Antonin ARTAUD

Antonin ARTAUD

Born1896
Died1948
LanguageFrench
NationalityFrance
Poète, auteur dramatique. - Acteur. - Peintre
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  • ARTAUD Antoine Marie Joseph Paul
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95 results
ARTAUD, Antonin
  1. K Numéro 1&2
    Antonin ARTAUD, Georges BRAQUE

    K Numéro 1&2

    K éditeur|Paris 1948|13.50 x 19.50 cm|broché
    First edition of this issue devoted to Antonin Artaud, one of 50 numbered copies on Marais wove, the only copies on deluxe paper.
    Contributions by Antonin Artaud, Georges Braque, René Char, Charles Dullin, Jacques Audiberti, Camille Bryen, André Pieyre de Mandiargues, Arthur Adamov...
    A rare and attractive copy.
    €1,000
  2. Lettres de Rodez
    Antonin ARTAUD

    Lettres de Rodez

    GLM|Paris 1946|11.50 x 16.50 cm|broché

    First edition, one of 500 numbered copies on white vellum,  after 1 copy on Japan paper, 13 on Arches paper, and 22 on marsh vellum.
    A pleasing copy.

    €170
  3. La Révolution surréaliste N°8 de la 2ème année
    Joan MIRÓ, Antonin ARTAUD

    La Révolution surréaliste N°8 de la 2ème année[La Révolution surréaliste, No. 8, second year]

    La révolution surréaliste|Paris 1er Décembre 1926|20.50 x 29 cm|agrafé

    First edition.
    Literary contributions by Antonin Artaud, Paul Eluard, André Breton, Pierre Brasseur, Louis Aragon, Michel Leiris, Benjamin Péret, Ernest Gegenbach...
    Pictorial or photographic contributions by Joan Miro, Yves Tanguy, Max Ernst, Man Ray...
    Upper cover with a few marginal stains to the left margin, a small tear at the foot of the spine, otherwise a pleasing copy considering the fragility of this periodical.

    €500
  4. 'Balthus's painting is topical enough to dispense with topicality'
    "La peinture de Balthus est d'une actualité suffisante pour se passer de l'actualité"
    Antonin ARTAUD, BALTHUS

    "La peinture de Balthus est d'une actualité suffisante pour se passer de l'actualité"Autograph letter dated and signed on Balthus' first exhibition in Paris

    Paris 27 Avril 1934|21 x 27 cm|une feuille

    Autograph letter dated and signed by Antonin Artaud on Le Dôme brasserie letterhead, addressed to Maurice Martin du Gard, founder and director of Nouvelles Littéraires. 29 lines in blue ink in a nervous handwriting.
    Traces of folds and small marginal tears inherent to postal dispatch and handling. Minor stains at the beginning of the letter.


    Antonin Artaud fought to have his article on Balthus's painting, exhibited for the first time in France, published. He fiercely defended the artist he considered his 'double', so similar were they physically and intellectually.

     

    €3,000
  5. Dessin original à l'encre bleue représentant son ami Antonin Artaud
    Carlo RIM (Antonin ARTAUD)

    Dessin original à l'encre bleue représentant son ami Antonin Artaud[Original drawing in blue ink depicting his friend Antonin Artaud]

    s. l. s. d. [ca 1935]|10.50 x 10.50 cm|une feuille
    Original blue ink drawing by Carlo Rim depicting his friend Antonin Artaud in profile.
    The drawing, likely preparatory, was executed on tracing paper.
    Carlo Rim was a Provençal writer, notably the author of "Ma belle Marseille", as well as a caricaturist and filmmaker. He was a close friend of Fernandel, Raimu, and Marcel Pagnol, as well as of Max Jacob and André Salmon, whom he met in Sanary.
    €400
  6. Deluxe copy, exceptional inscription and historic manuscript: The Crown, the Ermine and the Sceptre of the Anarchist Heliogabalus
    Héliogabale ou l'Anarchiste couronné - Exemplaire de Carlo Rim
    Antonin ARTAUD, André DERAIN

    Héliogabale ou l'Anarchiste couronné - Exemplaire de Carlo Rim[Heliogabalus or, the Crowned Anarchist] Enclosed: original menu signed by Artaud, Kisling, Raimu, etc.

    Denoël & Steele|Paris 1934|14.50 x 19.50 cm|relié

    First edition, one of 100 numbered copies on alfa, the only grands papiers (deluxe copies) after 5 pur-fil paper.

    Bound in half green morocco, paste paper boards, marbled paper endpapers, wrappers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill.
    Skilful and discreet repair to the top of a joint.
    Illustrated with 6 vignettes by André Derain.

    Handsome inscription signed by Antonin Artaud: “à Alice & à Carlo Rim que j'aime beaucoup parce que j'aime dans la vie tout ce qui est nature, franc et sans fard et la vie d'Héliogabale aussi est franche et sans fard et dans la ligne de la grande Nature. Antonin Artaud...

    €10,000
  7. Apoèmes
    Henri PICHETTE, Antonin ARTAUD

    Apoèmes

    Granit|Paris 1979|15.50 x 21.50 cm|broché
    New edition.
    Work illustrated with a frontispiece gris-gris by Antonin Artaud.
    Handsome copy complete with dust jacket
    Full-page bicolored autograph inscription signed by Henri Pichette to Annie Vanpeene: "... regardez il y a un robin dans la signature." ["... look there is a robin in the signature."]





    €60
  9. Les cahiers du Cap. N°1 de la nouvelle série
    (to Antonin ARTAUD) Marcel HIVER

    Les cahiers du Cap. N°1 de la nouvelle série

    Les cahiers du Cap|Paris 1928|14 x 18.50 cm|broché
    First edition of the issue of this magazine directed by Marcel Hiver and which intends to lambast and wage war on “the traffickers of art and criticism”
    Spine and boards slightly discoloured, discrete restorations on the board margins,
    Precious handwritten presentation signed by Marcel Hiver: “A Antonin Artaud dont j'ai lu avec le plus vif intérêt la rayonnante réponse aux surréalistes. En signe de très sincère estime intellectuelle.” “To Antonin Artaud, whose radiant response to the Surrealists I have read with the greatest interest. A sign of utmost intellectual respect.”
    We also attach a printed carte de visite by Marcel Hiver on which he added these words...
    €800
  10. La fleur rouge - Exemplaire d'Antonin Artaud
    (to Antonin ARTAUD) Vsevolod Mikhailovitch GARCHINE

    La fleur rouge - Exemplaire d'Antonin Artaud[The Red Flower – Antonin Artaud’s Copy]

    Editions Rhéa|Paris 1921|25.50 x 33 cm|broché sous chemise et étui.
    First edition of the French translation prepared by Soudeba, with no mention of deluxe copies.
    Illustrated with plates by Colette Nel.
    The copy is presented in a red half-morocco folder, smooth spine, slipcase edged with red morocco, the whole signed by Goy & Vilaine.
    Exceptional and highly important presentation copy inscribed and signed by René Allendy, a pioneer of psychoanalysis in France whose patients included René Crevel, Anaïs Nin and Antonin Artaud, further enriched with the handwritten signature of Colette Nel-Dumonchel, who married Dr. Allendy after he was widowed by her sister: "A notre cher ami Antonin Artaud. Bien affectueusement."
    €4,000
  11. 84 N°10-11
    Antonin ARTAUD, COLLECTIF

    84 N°10-11

    Les Editions de Minuit|Paris 1949|13.50 x 21 cm|agrafé
    First edition.
    Handsome copy despite the inevitably yellowed paper.
    Contributions by Henri Thomas "Poèmes", August Strindberg "Le ciel dans l'oeil", Ernst Jünger "Pages de journal", André Dhôtel "Fragments", Hermann Melville "L'escroc à la confiance", René Crevel "Lettre à Arabelle", Pham Van Ky "Apologues chinois", Robert-Louis Stevenson "Lettre à Henry James", Roger Gilbert-Lecomte "Rêve de mort", Antonin Artaud "C'est qu'un jour. - Je suis l'inerte. - L'erreur est dans le fait"...
    €40
  13. ...Autre chose que de l'enfant beau
    Pablo PICASSO, Antonin ARTAUD

    ...Autre chose que de l'enfant beau...Something Other than a Beautiful Child

    Louis Broder|Paris 1957|13.50 x 16.50 cm|relié sous chemise et étui
    Antonin ARTAUD & Pablo PICASSO
    ...Autre chose que de l'enfant beau [...Something Other than a Beautiful Child]
    Louis Broder | Paris 1957 | 13.5 x 16.5 cm | full box in custom chemise and slipcase
    First edition printed in 120 numbered copies on Japon paper, ours is one of 100 copies numbered in Arabic numerals.
    Illustrated with an original drypoint in colour by Pablo Picasso, printed in Georges Leblanc's workshops in Paris.
    Handwritten signature of Pablo Picasso on the print details page.
    Binding in full grey box, title and names of the author and illustrator gold-stamped on the spine, boards decorated with...
    €7,500
  14. Héliogabale ou l'anarchiste couronné
    Antonin ARTAUD, André DERAIN

    Héliogabale ou l'anarchiste couronné[Heliogabalus or The Crowned Anarchist]

    Denoël & Steele|Paris 1934|14.50 x 19.50 cm|broché

    First edition on current paper.

    Illustrated book of 6 vignettes by André Derain.
    Very discreet restorations on the back and the boards of covers, tiny angular gaps in heads of the very first leaflets.
    Precious autograph dedication signed by Antonin Artaud: "To my dear friend André Lhote the only living writer who knows how to speak about painting in a poetic and superior sense."

    €3,200
  15. Crime passionnel
    Antonin ARTAUD (edited by) Ludwig LEWISOHN

    Crime passionnel

    Denoël & Steele|Paris 1932|12 x 19 cm|broché
    First edition in French, translated by Antonin Artaud and Bernard Steele, one of 25 numbered copies on alfa, the only large paper copies.
    A very good copy.
    €300
  17. Les nouvelles révélations de l'être
    Antonin ARTAUD

    Les nouvelles révélations de l'être

    Denoël|Paris 1937|9.50 x 14 cm|agrafé
    First edition printed in a small number of copies for which there was no mention of large paper copies.
    A rare and good copy.
    €350
  18. Van Gogh le suicidé de la société
    Antonin ARTAUD

    Van Gogh le suicidé de la société

    K éditeur|Paris 1947|13.50 x 17.50 cm|broché

    First edition on ordinary paper.
    Tiny and very discreet restorations to the verso of the first blank leaf.

    Significant and fine signed autograph inscription by Antonin Artaud:
    « à M. Fernand Pouey qui a voulu comprendre mon aride effort. Antonin Artaud. 13 décembre 1947. »
    Signed autograph inscriptions by Antonin Artaud are exceedingly rare in this text.

    Sold
  19. La Révolution surréaliste N°5 de la 1ère année
    Pablo PICASSO, Max ERNST

    La Révolution surréaliste N°5 de la 1ère année[La Révolution surréaliste, No. 5, first year]

    La révolution surréaliste|Paris 15 octobre 1925|20.50 x 29 cm|agrafé

    First edition.
    Literary contributions by Paul Eluard, André Breton, Pierre Brasseur, Raymond Queneau, Giorgio de Chirico, Michel Leiris, Robert Desnos, Antonin Artaud, Benjamin Péret, ...
    Pictorial or photographic contributions by Giorgio de Chirico, Pablo Picasso, André Masson, Max Ernst...
    Upper cover with a few light marginal soiling to the left edge, a small tear at the foot of the spine, otherwise a good copy considering the fragility of this periodical.

    Sold
  20. Portrait photographique original d'Antonin Artaud et signé par Denise Colomb
    (Antonin ARTAUD) Denise COLOMB

    Portrait photographique original d'Antonin Artaud et signé par Denise Colomb

    Paris 1990|22 x 27.50 cm|une feuille
    Original portrait of Antonin Artaud signed and inscribed by Denise Colomb
    Original signed portrait of her close friend Antonin Artaud by Denise Colomb, silver print made by the artist in the 1990's after a photograph taken in 1947.
    A moving large-format shot of the writer at the very end of his life, looking almost Christ-like, seated in an armchair hands folded in his lap, as if resigned to his tragic fate.
    Antonin Artaud was the first of her famous series of artists portraits which also included Giacometti, Picasso, Soulages and Miro pictured in their studio.
    Signed and inscribed by Denise Colomb in the lower left and right corners of the...
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  25. 84 N°5-6
    Antonin ARTAUD, COLLECTIF

    84 N°5-6

    Les Editions de Minuit|Paris 1948|13.50 x 21 cm|agrafé
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  28. Le moine
    (Antonin ARTAUD) Matthew Gregory LEWIS

    Le moineThe Monk

    Denoël & Steele|Paris 1931|14.50 x 19 cm|broché
    Le Moine [The Monk]
    Denoël & Steele | Paris 1931
    | 14,5 x 19 cm | original wrappers
    First edition on ordinary paper of the French translation of this gothic novel established by Antonin Artaud.

    Photographic cover representing Antonin Artaud as a monk.
    Precious handwritten autograph inscription by Antonin Artaud to Germaine Beaumont on the front endpaper page.

    Very nice copy as issued with its preserved advertising slip quoting Horace: “Dreams, magical terrors, prodigies, pythonisses, night appearances and terrifying prestige”.

    The autograph inscriptions of Antonin Artaud on this title are very rare.
    Sold
  30. Obliques N°10-11
    Antonin ARTAUD, COLLECTIF

    Obliques N°10-11

    Borderie|Paris • & Nyons 1976|21 x 27 cm|broché
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  33. Obliques N°10-11
    Antonin ARTAUD, COLLECTIF

    Obliques N°10-11

    Borderie|Paris • & Nyons 1976|21 x 27 cm|broché
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  34. 84 N°7
    Antonin ARTAUD, COLLECTIF

    84 N°7

    Les Editions de Minuit|Paris 1949|13.50 x 21 cm|agrafé
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  35. 84 N°8-9
    Antonin ARTAUD, COLLECTIF

    84 N°8-9

    Les Editions de Minuit|Paris 1949|13.50 x 21 cm|agrafé
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  36. 84 N°5-6
    Antonin ARTAUD, COLLECTIF

    84 N°5-6

    Les Editions de Minuit|Paris 1948|13.50 x 21 cm|agrafé
    Sold
  37. 84 N°1
    Antonin ARTAUD, COLLECTIF

    84 N°1

    Les Editions de Minuit|Paris 1947|13.50 x 21 cm|agrafé
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  38. 84 N°13
    Antonin ARTAUD, COLLECTIF

    84 N°13

    Les Editions de Minuit|Paris 1950|13.50 x 21 cm|broché
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  39. La bête noire n°5
    COLLECTIF, Maurice RAYNAL

    La bête noire n°5

    S. n.|s. l. • (Paris) 1er octobre 1935|32 x 48 cm|un numéro
    First edition of this review edited by Maurice Raynal and Efstrathios Tériade, and in particular illustrated by Georges Braque, Balthus, Roger Vitrac published between April 1935 and February 1936.
    An artistic and literary review created by the writers Maurice Raynal and Michel Leiris, La Bête noire was conceived as an attempt at an intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The review was baptized by the wealthy banker Marcel Moré, a friend of Max Jacob, Antonin Artaud, and Georges Bataille - and will also benefit from his financial support.
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  40. La bête noire n°7
    COLLECTIF, Maurice RAYNAL

    La bête noire n°7

    S. n.|s. l. • (Paris) 1er décembre 1935|32 x 48 cm|un numéro
    First edition of this review edited by Maurice Raynal and Efstrathios Tériade, and in particular illustrated by Georges Braque, Balthus, Roger Vitrac published between April 1935 and February 1936.
    An artistic and literary review created by the writers Maurice Raynal and Michel Leiris, La Bête noire was conceived as an attempt at an intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The review was baptized by the wealthy banker Marcel Moré, a friend of Max Jacob, Antonin Artaud, and Georges Bataille - and will also benefit from his financial support.
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  41. La bête noire n°4
    COLLECTIF, Maurice RAYNAL

    La bête noire n°4

    S. n.|s. l. • (Paris) 1er juillet 1935|32 x 48 cm|un numéro
    First edition of this review edited by Maurice Raynal and Efstrathios Tériade, and in particular illustrated by Georges Braque, Balthus, Roger Vitrac published between April 1935 and February 1936.
    Marginal tears.
    An artistic and literary review created by the writers Maurice Raynal and Michel Leiris, La Bête noire was conceived as an attempt at an intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The review was baptized by the wealthy banker Marcel Moré, a friend of Max Jacob, Antonin Artaud, and Georges Bataille - and will also benefit from his...
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  42. La bête noire n°3
    COLLECTIF, Maurice RAYNAL

    La bête noire n°3

    S. n.|s. l. • (Paris) 1er juin 1935|32.50 x 46 cm|un numéro
    First edition of this review edited by Maurice Raynal and Efstrathios Tériade, and in particular illustrated by Georges Braque, Balthus, Roger Vitrac published between April 1935 and February 1936.
    Marginal tears.
    An artistic and literary review created by the writers Maurice Raynal and Michel Leiris, La Bête noire was conceived as an attempt at an intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The review was baptized by the wealthy banker Marcel Moré, a friend of Max Jacob, Antonin Artaud, and Georges Bataille - and will also benefit from his...
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  43. La bête noire n°2
    COLLECTIF, Maurice RAYNAL

    La bête noire n°2

    S. n.|s. l. • (Paris) 1er mai 1935|28 x 38 cm|un numéro
    First edition of this review edited by Maurice Raynal and Efstrathios Tériade, and in particular illustrated by Georges Braque, Balthus, Roger Vitrac published between April 1935 and February 1936.
    Marginal tears.
    An artistic and literary review created by the writers Maurice Raynal and Michel Leiris, La Bête noire was conceived as an attempt at an intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The review was baptized by the wealthy banker Marcel Moré, a friend of Max Jacob, Antonin Artaud, and Georges Bataille - and will also benefit from his...
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  45. La bête noire N°1-8, collection complète
    COLLECTIF, Maurice RAYNAL

    La bête noire N°1-8, collection complète

    S. n.|s. l. • (Paris) 1er avril 1935 - 1er juillet 1936|38 x 28 cm|8 volumes brochés
    First edition of this review directed by Maurice Raynal and Efstrathios Tériade, and illustrated by Georges Braque, Balthus, Roger Vitrac. The collection is complete with eight issues published between April 1935 and February 1936. Joints, three newsletter subscriptions to the magazine accompanied by a humorous text.
    Folds, marginal tears.
    A rare complete collection of The Black Beast, an artistic and literary magazine created by the writers Maurice Raynal and Michel Leiris. It was conceived as an attempt at intellectual counter-attack to the rise of fascism in France, awakened by the Parisian demonstrations of February 1934 . The magazine was baptized by...
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  48. 84 N°3-4
    Antonin ARTAUD, COLLECTIF

    84 N°3-4

    Les Editions de Minuit|Paris 1948|13.50 x 21 cm|agrafé
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  49. 84 N°1
    Antonin ARTAUD, COLLECTIF

    84 N°1

    Les Editions de Minuit|Paris 1947|13.50 x 21 cm|agrafé
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  50. 84 N°13
    Antonin ARTAUD, COLLECTIF

    84 N°13

    Les Editions de Minuit|Paris 1950|13.50 x 21 cm|broché
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  52. La bouche ouverte
    Marcel BÉALU, Antonin ARTAUD

    La bouche ouverte

    Robert Blanchet|Paris 1952|13 x 17 cm|en feuilles
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  53. Les feuilles libres N°47 de la 9ème année
    (COLLECTIF) Antonin ARTAUD

    Les feuilles libres N°47 de la 9ème année

    Les feuilles libres|Paris Décembre 1927- Janvier 1928|19 x 22.50 cm|broché
    First edition.
    Contributions littéraires de P. Claudel, M. Jouhandeau, A. Artaud, R. Vitrac, H. Arp, T. Tzara.
    Illustrated with 9 drawings by Hans Arp.
    A very good copy.
    Sold
  56. Van Gogh le suicidé de la société
    Antonin ARTAUD

    Van Gogh le suicidé de la société

    K éditeur|Paris 1947|13 x 17.50 cm|broché
    First edition on ordinary paper.
    With 50 reproductions of works by Vincent Van Gogh.
    Sold
  58. Oeuvres complètes
    Antonin ARTAUD

    Oeuvres complètes

    Gallimard|Paris 1956-1994|12 x 19 cm|28 volumes brochés
    Collected edition, first for some parts, one of 415 numbered copies on vélin labeur fo each volume, the only large paper copies.
    A small dampstain to foot of spine of the first volume.
    A good and rare complete set in 28 volumes and 26 books (because of a supplement with the volume I and two supplements with volume 14).
    Sold
  60. L'ombilic des limbes
    Antonin ARTAUD, André MASSON

    L'ombilic des limbes

    Nrf|Paris 1925|12.50 x 18.50 cm|relié
    First edition, one of 793 numbered copies on vélin paper.
    Black morocco, upper cover with vertical red leather band in the form of a snake, grey paper endpapers and pastedowns, covers preserved.
    Autograph inscription signed and dated by Antonin Artaud to Docteur Villefrand.
    With a frontispiece portrait of the author by André Masson.
    A very good copy.
    Sold
  62. Apoèmes
    Henri PICHETTE, Antonin ARTAUD

    Apoèmes

    Editions de la revue Fontaine|Paris 1947|16 x 21.50 cm|broché
    First edition, a 1000 numbered copies on vellum Fontaine, only large paper after 25 rag.
    Signed autograph bicolor and full page of Henri Pichette Professor Georges Blin: "... he came he said: the poetry apoésie this would be the opposite of meal where no one eats that which is dead! he dined! he went! he left! on the spot. "
    illustrated book, frontispiece, a juju by Antonin Artaud.
    spine and marginally insolated boards.
    Sold
  64. K Numéro 1&2
    Antonin ARTAUD, COLLECTIF

    K Numéro 1&2

    K éditeur|Paris 1948|13.50 x 19.50 cm|broché
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  65. L'Art et la Mort
    Antonin ARTAUD

    L'Art et la MortArt and Death

    Denoël & Steele|Paris 1929|19 x 28.50 cm|relié
    ARTAUD Antonin
    L'Art et la Mort [Art and Death]
    Denoël & Steele, Paris 1929, 19 x 28,5 cm, Révorim binding
    First edition, one of 750 numbered copies on vellum, this copy without justification.
    Justified and numbered Révorim binding by Jean de Gonet, grey calf spine, author and title in palladium, covers edged with ribbed chocolate brown limp Révorim and a lighter brown making a brick wall, the covers articulated with grey cloth bands, grey endpapers and pastedowns, wrappers preserved (wrappers faded
    all over), the binding signed De Gonet Artefacts. A little light foxing, mostly at beginning and end.
    Autograph inscription from Antonin Artaud to...
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  66. La bouche ouverte
    Marcel BÉALU, Antonin ARTAUD

    La bouche ouverte

    Paris 1952|14.50 x 23.50 cm|en feuilles
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  68. Antonin Artaud - Portrait dit à l'aile de pigeon [PHOTOGRAPHIE]
    (Antonin ARTAUD) Denise COLOMB

    Antonin Artaud - Portrait dit à l'aile de pigeon [PHOTOGRAPHIE]

    S. n.|s. l. 1989|24 x 30 cm|une feuille
    Original photograph.
    Portrait, taken in 1947, of the writer Antonin Artaud, with a so-called "pigeon's wing".
    Black and white print on Baryté de luxe paper. Artist's proof signed on lower right.
    The photograph is accompanied by a certificate of authenticity from Jean-Luc Mercié, a photographic historian and Denise Colomb's publisher.
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  69. Héliogabale ou l'anarchiste couronné
    Antonin ARTAUD, André DERAIN

    Héliogabale ou l'anarchiste couronné

    Denoël & Steele|Paris 1934|14.50 x 19.50 cm|broché
    First edition, review copy.
    Precious autograph signed by Antonin Artaud: "A Léon-Paul Fargue for whom poetry is freedom ..."
    6 illustrated book thumbnail André Derain.
    A small marginal spot on the first board.
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  72. Les Tarahumaras
    Antonin ARTAUD

    Les Tarahumaras

    L'arbalète & Marc Barbezat|Décines [Décines-Charpieu] 1963|11 x 16.50 cm|broché
    New edition.
    Spine slightly faded as usual, a good copy.
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  77. L'art et la mort
    Antonin ARTAUD

    L'art et la mort

    A l'enseigne des trois magots • Robert Denoël|Paris 1929|19 x 28.50 cm|broché
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  78. Artaud le momo
    Antonin ARTAUD

    Artaud le momo

    Bordas|Paris 1947|12 x 14.50 cm|broché
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  80. Le rite du peyotl chez les tarahumas- L'arve et l'aume
    Antonin ARTAUD

    Le rite du peyotl chez les tarahumas- L'arve et l'aume

    In L'Arbalète|Lyon 1947|19.50 x 28 cm|broché
    First edition of the opening text, one of the few copies on Johannot paper, the only printing.
    This volume also includes Jean Genet's 'Les bonnes' and Boris Vian's 'Les poissons morts.'
    A fine copy, as new, complete with its errata leaf.
    Sold
  82. Planète N°20 de 1971
    (Antonin ARTAUD) COLLECTIF

    Planète N°20 de 1971

    Planète|Paris Février 1971|17.50 x 20 cm|broché
    First edition of this issue entirely devoted to A. Artaud.
    Contributions by A. Artaud, R. Aron, J.L. Barrault, Dr Ferdière, A. Nin...
    Illustrated.
    Fine copy.
    €25
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