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First edition, illustrated with 32 color illustrations by Sureda and engraved by Aubert (full-page, headpieces and fine lettering), many of which are enhanced in gold or silver ink.
Limited edition of 400 copies. This one, marked H. C. V, is one of the rare first paper copies on the finest Japon (only 15 copies), containing every engraving in double state on Vieux Japon and Japon Impérial of all the woodcuts, covers and spine.
Signed and inscribed on the title page from the authors: "What a pleasure it is for you, O reader, if you enjoy La Fête arabe !" Jérôme and Jean Tharaud. December 1928."
First edition, one of 50 numbered copies reimposed on Japan Imperial paper, ours being one of the few hors commerce copies, deluxe edition after 1 unique copy on Japan Imperial and 19 old Japan.
Illustrated work, as frontispiece, with a portrait of Charles Maurras consisting of an original drypoint by Edouard Chimot and original lithographs by Wassily Schoukhaeff.
Half chocolate brown morocco binding with corners, spine with five raised bands, gilt date at foot, black roulettes on headcaps, black fillet frame on wood-effect paper boards, wood-effect paper endpapers and pastedowns, covers and spine preserved, top edge gilt, perfect unsigned binding.
Very handsome copy...
Original color lithograph poster for the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes, signed in the plate "C. Boignard" and "H. Rapin," printed by Lapina. Minor marginal tears not affecting the image, folds with some very minor lacks of paper at cross folds.
Striking large-format original bonds emission poster for the renowned 1925 Paris International Exhibition, which gave its name to the "Art Deco" movement.
First edition, illustrated with 32 color illustrations by Sureda and engraved by Aubert (full-page, headpieces and fine lettering), many of which are enhanced in gold or silver ink.
Limited edition of 400 copies. One of 300 copies on Rives B. F. K. numbered 321.
Inscribed on the title page by the authors: "To Madame de Siguera-Feissly, the most beautiful thing in the world is a rose in a glass. Respectful homage. Jérôme and Jean Tharaud. Paris. March 1937".
Full green morocco, lined and inlaid in blue and beige morocco, signed in gilt on the bottom of front turn-in by Randeynes et fils. Marbled paper-covered slipcase lined with brown shagreen leather...
