Editions du Seuil

First edition, on ordinary paper, of Philippe Jaccottet's French translation.

Very slight, insignificant rubbing to the joints.

A fine copy of this work, which was adapted for the screen by Volker Schlöndorff in 1966.

First edition, one of 80 numbered copies on Lana Ingres laid paper, this copy No. 1, the only deluxe issue.
A fine copy despite two yellow scratches to the right-hand margin of the rear cover.

First edition, one of 80 numbered copies on Lana Ingres laid paper, this copy numbered 1, the entire deluxe issue.
A fine copy.

First edition, with no copies issued on deluxe paper.

A handsome copy.

With Pierre Bourdieu’s signed presentation inscription to the anthropologist Emmanuel Terray.

First edition of the French translation, for which no deluxe copies were issued.
Precious autograph presentation inscription signed by Italo Calvino to his friend, the Argentine photographer José María “Pepe” Fernández.
Our copy is further enriched with an original photograph by Pepe Fernández depicting Italo Calvino leaning on a stack of books.
Signed by the photographer at the foot of the image, with handwritten notes and Pepe Fernández’s stamp on the verso.
Double autograph signature of Pepe Fernández on the front endpaper and the title page as presentation inscriptions, spine faded.

First edition, with no deluxe copies printed.

Publisher's full blue cloth binding, smooth spine, copy complete with its photographic dust jacket, showing minor tears at the head and tail of the spine without loss.

Text by Françoise Dolto, photographs by Alecio de Andrade.

Inscribed and signed by Françoise Dolto and Alecio de Andrade on the front free endpaper.

First edition, one of 175 numbered copies on alfa paper, the only copies printed on deluxe paper.

A fine copy.

First edition, one of 35 numbered copies on Neige vellum, the only deluxe copies.
Handsome copy.

First edition, one of 105 numbered copies on vélin neige, the only deluxe copies issued after 12 on pur fil.
Handsome copy.

First edition, one of 230 numbered copies on Vélin du Marais, the deluxe issue.

A handsome copy.

New edition.

Preface and afterword by Francis Jeanson.

Slight rubbing to spine, three small stains at foot of rear board, otherwise a pleasant copy.

First edition, one of 210 numbered copies on Sirène, the only large-paper copies.
A fine copy.

First edition, one of a limited issue for which no deluxe paper copies were produced.

Small stains to the lower left corner of the upper cover and to the top edge.

Presentation copy by Mohammed Khaïr-Eddine : "à M. Maurice Genevoix, écrivain et pêcheur comme moi, ces images d'un Maroc étrange, en hommage fraternel. Khaïr-Eddine."

First edition, of which there were no deluxe copies.
Two angular fold marks on the back cover.
Fine and humorous autograph inscription signed by Erik Orsenna to Bernard Kouchner: "Cher Bernard, la voici, la voilà, la terreur de Jean-Edern, la [comédie française], en deux mots brefs : la studebaker était une jolie voiture et Matignon un beau manège. Avec mon amitié. Le coupeur Erik." (Dear Bernard, here it is, here it is, Jean-Edern's terror, the [French comedy], in two brief words: the Studebaker was a pretty car and Matignon a beautiful riding school. With my friendship. The cutter Erik.)