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Vincennes
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Vincennes

Local nameVincennes
CountryFrance
DepartmentVal-de-Marne
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Vincennes (Val-De-Marne)
  1. "I have neither an extra outing, nor a change of room"
    "I have neither an extra outing, nor a change of room"
    Lettre autographe à sa femme, envoyée depuis le donjon de VincennesLettre autographe à sa femme, envoyée depuis le donjon de Vincennes
    Marquis de SADE [Donatien Alphonse François de SADE] (to Renée-Pélagie de SADE)

    Autograph letter to his wife, sent from the keep of Vincennes

    s. n.|[Prison de Vincennes] s. d. [début juillet 1779]|15.8 x 20.5 cm|Une feuille

    Autograph letter from Donatien Alphonse François de Sade, written in a tall, narrow hand on one page, addressed to his wife Renée-Pélagie.
    Undated, this letter was written in early July 1779 at the Vincennes prison. It is published in Marquis de Sade. Lettres à sa femme, Marc Buffat, 1997 (p. 112).

     

    Marginal dampstaining, a few creases, and a small marginal loss from the letter's unsealing. Address to Madame de Sade in Paris on the verso.

    €3,800
  2. Chroniques des grands siècles de la FranceChroniques des grands siècles de la France
    Guillaume APOLLINAIRE

    Chroniques des grands siècles de la France

    Les arts graphiques|Vincennes 1912|14.50 x 20.50 cm|reliure de l'éditeur
    First edition, of which there were no deluxe copies.
    Publisher's full red cardboard binding, smooth spine decorated with a geometric floral motif in blind, front cover illustrated showing Bonaparte at the Bridge of Arcole.
    Work illustrated with 12 illustrations.
    Shaded endpapers, some foxing.
    €100
  3. Chroniques des grands siècles de la FranceChroniques des grands siècles de la France
    Guillaume APOLLINAIRE

    Chroniques des grands siècles de la France

    Les arts graphiques|Vincennes 1912|14.50 x 20.50 cm|relié
    First edition, of which there were no deluxe copies.
    Publisher's full red cardboard binding, smooth spine decorated with a geometric floral motif in blind, front cover illustrated with Bonaparte at the Bridge of Arcole.
    Work illustrated with 12 illustrations.
    Shadows on the endpapers, some light foxing.
    €100
  4. Les chenils et leur hygiène comprenant la construction rationnelle des habitations des chiens et les règles de l'hygiène dans l'élevage, l'alimentation et les maladiesLes chenils et leur hygiène comprenant la construction rationnelle des habitations des chiens et les règles de l'hygiène dans l'élevage, l'alimentation et les maladies
    Pierre MEGNIN

    Les chenils et leur hygiène comprenant la construction rationnelle des habitations des chiens et les règles de l'hygiène dans l'élevage, l'alimentation et les maladies

    Aux bureaux de l'Eleveur|Vincennes 1896|14 x 23 cm|broché
    First edition.
    Two tears without loss at head and foot of spine.
    Work illustrated with 60 figures in the text.



    €120
  5. « Faire noyer vive l'exécrable coquine qui depuis neuf ans (...) suce mon sang... »« Faire noyer vive l'exécrable coquine qui depuis neuf ans (...) suce mon sang... »
    Donatien Alphonse François de SADE

    « Faire noyer vive l'exécrable coquine qui depuis neuf ans (...) suce mon sang... »Autograph letter to his wife. Tributes to the President

    s. l. • [Vincennes] s. d. [circa 1781]|15.70 x 20.10 cm|une feuille
    SADE Donatien Alphonse François, Marquis de
    Autograph letter to his wife. Hommages à la Présidente: “Faire noyer vive l'exécrable coquine qui depuis neuf ans [...] suce mon sang...” N. p. [Vincennes Castle] n. d. (circa 1781), 157 x 201 mm (6 3/16 x 7 15/16 ”), single leaf “The more I think about it, however, the more I think you have to have quite a nerve to dare write to a poor suffering unfortunate...”

    Autograph letter unsigned from the Marquis de Sade to his wife. One page, closely written in ink on 31 lines.
    This letter was written during Sade's imprisonment at Vincennes, probably in April 1781, if one is to believe the...
    €11,800
  6. Les pinceaux roses de chairs, fousLes pinceaux roses de chairs, fous
    OLIVE TAMARI

    Les pinceaux roses de chairs, fous

    Le soleil bleu|Vincennes 1972|18 x 23.50 cm|broché
    First edition printed in 500 copies.
    Autograph inscription signed by Olive Tamari to Gérard Mouizel: "... érudit pondéré qu'on écoute volontiers, avec ma fidèle amitié..." ["... measured scholar whom one listens to willingly, with my faithful friendship..."]
    Very handsome copy.
    €60
  7. Ici la mer prend finIci la mer prend fin
    OLIVE TAMARI

    Ici la mer prend fin

    Le soleil bleu|Vincennes 1977|17 x 24 cm|broché
    First edition printed in 300 numbered copies, ours unnumbered.
    Autograph inscription signed by Olive Tamari to Gérard Mouizel: "... au beau jeune homme qui a beaucoup de talent..." ["... to the handsome young man who has much talent..."]
    Our copy contains a second autograph inscription (unsigned) by Olive Tamari, on a loose leaf, continuing the first autograph inscription: "On pourrait dire qui a beaucoup de talent et plait aux finlandaises chocolatées (mais ce ne serait pas correct devant la gravité de la mort de la mer)." ["One could say who has much talent and pleases chocolate-colored Finnish women (but that would not be proper given the gravity of the death of the...
    €100
  8. Je me retiens au mur qui tombeJe me retiens au mur qui tombe
    OLIVE TAMARI

    Je me retiens au mur qui tombe

    Le soleil bleu|Vincennes 1970|18.50 x 24.50 cm|broché
    First edition printed in 500 numbered copies, this one unnumbered.
    Autograph inscription signed by Olive Tamari to Gérard Mouizel: "... au jeune homme qui connait déjà tant de choses..." ["... to the young man who already knows so many things..."]
    Very handsome copy.
    €60
  9. C'est bon l'aspirineC'est bon l'aspirine
    OLIVE TAMARI

    C'est bon l'aspirine

    Le soleil bleu|Vincennes 1973|18.50 x 23.50 cm|broché
    First edition printed in 500 numbered copies, this one unnumbered.
    Autograph inscription signed by Olive Tamari to Gérard Mouizel: "... au poète que j'admire..." ["... to the poet I admire..."]
    Handsome copy not containing the four plates illustrated by the author mentioned in the justification page.
    €30
  10. « sur ce que j'ai de plus (...) sacré, jamais je ne croirai aux leçons des sectateurs d'un dieu qui se croient permis d'outrager la créature pour honorer le créateur."« sur ce que j'ai de plus (...) sacré, jamais je ne croirai aux leçons des sectateurs d'un dieu qui se croient permis d'outrager la créature pour honorer le créateur."
    Donatien Alphonse François de SADE

    « sur ce que j'ai de plus (...) sacré, jamais je ne croirai aux leçons des sectateurs d'un dieu qui se croient permis d'outrager la créature pour honorer le créateur."Authograph letter, initialed [I beg you to write, I am worried for your health.]"

    s. l. • [Vincennes] s. d. [septembre 1783]|11.40 x 18.10 cm|4 pages sur un feuillet remplié

    “Sur ce que j’ai de plus en plus sacré jamais je ne croirai aux leçons des sectateurs d’un dieu qui se croient permis d’outrager la créature pour honorer le créateur. [“However close I get to the sacred, I will never accept the teachings of the followers of a god who thinks himself entitled to defame the created to honor the creator”.]
    “[…] si les hommes me refusent leur justice, il me restera toujours des moyens de me la faire. Elle a aussi des yeux – […], il ne faut que de l’argent pour trouver des coquins…[If I am refused the justice of men, I will find a way to manage. She, too, has eyes…and with money you can...

    Unavailable
  11. GorgomarGorgomar
    Olive TAMARI, André MARTEL

    Gorgomar

    Le Paralloïdre|Vincennes 1962|28 x 36 cm|en feuilles sous chemise et étui
    Sold
  12. Dupleix
    Judith GAUTIER

    Dupleix

    Les arts graphiques|Vincennes 1912|14.50 x 20.50 cm|reliure cartonnée de l'éditeur
    First edition.
    Publisher's full red paper boards, smooth spine, front cover illustrated with an image of Dupleix in combat, shaded endpapers.
    Work illustrated with 12 illustrations.
    Handsome copy.
    €45
  13. Chroniques des grands siècles de la France
    Guillaume APOLLINAIRE

    Chroniques des grands siècles de la France

    Les arts graphiques|Vincennes 1912|14.50 x 20.50 cm|relié
    First edition, of which there were no deluxe copies.
    Publisher's full cream boards, smooth spine decorated with geometric floral motif in blind, illustrated front board depicting Bonaparte at the Bridge of Arcole.
    Work illustrated with 12 illustrations.
    Shadows on endpapers, some light foxing.
    €100
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