Fasquelle

First edition on ordinary paper.
Contemporary Bradel binding of half dark green cloth over marbled paper boards, spine with gilt floral motif, gilt date and double fillet to foot of spine and red shagreen title label (two scuffs), two corners slightly bumped.
Autograph inscription signed by Emile Zola to Henri Meilhac.
A good copy.

First edition, one of 25 numbered copies on Japan paper, the tirage de tête.
Autograph inscription signed by Marcel Pagnol, dated 1971, to a couple of his acquaintance: "... Pour Josy et André Bernard ce Merlusse qui eût un très grand succès, et "Cigalon", film comique qui n'a fait rire que moi...[…For Josy and André Bernard this Merlusse which was a great success and ‘Cigalon', a comic film that made no one laugh but me…]"
Covers and spine lightly and marginally faded as usual, otherwise a good, well-margined copy.

First edition, one of the few copies printed on Holland and reserved for the author, print head after a few Japan.
Signed autograph from the author to a friend under the justification of the draw.
Back and slightly flat and marginally imaged as generally pale and small marginal wetting leading the first flat, copied to any margins.

Published the same year as the first edition, falsely stated 1000th.
Spine and covers slightly and marginally sunned.

First Edition of current paper.
Binding to bradel half percaline turquoise, smooth back with a gold floral pattern, golden double thread tail piece as grief cherry dishes marbled paper, guards and contreplats paper floral, covers preserved, binding of the time.
Signed autograph from the author to his friend Henry Bauer "... waiting for the Holland and poster / his friend / Octave Mirbeau."

First edition, one of 15 numbered copies on Hollande, the only large paper copies.
Foxing in the margins to the covers and some extended edges.
A copy with good margins.

First Edition, one of 20 numbered copies on vellum Arches paper reserved for the XX for each of the three volumes.
Braziers bindings in brown half morocco with corners, smooth backs, tail dates, covers and back preserved, gilded heads on witnesses, bindings signed Canape.
The last two volumes are under double covers and the first two are signed to the justification by the author .
The copy of the Uprooted is enriched with a large page of the original manuscript in black ink, filled and mounted at the beginning of the book.
The Call to the Soldier is enriched by an autograph letter signed by Barrès to a friend in which he mentions the upcoming...

New illustrated edition with drawings by A. Calbet, of which no deluxe copies were printed.
On the front cover, the first two letters of the title are slightly discolored, spine cracked, handsome interior condition.

First edition, one of 330 numbered copies on Hollande.
A good and well-margined copy, as issued.

First edition. H. Murger as seen by one of his characters.
A good copy.

First edition on ordinary paper, with only 45 Japan copies on deluxe paper.
Bradel binding in blue half-cloth, smooth spine very slightly faded decorated with a gilt floral motif, gilt fillet at foot, chocolate shagreen title-label with minor traces of rubbing, marbled paper boards, covers (with three small marginal tears repaired) preserved, contemporary binding.
Work illustrated with 24 illustrations by H. Laurent-Desrousseaux.

First edition, one of the Service de Presse (advance) copies, of which there were no deluxe copies.
Inscribed by the author.
Light marginal worming to covers, small foxing to endpapers, complete with publisher's (advertising) slip.

First edition.
Autograph inscription signed by Félicien Champsaur in red ink, on the cover, to Charles Fasquelle.
One mark in blue pencil on the cover, covers faded.

First edition, of which there were no deluxe copies.
One joint slightly rubbed, a small repaired tear to verso of first cover, minor marginal rubbing to boards.
Work illustrated with maps.

First edition for which there were no large paper copies.

First edition, of which there were no deluxe copies.
Autograph inscription from the author.
Two small marginal tears at head and foot of front cover.

First edition for which there were no large paper copies.

First edition on ordinary paper.
Inscribed by Hermann-Paul to Karl Boès.
Illustrated with drawings by the author.

First edition printed on ordinary paper, with no mention of deluxe copies.
Handsome copy.

First edition of the play, one of the rare copies on Holland paper, the print run of which is not specified, the only deluxe copies.
Music by Reynaldo Hahn, the role of Thérèse was created by Sarah Bernhardt.
A trace of a pasted label on part of the spine, a dampstain affecting the spine and foot margins, small tears and slight corner lacks to the boards.
A full-margined copy.

First edition on ordinary paper.
Inscribed by the authors to Marcel Prévost.
Handsome illustrated cover.
Spine slightly faded and split at foot.

First edition.
Very thorough work, good interior condition, spine of the second volume split, some tears at foot and head of joints.
Rare.

First edition of which only 10 copies were printed on Holland paper.
Light sunning to spine extending marginally to both boards.
Rare.

First edition printed on ordinary paper, with only 10 copies printed on deluxe Holland paper.
Autograph inscription signed by Saint-Georges de Bouhélier.
Cover illustrated in colors by Ibels. A handsome and rare copy.

First edition on ordinary paper, only 100 copies were printed on Holland paper.
Half red shagreen binding, spine with five raised bands, date at foot, original wrappers preserved, top edge gilt.
These are conversations about war and other subjects.
Handsome copy.

Edition of the year of the first edition.
Spine and boards slightly and uniformly sunned, otherwise handsome copy.

New edition.
A small repaired tear at foot of spine, a tiny central flaw affecting the front cover, some foxing.

First edition, one of 10 numbered copies on Japon, the only large paper copies.
Illustrated cover, a very good copy.

First edition, one of 970 numbered copies, the only printing with 30 on Hollande paper.
Spine and front cover faded as is often the case, otherwise a handsome copy.