Signed Books, Presentation Copies

First edition on ordinary paper.
Handsome autograph inscription from the author to Colette.
Spine faded as usual, two small glued tears to head and to foot of a joint, a leave badly cut by the dedicatee with small marginal lacks.

First edition of this anthology of Russian poetry presented by P. Collin, of which no deluxe copies were issued.
Bradel binding in full saffron cloth, smooth spine decorated with a gilt floral motif, date at foot, saffron shagreen title-label with a small trace of rubbing, contemporary binding.
Precious autograph inscription signed by Paul Collin: "Au grand poète Leconte de Lisle respectueux hommage d'un admirateur." (To the great poet Leconte de Lisle respectful homage from an admirer.)

First edition.
Inscription from Maurice Escoffier, the dedicatee's name has been skillfully erased.
Small tears and lacks at foot and head of spine, covers very slightly and marginally faded without consequence, handsome interior condition.

First edition not put into commerce and printed in a small number of copies on laid paper.
Autograph inscription by the author. Work illustrated with drawings by Töpffer and Raffet.
Some rare small wormholes without consequence, handsome copy.

Third edition.
Bradel binding in half black boards, smooth spine, date at foot, chocolate shagreen title label, marbled paper boards, upper corners slightly bumped.
Autograph inscription from Octave Feuillet to Ludovic Halévy, recipient's bookplate pasted to verso of front board.

First edition printed in a small number of copies and not to be sold.
Handsome autograph inscription from Narzale Jobert.
A rare and good copy.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Handsome autograph inscription from Camille Audigier to Henri de Régnier, then academician.
Spine sunned.

First edition, one of the service de presse (advance) copies.
Autograph inscription signed by Jean Giraudoux to François Porché and his wife.
Spine and covers slightly and marginally faded.

First edition.
Autograph inscription by Xavier de Montépin.
Spine sunned with two small tears at foot, otherwise handsome copy.

First edition of this booklet printed in a very small number.
Autograph inscription signed by the author to the poet Alexandre de Saint-Léger.
A very small insignificant stain on the first cover, otherwise a rare and handsome copy.

First edition printed in a very small number of this offprint.
Autograph inscription signed by a member of Jules Derocquigny's family to the poet Alexandre de Saint-Léger.
A small stain below the inscription, otherwise a rare and handsome copy.

Third edition with some parts of the text in first edition.
Half sheep binding in bottle green, spine in four compartments showing traces of rubbing at head and foot, decorated with double blind-stamped compartments.
Autograph inscription from Gustave Nadaud to one of his friends to whom he presents the first copy of this new edition that he recently received.
Headcaps worn.
Handsome interior condition nearly free of foxing.

First edition, one of 500 numbered copies on alfa paper, ours specially printed for Léon Daudet.
Spine sunned, a small light stain on the back cover, a tiny hole at the head of the first endpaper, light foxing.
Complete with its publisher's slip also printed on alfa paper.
Autograph inscription signed by Henri Béraud below the justification page: "Avec l'admiration et l'amitié d'Henri Béraud."

First edition.
Rare autograph inscription by Charles Morgan.
Handsome copy complete with its dust jacket which has a small stain on the back panel.

First edition, one of 150 numbered copies on Japan paper, the only deluxe copies.
Half red morocco with corners, spine with five raised bands, date at foot, covers and spine preserved, top edge gilt on deckled edges, J. Laurent's bookplate pasted to verso of front board, binding signed by Devauchelle.
Our copy includes the original Steinlen drypoint in two states.
The work is enhanced with a recto-verso autograph note from the author addressed to one of his friends.
Fine copy perfectly established.

First edition.
Some light foxing of no consequence.
Modern pastiche binding in half mouse-colored sheep, spine with five raised bands decorated with cold-stamped fleurons, original wrappers preserved (corner restorations to front cover).
Autograph inscription signed by Léon Cladel.

First edition printed in a small number of copies on alfa paper, the only printing with 6 on China paper.
Autograph inscription from C. Sernet to Jean Fraysse on upper cover.
A rare and good copy.

First edition. Publisher's full burgundy cloth Bradel binding, smooth spine, publisher's gilt cipher at foot.
Rare autograph inscription from Martha Perry Lowe Lowe to Etienne Coquerel.
Rare and handsome copy complete with publisher's catalogue at rear.

first edition.
Binding half green sheepskin, back smoothes decorated with gilded nets and cold, slight traces of abrasion in mind, contemporary binding.
Precious autograph signed Xavier Saintine to Eugène Scribe.
Some foxing.

First edition published in a small number of copies, of which there were no deluxe copies.
Spine very slightly cracked at head.
Very rare copy of the author's first work.
Autograph inscription signed by Francis Carco to Edmond Pilon.

Signed autograph letter from a page by Louis Pons, to his friend the art critic Georges Raillard, specialist in the works of Joan Miro and Antoni Tapies, about a work on Monticelli that he recently received from a their mutual friend and for whom Georges Raillard wrote the text.
On the attached envelope which he recomposed in his fanciful and ornithological manner, Louis Pons drew, in black ink, on the front and on the back, two curious beasts: a magpie in a tail coat and a rat of which just the head and the tail emerge from the envelope, the place of its body being crossed by a nail.
Finally, on the sidelines of the handwritten letter, Louis Pons drew a character of human appearance with simian features.

First edition, on current paper, the French translation by Maurice Beerblock, mention thousand.
Signed autograph Maurice Beerblock WA to Bradley: "It's almost a fairy tale, this meeting of the translator and the one who was the principal tenant of O. Henry ..."
Illustrated book of drawings by Gus Bofa.
Two gaps on the back that also has stuck back tears.

first edition.
Signed autograph of Jean Guichard-Meili Bernard Privat: "Hommage a" denied "the Grasset ... hoping that the designs of the great Vieira da Silva will have his vote less ..."
Book illustrated with 32 drawings of Maria Helena Vieira da Silva.
Nice copy.

First edition of the French translation, of which there were no deluxe copies, one of the service de presse (advance) copies.
Autograph inscription signed by the translator to Pierre Hérold.
Spine sunned, paper yellowed, small marginal loss to head of first pages not touching text.

First edition published in a small number of copies, of which there were no deluxe copies.
Autograph inscription signed by Guillaume Albert de Puysbusque to G. Chalande.
Illustrated with a frontispiece portrait of the author's father.
Fine and rare copy.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Precious autograph inscription signed by Georges Auclair to Maurice Blanchot.
Handsome copy.

First edition.
Signed autograph inscription from Maurice Careme to Jean Guéhenno.
Handsome copy.

First edition.
Signed autograph inscription from the author to Jean Guéhenno.
Work illustrated by Félix de Boeck.
Handsome copy.

First edition, one of the rare copies printed on Holland paper, the only deluxe copies.
Full olive cloth Bradel binding, smooth spine decorated with gilt floral motif, double gilt fillet and gilt date at foot, chocolate shagreen title-label with marginal scratch, one lower corner slightly bumped, original wrappers preserved, contemporary binding stamp-signed in blind by Pierson.
Signed and inscribed by Eugène Manuel.
Occasional light foxing of no consequence.

First edition on ordinary paper, false statement of twenty-fifth edition.
Signed autograph inscription by Gabriel Timmory.
Small lack at foot of spine, without significance.

First edition, a Service de Presse (advance) copy.
Signed and inscribed by Jean Giraudoux to Max Descaves.
Spine and boards marginally sunned as often, small lack to foot of one joint, marginal tear to front board, paper yellowed.

First edition, one of 697 numbered copies on pur fil paper, the only deluxe copies with 109 reimposed.
Fine autograph inscription signed by Lucien Fabre.
Our copy is enhanced with an original photograph of the author in swimwear posing by the sea, pasted on an endpaper.
Furthermore, the dedicatee has also pasted press clippings about the author and adorned an endpaper with a handwritten quote from Chamfort and, finally, annotated certain passages of the work in the margins.

First edition, one of the copies on alfa.
Autograph signature of the author below the justification page.
A small tear reglued at foot of one joint, handsome copy.

The first edition, of which there were no deluxe copies.
Publisher's wood-grain paper boards, smooth spine.
Signed autograph inscription by the author.
Text illustrations by François Batet.

First edition in French, one of the numbered copies printed at press.
Signed autograph inscription from one of the translators on the endpaper which has a tear not affecting the manuscript dedication.
Spine lightly sunned with a small minor nick.
Rare.

First edition on ordinary paper.
Signed and inscribed by the author to a friend.
Work illustrated with original photographs by the author.
Spine and covers lightly and marginally sunned without consequence, handsome copy.

First edition of the French translation, of which there were no deluxe copies.
Signed and inscribed by the author to Nathalie Sarraute.
Spine slightly sunned, one marginal tear without loss to second cover.

First edition.
Signed autograph inscription by the author.
Spine and covers lightly and marginally sunned without significance, a ballpoint pen mark at the head of the front cover, handsome interior condition.

First edition.
Signed autograph inscription by Désiré Nisard.
Spine slightly faded, boards marginally soiled with small corner losses, handsome interior condition.

Definitive edition on ordinary paper.
Fine autograph inscription signed by the author to André Coeuroy.
Handsome copy.

First edition, a Service de Presse (advance) copy.
Signed autograph inscription from Jean Galtier-Boissière to (André) Rolland de Renéville.
Two small tears on the slightly sunned spine.
Provenance: from the library of André Rolland de Renéville.

First edition, one of 209 numbered copies on laid paper, the only printing with 1 on Japan and 10 on Madagascar.
Signed autograph inscription from Yves Gandon to André Rolland de Renéville.
Work illustrated with a frontispiece by Roland Goujon.
Preface by Léon-Paul Fargue.
Fine copy.
Provenance: from the library of André Rolland de Renéville.

First edition of the French translation by Yves Gandon, one of the numbered copies on white Crèvecoeur laid paper, the only printing with 64 on Rives.
Signed autograph inscription from Yves Gandon to (André) Rolland de Renéville.
Two small stains of no consequence on the back cover, handsome copy complete with its publisher's slip.

First edition, one of 196 numbered copies on Arches paper, the only issue with 4 copies on Japan paper.
Signed and inscribed by André Billy.
Spine and boards lightly and marginally faded as usual.

First edition, a Service de Presse (advance) copy.
Autograph inscription signed by Maurice Fourré to Luc Estang.
Light worming to spine, handsome interior condition, complete with publisher's slip.

First edition, a Service de Presse (advance) copy.
Signed autograph inscription by the author.
Photographic cover.
Spine creased with two small lacks at head and foot, crease marks to boards, small tear at head of first endpaper.

First edition for each of the issues
.Full old rose percale binding, smooth spine lightly faded, old rose shagreen title-label, original covers preserved, contemporary binding.
Issues 6, 7 and 10 contain signed autograph inscriptions from the author to a very close friend; issue 8, an autograph letter from the author to the same person, envelope included.
Pleasant set.

First edition on ordinary paper, false statement of second edition.
Amusing autograph inscription signed by Tristan Bernard.

First edition, one of 250 numbered copies on alfa paper reserved for the press.
Fine autograph inscription calligraphed and signed by the author to politician Maurice Reclus "... qui pense en politique."
Handsome copy.

First edition on ordinary paper.
Signed autograph inscription from Paul Fort to André Coeuroy.
Handsome copy.

First edition, a Service de Presse (advance) copy.
Autograph inscription signed by Henri de Montherlant.
Spine sunned, complete with its errata leaf.

First edition, one of 170 numbered copies on ivory vellum, the only deluxe copies after 30 vélin royal.
Signed autograph inscription by André Frank.
Work illustrated with 2 original drawings by Jacques Courtade including one frontispiece.
Rare and handsome copy.

First edition on ordinary paper.
Signed autograph inscription by the author.
Iconography.
Tiny lack to foot of spine, light scratches to joints, handsome interior condition.

First edition, no deluxe copies mentioned.
Signed and inscribed by the author.
Covers slightly and marginally soiled, handsome interior condition.

A Service de Presse (advance) copy of the first edition.
Signed and inscribed by the author.
A minor tear at the foot of the spine, complete with publisher's (advertising) slip.

The first edition, published in a small number of copies.
Signed autograph inscription by Pierre Audebert.
Spine and covers marginally and lightly faded, handsome interior condition despite occasional worming.
Rare.

First edition with no mention of deluxe copies.
Signed autograph inscription from Eugène Choucary.
Cover illustrated by Jean Laronze, work illustrated with drawings by Alfred Plauzau and René Ristroph.
Two small lacks to head and foot of spine, light marginal scratches to front cover.
Rare.

First edition, one of 475 copies on laid paper, the only issue with 25 copies on pure linen paper.
Signed and inscribed by Pierre Varenne.
Handsome copy.

First edition of the French translation, of which no deluxe copies were printed.
Signed bilingual autograph inscription from the author to a couple who were friends.
A handsome copy.

First edition, one of 40 numbered copies on pure linen paper, deluxe copy.
Autograph inscription signed by Longworth Chambrun.
Preface by André Maurois.
Spine sunned, boards marginally and more lightly sunned, a small tear and marginal stains on the first cover, handsome interior condition.
A full-margined copy.

First edition printed in a small number of copies on laid paper.
Signed and inscribed by Alphonse Robert.
Rare and handsome copy.

First edition, of which there were no deluxe copies.
Signed and inscribed copy by the author.
Light dampstain to lower margin of covers, ballpoint pen annotations on back cover, handsome interior condition.

Edition on ordinary paper printed in the same year as the first edition, with fanciful statement "30ème mille".
Fine full-page signed autograph inscription by the author.
Joints slightly cracked at head and foot, one angular lack at head of front cover.

First edition, of which there were no deluxe copies.
Autograph inscription signed by Thierry Maulnier.
Handsome copy.

New edition.
Autograph inscription from Thierry Maulnier.

First edition, of which there were no deluxe copies.
Autograph inscription signed by Thierry Maulnier.
Handsome copy.

First edition, of which no deluxe copies were printed.
Signed autograph inscription from Thierry Maulnier.
Handsome copy.

Edition with some parts in first edition, of which no deluxe copies were printed.
Signed autograph inscription from Thierry Maulnier.
Gift inscription in pen at the head of the first endpaper, handsome copy.

First edition of which no deluxe copies are mentioned.
Autograph inscription signed by Auguste Dorchain.
Handsome copy.

First edition published in a small numbered edition on pure linen paper.
Signed and inscribed by Georges Lecomte.
Head- and tailpieces and typography produced by the École Estienne.

First edition, one of 200 numbered copies on alfa paper, the only deluxe copies.
Signed and inscribed by Denise Bélanger.
Handsome copy.

First edition on ordinary paper, false statement of thousand.
Signed autograph inscription by Francis Carco.
Iconography.
A small tear with tiny lack at head of spine.

First edition of which no deluxe copies are mentioned.
Signed autograph inscription by the author.
Spine very slightly sunned, handsome copy.

First edition with no mention of deluxe copies.
Amusing autograph inscription signed by Paul Ginisty to Georges Vicaire: "...Péché de jeunesse".
Spine sunned and split, two ink stains on the back cover, slight corner wear to boards without consequence.

First edition, with no mention of deluxe copies.
Signed autograph inscription from Léon Bazalgette.
Work illustrated with a frontispiece portrait, drawings and typographic ornaments by Orazi.
Spine sunned, one joint slightly cracked at foot, minimal corner wear to boards,

First edition on ordinary paper.
Precious signed autograph inscription from Henri de Régnier to Pierre Benoit.
Minor lacks and marginal tears to spine and boards.

First edition printed in 750 numbered copies on pure thread Lafuma paper.
Inscribed by Gérard-Gailly to Charles Du Bos.
Work illustrated with a frontispiece portrait of René Boylesve after a drypoint by L. Madrassi.
Spine faded, handsome interior condition.

First edition, a Service de Presse (advance) copy.
Signed and inscribed by André Dhôtel.
Minor marginal worming to spine and foot of rear cover.
Complete with publisher's (advertising) slip.

First edition on ordinary paper, false statement of second edition.
Signed autograph inscription from the author.
Two small stains on spine, front endpaper very lightly and partially shadowed.
Our copy is presented in slipcase and chemise in full boards covered with moiré-effect paper.

First edition, one of 25 numbered copies on pur fil, the only deluxe copies.
Autograph signature of the author below the justification page.
Work illustrated with reproductions hors-texte.
Handsome copy complete with publisher's slip.

First edition, of which there were no deluxe copies.
Precious signed autograph inscription from André Malraux to Thierry Maulnier.
Rich iconography.
Light sunning to foot of spine, a faint and small marginal dampstain affecting the second half of the work without any damage to the text.

First edition, of which there were no deluxe copies.
Fine autograph inscription signed by Félix Bonafé.
Our copy is enhanced with a two-page autograph letter signed by the author addressed to the same dedicatee.
A handsome copy.

First edition.
Signed autograph inscription from Louis Guétant to the symbolist poet André-Ferdinand Hérold.
Handsome and rare pamphlet.

First edition of which no deluxe copies are mentioned.
Signed autograph inscription from Y. Hirn to the symbolist poet André-Ferdinand Hérold.
Handsome and rare pamphlet.

First edition of which no deluxe copies are mentioned.
Signed autograph inscription from Paul Rey to the symbolist poet André-Ferdinand Hérold.
Handsome and rare copy.

Second edition.
Autograph inscription signed by Emile Arnaud to the symbolist poet André-Ferdinand Hérold.
Handsome and rare pamphlet.

First edition, one of 200 numbered copies on alfa mousse, the only deluxe copies with 50 on pure thread.
Autograph signature of the author.
Handsome copy.

First edition with no mention of deluxe copies.
Signed and inscribed by Paul Barlatier to the symbolist poet André-Ferdinand Hérold.
Handsome and rare copy.

The first edition of this offprint, published in a small number of copies, with no mention of deluxe copies.
Autograph inscription signed by the author.
Handsome and rare copy.

First edition, one of 365 numbered copies on laid paper, the only issue with 10 Japan copies.
Autograph inscription signed by Rosita to the wife of symbolist poet André-Ferdinand Hérold.
Handsome copy.
Rare.