19 cm for the first volume & 13 x 19.5 cm
for the second & 14.5 x 19.5 cm for the following ones | 13 volumes in original wrappers
First edition for all the volumes. Du côté de chez Swann, first printing on ordinary paper with all the characteristics (fault to Grasset, upper cover dated 1913, no contents table, publisher's catalogue at end); à l'ombre des jeunes filles en fleurs, first printing on ordinary paper without false statement; the other volumes, numbered on pur fil paper, the only grand papier (deluxe) copies, after the reimposed one.

First edition of which there were no large paper copies.
Iconography.
Plats slightly yellowed, not serious, internally good.