Ernest Kolb

Edition illustrated with 178 drawings by Louis Morin.
Bradel binding in half pink cloth, smooth spine lightly browned decorated with gilt floral motif, brown sheep title-label, marbled paper boards, covers and spine preserved, contemporary signed binding
Autograph inscription signed by Louis Morin to Léon Hennique: "A mon cher maître Léon Hennique de tout coeur..." with an original pencil drawing.
Provenance: from the library of Léon Hennique with his bookplate pasted at head of pastedown.

First edition.
Half green shagreen binding, spine with four raised bands showing slight traces of rubbing, marbled paper boards, marbled endpapers and pastedowns, light scratches to leading edges, speckled edges, contemporary binding.
Work illustrated with a frontispiece as well as numerous in-text figures.
Handsome copy.

First edition, one of the few copies on Japan which there is no mention.
Binding to bradel half percaline khaki, smooth back with a gold floral motif, double net gilded tail, as part of shagreen with red scratches, marbled paper boards, gilded head, contemporary binding.
Signed autograph of Paul Cunisset-Carnot Paul Ollendorff.
Nice copy.

First edition.
Half lavender cloth Bradel binding, smooth spine decorated with gilt floral motif, chocolate brown shagreen title-label with minor harmless scratches, double gilt fillet at foot of spine, floral patterned paper boards, original wrappers preserved, contemporary binding.
Handsome and attractively bound copy.

First edition.
Bradel binding in half lavender blue cloth, smooth spine decorated with blind floral motif, chocolate brown shagreen title-label, double gilt fillet at foot of spine, floral patterned paper boards, original wrappers preserved, contemporary binding.
Handsome copy beautifully bound.

First edition.
Bradel binding in half lavender blue cloth, smooth spine decorated with gilt floral motif, chocolate brown shagreen title-label with slight tear, double gilt fillet at foot of spine, floral patterned paper boards, original wrappers preserved, contemporary binding.
Handsome copy beautifully bound.

First edition, one of the few copies on Holland paper, the only deluxe copies.
Bradel binding in red half-cloth, smooth spine, black morocco title-label with small lack at head, original wrappers preserved, binding signed by Henry-Joseph, typical of copies from the Goncourt library.
Autograph inscription signed by the author to Edmond de Goncourt: "Au Maître Edmond de Goncourt hommage attentionné."
The first endleaf of the binding is probably missing. Paul Margueritte, member of the first Goncourt Academy and naturalist writer, was close to Edmond de Goncourt. He was one of the signatories of the Manifesto of Five against Zola's La Terre and one of the regulars at the Grenier d'Auteuil.

First edition, one of the few copies on Holland paper, the only deluxe copies.
Bradel binding in red half cloth, smooth spine, black morocco title label rubbed, original wrappers preserved, binding signed by Henry-Joseph, typical of copies from the Goncourt library.
Autograph inscription signed by the author to Edmond de Goncourt: "A Edmond de Goncourt hommage fervent." ["To Edmond de Goncourt fervent homage."] Inscription - as often - by Edmond de Goncourt on the front endpaper: "Edition originale. Exemplaire sur papier de Hollande." ["First edition. Copy on Holland paper."]
Paul Margueritte, member of the first Académie des Goncourt and naturalist writer, was close to Edmond de Goncourt. He was one of the signatories of the Manifesto of Five against Zola's La Terre and one of the regulars at the Grenier d'Auteuil.

First edition, one of the Service de Presse (advance) copies, with no mention of deluxe papers.
Bradel binding in half flexible cardboard with vellum-like finish, smooth spine decorated with a floral motif, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, red top edge, contemporary binding.
Our copy is enhanced with a pasted visiting card on which the author has added a few words for Gabriel Timmory.

First edition for which there is no mention of leading copies.
Precious autograph signed by Maurice Bouchor Jean Moreas.
Two small tears stuck on the back that also has a wet foot.

First edition pour laquelle with no mention of large paper copies.
Handsome autograph inscription from Maurice Bouchor to his friend Ernest Chausson.
Small tears, glued down, to spine.

First edition. Half red sheep binding, spine with five raised bands decorated with gilt fleurons.

First edition.
In this issue, numerous contributions, including those by Elie Reclus, Henri Bordeaux on Villiers de l'Isle-Adam, Saint-Pol Roux and Henri de Régnier.

First edition.
Contents include an article by Paul Adam on God, poems by Paul-Marius André (including an 'Ode à Mallarmé'), a contribution by Georges Vanor on Wagnerian drama.

First edition.
In this issue, an article by Viélé-Griffin on Hérédia, contributions by Charles Albert, Paul Adam, Henri de Régnier.

First edition.
In this issue, an article by Henri de Régnier on Villiers de l'Isle-Adam, a contribution by Georges Vanor on Wagnerian drama, reviews by Bernard Lazare.

First edition.
Contents include a poem by Francis Viélé-Griffin, notices by Henri de Régnier on Coolus, Dumas fils, Edmond de Goncourt and Strindberg, as well as a contribution by Tristan Bernard.