Au sans pareil

First edition, one of 42 numbered copies on Japon paper, the leading copies after 8 hors commerce on Chine paper.
Elegant Bradel binding in half black calf over floral paper boards by P. Goy & C. Vilaine, covers preserved (lightly soiled at edges), top edge gilt.
With a frontispiece portrait of the author on Chine paper by Jean-Louis Forain.
One tiny foxing as well as a small, clear marginal dampstain touching frontispiece.
A very good copy nicely bound.

First edition, one of 800 numbered copies on Montgolfier paper.

Illustrated with two original hors-texte drypoints and in-text drawings by Jean Lurçat.

Spine and covers slightly and marginally faded, as usual; a well-preserved copy overall.

First edition, one of the review copies.

A pleasant copy despite a repaired tear at the foot of one joint.

Inscribed and signed by Blaise Cendrars to Georges Le Cardonnel.

First edition, one of 100 numbered copies on vellum.

A small chip at the foot of the spine, a few foxing marks to the endpapers, otherwise a pleasant copy.

First edition, one of 20 numbered copies on Japan paper, the smallest issue of the deluxe edition, along with 20 on Arches.

Spine and covers marginally faded and sunned as usual, with minor paper losses at the flaps.

Illustrated with 8 original lithographs by Georges Annenkoff.

As with all copies from the deluxe issue, this copy includes the complete double suite of illustrations on vellum and on China paper.

First edition of this pamphlet, with contributions by Éluard, Tzara, Marcel Duchamp under his pseudonym Rrose Sélavy, Benjamin Péret, Erik Satie, Philippe Soupault, Georges Ribemont-Dessaignes, Vincente Huidboro, Walter Serner, Matthew Josephson, Théodore Fraenkel.
Three copies found in institutions (BnF, Thomas J. Watson Library, Princeton University Library, Ryerson & Burnham Libraries - Art Institute of Chicago).
Cover designed by Ilia Zdanevich (Iliazd) on a motif created out of 19th-century woodcuts: “The cover of Le Coeur à barbe is an emblematic image of the Dada aesthetic, where old engravings are combined with words to create visual puns and unpredictable associations.” (Pr

First edition, one of 10 numbered copies on Japon ancien paper, the tirage de tête.
With a drawing by the author and an introduction by André Breton.
A good and rare, well-margined copy.
Provenance : from the library of Léon Aichelbaum with his ex libris to inner cover. 

First edition, one of 60 numbered copies on Japon impérial paper, the tirage de tête with 20 on vélin de cuve, which also have (like the copies on Japon) a double suite of the illustrations.
This copy, as called for in the justification, is complete with its double suite of illustrations.
With 6 etchings hors text by Natalia Goncharova.
A very good copy (spine very slightly discolored, which is rare).