COLLECTIF

First edition.
Contribution by Robert Estivals.
Rare.

First edition of this issue devoted to jazz and Louis Armstrong.
Contributions Chambelland Guy, Jack Kerouac, Gaston Criel, Jacques Reda, François Valorbe, Alain Simon ...
Signed autograph Alain Simon to a couple of friends "? ... Or virtuoso esthete"
Back slightly thinned.

Edition for which he was not drawn big papers published under the direction of the Mayor of Charleville-Mezieres André Lebon.
Our copy is enriched by an autograph letter signed one page of André Lebon about autograph dedication of the author this book and a Rimbaud exhibition in Paris which he asks his correspondent to keep it current, enclosed envelope .
Preface by André Dhôtel.
Iconography attached newspaper clipping, nice copy.

Nice copy.

First edition.
Contributions littéraires de P. Claudel, M. Jouhandeau, A. Artaud, R. Vitrac, H. Arp, T. Tzara.
Illustrated with 9 drawings by Hans Arp.
A very good copy.

First edition of which there were no grand papier (deluxe) copies.
Contributions by Hervé Bazin, Michel Leiris, Jacques Prévert, Vercors...
Commentary by Jean-Paul Sartre.
Autograph inscription signed by Jean-Paul Sartre to Paul Aveline and his wife.
A nice copy.

First edition.
A good copy preserving its folding supplementprinted on yellow paper.
Cover illustratetd by Jean-Paul Curtay.
A good copy.

First collected edition.
Iconography.
A good copy.

first edition of the journal dealing with men, works and film issues, this issue is dedicated to Jacques Prévert.
Contributions Guy Jacob, Bernard Chardère, Jacques Prévert ...
Signed autograph, black felt, Jacques Prévert to a friend enriched with a drawing of a flower.

first edition printed in small numbers.
Signed autograph of Jean Hamburger Professor Jean-Philippe Mery.
Frontispiece, a photograph reproducing the sword of Jean Hamburger shaped by the house Cartier.
Back slightly and marginally insolated boards.

first edition printed in small numbers.
Signed autograph Etienne Beaulieu Professor Jean-Philippe Mery.
Iconography.
Nice copy.

First edition printed in a small number of copies.
Autograph inscription from Marcel Bessis to a friend.
Iconography.
A good copy.

First edition.
Small lacks to head and foot of spine, a few small spots, not serious.

Collective Edition for which there is no mention of leading copies in this anthology established by Fillaudeau Bertrand and Jean-Philippe de Tonnac.
Signed autograph Bertrand Fillaudeau Professor Georges Blin.
Nice copy.

First edition of this catalog of the exhibition is being held from August 22 to September 20, 1974 in Venice.
illustrated pamphlet of works by Giulio Turcato reproductions.
Our copy is enriched with an original photograph of the artist, coming out of a restaurant and defeating his umbrella, which he autographed the back and French to his friend the painter and engraver Jacques

First edition of the 212 full-page wood engravings by Gavarni (with the exception of the final four, executed by Bertall), together with 800 wood-engraved vignettes within the text.
Contemporary romantic bindings in half red shagreen, spines with four raised bands finely decorated with triple gilt panels and gilt arabesques, red paper-covered boards, marbled endpapers and pastedowns, corners a trifle rubbed.
The volume features a remarkable diversity of typographical elements, including elaborate text borders and tailpieces.
Gavarni’s captioned and satirical wood engravings offer a strikingly abundant illustrative display—almost a precursor to the comic strip.
Scattered occasional light foxing.
Le Diable à Paris is an extraordinary and quintessentially Romantic work, gathering texts by illustrious contributors (Balzac’s "philosophy of married life"; Musset’s "Mimi Pinson"...) and graced with copious illustrations. This type of publication followed the immense success of the Physiologies, which humorously depicted the manners and characters of Parisians both in spirit and appearance. The first volume opens with a history of Paris by Lavallée, and the second with a geography of Paris (ending with Parisian statistics). This portrait of the capital is of particular interest, as it predates the sweeping transformations Paris would undergo under the Second Empire.

First edition of this exhibition plate is being held at the Museum of Decorative Arts, Marsan pavilion at the Louvre Museum from May to July, 1938.
Signed autograph Edouard Vuillard to a friend: "To my friend Jiji that the mistake (the only one) of Amier too my painting."
illustrated pamphlet 8 reproductions of works of Edouard Vuillard.
An annotation in blue ballpoint pen on the sidelines of the description of the thirty-ninth work described traces of vertical folds on the first board.