Iconography.
Handsome copy despite two small stains at the foot of the first cover.
Collection of documents formed of 33 original contemporary silver halide print photographs, a reproduction of a press clipping from La Voix du Nord and three mimeographed technical plans, united in a black binder with a label with the inscription «Production Report «press» – press-forming of the ½ spheres of Ct Cousteau's diving saucer – February 1964.» Handwritten title page.
Signed, handwritten presentation: «Avec les amitiés du reporter photographe Wallemme Raoul» «With love from the photojournalist Wallemme Raoul.»
Very beautiful and unique collection, testifying to the genius of the making of the Deep Star 4000, a diving saucer invented by Commander Cousteau.
The reproduction of the press clipping glued at the beginning of our collection explains: «The French Office for Underwater Research in Marseille will build, on behalf of an American firm, a diving saucer, the ‘S.P. 4000,' which can descend to a depth of 4000 metres. This machine, whose full-scale model has just been produced, must be completed in May 1964. It will be able to carry out its first trials the following month, before leaving for the United States where
it take the name ‘Deep Star.'»
In 1964, the French Office for Underwater Research, led by Commander Cousteau, entrusted the company Arbel de Douai with the work of forming the hemispheres in Vasco Jet 90 steel intended for the manufacture of the diving saucer «S.P. 4000.» The 33 photographs collected in this album of internal archives recount all the stages of this conception. We see the metalworkers at work, dressed in suits worthy of science-fiction; the last shot immortalised the team posing proudly in front of photojournalist Raoul Wallemme's camera.
It is the American company Westinghouse Corp who, under Cousteau's leadership and the French Office for Underwater Research, will manufacture the submersible. For certification purposes, the Vasco sphere manufactured by the Douai workshops will not be used by the American firm, who will prefer another model used by the US Navy. It will finally be used on another machine, the S.P. 3000 or Cyana. «In September 1971, a trial dive, luckily without crew, went wrong. Cyana, hanging on a cable and weighted with a heavy weight, is submersed off Sicily to a depth of 3 200m. A shackle opens, releasing the cable. The saucer remains unable to move, a few metres from the bottom. The sinking point is immediately marked by an ultrasonic beacon that can only beep for one month. A race against the clock begins: it is necessary to rearm the Archimède and urgently equip it with shears inspired by a charcutier's ham slicer! Fourteen days after the sinking, while the beacon still emits weakly, the Archimède finds the Cyana and cuts the cable that holds it prisoner. It was the deepest ever successful rescue!» (Ifremer website).
The Cyana carried out more than 1 300 dives from Ifremer's different oceanographic vessels (Jean Charcot, Le Suroît, Le Noroît, Nadir, L'Atalante) and opportunity vessels (Castor, Ravello).
Superb and unique testimony of French metalworking know-how at the service of Commander Cousteau and the pioneers of oceanography.
New illustrated edition with a portrait as frontispiece, 3 title vignettes, and 41 folding plates. According to Brunet, the first octavo edition following the original quarto published in 1769 of these Commentaries. Title pages printed in red and black.
Contemporary full mottled calf binding. Spine with raised bands, gilt-tooled. Beige morocco title-piece, black basane volume label. Head of volume 2 restored. Surface abrasions on the boards, polished with wax. Traces of rubbing. A handsome copy, the paper of remarkable freshness.
Ex libris with 18th-century armorial bookplate of Biel D. de Lislemont.
Second edition, a reprint of the first folio edition published in 1756 by the same publisher. A rare edition, illustrated with 40 plates including 4 folding and 16 double-page (arms, costumes, plans, manoeuvres...). Large vignette with coat of arms on the title-page, and 41 ornaments (headpieces, tailpieces). Title-page printed in red and black. At the end, Supplement aux Reveries, with its own title-page; this short addition, spanning only a few pages, contains the corrections made to the original. A two-volume quarto edition appeared in Paris in 1757.
Bound in later full marbled brown calf; a skilful early 20th-century pastiche signed Saingy at foot. Spine with raised bands richly decorated, gilt rolls at head and tail. Red morocco lettering-piece, black morocco date-piece gilt. Rubbing to head- and tailcaps, edges, corners, and lower board. Plate XXXIV has been refolded, having been badly folded. An exceptionally fresh copy, the paper only slightly toned. One leaf misbound among the preliminary pages. A handsome copy.
Tenth edition statement, after the original published in 1700. It is illustrated with 38 numbered plates including two folding ones, 17 for the first volume and 21 for the second, and 35 woodcut figures in the text.
Contemporary full marbled blonde sheep binding. Spine with raised bands decorated with fillets. Red morocco title label and black morocco volume label (lacking the volume label for tome I, though the gilt lettering remains visible). Rubbed throughout. Some plates are cut shorter. Fresh throughout. Lacking at head of tome I. Tear to lower joint at foot of tome I. 4 corners bumped. Cuts to boards.
First edition.
Work complete with its 49 plates hors-texte including 6 in color.
Spine and boards of the chemise lightly and marginally discolored and sunned as usual.
First edition.
Full mottled brown calf bindings. Spines with raised bands, gilt-tooled. Title and volume labels in Havana morocco. Losses at the head of volume I. Upper border of volume I partly trimmed. Abrasions to the boards with a loss on the lower board of volume I. Overall, a good copy.
First edition.
Bound in slightly later (ca. 1820) half navy sheep. Smooth spines decorated with four small tools and fillets. Some rubbing, particularly to the boards. A pleasing copy, relatively clean, printed on good laid paper.