Joseph Thouvenin

Edition published in Paris by A. Nepveu in 1815, in six small octavo volumes, illustrated with 54 hand-coloured plates depicting twelve views, more than sixty different costumes, monuments and various picturesque scenes, including bullfights, most of them after drawings made in 1809 and 1810. Cf. Colas 439; Lipperheide 1214, the latter reference still requiring direct verification in the printed bibliography; Brunet I, 1226, no. 3; Quérard I, 506. The title itself calls for the 54 plates and records the recent origin of many of their designs.

Contemporary half blond calf, spines with four false bands...

New edition. A steel-engraved portrait frontispiece, printed on China paper and mounted. Printed in very small type, arranged in two columns.

Full polished blond calf binding, signed by Thouvenin at foot of spine. Smooth spine with blind-stamped Gothic architectural elements heightened with gilt dots, gilt fillets and title. Covers blind-stamped with a large Gothic window surrounded by architectural ornaments. Multiple blind-ruled frames with corner fleurons and gilt fillets. Inner dentelles. All edges gilt. Joints discreetly cracked at head. Some foxing and occasional browning to a few pages. Minor rubbing. Spine slightly dulled. A handsome copy.

First French edition translated by Arnaud de la Chapelle. Title page in red and black.

Later 19th-century full red morocco binding with straight grain (Russia leather) signed by Thouvenin at tail. Spine with raised bands decorated with compartments framed by gilt fillets. Title and date in gilt. Gilt fillets framing the boards with trefoils in the corners. Inner gilt fillet. All edges gilt. Spine slightly faded. Rubbing to headcaps, joints and corners. Upper joint narrowly split at tail for 3 cm. One tear on p. 274, another on p. 302, both in the middle of the page. Despite some defects, a handsome copy.

    
20th-century engraved bookplate of E. Crawshaw...