Bonet, Paul (1889-1971)

First Gallimard edition, one of 750 numbered copies on vélin labeur paper, the only deluxe issue.
Publisher's illustrated boards designed by Paul Bonet.
Copy slightly warped along the edges of the text block.

Definitive edition, one of 1,040 numbered copies on alfa paper.
Publisher's binding after the original design by Paul Bonet.
Spine slightly faded, as is commonly the case.

First edition, one of the numbered copies.

Publisher's binding after the original binding design by Paul Bonet.

Richly illustrated.

A fine copy.

First edition, one of 950 numbered copies on vélin labeur paper.
Publisher's binding after the original design by Paul Bonet.
A fine copy complete with its original acetate dust jacket.

First edition, one of 1050 numbered copies on bouffant alfa paper.
Publisher's binding after the original design by Paul Bonet.
Very handsome copy complete with its flexible cardboard slipcase.

New edition printed in 3,100 numbered copies on châtaignier paper, ours one of 100 hors commerce copies.
Publisher's full cardboard binding made according to Paul Bonet's original design.
Handsome copy.

First edition, one of 1,040 numbered copies printed on Navarre alfa paper.
Publisher's paper-covered boards after Paul Bonet's original design.
Endpapers fully shaded throughout, as often encountered.

First Gallimard edition, one of 1,050 numbered copies printed on Alfama du Marais paper.

Publisher’s boards bound after the original design by Paul Bonet.

A very fine copy.

First edition, one of 1050 numbered copies on alfa bulky paper.
Publisher's binding after the original design by Paul Bonet.
Handsome copy despite slight traces of sunning at head and foot of spine and to margins of boards.

New edition printed in 3100 numbered copies on chestnut paper, ours one of the 100 hors commerce copies.
Publisher's full cardboard binding made after Paul Bonet's original design.
Spine lightly sunned without any consequence and as generally found.

First edition, one of 1050 numbered copies on laid paper.
Publisher's binding after Paul Bonet's original design.
Handsome copy despite a slight scratch at the head of the spine.

First edition, one of the numbered copies bound to Paul Bonet's original design.
Publisher's full cream cloth, smooth spine lightly sunned, lacking its illustrated dust jacket.
Profusely illustrated.
Inscribed, dated and signed by André Malraux to Nicole Briquet.