Chez Krull
Fine and rare copy.

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First edition on ordinary paper.
Fine photographic wrappers.
Unavoidable creasing and small losses to the corners of the spine and covers; otherwise a pleasant copy, considering the fragility of this popular edition. Small losses at the head of the leaves in the first gathering, which was poorly cut, with no loss to the text.
The complete trilogy of the "13", in first edition, each volume one of 50 copies on pur fil paper, the only deluxe issue (cf. Claude Menguy). The limitation is mistakenly given as printed on "alfa" halfway down the spine, though the copies are in fact printed on pur fil Lafuma (no copies were issued on alfa). The plain white wrappers were reserved for the large-paper copies; the photographic wrappers were used only for the trade issue.
Rare and handsome copies of each volume of the "13" trilogy, from the limited first issue. With their method of investigation grounded in observation and human behavior, these collections of short stories foreshadow the future great cases of Inspector...
First edition, one of 200 numbered copies on vélin alfama du Marais paper, the only large-paper copies.
A fine copy, complete with its dust jacket.
Pedigree was first serialized in the Brussels weekly Le Face à Main.
Taken to court by several people who recognized themselves in the novel, Simenon revised it for a new edition in 1948, leaving blank the passages challenged in the lawsuits. The Pléiade edition restored the full text in 2009.
A rare deluxe copy of this autobiographical novel.
First edition, one of 50 numbered copies on pur fil paper, the only deluxe-paper issue (cf. Claude Menguy).
Endpapers slightly and partially toned.
A rare and attractive copy.
First edition, one of 100 numbered copies on Lana wove paper, the only deluxe-paper copies.
A small tear at the head of the front panel of the dust jacket.
A pleasing copy.
First edition, with no deluxe-paper copies issued.
A fine copy.
Autograph letter signed and dated September 26, 1955, by Georges Simenon, addressed from Cannes to André David.
18 lines in black ink on one leaf bearing his American address in Lakeville, Connecticut.
Mailing fold as usual.
Georges Simenon apologizes for his delayed response: "mais j'étais en plein roman. Parbleu ! si je me souviens de vous !" and indicates his upcoming availability to his correspondent, even specifying his future address in Cannes. He authorizes André David's project to adapt his novel "Maigret et la Grande Perche" for the screen, while setting his terms: "vous pouvez travailler sur La Grande Perche mais, bien entendu, mon acceptation ne peut dépendre que du résultat...
First edition, one of 100 numbered copies on pur fil de lana, only deluxe issue.
Nice copy.
First edition, one of 100 numbered copies on pure linen thread paper, the only deluxe copies.
Rare and handsome copy complete with its illustrated dust jacket which shows minor scuffs to head and foot of spine.
The work was adapted for cinema in 1957 by Phil Karlson with Dianne Foster and Richard Conte in the principal roles.
First edition, one of 100 numbered copies on deluxe paper, the only deluxe copies.
Handsome copy presented in sheets under double chemise and slipcase.
First edition, one of 100 numbered copies on deluxe paper, the only deluxe copies.
Handsome copy presented in sheets under double chemise and slipcase.