Marcel SCHWOB

First edition, one of 350 copies on vellum, the only printing after 2 on Japan paper and 5 on Holland paper.
Scattered light foxing.
Half vellum-style boards, smooth spine with gilt date at foot, marbled paper sides, covers preserved, rubbed corners, contemporary binding.
Precious signed autograph inscription from Gustave Kahn to Marcel Schwob: "A M. M. Schwob en toute amitié ce livre de poèmes. Gustave Kahn."

First edition, one of 10 numbered copies on japan paper, deluxe copy.
Covers soiled, handsome interior.
A full-margined copy.

First edition published under the pseudonym of Loyson-Bridet, one of the copies from the first printing bearing, on the justification page, Schwob's personal vignette: a goose holding a quill in its beak.
Half black shagreen binding, smooth spine decorated with gilt floral and typographical motifs, light rubbing to spine, scratches to marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, corners slightly bumped, contemporary binding.
A small stain at foot of title page and on the facing page.
Signed autograph inscription from Marcel Schwob, under his pseudonym of Loyson-Bridet: "A Emile Despax, son ami. Loyson Bridet."

New edition, one of 30 numbered copies on Japan paper, ours one of the 8 unnumbered hors commerce copies, deluxe issue.
Some foxing, a small mark at the foot of the first endpaper.

Edition with some parts in first edition, one of 925 numbered copies on satin vellum.
A small stain at the foot of the second cover, handsome copy.

First edition published under the pseudonym Loyson-Bridet, one of the first issue copies.
Binding in brown half morocco, back with five nerves set with black threads, golden date tail, marbled paper plates, guards and contreplats of handmade paper, covers and back preserved, golden head, Contemporary binding signed Moens .
Three press clippings and a bookstore description label pasted at the top of the volume on the White Guards.
Precious autograph dedication signed by Marcel Schwob, under his pseudonym of Loyson-Bridet, to Lucien Descaves.

First edition published under the pseudonym of Loyson-Bridet, with statement of second edition.
Half red shagreen binding, lightened spine with four raised bands decorated with gilt fleuron, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, covers and faded spine preserved.

First edition, one of 200 numbered copies on Arches paper.
Full turquoise cloth binding, smooth spine, grey sheep title-label, marbled endpapers and pastedowns, original wrappers and spine preserved.
A full-margined copy.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

(COLLECTIVE)
Stéphane MALLARMé
Prince PONIATOWSKI
Léon TOLSTOI
Alphonse DAUDET
Marcel SCHWOB
Jules RENARD
R. de MONTESQUIOU
Camille MAUCLAIR Tristan BERNARD
Maurice LEBLANC
TOULOUSE-LAUTREC
Paul-César HELLEU
CARAN D'ACHE
Félix VALLOTTON
Jean-Louis FORAIN
Eugène GRASSET
Revue Franco-Américaine n° 1
Revue Franco-Américaine| Paris & New York June 1895| 19.5 x 28.5 cm| original wrappers
First edition of the first issue of this ephemeral magazine that ended at issue 3, two months later, and was taken over by La Revue Blanche, one of 50 copies on Japan paper the tirage de tête.
Literary contributions from Léon Tolstoï: “Science et religion”, Georges Clemenceau: “France et Amérique”, Alphonse Daudet “Un raté littéraire du XVIIIe siècle”, Maurice Barrès: “Le boulangisme n'a pas été vaincu”, Tristan Bernard “Sous le voile de l'incognito”, Marcel Schwob “Sismé”, Jules Renard “Le fou”, Stéphane Mallarmé “études de danse”, Robert de Montesquiou “Des vers”, Maurice Leblanc “L'ami de la logique”, Catulle Mendès “Le Prince Lys”, Camille Mauclair “Le théâtre”...
Pictorial contributions: an hors texte leaf on Japan paper, by Jean-Louis Forain: “Le monde”, Caran d'Ache: “Un chapitre inédit des mémoires du général Marbot...”, Paul-César
Helleu with an original lithograph: “Femme et enfant”, Henri de Toulouse-Lautrec with an original lithograph: “Zimmerman et sa machine” with some small sections missing of the right-hand margin.
Elegant magazine in Nabis style, whose relief wrappers were illustrated by Eugène Grasset and the typography done by Félix Vallotton.
Published under the auspices of Prince André Poniatowski, this magazine is decorated with in-texte illustrations by Jean-Louis Forain, Caran d'Ache, Paul-César Helleu, Henri de Toulouse-Lautrec, Félix Vallotton.
Rare copy of the luxury print on Japan, 50 copies printed, complete with the 4 inserts, 2 of which are original lithographs by Henri de Toulouse-Lautrec and Paul-César Helleu.

Féminies. Huit chapitres inédits dévoués à la femme, à l'amour,
à la beauté Edition illustrated of 8 frontispieces in color by Félicien Rops in a double state (black and color) and printed in 183 numbered copies on Japan paper, ours under the name of Louis Bourdery.
Full navy blue shagreen, the spine is richly embellished in a gilt typographic pattern as well as of a nude golden woman, gilded frieze on the head and on the foot, gilt fillets on the spine head, framed with quadruple gilt fillets on the covers, gilt ripples forming four by four rings at an angle of the covers, the end pages and the fly pages in decorative marbled paper with a gilt floral pattern in the corner, illustrated wrappers and spine preserved, gilt trimming on the top and the foot of the head band, binding of the time.
The book is illustrated in frames and panels by Rudnicki, cover illustrated by George de Feure.
Some small light foxing affecting mainly the serpentes.

First edition, one of 460 copies on vergé à la forme.
Autograph inscription from Marcel Schwob to Paul d'Armon.
Illustrated with a lithograph by Maurice Delcourt on the cover.
A good copy.

Seventh edition.
Spine faded, a scratch to head of upper cover.

New edition, stated fifth edition.
A good copy.