PERSE

Copy comprising two translations in first edition by M. de Marolles, Abbé de Villeloin. Charming allegorical engraved title-page depicting the authors and their works, the latter represented as two mischievous cherub-satyrs. Several headpieces, some with coats of arms, tailpieces, and decorated initials with floral and figural motifs.

Contemporary binding in full brown calf, spine with four gilt raised bands, decorated with four compartments with gilt fleurons and roulettes, double gilt fillet framing the boards.

Darkening to the spine and lower board, rubbing and scratches to the boards, one corner bumped.

Scattered foxing and dampstaining in the margins, affecting the text only slightly, small marginal hole at p. 201, faint brown ink mark at p. 101.

New edition of the French translation established by A. Perreau.
Half tan sheep binding, spine with five raised bands set with gilt dots decorated with double gilt compartments embellished with gilt floral motifs, one joint cracked at foot with lack, gilt fillet on marbled paper boards, marbled endpapers and pastedowns, armorial bookplate pasted to verso of front board, binding signed by Bernon.
Handsome copy despite some light foxing.

New edition, one of 200 numbered copies on Rives laid paper, deluxe copy.
Light sunning to head and foot of spine, handsome copy with full margins.
Work illustrated with wood engravings by René Pottier.

New edition revised and augmented with notes and observations by N.L. Achaintre.
Half Russian caramel morocco binding, spine with four raised bands set with black wavy fillets and decorated with triple gilt compartments adorned with gilt decorative motifs, friezes and gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, contemporary binding signed by Thouvenin at foot of spine.
Scattered foxing mainly in margins of leaves.
Handsome copy established in a fine contemporary binding signed by Thouvenin.

First Amsterdam impression of the Satires annotated by Thomas Farnabe, first published in London in 1612. It is decorated with a handsome engraved title-frontispiece, unsigned.
Nineteenth-century binding in full straight-grained green morocco, triple gilt fillet, small cornerpieces connected by a fillet, spine decorated with gilt fillets and fleurons with red mosaics, gilt board-edges. Spine very lightly faded, a few very minor rubbing marks and a small marginal tear without loss on page 77, otherwise a fine uncut copy.
Bookplate (19th century) pasted on front pastedown.

New edition of the French translation revised and expanded with notes by N.L. Achaintre.
Half-shagreen binding in navy blue, spine with four raised bands showing traces of rubbing, decorated with gilt fillets, headcaps worn, marbled paper boards, marbled endpapers and pastedowns, three tears to leading edges, contemporary binding.
Gift inscription in ink on half-title page, foxing.

New edition of Persius's Satires translated, commented and annotated by Nicolas Selis.
Contemporary full cardboard binding. Green paper spine with corners decorated with roulettes. Black paper boards. Red morocco title-label.
According to Brunet: "One of the best translations of Persius" (Brunet IV, 522). Nicolas-Joseph Sélis (1737-1802), man of letters and professor at the college Louis-le-Grand, replaced abbé Delille, to whom he was connected, in the chair of Latin poetry at the Collège de France in 1796. Each satire is presented then annotated. A long preface introduces the work, as well as a letter from Le Monnier, himself translator of the satires, who compares his work with that of Selis.