Paris

first edition on current paper.
Pleasant copy.
Autograph signed by Jacques Réda to Charles Dobzynski.

Edition adorned with original illustrations by Jacques Touchet, one of 1590 numbered copies on pure cloth vellum by Johannot.
Back of the shirt exposed.
Beautiful copy.
Preface by Louis Jouvet.
Autograph dated and signed by Louis Jouvet to doctor Bocquentin.

first edition on current paper, false mention of eighth edition.
Partially shaded guards.
Beautiful autograph signed by Paul Eluard, on the first volume, to his friend the poet Charles Dobzynski: "... who has the real power to show us the real united to man ..."
This friendship was fundamental for Dobzinski, since it was Eluard who discovered the young poet of 20 years and introduced him to the "Lettres Françaises" in 1949 where he met in particular Louis Aragon and Elsa Triolet who prefaced several of his works.

first edition on current paper, false mention of third edition.
Paper yellowed as usual, a little missing at the bottom of the back.
Handwritten signature of Paul Eluard, on the first guard.
Provenance: from the poet Charles Dobzynski's library.
This friendship was fundamental for Dobzinski, since it was Paul Eluard who discovered the 20-year-old young poet and introduced him to "Lettres Françaises" in 1949 where he met Louis Aragon and Elsa Triolet in particular, who would preface several of his works.

first edition on current paper.
A small tear at the bottom of the title page, two small traces of blue ballpoint pen probably made by Léo Ferré after he had sent his autograph.
Autograph dated and signed by Léo Ferré to poet Charles Dobzynski.

New edition.
Publisher's binding in full blue canvas, smooth back, beautiful copy very complete with its illustrated jacket.
Iconography.
Autograph dated and signed by Jean-Paul Clébert to Charles Dobzynski.

First edition, one of the review copies service.
Beautiful copy.
Preface by Louis Aragon.
Autograph signed by Eugène Guillevic to his friend the poet Charles Dobzynski who was also a close friend of Louis Aragon.

Facile First edition, one of 1200 numbered copies on vellum, single edition with 25 Japan.
Illustrated book of 12 photographs of Man Ray taken in rotogravure by Breger.
Beautiful copy.

First edition for which it was not drawn from large papers, one of the review copies service.
Beautiful copy.
Autograph signed by Roland Barthes to M. Charensol.

first edition in paperback format and for which it was not drawn from large papers.
Beautiful copy.
Preface by Serge Fauchereau.
Autograph shipment signed by Philippe Soupault to Charles Dobzynski enriched with an autograph shipment signed by Serge Fauchereau.

first edition on current paper.
Nice full copy of his trailer.
Autograph signed by Milan Kundera to poet Charles Dobzynski.

First edition, one of the review copies service.
Beautiful copy.
Autograph signed by Eugène Guillevic to his friend the poet Charles Dobzynski who was also a close friend of Louis Aragon: "To Charles Dobzynski, close poet, close friend, in affection."

First edition, one of 57 numbered copies on Holland paper, only large papers.
Very nice copy.
Illustrated book of drawings by Thomas Gleb.
Our copy includes, as stipulated in the justification of the print, his original lihography of Thomas Gleb that he signed and justified .

first edition on current paper.
Autograph dedication signed by Bernard Noël to Pierre Dumayet: "... still dreaming at the place where everything would remain blank except friendship" ... "
Pleasant copy in spite of very small spots without gravity at the head of the first board.

First edition of this anthology presented and chosen by Zéno Bianu.
Pleasant copy.
Beautiful autograph signed by Zeno Bianu to his friend the poet Charles Dobzynski: "For friend Charles, revelation / revolution, as it should be, with all the attention of Zeno" "

First edition, in paperback format, of the French translation prepared by Claude Couffon, one of the review copies service.
Pleasant copy.
Autograph signed by Claude Couffon to his friend the poet Charles Dobzynski.

First edition of the selection, the preface and the notes drawn up by Isabel Meyrelles, it was not drawn from large papers.
Pleasant copy.
Autograph signed by Isabel Meyrelles to poet Charles Dobzynski.

First edition for which it was not drawn from large papers.
Binding in full beige canvas, smooth back.
Nice complete copy of his illustrated jacket.
Illustrated book of paintings by Ilex Beller.
Autograph dedication signed by Ilex Beller to Charles Dobzynski.

First edition for which it was not drawn from large papers.
Binding in full yellow fabric, smooth back.
Nice complete copy of his illustrated jacket.
Illustrated book of paintings by Ilex Beller.
Beautiful autograph dedication signed by Ilex Beller to Charles Dobzynski: "For Charles Dobzynski our great poet who enlightened me on my own painting. Many thanks for his precious help."

First edition for which it was not drawn from large papers.
Iconography.
Pleasant copy.
Autograph signed by GA Goldschmidt to Charles Dobzynski.

First edition for which it was not drawn from large papers.
Publisher's binding in full gray canvas, smooth back.
Iconography.
Nice complete copy of his illustrated jacket with a slightly discolored back and small tears at the head.
Autograph dedication signed by Jacques Darras to Charles Dobzynski: "... this depressed but realistic Gauguin ..."

First edition for which it was not drawn from large papers.
Publisher's binding in full gray canvas, smooth back.
Iconography.
Pleasant complete copy of his illustrated jacket with a small tear on the back.
Autograph dedication signed by Pierre Daix to his friends Charles and Eliane Dobzynski.

First edition, one of the numbered copies on Alfa paper.
Beautiful copy.

First edition of the French translation prepared by Claude Couffon and for which it was not printed from large papers, one of the review copies service.
Back slightly wrinkled and soiled.
Autograph signed by Claude Couffon to his friend the poet Charles Dobzynski.

first edition.
Lyrics by Henri Bassis and music by Vladimir Kosma.
The first cover dish is illustrated with a drawing by JP Chabrol.
A small lack and a slight tear at the bottom of the first board which has marginal spots due to staple discharges.
Autograph signed by Henri Bassis enriched with the handwritten signature of Vladimir Kosma.

First edition of the French translation prepared by Claude Couffon and for which it was not printed from large papers.
Nice complete copy of his jacket which has a small tear at the top of the back.
Autograph signed by Claude Couffon to the poet Pierre Gamarra.

first edition.
Binding in full two-color glossy navy blue and orange paper, smooth dumb spine, first board decorated with an abstract and geometric decoration of gold and black fillets, author's name and title of the work struck in gold at the head and at the bottom of the dish, preserved covers, golden head, rhodoid protecting the preserved binding, elegant abstract binding signed by Pierre-Lucien Martin and dated 1955.
A small trace of friction without gravity at the head of a counterplate.
Beautiful copy pleasantly established.

First edition for which it was not drawn from large papers.
Pleasant copy.
Autograph dated and signed by Alain Jouffroy to his friend Charles Dobzynski.

First edition, one of the review copies service.
Binding in half brown morocco, back with five nerves, plates of marbled paper, guards and counterplates of brown paper, covers (a tear restored in the middle of the second plate) and spines preserved, golden head.
Precious autograph dedication signed by André Gide to Colette: "... in memory and smiling tribute ..."

First edition, one of the review copies service.
Binding in half burgundy morocco, back with five nerves, golden date at the tail, boards of marbled paper, guards and counterplates of paper in the tank, preserved covers and back, golden head.
Precious autograph signed by André Malraux to Raymond Queneau and his wife.

first edition.
Iconography.
Autograph signed by Georges Sadoul to Charles Dobzynski close friend of Louis Aragon.

Original Parisian edition, without mention.
Binding in half red shagreened calf. Back to nerves decorated with boxes and cold net. Particularly fresh, free from freckles. Some blunt corners, the others rubbed. Beautiful series pleasantly bound.
In order to make a point on the various judgments of the bibliographers: While Vicaire indicates that the French edition is the true original, Clouzot affirming that the two are original, we must specify that the Belgian edition was published three days before (the 31 March for Brussels and April 3 for Paris), but the truth is not due to a history of date. Lacroix is the publisher of Hugo, Pagnerre is only the depositary in Paris, which explains the presence of the name of Lacroix behind the half-title, together with that of Lacroix. We also know that the work was to appear in all the major capitals at the same time, which happened within a few days. it used to be said that the Paris edition had been censored and that it differed from the Belgian edition; we know today that this is not the case, and that it was Hugo who himself broadcast these rumors, unable to believe that in Paris, certain passages would not be removed.
For the question of the mentions , this is probably quite simple: for commercial reasons of cost, we made a single print, some with mentions, others not, in order to distribute them during the year as if each time , these were new editions. We understand Clouzot saying that an edition without mention is more desirable, because it seems to have been earlier, but in fact, and to sell, when the title pages without mention have been exhausted, we sold, and often in the most great disorder, these pages of titles with mention or not, and one very often composed copys carrying different mentions, it is however true that the copys without mention were the first put on sale, and that the editions with mention have pages of title in red and black, to make them appear as new editions.

Edition on current paper.
Back and boards slightly and marginally exposed, a small tear at the bottom of a bit.
Autograph dated and signed by Michel Butor to his friend the art critic and specialist in the New Roman Georges Raillard with an original fold.
Annotations of the dedicatee in pencil at the beginning of the volume, reading marks made dedicatee in particular with the request to insert.

first edition in paperback format.
Back and flat with slight marginal tears without gravity.
Affectionate autograph signed by Henri Bosco to his godson Henri Raillard: "For Henri Raillard if Malicroix interests my godson (even in this popular edition) the old godfather will be happy. Henri Bosco."