Gallimard (1911 - )

Edition for which he was not drawn large paper, review copy.
Signed autograph of Roger Quilliot Claude Gallimard.
Illustrated cover of a photograph of Albert Camus, complete copy of his prayer to insert.

First edition in French, an advance (service de presse) copy.
Spine very slightly sunned, some traces of fold to the covers.

First edition for which there were no large paper copies, an advance (service de presse) copy.
A good copy despite a slight sunning to the spine.

First edition, review copy.
Signed autograph of Louis Aragon Daniel Jerruel.
Back insolated, dirty boards, nice interior state.

First edition on ordinary paper.
Handsome autograph inscription from Jean Blot to alexandre Vialatte.

First edition, an advance (service de presse) copy.
A good copy despite a small tear to foot of upper cover.

First edition, one of 842 copies on "pur-fil" paper, only large paper after 109 reimposed.
Precious autograph signed by Jules Romains: "At Luigi Pirandello with friendly admiration of Jules Romains'
Nice copy.

BRETON André. Nadja
Nrf, Paris 1928, 12 x 19 cm, original wrappers
First edition, an advance [service de presse] copy.
Autograph inscription from André Breton to his friend Jean Carrive: “à Jean Carrive, son vieil ami”.
Spine slightly wrinkled and occasional foxing mostly to upper cover.
André Breton compares Jean Carrive to Rimbaud when in 1923 he brought this “Gascon terrorist” to Paris and mentions him in the Manifesto of Surrealism as one of the 19 who “acted with absolute surrealism”.

First edition, one of 210 numbered copies on pur fil paper, the only large paper copies after 36 Hollande paper.
A good copy.

Second edition, one of 227 numbered copies on pur fil paper, the only large paper copies after 43 on Hollande paper.
A good copy.

First edition, one of 2250 numbered copies on châtaignier paper, the only printing after 24 Madagascar paper.
A trace of fold to lower cover, otherwise a good copy.

First edition, one of 210 numbered copies on pur fil paper, the only large paper copies with 45 on Hollande paper.
A very good copy.

First edition, one of 277 numbered copies on pur fil paper.
A good copy.

Edition, a numbered on puffing.
autograph dedication of the author autograph signed and dated Eugene Guillevic Paul Aveline: "... the story of a fight with the wall ..."
Nice copy.

First edition of the French translation, one of 110 numbered copies on vergé pur fil paper Lafuma-Navarre and re-imposed in Tellière quarto, the tirage de tête.
A nice copy.

First edition of the French translation, one of 109 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
A very good copy.

First edition of the French translation, one of 110 numbered copies on vergé Lafuma Navarre and re-imposed in Tellière quarto, the tirage de tête.
A nice copy.

First edition of the French translation, one of 109 numbered copies on vergé Lafuma Navarre re-imposed in Tellière quarto format, tirage de tête.
Spine very lightly sunned, a good copy.

First edition, review copy.
Signed autograph Andre Beucler Madame Lancel enriched with a beautiful drawing in full page, color pencils, Maw representing Love in uniform, a flower on her lips.
This novel was masterfully adapted to film a few years later by Jean Grémillon, with Jean Gabin creating Maw Love.
Back slightly insolated with a small tear in mind.

first edition on the current paper.
Signed autograph of Jacques de Lacretelle Alfred Johr.
spine and boards evenly insolated, papeir yellowed.

First edition, one of 230 numbered copies on Hollande paper, the only large paper copies after 16 on Japan paper.
Iconography.

First edition, one of 95 numbered copies on vélin d'Arches paper, the only large paper copies after 45 on Hollande paper.
A very good copy.

First edition, one of 48 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First collected edition, one of 112 numbered copies on pur fil paper, the tirage de tête.
A very good copy retaining its advertising slip.

First edition, one of 70 numbered copies on Lafuma Voiron re-imposed in Tellière quarto format, the only large paper copies.

A good and rare copy without foxing.

First edition, one of 120 numbered copies on pur fil paper, the only large paper copies after 36 on Hollande paper.
A good copy.

First edition, one of 120 numbered copies on pur fil paper, the only large paper copies after 36 on Hollande paper for each volume.
A good set.

First edition, one of 55 numbered copies on pur fil paper, the only large paper copies after 35 on Hollande paper.
A good copy.

First edition, one of copies on châtaignier paper, the only printing with 550 Bonet binding.
Spine slightly sunned, otherwise a very good copy.

Edition after a few months to the first edition.
Bound in red half shagreen with corners, back with five nerves, red cloth covers, guards and contreplats of handmade paper, cover preserved.
Signed autograph of Louise de Vilmorin to his friend Maurice Aveline accompanied by a small four-leaf clover.
A poorly cut sheet that caused small gaps minor legs of 61-62 pages.
Nice copy.

First edition française, a numbered copy on alfa paperma.

A good copy despite one small tear to head of spine.

First edition of the French translation, one of 108 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, this one specially printed for André Suarès, the tirage de tête.
Half navy blue morocco over marbled paper boards by Alix, spine in six compartments, date gilt at foot, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, ex libris to pastedown.
A very good copy nicely bound.

First edition, one of 108 numbered copies on Lafuma Navarre paper reimposed in quarto, the tirage de tête.
Half blue morocco over ostrich-patterned paper by Semet & Plumelle, spine in six compartments with fillets and double gilt decorated compartments, gilt date at foot, gilt fillet frame to covers, covers and spine preserved, top edge gilt. A very good copy, nicely bound.

First edition of the French translation, one of 109 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, this one specially printed for André Suarès, the tirage de tête.

Half navy blue morocco over marbled paper boards by Alix, spine in six compartments, date gilt at foot, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, ex libris to pastedown.

A very good copy nicely bound.

First edition of the French translation, one of 118 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, this one specially printed for André Suarès, the tirage de tête.
Half navy blue morocco over marbled paper boards by Alix, spine in six compartments, date gilt at foot, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, ex libris to pastedown.
A very good copy nicely bound.

First edition of the French translation, one of 108 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, this one specially printed for André Suarès, the tirage de tête.
Half navy blue morocco over marbled paper boards by Alix, spine in six compartments, date gilt at foot, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, ex libris to pastedown.
A very good copy nicely bound.

First edition of the French translation, one of 108 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, this one specially printed for André Suarès, the tirage de tête.
Half navy blue morocco over marbled paper boards by Alix, spine in six compartments, date gilt at foot, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, ex libris to pastedown.
A very good copy nicely bound.

First edition of the French translation, one of 125 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
Occasional foxing, not serious, a very good copy.

First edition in French, one of 109 numbered copies on vergé pur fil paper Lafuma-Navarre and re-imposed in Tellière quarto, the tirage de tête.
Spine slightly sunned, otherwise a good copy.

First edition in French, one of 108 numbered copies on vergé pur fil Lafuma-Navarre, re-imposed in Tellière quarto, the only large paper copies.
Spine slightly sunned, small marginal spots to the first free endpaper.

First edition of the French translation, one of 109 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
Spine with tiny stains, not serious, a good copy.

First edition of the French translation, one of 25 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
A rare and very good copy.

First edition of the French translation, one of 30 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
Some foxing on some leaves, to the edges.
A rare and very good copy.

First edition of the French translation, one of 110 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
A very good copy.

First edition, one of 48 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, one of 90 numbered copies on vergé d'Arches, the only large paper copies after 10 Montval.
A very good copy.

First edition, one of 57 numbered copies on alfa, the only large paper copies.
With 30 images by Jean Bruller.
Agréable and rare copy.

First edition printed in 1650 numbered copies on châtaignier paper.
Spine very slightly sunned, not serious, two tiny lacks to foot of spine.

First edition, one of 120 numbered copies on pur fil paper, the only large paper copies after 36 on Hollande paper.
A good copy.

First edition, one of 1040 numbered copies on Alfa paper.
Cardboard Editor connected from the original artwork of Paul Bonet.
Light bites on the first guard, otherwise fine copy.

The definitive edition, one of 36 numbered copies on pur fil paper, the only large paper copies.
Spine very slightly sunned to head and foot.

First edition on ordinary paper.
Preface by Philippe Sollers.
A very good copy retaining its advertising band (with a small tear to foot).