COLLECTIF

First edition.
Contributions from J. Giono, V. Muselli, C. Vildrac, J. Benda...

First edition.
Contributions by F. Jammes, P. Léautaud, L. Guilloux "Le pain des rêves", P. Drieu la Rochelle "Questions d'avenir", R. Fernandez "Retour à Giraudoux"...

First edition.
Contributions by J. Giono "Pour saluer Melville", J. de Bosschère "Colombes", A. Suarès "Chronique de Caerdal", L. Aragon "Les voyageurs de l'impériale (IVème partie)"...
One corner lack at foot of front cover, spine warped.

First edition.
Contributions by A. Suarès "La mort de Pampatheus", M. Sachs "Tableau des moeurs de ce temps", G. Limbour "Tableau bon levain", M. Blanchot "Le dehors, la nuit"...
Two stains at foot of front cover.

First edition.
Contributions by P. Claudel "La maison-du-pont-des-faisans", Alain, J. de Lacretelle, M. Proust "Le temps retrouvé (suite)"..
Spine slightly sunned.

First edition.
Contributions by M. Jouhandeau "La bergère Nanou", J. Rivière "La crise de concept de littérature", P. Drieu la Rochelle "Chronique des spectacles"...
Handsome copy.

First edition.
Contributions by J. Giono, Alain "La frivolité", J. Chardonne "Voir la figure", P. Drieu la Rochelle "Le fait", R. Fernandez "Charles Péguy"...
A small nick to spine.

First edition. M. Proust "Le temps retrouvé (III)", H. von Hofmannsthal "Lettre de lord Chandos", A. Artaud "Correspondance de la momie", A. Gide "Voyage au Congo : de Baboua à Fort-Archambault"...
A small tear with minimal loss at foot of spine slightly sunned.

First edition.
Contributions by E. Hemingway "Cinquante mille dollars" [translated by O. de Weymer], M. Proust "Le temps retrouvé (avant dernier épisode)" [penultimate episode], L. Durtain, J. Benda..

First edition of each volume, one of 200 numbered copies on deluxe paper, the only deluxe copies.
Each fascicle is illustrated with 20 pen drawings by G. Latallerie-Beurier.
Autograph inscription signed by the illustrator on each volume.
Texts by C. de Seauve, J. Pothier and prefaces by R. Chazelle.
The set is presented in a half tan sheep slipcase and chemise, spine with four false raised bands, marbled paper boards.
The slipcase spine is slightly rubbed at head.
Handsome copy.

First edition printed in a very small number of copies.
Two vertical fold marks, two slight tears without loss on the second cover, otherwise a handsome copy.
Rare.

First edition.
Half black shagreen binding, smooth spine decorated with hot and cold fillets and dotted lines as well as gilt dentelle at tail, some surface scuffs and rubbed headcaps.
Each issue consists of eight pages.
Texts by Albert Maurin, Jules Rouquette, among others.
Engravings by Mès among others.

First edition.
Half black shagreen binding, smooth spine decorated with hot and cold fillets and dotted lines as well as gilt dentelle at tail, some surface scuffs to headcap.
Each issue consists of eight pages.
Texts by Paul de Couder, Dumont d'Urville, Alfred de Musset (Pépa), among others.
Engravings by Mès among others.

First edition.
Half brown sheep binding, smooth spine decorated with gilt fillets, marbled paper boards, some rubbing to surface and corners slightly worn.
Each issue consists of 16 pages and a color cover.
Numerous drawings, sometimes double-page, by Métivet, Poulbot, Huard, Rouveyre, Jeanniot, Léandre, Cappiello, Ostoya, Caran d'Ache, Steinlen, among others.
Le Rire was a humorous weekly that appeared during the Belle Époque, published from October 1894 until the 1950s.

First edition.
Half sheep binding in fir green, spine with five raised bands decorated with four gilt fleurons, paste paper boards, some rubbing to surface.
Contributions by Paul Courty, Pierre Véron, Léon Audibert, etc.
Drawings by Pif, Henriot, Grévin and Draner notably.
Le Charivari was a French daily satirical illustrated newspaper, which appeared from 1832 to 1937. Founded in 1832, under the reign of Louis-Philippe, by the republican journalist Charles Philipon, it quickly became a means of communication for the opposition, in the same mocking spirit as the weekly La Caricature created in 1830. It energetically ridiculed the July Monarchy and the bourgeoisie and...

First edition.
Half blue shagreen binding, smooth spine decorated with gilt fillets and dots, marbled paper boards, some rubbing to leather and head worn.
Each issue consists of fourteen pages, color covers for special issues.
Contributions by Victor Fayet, Léo Claretie, Charles Foley, among others.
Drawings by Loevy, Condamy, Jean d'Aurian, Lalauze, etc.
Clumsy restorations at foot of table of contents and final leaves.

First edition.
Complete with its 2 folding plates at rear.
A light marginal dampstain to the front cover, handsome interior condition.

First edition of this catalogue whose sale took place at the Bordeaux auction house.
Illustrations hors-texte.
A small angular tear at the head of the first cover affecting the following pages and having occasionally caused small lacks without gravity and not touching the text, otherwise a handsome copy.

First edition.
Half black shagreen binding, smooth spine decorated with hot and cold fillets and dots as well as gilt dentelle at tail.
Each issue consists of eight pages.
Texts by Léon Marcy and Dumont d'Urville notably.
Engravings by Mès among others.

First edition.
Half black shagreen binding, smooth spine decorated with hot and cold fillets and dots as well as gilt dentelle at tail.
Each issue consists of eight pages.
Texts by Méry (Les Étrangleurs de l'Inde), Charles Dickens and Dumont d'Urville notably.
Engravings by Mès among others.

First edition printed on alfa paper.
Contributions from F. Mauriac, F. Carco, T. de Visan, Dussane, L. Vérane, P. Chabaneix...
Scattered foxing.

First edition.
Contributions by P. Vérola, R.Broustaille "Anarchisme de poète", H. Swan, P. Masson "Regards littéraires d'un Yoghi"...
Issue illustrated by R. Broustaille, G. Noury, L. Lebègue, J. Alby.
One tear and one fold at the foot of the entire body of the journal having caused small lacks without affecting the text.

First edition.
Contributions by P. Verlaine "Poème", A. Retté, H. Bordeaux, P. Vérola...
Issue illustrated with 7 sketches by G. d'Espagnat, 1 sketch by Hermann-Paul, and a drawing by Jossot.
Covers with small marginal tears and lacks continuing without affecting the text.

First edition.
Contents of this issue: A. Pelletier, R. Ghil, J. Le Lorrain, H. Albert, G. & J. Couturat, F. de Nion.
Spine faded, first cover detached, corner lacks to covers, pleasant interior condition.

New edition.
Full glazed navy calf binding, smooth spine decorated with gilt romantic arabesques, gilt roulettes on headcaps, joints lightly rubbed (the first almost detached), single gilt fillet border on boards with some epidermures, gilt fillet on edges, marbled endpapers and pastedowns, corners very slightly bumped without consequence, contemporary romantic binding.
Texts by Virgil translated by Delille, Florian, Legouvé, Voltaire, La Fontaine, Boileau, Corneille...
Work illustrated with an engraved frontispiece.
Some light foxing.

First edition.
With 11 folding plates at end.
A good copy.

First edition.
Numerous illustrations, sometimes humorous, in text and on plates.
Small loss at head of spine which also shows minor tears, discreet marginal restorations to boards, one fold at foot of pages 141
142, marginal stain affecting the entire text block.
Rare.

First edition.
Work illustrated with 153 engravings.
Spine and joints restored, light corner wear to boards, some minor foxing, minimal traces of adhesive tape at head and foot of endpapers.
Provenance: from the library of Prince Roland Bonaparte with his bookplate pasted opposite the half-title page.

First edition.
With 68 etchings.
Spine and upper covers soiled, lower cover less than skillfully repaired, a few small spots.

First edition, one of the rare lettered copies on laid paper, the only deluxe copies.
Contributions by C. Baudelaire with the first letter he wrote to Richard Wagner published and commented upon by André Suarès, Roland-Manuel, H. Lemonnier regarding Louis Vitet and the Marseillaise...
Issue illustrated with a portrait of A. Roussel by V. Barbey, a self-portrait by Baudelaire, as well as tailpieces, frontispieces and initials by O. Friesz, V. Hugo..
Minor lacks and tears to spine and joints, handsome interior condition. Issue complete with its musical supplement: "Fragment from the ballet Padmavati" by A. Roussel.

First edition.
Work illustrated with 8 plates and 67 in-text figures as well as 4 color plates at the end.
Handsome and rare copy.

First edition.
Contributions by Jean Schlumberger, Paul Claudel and Marcel Proust (Le Temps retrouvé (suite)); chronicles by Alain, François Mauriac, etc.
Cover very slightly shaded, otherwise handsome copy.

First edition.
Illustrated.
A good copy.

First edition.
Illustrated with 9 plates hors texte.
A good copy.

First edition.
Publisher's binding over yellow plain paper boards citron, dust jacket missing.
Richly illustrated.

First edition ronéotypée of 500 numbered copies.
A rare and good copy.

First edition.
Contributions by P.J. Jouve "Matière céleste", D. Rops on F. Kafka, A. Gleizes "Le problème de la lumière", J. Bousquet "Le réel révélé", "Charles le fou chantant" by H. Fluchère ...
A small tear at foot of spine, a few small ones on boards.

First edition.
Contributions by Saint-John Perse "A ceux des Cahiers du sud", F. Ponge "Braque lithographe", R. Char "A une sérénité crispée, 2ème version", R. Caillois, O. Paz...
Spine creased.

First edition.
Contributions by P. Vaillant Couturier, Banville d'Hostel, J. Ryeul..
Issue illustrated by G. Lecornu, P. Prudhomme, J. Schuwer...
Small marginal tears with minor lacks to spine and boards.

First edition.
Contributions by P. Vaillant Couturier, A. Jean, R. Bizet...
Issue illustrated by Gromaire, R. Houdin...
Small marginal tears with minimal lacks to spine and boards, traces of adhesive paper on front board.

First edition.
Contributions by P. Vaillant Couturier, R. Bizet, A. Jean, R. Morand...
Issue illustrated by J. Julien, M. Gromaire, J. Schuwer...

First edition.
Contributions from P. Vaillant Couturier, M. Bouchel, J. Robert Desplaces...
With illustrations by J. Dété-Gahisto, M. Gromaire...

First edition.
Contributions by P. Vaillant Couturier, Monique, E. Mac Kenty, A. Jean.
Issue illustrated by A. de Skékely...
Spine and boards uniformly faded.

First edition.
Contributions by C.L. Philippe "Unpublished Letters", B. Marcotte, P. Vaillant Couturier...
Issue illustrated by A. de Skékely, G. Lecornu...
Spine and boards uniformly faded.

First edition.
Contributions by P. Vaillant Couturier, J. Robert Desplaces, Banville d'Hostel...
Issue illustrated by Ancelin, A. de Skékely, A. Juin...

First edition.
Contributions from R. Bizet, R. Morand, P. Vaillant Couturier...
With illustrations by P. Prudhomme...

First edition.
Contributions by C. Aveline, J. Nels, E. Pilon, L. Thomas...

First edition of this issue partly devoted to Edmond Pilon, one of the rare copies on laid paper, the only deluxe copies.
Contributions by C. Aveline, E. Pilon, A. Binet, H. Ghéon, H. de Régnier...
Handsome copy.

First edition, one of the rare copies on laid paper, the only deluxe copies.
Contributions by C. Aveline, P. Vialar, G. Van Parys, A. Binet...
Issues illustrated with vignettes by C. Plessard.
Three slight marginal lacks to the first cover, handsome copy.

First edition.
Contributions by F. Hellens, C. Aveline, P. Haesaerts "Etude sur l'art belge contemporain", G. Heitz "Hommage à Paul Adam"...
Handsome copy.

First edition.
Contributions by J. Nels "André Gide et quelques écrivains d'aujourd'hui", A. Binet "A propos du nouveau comte de Fiume", Y. Noé "Pourquoi le "Canard sauvage" a monté "L'âge de raison"..."
One tear to a joint, otherwise a handsome copy.

First edition, one of the rare copies on laid paper, the only deluxe copies.
Contributions by J. Daley "J. Giraudoux et le cosmopolitisme littéraire", Y. Chatelain "J.M. de Heredia poète émotif", G. Van Parys...
Some minor worming to boards, otherwise handsome copy.

First edition, one of the rare copies on laid paper, the only deluxe copies.
Contributions by J. Nels "J. Cocteau homme de théâtre", E. Pilon "Poèmes", J. Nels "Aperçu sur le roman d'après-guerre"...
Handsome copy.

First edition.
Contributions by A. Carpentier "Les océanides", O. Paz "Le fleuve", H. Petit...
Spine and boards lightly and marginally sunned without gravity, otherwise handsome copy.

First edition. Contributions by G. Braque, T. de Quincey, T. Tzara, A. Dhôtel, J. Paulhan, M. Nadeau, G. Mounin... Issue illustrated with a reproduction of the work "La Guitare" by Georges Braque. Three lacks to head and foot of spine and boards, annotation to head of front board, paper yellowed which is inevitable given the poor quality of this wartime paper.

First edition.
Publisher's binding in full red and black boards, smooth spine, covers illustrated with a central decorative medallion, all edges gilt.
Album abundantly illustrated with caricatures.
Some light foxing of no consequence, one small tear to one edge.

New edition printed in 175 copies, ours one of the 155 on Holland paper, and based on the manuscripts & the gothic edition from the Bibliothèque Nationale, with notes by Georges Guiffrey.
Spine cracked with small lacks at head and restored at foot with an adhesive piece, marginal tears with sometimes tiny harmless lacks on the boards, handsome interior condition.
Rare.

First edition.
Contemporary half bottle-green sheep binding, smooth spine with traces of title label, cardboard covers.
Handsome copy.

First edition.
Autograph inscription signed by Henri Filleul to vice-president of Sacem Monsieur Julsam.
Our copy is enhanced with a concert program given at the municipal theater of Saint-Omer by the Lille symphony orchestra in honor of Henri Filleul.
Handsome ensemble.

First edition printed in 500 numbered copies.
Very fine autograph inscription signed by Francis Casadesus to Monsieur Julsam, director of Sacem.
Spine and boards slightly and marginally sunned, some small spots to boards, handsome interior condition.

First edition.
Numerous contributions.
A very good copy.

First edition.
Numerous contributions.
A very good copy.

First edition.
Numerous contributions of which celles de C. Dotremont, E.M. Cioran, R. Abellio, J.L. Parant, J.P. Sartre...
Iconography, a very good copy.

First edition.
Publisher's full rose cardboard bindings, copies complete with their dust jackets which have no defects as well as their slipcase.
Volume 1: Impressionist painting in France.
Volume 2: Impressionism in Europe and North America.
Rich iconography.
Very fine set.

First edition of this tri-monthly review directed by Emile Kahn.
Set of 25 fascicles including 5 double issues. Nos. 1, 26, 28 and 33 are missing.
Official organ of the League of Human Rights established in 1920, the Cahiers are considered by democracy's defenders as both a militant tool and an important source of documentary information.

First edition of this tri-monthly review directed by Emile Kahn.
Set of 17 fascicles including one double issue. No. 21 is missing.
Official organ of the League of Human Rights established in 1920, the Cahiers are considered by democracy's defenders as both a militant tool and an important source of documentary information.

First edition de cette revue tri-mensuelle dirigée par Emile Kahn.
Ensemble de 29 fascicules. Nr 5, 14 and 17 are missing.

First edition of this tri-monthly review directed by Emile Kahn. Set of 5 fascicles: no. 9 of May 1st, 1939, no. 12 of June 15th, 1939, no. 13 of July 1st, 1939, no. 14 of July 15th, 1939 and no. 15 of August 1st, 1939. Official organ of the League of Human Rights which appeared in 1920, the Cahiers are considered by defenders of democracy as both a militant tool and an important source of documentary information.

First edition of this tri-monthly review directed by Emile Kahn.
Set of 7 fascicles. Issues nos. 5, 6, 8, 9, 12 and 13 are missing.
Official organ of the League of Human Rights which appeared in 1920, the Cahiers are considered by defenders of democracy as both a militant tool and an important source of documentary information.

First edition, one of 100 numbered copies on Arches paper, deluxe issue.
Our copy, like all copies from the deluxe issue, is complete with its original etching in double state signed by Auguste Brouet.
Work illustrated with 270 plates reproducing the artist's engraved work.
The slipcase of the second volume is worn.
Handsome copy.

First edition, one of 1000 numbered copies on Rives paper, the tirage de tête.
Richly illustrated.
A very good copy.

First edition.
Half black shagreen bindings, spines with five raised bands decorated with gilt fleurons, minor traces of rubbing to head caps, marbled paper boards, marbled endpapers and pastedowns, armorial bookplates pasted to verso of front boards.
Works illustrated with reproductions of coats of arms in text.
Some minor foxing.
Rare complete collection of this heraldry journal.

New edition.
Work illustrated with numerous figures in and outside the text.
Spine broken and restored at head with an adhesive piece, handsome interior condition.

First edition.
Spine very slightly and insignificantly faded, a good copy.

First edition.
Publisher's Bradel binding in half dark green percaline, smooth spine, black morocco title label, small gilt tool and double gilt fillet at foot.
Twelve issues from January to December 1901. Original wrappers preserved.
Each issue illustrated with a wood engraving.
Literary contributions by Paul Fort, André Gide ("Emmanuel Signoret", "Les limites de l'art"), Francis Jammes, etc.
Founded in 1890 by Henri Mazel, l'Ermitage is a monthly review belonging to the first wave of small symbolist reviews. In the 1895 years, the review enters decline, and its new director, Edouard Ducoté, calls upon André Gide. The editorial team is then reduced to twelve...

First edition.
Publisher's Bradel binding in half dark green percale, smooth spine, black morocco title label, small gilt ornament and double gilt fillet at foot.
Twelve issues from January to December 1902. Original wrappers preserved.
Each issue is illustrated with a woodcut.
Literary contributions by Léon Blum ("Les yeux que j'aime"), Paul Fort, Henri Ghéon, André Gide ("Oscar Wilde"), Mme Alphonse Daudet, Walt Whitman, etc.
Founded in 1890 by Henri Mazel, L'Ermitage was a monthly journal belonging to the first wave of small symbolist reviews. In the 1895s, the journal entered a decline, and its new director, Edouard Ducoté, called upon André Gide. The...

First edition.
Publisher's Bradel binding in half dark green percale, smooth spine, black morocco title-label, small gilt ornament and double gilt fillet at tail.
Twelve issues from January to December 1904. Covers preserved.
Each issue is illustrated with a woodcut.
Literary contributions by Henri Ghéon, Paul Gauguin ("Lettre"), Francis Jammes, Walt Whitman, René Boylesve, André Gide ("De l'évolution du théâtre, conférence", "De Biskra à Touggourth", "De l'importance du public", "La querelle du peuplier"), Rémy de Gourmont ("Des pas sur le sable"), etc.
Founded in 1890 by Henri Mazel, l'Ermitage was a monthly review belonging to the first wave of small...

First edition.
Publisher's Bradel binding in half salmon cloth, smooth spine, black morocco title label, small gilt ornament and double gilt fillet at foot.
Eleven issues from January to November 1896. Original wrappers preserved.
Literary contributions by André Gide ("Ménalque"), Maurice Barrès, Octave Uzanne, Francis Jammes, Pierre Louÿs, Henri Ghéon, etc.
The February issue pays homage to Paul Verlaine, who had died a month earlier. A handsome portrait of the poet on his deathbed after a drawing by Noé Legrand.
Founded in 1890 by Henri Mazel, l'Ermitage is a monthly review belonging to the first wave of small Symbolist magazines. In the 1895s, the review entered...

First edition.
Publisher's Bradel binding in half dark green cloth, smooth spine, black morocco title label, small gilt ornament and double gilt fillet at foot.
Twelve issues from January to December 1897. Original wrappers preserved.
Each issue is illustrated with a bichrome woodcut.
Literary contributions by René Boylesve, Paul Fort, Francis Jammes, Henri Ghéon, Remy de Gourmont, etc.
Founded in 1890 by Henri Mazel, l'Ermitage is a monthly review belonging to the first wave of small Symbolist magazines. In the 1895s, the review entered decline, and its new director, Edouard Ducoté, called upon André Gide. The editorial team was then reduced to twelve regular...

First edition.
Publisher's Bradel binding in half dark green cloth, smooth spine, black morocco title label, small gilt ornament and double gilt fillet at foot.
Twelve issues from January to December 1899. Original wrappers preserved.
Each issue is illustrated with a wood engraving.
Literary contributions by Paul Fort, Henri Ghéon, André Gide, Francis Jammes, René Boylesve, etc.
Founded in 1890 by Henri Mazel, l'Ermitage was a monthly review belonging to the first wave of symbolist little magazines. In the 1895 years, the review entered decline, and its new director, Edouard Ducoté, called upon André Gide. The editorial team was then reduced to twelve regular...

First edition.
A tiny fold to the left corner, otherwise very good condition.
In addition to existing titles, more than 70 newspapers were created during the 70 days of the Commune. But press freedom was restricted from April 18, and on May 18 the Committee of Public Safety banned newspapers favorable to the Thiers government as it withdrew to Versailles. The most influential newspapers at the time were 'Le Cri du Peuple' by Jules Vallès, 'Le Mot d'ordre' by Henri Rochefort, 'L'Affranchi' by Paschal Grousset, 'Le Père Duchesne' by Versmersch, 'La Sociale' with Madame André Léo, 'Le vengeur' by Félix Pyat, 'La Commune'. It was especially in May that the struggle against the...

First edition.
Very good condition.
In addition to existing titles, more than 70 newspapers were created during the 70 days of the Commune. But press freedom was restricted from April 18, and on May 18 the Committee of Public Safety banned newspapers favorable to the Thiers government as it withdrew to Versailles. The most influential newspapers at the time were 'Le Cri du Peuple' by Jules Vallès, 'Le Mot d'ordre' by Henri Rochefort, 'L'Affranchi' by Paschal Grousset, 'Le Père Duchesne' by Versmersch, 'La Sociale' with Madame André Léo, 'Le vengeur' by Félix Pyat, 'La Commune'. It was especially in May that the struggle against the pro-Versailles press gained vigor: thus, between...

First edition.
Very good condition.
Adding to existing titles, more than 70 newspapers were created during the 70 days of the Commune. But press freedom was restricted from April 18, and on May 18 the Committee of Public Safety banned newspapers favorable to the Thiers government which withdrew to Versailles. The most influential newspapers at the time were 'Le Cri du Peuple' by Jules Vallès, 'Le Mot d'ordre' by Henri Rochefort, 'L'Affranchi' by Paschal Grousset, 'Le Père Duchesne' by Versmersch, 'La Sociale' with Madame André Léo, 'Le vengeur' by Félix Pyat, 'La Commune'. It was especially in May that the struggle against the pro-Versailles press gained momentum: thus, between...

First edition.
Very good condition.
Adding to existing titles, more than 70 newspapers were created during the 70 days of the Commune. But press freedom was restricted from April 18, and on May 18 the Committee of Public Safety banned newspapers favorable to the Thiers government which withdrew to Versailles. The most influential newspapers at the time were 'Le Cri du Peuple' by Jules Vallès, 'Le Mot d'ordre' by Henri Rochefort, 'L'Affranchi' by Paschal Grousset, 'Le Père Duchesne' by Versmersch, 'La Sociale' with Madame André Léo, 'Le vengeur' by Félix Pyat, 'La Commune'. It was especially in May that the struggle against the pro-Versailles press gained momentum: thus, between...

First edition.
Very good condition.
Adding to the existing titles, more than 70 newspapers were created during the 70 days of the Commune. But press freedom was restricted from April 18th, and on May 18th the Committee of Public Safety banned newspapers favorable to the Thiers government which withdrew towards Versailles. The most influential newspapers at the time were 'Le Cri du Peuple' by Jules Vallès, 'Le Mot d'ordre' by Henri Rochefort, 'L'Affranchi' by Paschal Grousset, 'Le Père Duchesne' by Versmersch, 'La Sociale' with Madame André Léo, 'Le vengeur' by Félix Pyat, 'La Commune'. It was especially in May that the fight against the pro-Versailles press gained vigor: thus...

First edition.
A faint trace of central crease, otherwise very good condition.
Adding to the existing titles, more than 70 newspapers were created during the 70 days of the Commune. But press freedom was restricted from April 18th, and on May 18th the Committee of Public Safety banned newspapers favorable to the Thiers government which withdrew towards Versailles. The most influential newspapers at the time were 'Le Cri du Peuple' by Jules Vallès, 'Le Mot d'ordre' by Henri Rochefort, 'L'Affranchi' by Paschal Grousset, 'Le Père Duchesne' by Versmersch, 'La Sociale' with Madame André Léo, 'Le vengeur' by Félix Pyat, 'La Commune'. It was especially in May that the fight against the...