Gazette des Beaux-Arts|Paris 1880|18.50 x 28 cm|relié
First edition. Half red shagreen binding, split headcaps, spine with four raised bands decorated with gilt motifs, publisher's binding. Contributions by Anatole de Montaiglon, Paul Mantz, Louis Gonse, Alfred Lostalot, Paul Lefort, Ludovic Lalanne, Duranty and Paul Chéron; etching attributed to Rubens, original etching by Francesco Paolo Michetti. Review illustrated with numerous black and white hors-texte engravings. The Gazette des beaux-arts is a French art review, founded in 1859 by Édouard Houssaye, with Charles Blanc as editor-in-chief; it ceased publication in 2002. For nearly one hundred and fifty years it was a world reference in art history.
First edition. Half black shagreen binding, corners slightly bumped, edges scuffed, spine decorated in blind, publisher's binding. Complete volume with its volume cover page, each issue contains eight pages. Contributions by Amédée Achard, Alexandre Dumas (serial "Le Capitaine Richard"), Hector Berlioz, Paul Féval, Méry, Emile de Girardin ("La Fille du Millionnaire") and George Sand notably. Magazine illustrated with numerous full-page black and white engravings, some double-page engravings. Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was directed notably by Paul Dalloz and Charles Yriarte. From its launch Le Monde illu
First edition. Half blue sheep binding, corners slightly bumped, edges scuffed, boards lightly sunned, headcaps damaged, publisher's binding and spine decorated in blind. Volume complete with its title page for the volume; each issue contains eight pages. Contributions by Gustave Aimard, Joseph Doucet, Alexandre Dumas, Paul Féval and Méry among others, drawings by Cham, Gustave Doré and Edmond Morin notably. Review illustrated with numerous full-page black and white engravings, as well as several double-page spreads. Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From
First edition. Half tan sheep binding, spine rubbed, corners bumped, sheep slightly torn on upper board and some worming, headcaps slightly damaged, publisher's binding. Complete volume with its tome cover page; each issue contains eight pages. Contributions by Alphonse Daudet, Champfleury, François Coppée, Paul Féval and Charles Yriarte notably, drawings by Karl Bodmer, Caran d'Ache, Dunki among others, engravings by Chapon, Méaulle among others. Magazine illustrated with numerous full-page black and white engravings, some double-page engravings, as well as one folding plate and one double-page color engraving. Le Monde illustré is a weekly news journal published from 18
First edition. Half blue sheep binding, corners bumped, headcaps torn, covers scuffed, publisher's binding. Volume complete with its title page. Contributions by Paul Féval, Théophile Gautier ("Le Baptême de la Neva") and Méry among others. Magazine illustrated with numerous full-page black and white engravings. Le Monde illustré was a weekly news journal published from 1847 to 1940 and from 1945 to 1956, directed notably by Paul Dalloz and Charles Yriarte. From its launch, Le Monde illustré secured the collaboration of authors and artists such as Alexandre Dumas, Paul Féval, Théophile Gautier, George Sand, Cham, Gustave Doré...
First edition. Half sheep binding in havana brown, scuffed edges, corners slightly bumped, some worming to the sheep, publisher's binding. Complete volume with its cover page; each issue contains eight pages. Contributions by Champfleury, François Coppée and Paul Féval notably, drawings by Karl Bodmer and Lix among others, engravings by Chapon and Méaulle among others. Review illustrated with numerous full-page black and white engravings, some double-page engravings, including one chromotypography (supplement to issue no. 1500). Le Monde illustré is a weekly news journal published from 1847 to 1940 and from 1945 to 1956, it was notably directed by Paul Dalloz and Charles