First Editions

First edition on ordinary paper, only 30 deluxe copies were printed.
Rare and handsome copy.

First edition, one of 125 numbered copies on Holland paper.
Spine sunned with a tear at the head of the second board, otherwise a handsome full-margined copy.

First edition, one of 110 numbered copies on vellum, the only deluxe copies.
Handsome copy.

First edition, one of 200 numbered copies on Holland paper.
Retaining its deckled edges, some shadows on some of them.

First edition, one of 137 numbered copies on pure thread paper, ours one of 27 hors commerce copies, after only 14 Japan and 42 Arches vellum.
Fine full-page autograph inscription from the author to A. Mars evoking the First World War.
Handsome copy despite two light shadows on the endpapers.

First edition on ordinary paper, false statement of edition.

First edition, one of 25 numbered copies on Hollande, the only large paper copies along with 25 Japon.
A very good copy with good margins.

First edition of the French translation by Pierre Quillard, one of 349 copies on laid paper, the only printing with 12 China and 12 Japan copies.
A crease mark on the front cover, otherwise a rare and handsome copy.

First edition, one of 194 numbered copies on Arches paper, the only printing with 6 Japan copies.
Spine slightly faded, otherwise a handsome copy.

First edition on ordinary paper, only 50 deluxe copies on colored papers were printed.
Rare autograph inscription from Jean Jullien.
Handsome copy.

Illustrated edition with 28 compositions by O. Cortazzo etched by Abot & Clapès, one of 825 numbered copies on laid paper, the only issue with 175 Japan and Holland paper copies.
A marginal lack affecting the front cover, otherwise a handsome copy.

First edition in French, of which there were no deluxe copies.
Spines and front covers marginally sunned, occasional foxing.

First edition, of which there were no deluxe copies.
Charming illustrated cover, handsome copy.

First edition on ordinary paper, only 5 Holland deluxe copies were printed.
Worming to boards, otherwise handsome copy.

First edition printed in only 250 numbered copies on Hollande paper.
Cover illustrated with an interlaced design.
Significant lack at head of spine, tiny marginal lack to second cover, otherwise rare and handsome copy.

First edition of which only 12 copies were printed on Hollande paper.
Spine very slightly sunned, otherwise handsome copy.

First edition, one of 550 numbered copies on Monfourat paper, the only issue along with 14 on Arches.
Work illustrated by F. Laglenne.
Handsome copy.

First edition.
Small stains on the first cover, some light foxing affecting the first leaves, otherwise a rare and handsome copy.

First edition, one of 190 numbered copies on Arches paper, the only printing apart from 10 on Japan paper.
Autograph inscription from the publisher, handsome copy.

First edition of the French translation established by G. Eekhoud, of which no deluxe copies were printed.
Rare and handsome copy.

First edition, one of the Service de Presse copies, only 29 deluxe copies were printed.
Autograph inscription by Georges Eekhoud, illustrated cover.
Light worming to covers.

First edition, one of 600 numbered copies on vellum, the only issue with 15 on Arches and 100 on Marais.
A handsome copy.

First edition in French, one of 515 numbered copies on alfa paper, the only deluxe copies with 15 on Holland paper.
A handsome copy.

The first edition, of which there were no deluxe copies.
Work illustrated with 10 etchings by E. Thérond.
A small insignificant stain on the front free endpaper.

First edition.
Gift inscription on front cover, spine reattached, handsome interior condition.
Rare.

First edition, one of 150 numbered copies on Johannot paper, deluxe issue after 100 on Arches.
With a frontispiece photograph of C. Du Bos.

First edition, one of 600 numbered copies, the only issue with 100 other deluxe copies.
Iconography.

First edition on ordinary paper for which there was no mention of large paper copies.

First edition of which only 150 deluxe copies were printed.
But also M. Prévost, G. d'Houville, A. Hermant, among others.
Iconography.

First edition written in simplified spelling; no mention of deluxe copies.
Our copy is presented in temporary wrappers awaiting binding, original wrappers preserved.
Handsome and rare copy.

First edition, of which there were no deluxe copies.
Handsome copy despite occasional worming.

First edition printed in a small number of copies.
Autograph inscription signed by the author.

First edition limited to only 250 copies.
Half-shagreen binding in green, spine with four raised bands decorated with gilt tools, scratches, contemporary binding.

First edition, of which there were no deluxe copies.
Handsome illustrated cover, illustrations hors-texte.
Spine sunned with a filled lack at foot.

First edition.
Autograph inscription signed by the author.
Boards marginally sunned, spine with repaired tear at foot, boards detached.

First edition.
Bradel binding in full havana cardboard, black sheep title-label, period binding.
Foxing, rare.

First edition.
Rare.

New edition with an unpublished preface.
About Ibsen, Pierre Loti, Hérédia and Anatole France among others.

First edition.
Numerous contributions to this special issue of 'Rimes et raisons' devoted to Guillaume Apollinaire.
Poetic supplement with René Guy Cadiou among others.

First edition, of which there were no deluxe copies.
A thesis presented for the doctorate.
Spine faded and reattached with tape repair, interior in acceptable condition. Rare.

First edition in part, one of 45 numbered copies on pur fil, the only deluxe copies.
A handsome copy.

First edition, one of 80 numbered copies on Arches laid paper, deluxe issue after 15 on Auvergne.
Handsome copy despite a marginal shadow on the justification page.

First edition, a Service de Presse (advance) copy.
Autograph inscription from Gaetan Picon to Nathalie Sarraute, handsome copy.

First edition on ordinary paper.
Autograph inscription from Brice Parain to Nathalie and Raymond Sarraute.
Stains affecting the front cover.

First edition, a Service de Presse (advance) copy.
Autograph inscription from Brice Parain to Nathalie Sarraute.
Spine wrinkled, first and second covers marginally sunned, lacking at head of spine.

First edition, of which there were no deluxe copies.
Autograph inscription from the author to Nathalie Sarraute.
A pale dampstain affecting the front cover, gift inscription on the back cover.

First edition, of which there were no deluxe copies.
Respectful autograph inscription from the author to Nathalie Sarraute, handsome copy.

The first edition published in a small number of copies on laid paper, only 42 deluxe copies were printed.
With frontispiece etching by Staal.
Small lacks to head and foot of spine of the second volume, spine of the first copy faded, front board of the first volume detached.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Autograph inscription from the author to Nathalie Sarraute, handsome copy.

First edition of this offprint from the journal 'Synthèses', no deluxe copies mentioned.
Autograph inscription from R. de. Solier to Nathalie Sarraute enhanced with the signature of Bernard Dufour.
Iconography, a light scratch to the front cover, otherwise a handsome copy.

First edition on ordinary paper.
Beautiful autograph inscription from Hector Bianciotti to Nathalie (Sarraute).

First edition, a Service de Presse (advance) copy.
Autograph inscription signed by Jacques Audiberti to Nathalie Sarraute.
Spine sunned, complete with publisher's slip.

First edition, one of 250 numbered copies on alfa teinté.
A very good copy.

First edition on ordinary paper, false statement of thousand.
Minor worming.
Cover illustrated by Courtois.

First edition.
Some foxing, a small tear without loss, repaired on page 245.

First edition, one of 600 copies on alfa paper numbered and initialed by the author.
Pastiches of G. Apollinaire, T. Botrel, A. Bonnard, J. Cocteau, P. Claudel, H. de régnier among others.
Handsome copy.

First edition, of which there were no deluxe copies.
Work illustrated with 56 drawings.
A slight lack at head of spine, two other marginal ones affecting the first cover, a marginal dampstain affecting the last leaves.

First edition.
A very good copy.

First edition, of which there were no deluxe copies.
This is a thesis presented to the Faculty of Letters of Paris.
A lack to the foot of the spine, otherwise a handsome copy.

First edition, one of 50 numbered copies on pur fil, the only large paper copies.

First edition on ordinary paper, only 100 copies were printed on Holland paper.
Half red shagreen binding, spine with five raised bands, date at foot, original wrappers preserved, top edge gilt.
These are conversations about war and other subjects.
Handsome copy.

First edition, one of 10 numbered copies on Japan paper, deluxe issue with 10 on China paper.
Handsome autograph inscription from Armand Godoy to Madame E. Joly.
Handsome full-margined copy.

First edition, one of 550 numbered copies on Lafuma paper, the only issue with 6 Japan and 15 Holland copies.
Fine autograph inscription from the author.
Preface by J. Royère, handsome copy.

First edition on ordinary paper, only 12 Holland copies were printed.
Half navy blue shagreen binding, spine with five raised bands, date at foot, cover preserved, top edge gilt.
Fine interior condition.

First edition, one of the numbered copies of the first issue printed on the press, of which there were no deluxe copies.
Half red morocco-grained shagreen binding, spine with five raised bands, date at foot, covers and spine preserved, top edge gilt.
Handsome copy attractively bound.

First edition on ordinary paper.
Autograph inscription by the author.
Photographic cover, handsome copy.

First edition on ordinary paper, only 5 deluxe copies were printed.
Handsome inscription by the author.
Handsome copy complete with its dust jacket.

First edition, of which there were no deluxe copies.
A slight lack at the head of the spine.

First edition, there were only 35 large paper copies.
Rare.

New edition, slightly revised.
Latin tragedies, Robert Garnier, A. de Montchrétien, irregular theatre...

First edition.
Autograph inscription from the author, preface by F. funck-Brentano.
Three small marginal lacks to the covers.

First edition, one of 17 numbered copies on Arches vellum, deluxe issue.
Very handsome copy.

First edition, one of 20 numbered copies on pure rag vellum, the only deluxe copies.
Very handsome copy.

First edition, one of 20 numbered copies on pure rag wove paper, ours bearing number 1, the only deluxe copies.
A very handsome copy.

First edition, one of 20 numbered copies on pure rag wove paper, the only deluxe copies.
A very handsome copy.

First edition, one of 45 numbered copies on pure wove paper, deluxe issue.
A very handsome copy.

First edition, one of 20 numbered copies on pure rag paper, ours bearing No. 1, the only deluxe copies.
A very handsome copy.

First edition, one of 49 numbered copies on alfa paper, ours being one of 14 hors commerce copies, the only deluxe copies.
A very handsome copy.

First edition, one of 29 numbered copies on alfa paper, ours one of 14 hors commerce copies, the only deluxe copies.
A very handsome copy.

First edition, one of 25 numbered copies on alfa paper, ours one of 5 hors commerce copies, the only deluxe copies.
A very handsome copy.

First edition, one of 24 numbered copies on alfa paper, ours being one of 14 hors commerce copies, the only deluxe copies.
Very handsome copy.

First edition, one of 26 numbered copies on alfa paper, ours being one of 14 hors commerce copies, the only deluxe copies.
Very handsome copy.

First edition, one of 15 numbered copies on Johannot paper, ours bearing No. 1, the only deluxe copies.
Handsome copy.

First edition of this offprint from the March 1980 issue of Europe magazine, one of 30 numbered copies, the only deluxe copies.
Handsome copy.

First edition, of which there were no deluxe copies.
Small marginal stains to front cover, otherwise handsome copy.

First edition.
Work illustrated with engravings 'in the Gothic style' after drawings by Colin.
Repaired tear with two small lacks affecting the spine, light foxing.

First edition, an advance copy.
Fine autograph inscription by the author to Pierre Seghers, paper yellowed.

First edition, of which no deluxe copies were printed.
Autograph inscription from the author.
Iconography. A tear affecting the last endpaper, tape marks on the back board.

First edition, one of 480 numbered copies on Rives, ours specially printed for Louis de Gonzague-Frick and justified in hand by the publisher.
Illustrated book of engravings of Dubreuil, nice copy.

First edition.
Introduction by J. Savant.
Fragments of texts by H. de Balzac referring to the Emperor.
Illustrations, handsome copy.