Eugène Rey

First edition, one of 100 numbered nominative copies on Japan paper, the only deluxe copies.
Half bottle-green shagreen binding with corners, smooth spine decorated with mosaic triangular shagreen pieces in red, green and orange, spine faded to brown, gilt-ruled frame on marbled paper boards, marbled paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed Pierre-Lucien Martin.
Work illustrated with drawings in the text by Charles Huard.
Our copy is exceptionally enhanced with two original signed drawings by Charles Huard which he heightened with watercolor. These two drawings represent an elderly man standing and walking...

First edition, one of 200 numbered copies on laid paper, ours unnumbered, the only printing after 50 on Japan paper.
Work illustrated with in-text and full-page illustrations by Charles Huard engraved on wood by Georges and Camille Beltrand.
Handsome copy.

First edition consisting of 100 drawings by Charles Huard, one of the numbered copies on Japan paper, the only deluxe copies announced.
Preface by Henry Bataille.
Bradel binding in blue-green half-cloth, smooth spine, blue sheep title-label, cat's-eye paper boards, marbled paper endpapers and pastedowns, covers preserved.

First edition consisting of 100 drawings by Charles Huard.
Preface by Henry Bataille.
Spine cracked with small losses, four marginal losses to boards, handsome interior condition despite light foxing to endpapers.
Precious autograph inscription signed by Charles Huard to Jean Richepin.

First edition illustrated with drawings in and out of text by the author.
Half black morocco binding with bands, smooth spine decorated with gilt animal motif, light scratches of no consequence to spine, marbled paper boards, endpapers and pastedowns of moiré paper, covers and spine preserved, top edge gilt, contemporary binding signed René Kieffer.
Handsome copy beautifully executed.

Illustrated edition with drawings by Charles Huard, one of 200 numbered copies on vellum, the only deluxe copies after 100 on Japan paper.
Handsome copy.

DESCAVES Lucien
illustrated by STEINLEN Théophile Alexandre
Barabbas. Paroles dans la vallée [Barabbas. Words in the Valley]
Eugène Rey, Paris 1914, 16 x 20,5 cm, dark brown morocco and custom slipcase
First edition, one of a 100 numbered copies on Japan paper, enriched with a suite of illustrations printed on China paper, the tirage de tête.
Dark brown morocco by Gruel, spine in five compartments (very slightly faded), pastedowns lined with a dark brown morocco frame and five gilt fillets, moiré cloth endpapers and pastedowns, gilt fillet to edges of covers, gilt roulettes to head of spine, wrappers and spine...

First edition, one of 125 numbered copies on Japan paper, deluxe issue.
Signed autograph inscription by Jehan Rictus to Félix Rey enhanced with an autograph poem.
Work illustrated, as frontispiece, with a portrait of the author signed in pencil by Steinlen and etched.
Endpapers lightly and partially shaded, handsome full-margined copy.

HUARD Charles
New York comme je l'ai vu
Eugène Rey, Paris 1906, 15.5 x 20.5 cm, paper covers.
With drawings by Charles Huard, one of 500 numbered copies on vélin paper, the only large paper copies aside from 100 on Japon paper.
A good copy.

first edition on the current paper.
Binding half brown shagreen with corners, back with four nerves decorated with a caramel morocco mosaic piece depicting a stylized owl, small traces of rubbing on the back, guards and contreplats of handmade paper, preserved covers, gilded head, Contemporary binding.
Signed autograph of Lucien Descaves Charles Léger: "Do not you think, Charles Léger, dear colleague and friend, Gustave Courbet had well illustrated this book if it had appeared during his lifetime ...?"
Book decorated with illustrations of Steinlen.

First edition on ordinary paper.
Texts and drawings in and hors-texte by Charles Huard.
Handsome copy.