This week, Le Feu Follet centers this week's letter on an inscribed manuscript score by Camille Saint-Saëns and a copy of The Clash's Red China signed by Joe Strummer himself. Two worlds, two eras, speaking to each other across time through ink and autograph. One from the velvet-draped salons of the 19th century, the other from London's sweat-soaked punk dives – yet both insist that music needs something tangible to outlast its makers.

« The divine cosmos appeared to them torn by tensions, conflicts of prerogative and power. They also recognized unity within it; all these restless and diverse gods, Zeus holds them together under the unity of a single law. »