Correspondance 1970-1984[Correspondence 1970–1984]
First edition, one of 40 numbered copies on Ingres paper, deluxe issue.
A fine copy.

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First edition, one of 40 numbered copies on Ingres paper, deluxe issue.
A fine copy.
Autograph letter signed by Jean Dubuffet to the painter Louis Favre, autograph date "Wednesday the 19th", probably 1950s, with a few traces of folds.
An interesting letter from Dubuffet relating to a little-documented episode: his meeting with the painter Louis Favre, probably around 1953, at a pivotal moment when Limbour had just published the first substantial work on Dubuffet's paintings, Tableau bon levain, à vous de cuire la pâte. L'Art Brut de Jean Dubuffet.
"My dear Louis Paul Favre,
I wonder whether you have received Limbour's book on my paintings; allow me to offer it to you as a small token of...
Rare poster-catalogue of the exhibition “Les gens sont bien plus beaux qu'ils croient. Vive leur vraie figure. “People are much more beautiful than they believe. Long live their true face. Portraits.” by Jean Dubuffet at the Galerie René Drouin which took place from 7 to 31 October 1947.
Beautiful copy of this catalogue, in poster format, two folds, one horizontal and one vertical, facilitating the storage of this document which presents as four-leaf journal illustrated with portraits of writers and artists such as Henri Michaux, Henri Calet, René Bertelé, Francis Ponge, Antonin Artaud, Jean Fautrier...
Text by Jean Dubuffet entitled “Causette”.
Rare.
First edition, profusely illustrated.
Publisher’s full black cloth binding, smooth spine, a fine copy complete with its illustrated dust jacket.
Our copy bears a dated and signed presentation inscription from Jean Dubuffet to Robert Dauchez, to whom he offered this work: "Jean Dubuffet adresse son amical salut à Robert Dauchez. Paris, nov 1975."
First edition, no deluxe issues published.
Richly illustrated.
A momentous presentation copy, signed and inscribed by André Malraux: "For Jean Dubuffet - who will not agree but who may console himself with the pictures! André Malraux. Dec. 1947." (Pour Jean Dubuffet - qui ne sera pas d'accord mais qui pourra se consoler avec les images ! André Malraux. Déc. 1947.)
This highly interesting inscription by Malraux acts as a perfect demonstration of their differing views on the subject of art:
"In 1947, as Malraux published, with Editions Albert Skira, the first essay of his Psychologie de l'art entitled Le Musée...