Gallimard (1911 - )

First edition.
Contributions by A. Suarès "La mort de Pampatheus", M. Sachs "Tableau des moeurs de ce temps", G. Limbour "Tableau bon levain", M. Blanchot "Le dehors, la nuit"...
Two stains at foot of front cover.

First edition.
Contributions by P. Claudel "La maison-du-pont-des-faisans", Alain, J. de Lacretelle, M. Proust "Le temps retrouvé (suite)"..
Spine slightly sunned.

First edition.
Contributions by M. Jouhandeau "La bergère Nanou", J. Rivière "La crise de concept de littérature", P. Drieu la Rochelle "Chronique des spectacles"...
Handsome copy.

First edition.
Contributions by J. Giono, Alain "La frivolité", J. Chardonne "Voir la figure", P. Drieu la Rochelle "Le fait", R. Fernandez "Charles Péguy"...
A small nick to spine.

First edition. M. Proust "Le temps retrouvé (III)", H. von Hofmannsthal "Lettre de lord Chandos", A. Artaud "Correspondance de la momie", A. Gide "Voyage au Congo : de Baboua à Fort-Archambault"...
A small tear with minimal loss at foot of spine slightly sunned.

First edition.
Contributions by E. Hemingway "Cinquante mille dollars" [translated by O. de Weymer], M. Proust "Le temps retrouvé (avant dernier épisode)" [penultimate episode], L. Durtain, J. Benda..

First edition, a Service de Presse (advance) copy.
Signed autograph inscription from A. Pieyre de Mandiargues to a couple who were his friends, enhanced with the signature of F. Mallet.
Handsome copy.

First edition, one of the rare lettered copies on laid paper, the only deluxe copies.
Contributions by C. Baudelaire with the first letter he wrote to Richard Wagner published and commented upon by André Suarès, Roland-Manuel, H. Lemonnier regarding Louis Vitet and the Marseillaise...
Issue illustrated with a portrait of A. Roussel by V. Barbey, a self-portrait by Baudelaire, as well as tailpieces, frontispieces and initials by O. Friesz, V. Hugo..
Minor lacks and tears to spine and joints, handsome interior condition. Issue complete with its musical supplement: "Fragment from the ballet Padmavati" by A. Roussel.

First edition.
Contributions by Jean Schlumberger, Paul Claudel and Marcel Proust (Le Temps retrouvé (suite)); chronicles by Alain, François Mauriac, etc.
Cover very slightly shaded, otherwise handsome copy.

First edition on ordinary paper, false statement of fourth edition used for advance copies (NRF stamp at head of second board).
Fine autograph inscription signed by Pierre Drieu la Rochelle to Romain Coolus on the front endpaper: "... ce petit livre qui a traîné un peu chez les imprimeurs / avec toute ma franche gratitude pour les encouragements prodigués par un bon aîné" ["... this little book which lingered a bit at the printers / with all my sincere gratitude for the encouragement given by a good elder"].
Spine and boards lightly sunned without concern, clear traces of adhesive tape removal at heads and feet of endpapers and on verso of boards.

Edition first in part on ordinary paper.
A very good copy.

New edition in French published the same year as the first edition, falsely stated the 8th edition.

New edition in French, published the same year as the first edition.
A good copy.

First collected edition, one of numbered copies on vergé labeur paper.
Endpapers very slightly and marginally sunned, not serious, a good copy.

First edition, one of 108 copies reimposed in quarto format, ours being one of the 100 nominative copies numbered in Roman numerals, part of the tête de tirage.
Bound in half green long-grain morocco, flat spine very slightly faded, wrappers and spine preserved.
A handsome copy.

First edition of which there were no large paper copies.
A good copy.

First edition of which there were no large paper copies.
Spine slightly faded, a good copy.

First edition, one of 940 numbered copies on pur fil, the only large paper copies with 118 re-imposed.
Autograph inscription dated and signed by the author in pencil to Monsieur Hennique.
A good copy.

First edition of the French translation, a Service de Presse (advance) copy.
Signed autograph inscription by Vassilis Vassilikos (the dedicatee's name, Jean Blanzat, was probably written by the translator to facilitate V. Vassilikos' task).
Handsome copy complete with publisher's slip.

First edition in French, one of 205 numbered copies on pure laid paper, the only deluxe copies.
Half burgundy shagreen binding with corners, spine with four raised bands, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed by Trinckvel.
Handsome copy.

First edition, one of 40 numbered copies on pur fil, tirage de tête.
A very good copy.

First edition printed on ordinary paper.
Fascicule illustrated with an unpublished portrait of the artist by himself engraved on wood by G. Aubert as well as reproductions of works by M. Denis.
Two tiny lacks to head and foot of sunned spine, handsome interior condition.
Precious autograph inscription signed by François Fosca to Pierre Drieu la Rochelle.

First edition, one of the numbered copies on châtaignier paper.
Signed and inscribed by Marc Bernard to Maurice Noël.

First edition of the French translation printed on ordinary paper.
Signed autograph inscription by Alejo Carpentier in French.
Blind stamp at foot of first endpaper.

First edition, one of 50 numbered copies on pur fil, the only large paper copies.
Four slight traces of black ink in the margins of four leaves, a good copy.

First edition, one of 230 numbered copies on Alfa paper. Handwritten inscription signed by the author. A tiny marginal tear on the front cover, ex-libris pasted on the first blank endpaper.

First edition, one of the advance copies.
Precious and very beautiful autograph inscription signed by Maurice Fourre to (André) Rolland de Renéville: "... (Pour R. de R...) Sur le tapis de la laine usagée, le boa constrictor, de huit mètres de long, tout écaillé d'argent, ceinture intimement le lion chevelu de l'Atlas aux yeux songeurs..." ["... (For R. de R...) On the carpet of worn wool, the boa constrictor, eight meters long, all scaled in silver, intimately encircles the hairy lion of the Atlas with dreamy eyes..."]
Joints lightly rubbed with a repaired tear at foot, two light stains on the first endpaper, light traces of rubbing on the first cover.
Preface by André Breton.
Autograph inscriptions by Maurice Fourré are rare.
Provenance: from the library of André Rolland de Renéville.

First edition, a Service de Presse (advance) copy.
Precious signed autograph inscription from Maurice Fourre to (André) Rolland de Renéville.
Minor worming to spine without consequence, complete with publisher's (advertising) slip.
Autograph inscriptions by Maurice Fourré are rare.
Provenance: from the library of André Rolland de Renéville.

First edition, a Service de Presse (advance) copy.
Complete with publisher's (advertising) slip.
Provenance: from the library of André Rolland de Renéville.

First edition, one of 31 numbered copies on pur fil paper, the only deluxe copies.
Iconography.
Boards very lightly and marginally sunned without gravity, handsome interior condition.

Library edition from the Bibliothèque de La Pléiade printed on Bible paper.
Publisher's full green grained sheep binding, smooth spine decorated with gilt fillets.
Handsome copy complete with its glassine wrapper.

First edition, one of 30 copies lettered in Roman characters on Hollande, tirage de tête.
A very attractive copy.

First edition.
Richly illustrated.
A very good copy retaining its dust jacket and its plastic wrappers.

First edition, one of numbered copies on vélin labeur.
Autograph inscription from Albert Cohen to Pierre Morhange.
Small foxing to the spine, a small trace of fold to head of upper cover, internally good.

First collected edition, one of 82 numbered copies on pur fil, the only large paper copies.
A very good copy.

First edition.
Richly illustrated.
A very good copy complete with plastic wrappers.

First edition.
Richly illustrated.
A very good copy complete with plastic wrappers.

First edition, one of the Service de Presse (advance) copies.
Light marginal worming on boards.
Autograph inscription signed by Henri de Montherlant to Hubert Juin.

First edition, one of 26 numbered copies on Hollande, tirage de tête.
Small glued tears, not serious, to head and foot of the joints, a good copy.

First edition on ordinary paper, false statement of third edition.
Fine inscription from Jean Dutourd.

First edition, one of 995 numbered copies on pur fil paper, the only deluxe copies with 109 reimposed.
Half cloth binding with vellum-style corners, smooth spine, burgundy morocco title-label with minimal scratch, gilt fillet frames on moiré-effect paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding in the style of Stroobants.
Handsome copy.

First edition.
Numerous contributions, including those by Marcel Proust and André Gide (Letters), Roger Martin du Gard (among the posthumous papers of M.Thibault), Léon-Paul Fargue (On the Piano Edge), Jean Guehenno (Humanity and the Humanities), Pierre Sichel (the martyrdom of Anagène), Jean Prévost (eighteenth year), Alain (Remarks).
Handsome copy.

First edition.
Numerous contributions, including those of Jean Schlumberger (l'Enseveli), Paul Claudel (la maison du Pont des Faisans), Jacques de Lacretelle (le rêveur parisien), Lucien Maury (Interprétations), Gil Robin (le poignet), Marcel Proust (le Temps retrouvé, suite)
Handsome copy, with some foxing.

First edition.
Numerous contributions, including those of André Chamson (Les hommes de la route), Gottfried Keller (L'enfant qui accuse), Jean Tardieu (Etranger), Julien Benda (La trahison des Clercs), Marcel Proust (Le Temps retrouvé, fin), Jules Renard (Mort de madame Lepic).
Cover slightly soiled, otherwise handsome copy.

First edition.
Numerous contributions, including those by M. Proust (Le septuor de Vinteuil), P. Valéry (Etude pour Narcisse), F. Ponge (Trois satires), A. Cohen (Mort de Charlot), H. Deberly (L'impudente III).
Small lack at foot of spine, otherwise handsome copy.

First edition, one of 111 numbered copies on chiffon de Lana, the only large paper copies.
A fine copy.

First edition of the French translation, one of 75 numbered copies on alfa, the only large paper copies.
A very good copy.

First edition, one of 1092 numbered copies on pur fil paper, the only large paper copies with 108 reimposed.
A good copy.

First edition in French, one of 47 numbered copies on pure linen paper, the only deluxe copies.
Spine and covers slightly and marginally faded as is often the case, otherwise a handsome copy.

First edition, one of the Service de Presse (advance) copies.
Fine autograph inscription from the author to Maria Casarès.
Spine sunned, two light dampstains affecting the head of the first cover and the foot of the second cover, without any damage to the interior condition.

First edition on ordinary paper.
Half chocolate shagreen binding with corners, smooth spine slightly faded decorated with a gilt cartouche, date at foot, marbled paper boards, moiré paper endpapers and pastedowns, original wrappers preserved, contemporary binding.

First edition, one of 30 numbered copies on Holland paper, deluxe issue with 10 hors commerce copies on colored parchment reserved for the author.
Handsome copy.

First edition, one of 105 numbered copies on pure thread paper, deluxe copies with 19 on Holland paper.
Two pale and very light traces of sunning in the middle of the spine and at the head of the first cover, handsome copy.

First edition, one of 47 numbered copies on pur fil paper, the only large paper copies.
Spine slightly warped, tiny traces of marginal tears to covers, with tiny lacks, not serious, rare spots mostly affecting endpapers.
A rare large paper copy.

First edition, one of 20 numbered copies on vélin d'Arches, the only large paper copies.
Spine and covers very slightly and marginally faded, not serious, otherwise a good copy.

First edition, one of 23 numbered copies on Arches vellum, the only deluxe copies.
Two light traces of sunning at head and foot of spine without consequence, endpapers very slightly and marginally aged without any concern, handsome copy.

First edition, one of 23 numbered copies on vélin d'Arches, the only large paper copies.
Two small traces of sunning, not serious, to head and to foot of spine, a good copy.

First edition, one of 22 numbered copies on vélin d'Arches, the only large paper copies.
Two small traces of sunning, not serious, to head and to foot of spine, a good copy.

First edition, one of 19 numbered copies on vélin d'Arches, the only large paper copies.
Two small traces of sunning, not serious, to head and to foot of spine, a good copy.

First edition, one of 22 numbered copies on vélin d'Arches, the only large paper copies.
Two small traces of sunning, not serious, to head and to foot of spine, a good copy.

First edition on ordinary paper, no deluxe copies were printed.
Autograph inscription from the author.
Complete with publisher's wraparound band.
Spine and covers very slightly faded without consequence, a tiny nick without loss at head of spine, handsome interior condition.

First edition of the French translation on ordinary paper, with no mention of deluxe copies. A Service de Presse (advance) copy.
Inscribed by the translator, Pierre Roudy.
Handsome copy.

First collected edition, of which there were no deluxe copies.
Autograph inscription by the author.

First edition, one of the numbered copies on bouffant paper, the only issue with 20 on Arches.
Author's inscription.
Minor foxing to spine, front cover and first endpaper, otherwise a handsome copy.

First French edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Inscribed by one of the translators.
Spine very lightly sunned, otherwise a handsome copy.

First edition, one of 57 numbered copies on pur fil, the only large paper copies.
Spine slightly sunned, otherwise a good copy.

First edition, one of 550 numbered copies on vergé baroque à barbes, the only printing with 15 Whatman and 62 vergé.
A very good copy.

First edition in part printed in 760 numbered copies on vélin blanc paper.
With 60 original woodcuts by André Derain.
A very good copy.

First Edition printed in 200 or 300 copies.
Rare and nice copy.

First edition, one of 26 numbered copies on Hollande, tirage de tête.
A nice copy.

First edition, one of 35 numbered copies on pur fil, the only deluxe paper issue.
Illustrated.
A fine copy.

First edition, one of 64 numbered copies on pur fil, the only large paper copies along with 26 Hollande.
A very good copy.

First edition, one of 43 numbered copies on Hollande paper, the tirage de tête.
A fine copy.

First edition, one advance (service de presse) copy.
Handsome autograph inscription signed by the author to Robert Desnos.
Light and rare foxings on the upper cover, a good copy.

First edition of the French translation established by E. Boudot-Lamotte, a Service de Presse (advance) copy.
Fine inscription from the translator.
Spine slightly sunned with two small tears at head and foot.

First edition of the French translation by E. Boudot-Lamotte, a service de presse (advance) copy.
Fine autograph inscription from the translator.
Spine slightly sunned.

First edition, one of 108 numbered copies on vergé Lafuma Navarre paper and reimposed in Tellière quarto, the tirage de tête.
A good copy.

First edition, one of 40 numbered copies on pur fil, the only large paper copies.
Copy in new condition.

First collected edition, one of the numbered copies on vellum, the only issue with 25 on pur fil.
Autograph inscription from the author.
Half-title page marginally shadowed due to a piece of envelope preserved, addressed to the dedicatee by the author.

First Gallimard edition printed a few months after the first edition published by 'Au sans pareil', one of 54 numbered copies on Japan paper, deluxe copy.
A marginal stain affecting the entire length of the front cover, handsome interior condition.

First edition, a Service de Presse (advance) copy.
Inscribed by the author.

First edition, of which no deluxe copies were printed, one of the advance copies.
Two light fold marks of no consequence to the covers, otherwise handsome copy.
Very beautiful signed autograph inscription from Georges Ribemont-Dessaignes to the architect Jean-Charles Moreux.

First edition in French, an advance (service de presse) copy.
Autograph inscription from Alejo Carpentier to l'Immortel Jean Bernard.

First collected edition, and first edition for 'Sally plus intime' on ordinary paper.
70 numbered deluxe copies were printed. In original wrappers. Publisher's covers. The red wraparound band has been preserved.
The copy is pristine, with conjugate leaves, in mint condition. Edges of covers and spine yellowed

NB: This work is available at the bookstore upon request within 48 hours.

First edition, one of 23 numbered copies on vélin d'Arches paper, the only large paper copies.
A very good copy.

First edition for which there were no large paper copies.
Autograph inscription from the author.