Paris

First edition, one of 45 numbered copies on Hollande, tirage de tête.
A very fine copy.

first edition on the current paper.
Binding half morocco with black bands, back with five nerves, gilded nets coaching marbled paper plates, guards and contreplats red paper, blankets and back (back with restorations) preserved, gilded head
Precious autograph signed Geroges Bernanos Pierre Mac Orlan.
Nice copy pleasantly established.

First edition of this reprinted from "At the crossroads of Libyan-Berber studies."
Rare and touching autograph signed Germaine Tillion under his pseudonym resistance, Kouri, her friend Denise Vernay resistant, nicknamed Miaska the Resistance, with whom she was interned in a concentration camp and her husband Alain, "... Alain and Miaska this dull luster with the friendship of the old tree past the saw. Kouri. "
title label pasted on the first cover plate.
Nice copy.

First edition on ordinary paper with all the characteristics of the first printing.
Half black morocco by Goy & Vilaine, spine in six compartments, gilt date to foot of spine, a few small spots, spine sunned with small lacks (retained), top edge gilt.
A rare copy, nicely bound.

Edition of wich no leading copies exists.
Signed autograph Aimé Césaire to a close friend: "... D Gombos Soul Edith Always in the name of fundamental friendship ...???"
Nice copy.

First edition, review copy.
Signed autograph Gide Peter Loiselet.
Nice copy.

First edition, one of 225 numbered copies on "pur-fil" paper Arches paper, only large paper.
Signed autograph of René Floriot his friend Rene Thevenin.
spine darkened, two spots in margins of the second flat, nice interior state.

New edition.
autograph dedication of the author autograph signed and dated by Roger Allard Madeleine Segriz enriched with a drawing heightened with black and red pastels depicting a naked girl combing her hair.
Back slightly insolated with a small lack in the lead.

first edition on the current paper.
Binding to bradel half red calico, smooth back with a gold jewel, double net, shield and Date golden tail, burgundy shagreen part of title, marbled paper boards, preserved covers, upper corners bumped, binding of 'time.
Precious autograph signed by Jean Lorrain Francois Coppe.
Our copy is enriched with an author's tour departs mounted on tab, and left a clear trail surrounding a portion of the autograph.
Some small minor foxing, a library storage indication in pencil leads the first cover plate.
Copy pleasantly established.

New edition.
Publishers'binding with full chamois nutty, smooth back.
Text prepared and presented by René Char.
autograph dedication of the author autograph signed and dated by René Char Professor Georges Blin.

First Edition, one of 895 numbered copies on "pur-fil" paper, only leading copies after 109 reimposed and 4 Japan.
Autograph dedication dated and signed by Alain to Jean Texcier.
Back slightly insolated, first volume alone.

Edition on current paper, false entry of fourth edition.
autograph dedication of the author autograph signed and dated Alain with a thought of the author: "... this leads to not take thought for all that the self is meant to others ..."
Second single volume.

First edition, review copy.
autograph dedication of the author autograph signed and dated Alain with a thought of the author: "... this leads to not take thought for all that the self is meant to others ..."
Second single volume.

first edition on the current paper.
Bound in red half shagreen, smooth back, gilded tail date net gilded on the boards of marbled paper, guards and contreplats marbled paper, wrappers and back preserved and bound in.
Signed autograph Malraux Francoise Roux.
Copy pleasantly full set of his trailer.

First illustrated edition, decorated with a portrait of the author by Rigaud engraved by Daulé, 39 vignettes including 5 bands, 31 of tailpieces including 18 signed by Eisen (against 25 counted by Cohen), engraved by Boucher, Aveline , Delafosse and Tardieu (mostly unsigned) and 6 beautiful figures to the lectern, unsigned which Cohen says they are Cochin; they were taken from the 1718 edition, but without the embellished frame. Ratings and reviews of St. Mark also appear for the first time in this edition. Beautiful typographical execution.
Binders of the time in full mottled calf. Back with five nerves decorated with boxes and gilded florets, as well as parts of title and volume number morocco red and brown. net gilded on the cuts. All marbled. Mors skillfully restored.
Volume 1: Address to the King, Discourse on Satire Volume 2. Poetic Art, odes, epigrams, various poems, fragments, epigrams Vol. 3: Dialogues, speech, other works, letters, Critical Reflections Vol. 4: Treaty of the Sublime . Volume 5: Boleana, philological essays.
highly sought edition according to Cohen. Note that this edition reproduces the errors of previous editions and the contents of Volume V is not Boileau, but La Bruyère. All notes previous editions have been preserved.
One of illustrated editions of Boileau more popular, because of its size, more enjoyable and manageable than the large folio edition in 1718.

New edition.
Binding to bradel full silver corrugated paper decorative motifs, back smooth, chocolate brown morocco title piece, wrappers and back preserved and bound in, gilded head, elegant binding signed Thomas Boichot.
Signed autograph of Joseph Kessel Paul Mairaut.
Work well complete its folding map in-fine.
Nice copy of this moving tribute to his friend Joseph Kessel Jean Mermoz disappeared four years earlier.

first edition printed in 990 copies on paper Lana, ours unjustified.
Signed autograph Serge Pierre Loiselet and his wife Suzanne in pink ink and enriched with a heart, a small marine anchor, a little heart and a little star.
Illustrated book, on the cover, an original lithograph in colors, a Dignimont frontispiece and 9 out text lithographs in black and gray by Touchagues, Butcher, Oberle and Serge.
Back slightly insolated, otherwise nice copy.

first edition printed in 990 copies on paper Lana, ours unjustified.
Signed autograph Serge Pierre Loiselet and his wife Suzanne in pink ink and enriched with a heart, a small marine anchor, a little heart and a little star.
Illustrated book, on the cover, an original lithograph in colors, a Dignimont frontispiece and 9 out text lithographs in black and gray by Touchagues, Butcher, Oberle and Serge.
Back slightly insolated, otherwise nice copy.

first edition for which there is no announced leading copies.
Signed autograph Serge Pierre Loiselet and his wife Suzanne enriched a small drawing of an anchor and a heart and a star.
Book decorated with numerous illustrations of the author.
spine and boards slightly and marginally insolated without gravity.

First edition, one of 75 numbered copies on vélin pur fil paper, reserved for advance distribution.
Handsome autograph inscription from Joseph Kessel to his friend Henri Béraud : "A mon chervieil Henri Béraud en souvenir d'une amitié de presque dix ans. Avec toute mon affection. Jef. [To my dearold Henri Béraud in remembrance of a friendship almost ten years old. With all my good wishes. Jef.]"
With 6 original lithographs by Marise Rudis.
A little light spotting principally to margins of some leaves.

first edition on the current paper.
Binding to bradel full paper floral, smooth back, elegant binding pastiche signed P. Goy & C. Vilaine.
Signed autograph of Georges Clemenceau Emile Deshayes.
Copy pleasantly established.

First edition on ordinary paper with the good justification page dated 8 November 1913 and without the table of contents; a second impression copy with the typographic error to Grasset corrected
Half yellow morocco over marbled paper boards, spine in six compartments, wood-effect marbled pastedowns and endpapers, covers and spine preserved, top edge gilt
A very good copy.

first edition.
Binding to bradel full percaline almond green, smooth back with a gold jewel pattern, double golden tail net, as red shagreen piece having a few scratches, guards and blue paper contreplats, corners lightly bumped, binding of 'time.
Signed autograph of Paul Verlaine to his friend Camille Pelletan on the half-title page that includes three marginal restorations.
Illustrated book of a portrait of the author as a frontispiece by Louis Anquetin.

Second edition, partly original, featuring an original preface.
Binding to bradel full paper africanisants reasons, smooth spine morocco caramel piece, preserved covers, elegant binding pastiche signed Thomas Boichot.
Precious autograph signed by Eugene Fromentin to Count Falloux, member of the French Academy.
Some small minor foxing, a library storage indication in pencil leads the first cover plate.
Copy pleasantly established.

The first edition, of which there were no large paper copies – this copy with the right covers.

With a very rare autograph inscription signed by Robert Antelme to Francis Ambrière.

“There are no human beings, there is just humankind. It's because we are people just like them that the SS will be forever powerless before us.”
This fundamental work on the experience of the Nazi concentration camps was the third and last book published by the fleeting publishing house established by Marguerite Duras and Robert Antelme, her husband from 1940 to 1946.
This first - unadvertised – appearance of the work sank without trace, selling barely a few copies. It was reissued the following year with a different cover by Robert Marin, but nonetheless suffered stiff competition from a number of other works on the subject that appeared immediately after the war. Nevertheless, as F. Lebelley notes, “at a time when there were many such accounts around, the power of this book – possessed of a singular sobriety – hit you with the force of a seminal text.” The book is the work of an author who, according to Duras, “dove right into literature. This was Antelme's only book. Despite the praise and the prizes, L'Espèce humaine will remain the only work he'll ever write” (in: Duras, ou le poids d'une plume). The work was re-published, thanks to Albert Camus' efforts, ten years later (in 1957) by Gallimard and enjoyed a much wider circulation. Since then, the book has entered the history of literature as one of the most important works dealing with the painful necessity of thinking about the concentration camps and the human condition. It was thanks to this book that writers such as Antelme's friend Jorge Semprun could begin a new approach to the impossible task of writing about the camps. From 1947 onwards, Antelme noted in his foreword to the book: “we only just came back, bringing with us our memories, our experience still so fresh, and were filled with a frenetic desire to tell it as it was. But, from the very beginning, it seemed to us impossible to bridge the gap we faced between the words we had and this experience…How to keep ourselves from trying to explain how we'd found ourselves there? We were there still; and yet it proved impossible. Hardly had we begun our account, we found ourselves suffocating. What we had to say started to seem unimaginable then, even to ourselves.”
Spine slightly cracked with small stains to head and foot, miniscule lack to top corner of upper cover and one small insignificant tear, a good copy.
A rare and important copy, not in most national and international libraries, most notably the French National Library

first edition on the current paper.
Signed autograph Maurice Genevoix Peter Loiselet.
Back slightly insolated.

First edition, review copy.
Signed autograph Maurice Genevoix Peter Loiselet.
A small tear in the foot of the spine.

Edition volume and for which n "has not drawn large paper, review copy.
Signed autograph of Roger Caillois Professor Georges Blin: "... asking his forgiveness for these teenage pages - with the same admiration for the rigor of his thinking and his writing ..."
Nice copy.

First edition, one of 200 numbered copies on vélin alfama du Marais paper, the only large paper copies.
Half black morocco by Goy & Vilaine, spine in six compartmners, gilt date to foot, covers and spine preserved, top edge gilt.
A very good, elegantly bound, copy.

First edition, an advance (service de presse) copy.
Bradel binding of paper boards with african motif, red morocco title label,covers and spine (repaired) preserved, binding by Thomas Boichot.
A very good copy in a handsome binding.

First edition.
Contemporary half brown shagreen over marbled paper boards, spine with double black fillets, scuffed and with small black spots, four tiny holes to foot of one joint, another to edge of upper cover, a few small tears to edges of covers.
A few small wormholes.

first edition on the current paper.
Binding to bradel full paper floral motifs in Art Nouveau taste, smooth back, morocco title piece of chocolate brown, marbled paper boards, blankets mounted kept tab, signed pastiche binding Boichot Thomas.
Signed autograph of Emile Zola to historian Elie Faure art.
Gaps filled in margins of the last two pages of the book without damage to the text.

First edition of the French translation and the introduction made by Alphonse de Waelhens and Walter Biemel.
Signed autograph of Alphonse de Waelhens enriched with the handwritten signature of Walter Biemel Professor Georges Blin.
Back slightly and marginally insolated boards.

First edition of the French translation which was not drawn large paper, review copy.
Rare autograph signed Georges Theotokas, French, Georges Altmann for which he says his address in Paris at the Hotel Lutetia.
A lack in foot of the back, a pale wetting Length affecting the whole body of the book.

First edition of the French translation by Bernard Noël and why it was not drawn large papers.
Introduction of Jacques Bergier, published book in the series "Forbidden Light" directed by Louis Pauwels.
Signed autographs shipments of Jacques Bergier and Louis Pauwels Alain and Denise Vernay.
full copy of his jacket.

First edition of the French translation by Nathalie Reznikoff why it was not drawn large paper, review copy.
Signed autograph Reznikoff Nathalie: "Book of Memories of a Russian poet, which is of its" eyes shorn "-it is myope- sees through the veil of Maya."
Back slightly yellowed.

First edition, review copy.
Signed autograph of Eugène Dabit Romain fineus.
Back insolated, stained flat feet, abrasions margins flat, nice interior state.

First edition of the French translation by Marcelle Auclair, review copy.
Signed autograph of Marcelle Auclair Georges Chabot.
Back insolated, yellowed paper, a scratch on the front cover.

First edition, review copy.
Signed autograph Andre Dhôtel Georges Altmann.
Two snags on the back slightly insolated.

First edition, an advance (service de presse) copy.
Autograph inscription from Henri Bosco to Romain Coolus.
Spine slightly sunned.

first edition.
Binding to bradel the editor in full red fabric, smooth back, full copy of his illustrated jacket.
Signed autograph of Jean-Jacques Alain Vernay enriched a small drawing of a man waving his hat.
Illustrated book of the author of drawings.

First edition, an advance (service de presse) copy.
Autograph inscription from Daniel Halévy to Romain Coolus.
Spine slightly sunned.

French Edition, review copy.
Signed autograph Andre Maurois Georges Altmann.
Back slightly insolated.

first edition on the current paper.
Signed autograph of Paul Morand Romain fineus.
Insolated back with a little lack Length, paper yellowed and brittle in margins.

New edition.
Autograph inscription from Pierre Varilio to Alain Vernay.
A good copy.

Collective Edition.
Funny autograph signed by Tristan Bernard to a couple of friends in the form of quatrain: "Accept this volume, O my dear Jiji / ... but I hear a whisper ... I have done wrong .. /? ... Snowy, do not be jealous, / because this book is for you. Tristan Bernard. March 40 "
A head fold trace of the first flat.

First edition of this exhibition plate is being held at the Museum of Decorative Arts, Marsan pavilion at the Louvre Museum from May to July, 1938.
Signed autograph Edouard Vuillard to a friend: "To my friend Jiji that the mistake (the only one) of Amier too my painting."
illustrated pamphlet 8 reproductions of works of Edouard Vuillard.
An annotation in blue ballpoint pen on the sidelines of the description of the thirty-ninth work described traces of vertical folds on the first board.

First edition, one of 55 numbered copies on pur fil, the only large paper copies
Tiny wormholes to spine, not serious
A very good copy.

first edition on the current paper.
Binding half fir green shagreen, faded back with five nerves, marbled paper plates, guards and contreplats of handmade paper, corners lightly used, contemporary binding.
Signed autograph Blum Jules Uhry on the title page containing the head of small gaps and tears.

first edition on the current paper.
Binding half burgundy shagreen, back to seven nerves set with golden vertical lines, tail golden initials, traces of friction heads and tails of the joints, marbled paper plates, guards and contreplats of handmade paper, cover preserved and mounted on tab with a marginal tear, speckled head, contemporary binding.
Signed autograph of Georges Clemenceau Leopold Lacour.

First edition, one of 300 copies numbered on "pur-fil" paper Lafuma only leading copies.
Binding to the cartonnage bradel half vellum to corners, smooth back, paper boards moiré, guards and contreplats paper moiré, preserved cover, gilded head.
Signed autograph of Leo Schick Alain Vernay.
Book illustrated with 16 boards inset and 5 card.
Nice copy.

New edition.
Bel autograph signed by Bertrand de Jouvenel Alain Vernay: "... this book passionate, violent, but how could I not do one and the other, in that time It is a voice 28 years old happens to you, with the accent of his time. the voice today joins it to express a much sympathy. "
Nice copy.

New edition, partly original as revised and expanded.
Bel autograph signed Alain Duhamel Alain Vernay and his wife.
Nice copy.

First edition, one of 120 numbered copies on Ingres, only large paper after 50 Arches paper.
Signed autograph of Henry Weitzmann Denise Vernay he affectionately called his pseudsonyme in the Lyon resistance Miarka: "... For Miarka these intimacies of my youth in any condition.."
Illustrated book of drawings by Rogerio.
slightly shaded flat, nice interior state.

First edition, one of the copies of first issue numbered in the press and sprécialement drawn to the author.
Binding to bradel half green calico with corners, slightly faded back smoothes decorated arms of the Duchess of Clermont-Tonnerre, two crossed keys, and a golden tail date, title of piece of brown shagreen, gray paper boards , guards and contreplats of handmade paper, contemporary binding signed by G. Schroeder.
Signed autograph Maurice Barres to the Duchesse de Clermont-Tonnerre.
Provenance: from the library Elisabeth de Clermont-Tonnerre with his bookplate pasted on a contreplat and golden arms in the rear back.

First edition, review copy.
Signed autograph of John sister-in Dutourd Aimée (Guérin born Lemercier): "... For Ina, lively De Gaulle (and kiss) John!".
Nice copy.

First edition, review copy.
Signed autograph of John sister-in Dutourd Aimée (Guérin born Lemercier) and her husband Philip: "... history to start the (school) year on a cheerful note ..."
Nice full copy of his illustrated jacket.

Edition of wich no leading copies exists.
Signed autograph of jean dutourd to sister-Aimée (Guérin born Lemercier): "... These words, about, anecdotes grunts, laughs, onomatopoeia, fads and tenderness of Perlotin."
Nice copy.

first edition on the current paper.
autograph dedication of the author autograph signed and dated by jean dutourd to sister-Aimée (Guérin born Lemercier) and her husband Philip: "... to keep under moody Jean until March 4 X 85 ....."
Nice copy.

first edition on the current paper.
autograph dedication of the author autograph signed and dated by jean dutourd to sister-Aimée (Guérin born Lemercier): "... A Ina, for the days when it does not go Luco ..."
Small and light spots on the sidelines of the second flat, otherwise nice copy.

first edition on the current paper.
autograph dedication of the author autograph signed and dated by jean dutourd to sister-Aimée (Guérin born Lemercier): ".. ... For Ina with my old affection Pym"
Small and light spots on the boards.