First Editions

First edition in French, one of 156 numbered copies on pur fil paper, the tirage de tête.
Very slight spots, not serious to spine, otherwise a good copy.

First edition, one of 17 numbered copies on pur fil paper, the tirage de tête.
Spine and covers very slightly and marginally faded as usual, otherwise a good copy.

First edition published under the pseudonym of bibliophile Jacob.
Black paper boards, smooth spine, tan sheep title-label with two small angular lacks, one joint slightly cracked then reglued at head, red edges, modest contemporary binding.
Handsome interior condition.

First edition of the author's third work, printed by Honoré de Balzac.
Black paper boards, smooth spine, tan sheep title-label with two small angular lacks, one joint slightly cracked then reglued at head, red edges, modest contemporary binding.
Handsome interior condition.

First edition.
Bradel binding in half brown shagreen, smooth spine faded and decorated with a gilt fleuron, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
Precious signed autograph inscription from Ricciotto Canudo to (Léon) Abrami who also served on the Eastern Front and who became Under-Secretary of State for War in 1917: "... au soldat et à l'homme d'état / en souvenir d'une tente sur le front d'orient honorée par sa présence / et en profond hommage. / Canudo / en convalescence Janvier 1919." ["... to the soldier and the statesman / in memory of a tent on the eastern front honored by his presence / and in profound homage. / Canudo / convalescing January 1919."]

The first edition, of which there were no deluxe copies, false statement of fifth edition.
Joints slightly cracked then reglued at head and foot, small corner losses to boards, paper yellowed as usual.

First edition.
Marbled sheep Bradel binding by Loisellier-Le Douarin, spine with gilt cartouche and three mosaiced lozenges of red and beige morocco, date at foot of spine, covers with a frame of triple gilt fillets, marbled pastedowns and endpapers, all edges gilt, an elegant binding.
Rare autograph inscription from the author to (Adolphe) Nibelle, very slightly shaved.
This copy is additionally enhanced with three manuscript corrections by the author towards the end of the volume.
Further, a manuscript note signed by Nibelle has been mounted on guards at the beginning of the work, detailing the desirable collectible features of the book. Scattered foxing.

First edition of which there were no large paper copies.
Autograph inscription from Georges Dumézil.
A good copy.

First edition, an advance (service de presse) copy.
Autograph inscription from André Dhôtel.

First edition illustrated with 25 original wood engravings by Géo-Dupuis, one of 130 numbered copies on China paper and reimposed in quarto soleil format.
Half navy shagreen binding with corners, spine sunned with five raised bands, gilt date at foot, gilt fillets framing the marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, binding signed by L. Bernard.
Our copy, as stipulated in the justification page, does include the double state of the wood engravings.
Some minor foxing. Handsome copy despite the sunned spine.

First edition.
Half red shagreen binding with corners, spine with five raised bands decorated with gilt fleurons, traces of rubbing to spine, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, some small tears to leading edges and fore edges, top edge gilt.
Work illustrated with 450 wood engravings.
Some foxing affecting mainly the very first and very last pages.

First edition.
Bradel binding in half hazelnut percaline, smooth spine, date gilt at foot, hazelnut shagreen title-label, marbled paper boards, original wrappers preserved, contemporary binding.
Handsome copy.

First edition, one of 725 numbered copies on Rives paper, the only deluxe copies after 25 Japan.
Bradel binding in full marbled paper, smooth spine, navy blue shagreen title-label, covers and spine preserved.
Handsome copy.

First edition, one of 750 numbered copies on Rives paper, the only deluxe copies after 25 Japan.
Bradel binding in full marbled paper, smooth spine, navy blue shagreen title-label, covers and spine preserved.
Handsome copy.

First edition, one of 725 numbered copies on Rives paper, the only deluxe copies after 25 on Japan paper.
Bradel binding in full marbled paper, smooth spine, navy blue shagreen title-label, covers and spine preserved.
Handsome copy.

First French edition, one of 750 numbered copies on Rives paper, the only deluxe copies after 25 on Japan paper.
Bradel binding in full marbled paper, smooth spine, navy blue shagreen title-label, covers and spine preserved.
Handsome copy.

First edition, one of 750 numbered copies on Rives paper, the only deluxe copies after 25 on Japan paper.
Bradel binding in full marbled paper, smooth spine, navy shagreen title-label, covers and spine preserved.
Handsome copy.

First edition, one of 23 numbered copies on vélin d'Arches, the only large paper copies.
A very good copy.

First edition, one of 23 numbered copies on vélin d'Arches, the only large paper copies.
A very good copy.

First edition, one of 20 numbered copies on vélin d'Arches, the only large paper copies.
A very good copy.

First edition, one of 15 numbered copies on vélin du Marais, tirage de tête.
A very good copy.

First edition, one of 30 numbered copies on pur fil, the only large paper copies.
A very good copy.

First edition, one of 45 numbered copies on pur fil, the only large paper copies.
A very good copy.

First edition, one of 13 numbered copies on pur fil paper, the only large paper copies
Spine very lightly sunned at head and foot, not serious
A very good and rare copy.

First edition of which there were no large paper copies.
Spine very slightly and insignificantly faded, ex-dono to head of first free endpaper.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
A pale dampstain on the final endpaper which has slightly warped the boards.

First edition, one of 650 numbered copies on alfa paper.
Autograph signature of the author on the half-title page.
Occasional light foxing mainly affecting the endpapers.

First edition of which there were no large paper copies, one advance (service de presse) copy.
With an autograph inscription from André Breton to René Bertelé.

First edition of the French translation, one of 40 numbered copies on pur fil paper, the only deluxe copies.
A very handsome copy.

First edition on ordinary paper, only 20 Japan deluxe copies were printed.
Bradel binding in brown half-cloth, smooth spine decorated with gilt floral motif, gilt date and double fillet at foot, olive shagreen title-label, marbled paper boards, original wrappers preserved, contemporary binding signed in blind by Pierson.
Precious signed autograph inscription from Jean Lorrain to Henri Lavedan.
Work illustrated by Heidbrinck.
One endpaper partially shaded, slight superficial abrasions at foot of boards without significance, handsome copy.

First edition on ordinary paper.
Half navy blue shagreen over marbled paper boards, spine in six compartments, marbled endpapers and pastedowns.
Rare autograph inscription by Maurice Rollinat to Marcel Fouquier.
With a frontispiece portrait of the author by F. Desmoulin.

First edition on ordinary paper.
Half black shagreen over marbled paper boards, spine in six compartments with gilt fillets, blindstamped initials to foot of spine, marbled endpapers and pastedowns, covers preserved, top edge gilt.
Handsome autograph inscription from Charles Monselet to his photographer and caricaturist Etienne Carjat.
With a frontispiece portrait of the author by F. Bracquemond.
A very good copy.

First edition of the adaptation by Jean-Paul Sartre, one of 80 numbered copies on Hollande, the tirage de tête.
Two slight traces of insignificant sunning to head and foot of spine, a very good copy.

First edition, one of 42 numbered copies on vélin pur chiffon, the only large paper copies.
A very good copy.

First edition, one of 48 numbered copies on vélin pur chiffon de Rives, the only large paper copies.
A very good copy.

First edition.
Handsome autograph inscription from Jean Lorrain to Sully Prudhomme.
Ex libris pasted opposite half-title.
Four small tears repaired and a tiny marginal lack to upper cover. Rare.

First edition, one of 28 numbered copies on pur fil, this one unnumbered but justified "pur fil", tirage de tête.
Two slight tears to foot of spine (to edges), a very good copy with edges preserved.

First edition of the French translation, a Service de Presse (advance) copy.
Spine very lightly browned without consequence, otherwise a handsome copy.
Signed and inscribed by Alejo Carpentier to Marc Saporta.

First edition, one of 320 numbered copies on vélin d'Annonnay paper, the only large paper copies after 50 on Hollande paper.
A little light spotting, not serious, principally to endpapers.

First edition.
Contemporary Bradel binding .
Rare and handsome autograph inscription signed by Eugène Fromentin to Xavier Marmier.
One shade on the endpapers, nice copy.

First edition in French.
Publisher's half grey cloth binding, smooth unlettered spine, red paper boards.
Work illustrated with drawings by the author.
A library classification sticker pasted on one endpaper.
Rare and handsome copy.

First edition. According to the preface, it was intended to complement L'Encyclopédie méthodique published by Panckoucke.
Contemporary full brown sheep binding. Raised band spine decorated with fillets. Red morocco title-label. Small lacks to head and tail. Rubbing. Traces of old restorations to corners and tail. First three leaves (including endpaper) creased.
The Anas, which were particularly popular in the 17th century, are collections of various thoughts, anecdotes and witticisms, arranged in the greatest disorder and intended for the public as intellectual entertainment. The originality of this work lies in having assembled them in dictionary form, though without citing the authors. The whole forms a monumental ana which can thus be browsed from beginning to end, with pleasure, surprise and instruction: it should be noted that history and historical figures are given pride of place.

First edition, one of 302 numbered copies on Holland paper.
Some minor marginal tears of no consequence to the covers, handsome full-margined copy.

First edition, one of 175 numbered copies on pure rag laid paper, the only deluxe copies.
Work illustrated with 8 photographs by Brassaï.
Spine sunned and creased, handsome interior condition.

First edition, one of 800 numbered copies on laid Rives paper, the only issue with 50 copies on Japan paper.
Spine sunned, minimal spotting without concern to endpapers, otherwise handsome interior condition.

First edition, one of 300 numbered copies, the only deluxe copies.
Fine autograph inscription signed by Louis Truc.
Work illustrated with original illustrations by Pierre Fève.
Rare and handsome copy.

First edition, one of 50 numbered copies on Japan paper, deluxe issue.
Bradel binding in full cardboard covered with decorative patterned paper, smooth spine, chocolate morocco title label, top edge gilt, modern pastiche binding signed by T. Boichot.
Work illustrated with original color compositions in text and hors-texte by André Cahard.
Handsome and rare copy.

First edition, a numbered copy on sorel Moussel paper.
Preface and notes by Charles Léger.
A good copy.

First edition, a numbered copy on alfa paper, the only large paper copies after 10 on pur fil paper.
A good copy.

First edition, one of 700 numbered copies on Rives, this one not justified, the only printing along with 50 Japon.
Handsome and rare autograph inscription from Robert Desnos to Gabriel Reuillard "...admirons l'absurdité des choses..."
A good copy.

First edition, one of 1100 numbered copies on Rives paper.
With a photographic portrait of the author as frontispiece.
A good copy.

First edition, one of 650 numbered copies on vellum.
Bradel binding in half boards with vellum-style corners, smooth spine decorated with a gilt floral motif, double gilt fillets at head and foot, marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, contemporary binding.
Work illustrated with a photographic portrait of the author as frontispiece.
Pleasant full-margined copy properly containing the facsimile of a fragment of the work's manuscript.
Some minor foxing without gravity.

First edition, one of 1068 numbered copies on alfa paper, ours one of 68 hors commerce copies.
A fold mark on the first cover, a small tear reglued at the head of one joint.

First edition of which there were no large paper copies.
Two small traces of folding to covers, otherwise a good copy.

First edition, one of 200 numbered copies on Madagascar paper, this one not included in the justification because hors commerce, the only printing with 10 Japon.
Autograph inscription signed by Pierre Humbourg.
Illustrated with 7 original woodcuts by Frans Masereel.
Two small lacks, not serious, to head and to foot of spine, slight spots on the endpapers.

First edition, one of 56 numbered copies on pur fil, the only large paper copies.
A fine copy.

First edition, one of 15 numbered copies on Hollande, the only large paper copies.
Foxing in the margins to the covers and some extended edges.
A copy with good margins.

First edition, small printrun, of the first work by Marguerite Yourcenar, written under her semi-pseudonym of Marg Yourcenar
A very good and rare copy of this work, of which there were no large paper copies.

First edition of which there were no large paper copies.
With an autograph inscription from Emil Michel Cioran.
Tiny marginal foxings at head of upper cover.

First edition of which there were no large paper copies, one advance (service de presse) copy.
With an autograph inscription from E.M. Cioran to François Erval.
Covers and spine lightly and marginally sunned as usual, copy retaining its advertising slip.

First edition, one of 25 numbered copies on Annam de Rives paper, the most limited deluxe paper issue.
Spine and boards very slightly and marginally faded without any gravity, tiny marginal tears without loss to boards, full-margined copy.

First edition of which there were no large paper copies.
With 16 photographs hors texte.
A good copy.

First edition printed in 2000 copies.
Signed autograph inscription from Serge enriched with a small drawing depicting a naval anchor, a heart and a star.
Work illustrated with drawings in and out of text in black and in colors by the author.
Spine sunned and crudely restored with a transparent adhesive patch, handsome interior condition.

Illustrated edition with 16 original watercolor compositions enhanced with pochoir by H. Cassiers, one of 500 numbered copies on Japan paper, the only printing with 100 other Japan copies.
Spine and covers lightly and marginally sunned without concern, handsome copy.

Edition illustrated with 17 original color compositions by C. Jouas, one of 650 numbered copies on Japan paper.
Spine and covers slightly and marginally sunned without consequence, handsome copy.
Marginal stains to slipcase.

First edition, one of 498 copies on laid, only draw with 6 China, 7 Japan and 20 Holland paper.
Binding half black shagreen, back with five nerves with traces of rubbing, marbled paper plates, guards and contreplats of handmade paper, preserved covers.
Some small freckles without gravity.
Autograph signed by Henri de Regnier to Serge André.

First edition, a Service de Presse (advance) copy.
Signed autograph inscription from A. Pieyre de Mandiargues to a couple who were his friends, enhanced with the signature of F. Mallet.
Handsome copy.

First edition, of which there were no deluxe copies.
Rare autograph inscription signed by Jean Dolent to Madame Gustave Kahn containing this confession: "les choses que je ne fais pas me prennent beaucoup de temps; je ne les fait pas, mais j'y songe : les choses que je ne fais pas me prennent tout mon temps..." ["the things I don't do take up much of my time; I don't do them, but I think about them: the things I don't do take up all my time..."]
Corner losses to boards, light scattered foxing.
Rare.

First edition.
Spine with small lacks, not serious, to head and foot, two angular lacks to foot of covers, scattered foxing.

First edition on ordinary paper and first issue of Forain's illustrations.
Half red shagreen binding, spine with five raised bands decorated with gilt floral motifs showing some rubbing, gilt initials at foot, marbled paper boards with some surface wear, marbled endpapers and pastedowns, original wrappers preserved.
Work illustrated with 50 anti-Semitic illustrations by Forain.
Handsome copy.

First edition.
Illustrated cover.
A rare and good copy.

First edition.
Small tears with lacks to head of spine, spots to upper cover, marginal tears to lower cover, foxing.

First edition published anonymously.
Author's name and dat in ink to upper cover and title page, a little light spotting, not serious.

First edition of the French translation established by the author and F. Dominique, one of 500 numbered copies on ivory laid paper, the only deluxe copies.
Autograph inscription signed by the author to Nathalie Sarraute.
Spine and boards slightly and marginally sunned without consequence, otherwise handsome copy.

First edition, one of 50 numbered copies on pure thread paper, the only deluxe copies.
Half navy sheep binding with corners, spine with five raised bands set with gilt fillets, some minor rubbing to spine and headcaps, moiré-effect paper boards, marbled endpapers and pastedowns, corners slightly bumped, covers and spine preserved, top edge gilt, contemporary binding.
Exceptional and moving full-page autograph inscription signed by Georges Thialet to a close friend.

First edition, of which there were no deluxe copies.
Spine renewed, corner losses to boards, some foxing, volume tending to come apart.
Rare but in this condition.

First edition, of which there were no deluxe copies.
Fine autograph inscription signed by Marcel Contier.
Accompanied by a calling card from the author on which he has added a few words of thanks to the dedicatee.
Iconography at end.
Handsome copy.

First edition, one of the numbered copies on Lafuma paper.
Work illustrated with a portrait of Moréas as frontispiece as well as facsimiles by the poet.
Two small and light stains of no consequence at head of front cover, handsome copy.

First edition, one of 500 numbered copies.
A good copy.

First edition, one of 50 numbered copies on Lana royal, the only large paper copies.
A good copy.

First edition printed on laid paper with no mention of deluxe copies, a Service de Presse (advance) copy.
Signed autograph inscription from François Oudot.
Illustrated work with a photographic portrait of the author as frontispiece.
Marginal foxing to covers and endpapers, otherwise handsome interior condition.

First edition on ordinary paper.
Publisher's full red boards, complete with its illustrated dust jacket which bears no defects.
Signed autograph inscription by the author.
Handsome copy.

First edition of the French translation, of which there were no deluxe copies.
Signed autograph inscription covering almost a full page by the author, reproducing an article dedicated to him by the daily newspaper "Le Soir".
A marginal restoration using adhesive paper on the first endpaper affecting the autograph inscription.

First edition published in the author's complete works.
Spine very lightly sunned without consequence and with a small tear at head, otherwise a handsome copy.

First edition, one of the rare author's copies on Holland paper, not mentioned in the print run justification.
Autograph inscription signed by Hélène de Miramon.
Our copy is enhanced with 2 autograph letters dated and signed by the author of 2 pages each as well as a visiting card with a few words addressed to the dedicatee.
Handsome set.

First edition, one of 62 numbered copies on alfa, the only printing after 18 pur fil.
Autograph inscription from Paul Morand.
Small marginal spots to covers and endpapers, otherwise a good copy.

First edition for each volume.
Full brown morocco bindings, smooth spines double framed in gilt, headpieces lined in gilt, boards elaborately framed in gilt, beige morocco pastedowns framed in gilt, brown moiré silk free endpapers, following free endpapers in mould made paper, all edges gilt, original soft covers preserved, superb contemporary bindings signed by M. Lortic.
The first volume contains two original ink drawings by Prosper Mérimée: the first, captioned and signed in the lower right corner depicting the Duke of Brunswick, the second a tree and a wooded landscape with a handwritten inscription in Russian "Grâce à Dieu" and "Gloire à Dieu, gloire à vous".
A very fine set, magnificently bound by M. Lortic.

First edition, one of 225 copies on alfa paper, the only deluxe copies after 1 Holland and 10 Japan.
Autograph inscription signed by Yves Bescou.
Spine and boards lightly sunned without gravity, a small tear at foot of spine, handsome interior condition.

First edition.
Publisher's binding over yellow plain paper boards citron, dust jacket missing.
Richly illustrated.