Editions Surréalistes

First edition, one of 90 numbered copies on vellum, ours one of the few hors commerce copies, the only issue after 20 copies on orange paper.

Spine slightly sunned as usual, with a small tear to head of spine; a fine copy.

Illustrated with a frontispiece by Max Ernst.

Whimsical inscription on a presentation copy to Surrealist painter Yves Tanguy: "in memory of a past not unlike a Henri III sideboard. Lély." (A monsieur Yves Tanguy en souvenir d'un passé pareil à un buffet Henri III)

First edition, one of 500 copies on ordinary paper.
This copy has a chemise and slipcase.
A little light spotting, not serious, nice copy.
Retaining its advertising band and slip.
Handsome autograph inscription signed by René Char: “à Man Ray au voyant carnassier de tout cœur R. Char.” (“To Man Ray to the carnivorous fortune teller, with all my heart, R. Char.”)

First edition, one of 75 numbered copies on surfine colored paper.
Work illustrated with 3 aquatints by Mimi Parent.
One scratch with three light stains on the first cover.
Handsome copy.
Precious and surrealist autograph inscription signed by José Pierre to Marie Cermínová Toyen: "A Toyen, les violons monégasques fabriqués secrètement dans les presbytères en partant de l'anémone de mer, José." (To Toyen, the Monégasque violins secretly manufactured in presbyteries starting from the sea anemone, José.)
Signatures of José Pierre and Mimi Parent below the justification page.

First edition, one of 200 numbered copies on “light green paper,” the only deluxe paper issue announced.

Turquoise half morocco binding, smooth spine, date in gilt at foot, marbled paper boards, endpapers, and pastedowns, original wrappers and spine preserved, top edge gilt; an elegant contemporary binding signed by G. Gauché.

A very handsome copy, finely bound by Georges Gauché and complete with its publisher's prospectus. 

Signed presentation inscription by René Crevel: "My dear Georges, here, in its finest form: Diderot’s Harpsichord, if you can help him play his music? With all my affection. René" (our own translation)

First edition, one of 500 copies on ordinary paper.
Spine sunned, small tears and two marginal lacks on the covers, a small dampstain to head of first cover, occasional foxing as usual.
Retaining its advertising band.
Handsome autograph inscription signed by René Char to Alexei Remizov : "... dont la rencontre est mieux qu'un moment d'émotion".

First edition, one of 75 numbered copies on couleurs surfine paper, ours being one of 25 containing the three aquatints by Mimi Parent retouched in watercolor which she signed and justified, deluxe copy.
Autograph inscription signed by José Pierre to Paul Aveline.
Signatures of José Pierre and Mimi Parent below the justification page.
Work illustrated with 3 aquatints by Mimi Parent.
Spine very lightly sunned without gravity, otherwise handsome copy.