First Editions

First edition.
Half bordeaux sheep binding, smooth spine faded, decorated with gilt and blind fillets and blind tooling, gilt dentelle at tail.
Foxing.
Rare.

First edition, one of 210 numbered copies on alfa paper, the only deluxe copies along with 7 on Japan and 22 on pur fil.
Pale offsetting from adhesive paper at head and foot of endpapers, otherwise a handsome copy of this work dedicated to Albert Londres.

First edition of which there were no large paper copies.
Contemporary half red shagreen, spine (slightly faded) in five compartments with triple blindruled fillets.
A few spots, but otherwise a very good and rare copy of the first work by Emile Zola in a very satisfactory contemporary binding.
Rare and sought-after.

First edition, one of 110 numbered copies on pur fil, the only deluxe paper with 35 on Holland paper.
Half tan sheep binding, spine with five raised bands, covers and spine preserved, retaining its deckled edges.
Small rubbing marks on the spine.
Manuscript gift inscription on the endpaper

First edition, one of 550 numbered copies on vergé baroque à barbes, the only printing with 15 Whatman and 62 vergé.
A very good copy.

First edition in part printed in 760 numbered copies on vélin blanc paper.
With 60 original woodcuts by André Derain.
A very good copy.

First edition printed in only 30 copies on Hollande paper.

Half morocco, spine very slightly faded, covers preserved, top edge gilt.

Handsome autograph inscription signed by Francis Carco to a relative.

Exceedingly rare.

First edition on ordinary paper.
Autograph inscription from the author to Henri Lavedan.
Spine sunned, one joint reattached at head, minimal corner wear to front board.

First edition, one of 900 numbered copies on vélin blanc paper.
A good copy.

First edition of one of Ponsard's major works, false statement of seventh edition.
Contemporary binding in half aqua green sheep, smooth spine, gilt title.
Handsome copy.

First edition published in a small number of copies of this poem by R. Darzens set to music by Auguste Chapuis.
Fine autograph inscription signed by Rodolphe Darzens.
Work illustrated with 10 original lithographs by Adolphe Willette.
Some light foxing affecting essentially the first and last pages.

First edition, printed on Hollande.
Illustrated covers and engraved frontispieces, borders by Fernand Besnier, Kauffmann...
Rare set, complete and in good condition despite some occasional little foxing.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

Pre-first edition of this play, published by Calmann-Lévy in September 1891.
Extracted from the Revue des Deux Mondes.
Rare.
In unlettered wrappers.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

First edition.
Extracted from the Revue des Deux Mondes.
Rare.
In plain wrappers.

First edition on ordinary paper.
Inscribed by the author.
Spine sunned, minor tears at head and foot of joints.

First edition, one of the numbered copies from the first printing.
Small marginal stains on the first cover, two slight marginal tears at the head of the joints.

First edition, one of 50 numbered copies on Japan paper, the only deluxe copies.
A fine copy.

First edition in French, one of 220 numbered copies on Rives paper, the only deluxe copies.
Worming to covers and endpapers, spine sunned.

First edition on ordinary paper.
Some minor foxing, otherwise a handsome copy.

First edition, one of 250 copies on colored coated paper, the only printing with 5 China paper and 10 Auvergne paper copies.
Our copy is complete with its hors-texte drawing by Tita.
Fine copy.

First edition, one of 10 numbered copies on Chine, the only large paper copies with 10 Japon.
A very good copy.
Rare.

First Edition printed in 200 or 300 copies.
Rare and nice copy.

First edition, one of 80 numbered copies on Arches paper, deluxe issue.
Front cover lightly shaded at head, otherwise a handsome and rare copy.
Our copy includes, as frontispiece, the signed and numbered color etching by Jacques Hérold.
Manuscript signature of Claude Sernet on the justification page.

First edition, one of 900 numbered copies on vélin supérieur, the only printing with 30 beau papier blanc.
A good copy.

First edition printed in 200 hors commerce copies.
Signed by the author, with a manuscript correction by the author regarding his address on the back cover.
Work illustrated with 12 humorous drawings by the author.
A rare and handsome copy.

First edition, printed in 200 numbered de luxe copies printed on pink paper.
Illustrated silver upper cover.
Contributions from A. Breton, G. Goldfayn, R. Benayoun, Man Ray, B. Péret, J. Schuster, F. Valorbe, and others.
This copy is enriched with the signatures of all the contributors.
Retaining its 5 “filmomanies symptomatiques”.
A good and rare copy.

First edition, an advance (service de presse) copy.
Autograph inscription from Joseph Delteil to Pierre de Massot.

First edition.
Half navy calf binding with corners, spine with four raised bands decorated with gilt fillets and double compartments as well as blind typographical motifs, minimal insignificant rubbing traces on headcaps, gilt fillet frame on marbled paper boards, marbled endpapers and pastedowns, marbled edges, contemporary Romantic binding.
Work illustrated with an engraved frontispiece.
Bibliophilic pen notes concerning the work opposite an endpaper, scattered foxing.
Rare.

First edition of 1000 numbered copies on bouffant paper.
Handsome autograph inscription from Jean-Michel Atlan to André Lhote enriched with a drawing of three strange human silhouettes with shades.
Illustrated by the author.
A rare and good copy.

First edition, one of 44 numbered copies on Holland paper, deluxe copy.
Very handsome copy.

Edition first in part, one of 97 numbered copies on Arches, the only large paper copies.
A rare and very attractive copy.

First edition dans le commerce, one of 32 numbered copies on vélin, the tirage de tête with 21 Hollande.
A rare and good copy.

First edition, one of 26 numbered copies on Hollande, tirage de tête.
A nice copy.

First edition published in a small number of copies of this offprint from la Flandre littéraire.
Autograph inscription from Robert Guiette to André Salmon.
Work illustrated with a frontispiece by James Ensor.
Preface by Franz Hellens.
Light marginal worming to the first cover.
Rare.

First edition, one of 10 copies on Hollande paper, the only large paper copies.
Jansenist red morocco binding by Marius Michel, spine in five compartments, date to foot, marbled endpapers and pastedowns, red morocco frame to pastedowns with seven gilt fillets, covers preserved, all edges gilt.
This copy is enriched with two autograph letters by the author of 3 and 2 pages length respectively.
A fine copy in a superb binding by Marius Michel.
Provenance : collection of Marius Michel with his ex libris pasted onto one of the endpapers.

First edition of 300 numbered copies on vergé paper.
Navy blue Jansenist morocco by Marius Michel, spine in five compartments, date to foot, marbled endpapers and pastedowns, navy blue morocco frame with seven gilt fillets to pastedowns, covers and spine preserved, all edges gilt.
Rare autograph inscription signed by Rodolphe Darzens on his first work.
A fine copy in a superb binding by Marius Michel.
Provenance : collection of Marius Michel, with his ex libris on one endpaper.

First French edition, translated by Isabelle de Montolieu. Illustrated with a frontispiece by Le Cerf. The half-title of volume 1 is normally replaced by two catalogue leaves.
Contemporary full speckled calf bindings. Smooth spines decorated with two Grotesque compartments, urn tools and multiple fillets. Red title label and black volume labels. Charming, decorative set. Some surface wear, small lack to one headcap.
Caroline Pichler was born in Vienna in 1769. She was very early classified among child prodigies, and her first novel appeared in 1799, but it was with Agathocles (1808) that she quickly achieved success and was translated throughout Europe. Here is what can be found in Michaud's universal bibliography about her: "This book, which appeared at the time of the publication of Chateaubriand's Martyrs, rests on the same foundation, and is only the development of the same idea in a different form. Nothing is more curious and interesting than comparing these two works composed for the same purpose and at the same time, in such different languages and countries." (see the translator's note which exonerates Madame Pichler from any possible imitation). Caroline Pichler was for a long time the center of Viennese literary life thanks to her salon, she published her last novel in 1840.

First edition, one of 20 numbered copies on pur fil, the only large paper copies.
A very attractive copy with good margins.

First edition of the author's first published work.
Half green sheep binding, smooth spine decorated with double gilt fillets, dark blue sheep title-label, marbled paper boards, one joint cracked along its entire length, rubbed edges, contemporary binding.
Reading library stamps, some foxing.

First edition on ordinary paper, only 13 Marais copies were printed on deluxe paper.
Author's inscription.
Light marginal foxing to covers, handsome interior condition.

First edition of each volume.
Half olive calf binding, smooth spine decorated with gilt and blind fillets, gilt friezes at head and foot, red morocco title label, marbled paper boards, light rubbing to joints, marbled endpapers and pastedowns.
Some foxing.

First edition. One of 350 copies on Alfa-Vergé paper, after 25 deluxe copies. Original wrappers preserved.
Half marbled red calf. Spine with raised bands decorated with fillets on the bands. Rubbing to headcap. The front cover is detached.
Good copy.

NB: This work is available at the bookstore upon request within 48 hours.

First edition, after 10 Japan and 30 Holland copies.
Contemporary half brown calf.
Rubbing.

NB: This work is available at the bookshop on request within 48 hours.

First edition, one of 64 numbered copies on pur fil, the only large paper copies along with 26 Hollande.
A very good copy.

First edition.
Contemporary Bradel binding in full salmon cloth, smooth spine slightly faded decorated with gilt floral motif, chocolate shagreen title label, double gilt fillet at foot, original wrappers preserved, contemporary binding.

First edition, one of the copies of the first issue numbered the press, he was shot in Holland paper 6 leading copies.
Binding half shagreen havana with corners, back with five nerves, framing gilded nets on marbled paper plates, guards and contreplats of handmade paper, preserved covers, gilded head.
Signed autograph of Maurice Beaubourg in Segond-Weber actress who starred in one of his plays.

First edition on ordinary paper.
Half lavender morocco with corners, spine very slightly faded with five raised bands decorated with gilt double compartments, date at foot, minimal traces of rubbing to spine, gilt fillet frame on marbled paper boards, one upper corner slightly bumped, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding.
Rare inscription from Sebastien-Charles Leconte to an actress.
Handsome copy attractively bound in a charming unsigned contemporary binding.

First edition of the French translation established by A.J.B. Defauconpret.
Half sheep binding in fir green, smooth spine decorated with gilt triple compartments and ornaments, gilt and blind fillets, minor rubbing to headcaps and joints without significance, marbled paper boards, corners and edges lightly rubbed, marbled endpapers and pastedowns, contemporary binding.
Provenance: from the library of Adolphe Thiers with his manuscript signature as bookplate at the head of an endpaper.
Some minor foxing.
Rare.

First edition and first printing of the 65 plates drawn by T. Johannot and engraved by Dujardin, Brugnot, Andrew, Best, Leloir...
Bradel binding in half chocolate morocco with corners, smooth spine decorated with two richly decorated double gilt cartouches, date at foot, marbled paper boards, corners slightly bumped, marbled endpapers and pastedowns, original wrappers preserved.
Handsome interior condition, entirely free from foxing.

First edition, one of 43 numbered copies on Hollande paper, the tirage de tête.
A fine copy.

First edition printed in 100 numbered copies justified by the author on Rives laid paper.
A tiny, light stain at the head of the first cover, foxing on the second cover.
Rare.

First edition, one advance (service de presse) copy.
Handsome autograph inscription signed by the author to Robert Desnos.
Light and rare foxings on the upper cover, a good copy.

First edition of the French translation established by E. Boudot-Lamotte, a Service de Presse (advance) copy.
Fine inscription from the translator.
Spine slightly sunned with two small tears at head and foot.

First edition of the French translation by E. Boudot-Lamotte, a service de presse (advance) copy.
Fine autograph inscription from the translator.
Spine slightly sunned.

First edition pour each volume, there was no mention of large paper copies.
Rare autograph inscription from Jules Barbey D'Aurevilly, in pencil, to a close friend : "à Hervé/ Inoubliable - inoublié" in the first volume.
Spine of first volume cracked, a joint fragile, ex-dono in ink to head of upper cover of the second volume, a few small spots.

First edition, one of 25 numbered copies on Rives, tirage de tête. Illustrations to text.
Copy in new condition.

First edition, one of 500 copies on vergé à la forme paper. With a portrait and 5 illustrations.
A very good copy.

First edition, rare, decorated with a frontispiece drawn by Bertaux and engraved by Martinet.
Contemporary green full vellum binding. Spine lacking. Corners bumped. Paper lacking to 2 leaves at right margin, not touching text. Dampstain at bottom of page on several leaves at beginning of work not touching text. Endpapers absent.
Zély is the work of Madame de Fourqueux, who published several novels: Amélie de Téville ou Les confessions de madame... She is regularly cited in collections of 18th-century anecdotes. Zély deals with the destiny of a woman in the 18th century. The two works that follow are by abbé Voisenon, a man of letters quite famous in the 18th century, frequenting salons, friend of Voltaire and author of libertine and light works, theatrical pieces and even a famous opera: Titon et l'aurore (Mondonville). The edition was established by Dantu who gathered these three works with a preface of his own creation, around the theme of happiness.


NB: This work is available at the bookshop on request within 48 hours.

First edition.
Bradel binding in half vellum-effect boards, smooth spine decorated with a gilt floral motif, date and double gilt fillet at foot, marbled paper boards, original wrappers preserved.
With a frontispiece portrait of the author.
Occasional foxing, an angular tear at head of preface pages not affecting text.
Rare collection of poems by Magu, poet-weaver from the Île-de-France region.

First edition by Richard Mead with the life of Martial by Petro Crinito. A frontispiece by Du Guernier. Title page in red and black.
Contemporary rigid full vellum binding. Smooth Jansenist spine with title in red ink. Handsome copy.
The work contains the Liber spectaculorum, which gathers 33 epigrammatic pieces, offered to Titus during the inauguration of the Colosseum in 80; followed by the Epigrams numbering 1500 distributed over 15 books. The latter are often obscene, they cast a particular eye on all layers of Roman society and attack all sorts of characters.

First edition printed in 500 copies on "ordinary paper", the only printing with 25 various deluxe copies.
Full sea-green cloth Bradel binding, smooth spine very slightly faded, original wrappers preserved (front cover bearing a pen gift inscription from a previous owner), top edge gilt, contemporary binding.

First edition.
Bradel binding in half cherry red percaline, smooth spine faded, date at foot, black shagreen title-label, marbled paper boards, covers (with small corner lacks) preserved.
Some light foxing.
Bookplate pasted to verso of front board.
Rare.

First edition. Illustrated with a handsome frontispiece title. This edition is distinguished by learned and studied typography, the text is in italics and the notes at the bottom of pages.
Contemporary full vellum binding with overlapping flaps. Smooth spine. Title label added to headcap and partly detached. Good overall condition. Very fresh copy.
Edition established by Marc Zuerius Boxhornius (1612-1653), celebrated Dutch critic and scholar who was professor of eloquence at 19 years old at Leiden and succeeded Daniel Heinsius in the chair of history.
Handsome and interesting edition by Hacke in Leiden.

First edition, one of 50 numbered copies, reimposed on green paper, the only large paper copies with 7 Japon.
A very good copy retaining its leaf "conditions".

First edition in French.
Work illustrated with plates.
Covers marginally and slightly faded without significance, a slight angular lack at the foot of the first cover.
Rare.

First separate edition of which no deluxe copies were issued.
Illustrated front cover.
Two slight angular fold marks on the back cover.

First edition on ordinary paper.
Bradel binding in mauve half-cloth, smooth spine faded, dark green sheep title-label, double gilt fillet at foot, marbled paper boards, upper corners slightly bumped, top edge gilt, contemporary binding.
Autograph inscription signed by Fernand Vanderem to Marcel Prévost.

First edition, of which there were no deluxe copies.
Full chocolate paper boards, smooth spine cracked with small losses, joints fragile.
Pale marginal dampstain to head of most pages, foxing.
Rare but in fair condition.

The rare first edition of this small literary farce signed by E. Desormes, Edouard Kuhn, Matrat, Anatole Huot, Favory, Marc Gilland, D. Mon, Martial Teneo, Renaudot, Jamet, René Asse, Edmond Brouard, Vogt, Eugène Sédard, Paul bru, Auguste Milton...
Amateur binding in imitation leather pasted over the covers.
Dampstaining affecting the first leaves, occasional foxing.

First edition.
Half hazelnut shagreen binding, spine with four raised bands set with gilt friezes and blind fillets, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Scattered foxing.

First edition, one of 50 numbered copies on Rives, the tirage de tête.
Small spots to some edges, otherwise a good, well-margined copy.

First edition, one of 1000 unnumbered copies on chiffon paper, the only printing with 10 Japan and 25 Arches.
Front cover illustrated with a portrait of the author by Julien Green.

First edition, one of 200 copies on deluxe paper, ours unnumbered and unsigned by the author.
Light marginal tears without loss to covers.
Rare inscription from Raymond Duncan to Jean Prévost's wife, three manuscript talismans by the author in the text.

First edition. Illustrated with 36 steel engravings by Herbert, Drummond, Hayter, engraved by Cook, Stoddart... Each engraving is protected by a tissue guard.
English publisher's binding. Full midnight blue shagreen. Smooth spine richly decorated. Boards decorated with a broad frieze and corner ornaments, as well as a central design within which stands a lion passant. A tear to the upper joint at the headcap. Very good condition, some very occasional scattered foxing. Joints lightly rubbed, with a slight tear to the lower joint. Very handsome English binding, refined and richly decorated.

First collected edition.
With a frontispiece portrait of the author by Louis Chevalier engraved by Lalauze.
Bradel binding in full marbled paper, smooth spine, brown morocco title-label, original wrappers preserved, binding signed by P. Goy & C. Vilaine.
Precious autograph inscription signed by Charles Monselet to Jules Clarétie.
.

First edition, one of 108 numbered copies on vergé Lafuma Navarre paper and reimposed in Tellière quarto, the tirage de tête.
A good copy.

First edition on ordinary paper; only a few copies were printed on China and Holland paper as deluxe copies.
One joint cracked at foot then reglued, a small marginal tear restored to the front cover, occasional foxing.

First edition.
Publisher's full cream paper boards, smooth navy spine with gilt title, dust jacket preserved with slight tears and occasional tiny lacks of no significance.
Fine copy complete with its erratum pasted opposite the contents page.

First edition, one of 40 numbered copies on pur fil, the only large paper copies.
Copy in new condition.

First collected edition, one of the numbered copies on vellum, the only issue with 25 on pur fil.
Autograph inscription from the author.
Half-title page marginally shadowed due to a piece of envelope preserved, addressed to the dedicatee by the author.

First edition printed in 500 numbered copies on alfa paper.
Autograph inscription from the author.
Handsome copy.

First edition. Large printer's device on the title page and on the verso of the last leaf. Illustrated with a portrait of Torrentius and a second of Horace on copper. Horace's text in italics.
Full marbled blonde sheep binding, early 20th century, pastiche of a 17th-century binding. Spine with raised bands, decorated. Red morocco title-label and black morocco dating label. 2 corners darkened. Lacking at foot of spine.
An edition whose value lies in the commentaries by Laevinius Torrentius (1525-1595) on the odes, satires and epistles, Bishop of Antwerp and scholar, and those by Pierre Nanninck (1500-1557), Dutch scholar native of Alkmaar, who concludes the work by commenting on Horace's "Art of Poetry." Posthumous edition produced by the Jesuits of Antwerp, preceded by an Ode Horatiana by Father Andreas Schott.

First edition on ordinary paper, only 50 copies were printed on deluxe paper.
Handsome copy lacking its illustrated dust jacket.

First edition, one of the rare copies on Holland paper of which no mention is made.
Half-shagreen binding in tête-de-nègre, spine with five raised bands showing traces of rubbing, joints rubbed, marbled paper boards, marbled endpapers and pastedowns, covers preserved, top edge gilt retaining its deckled edges, contemporary binding.
Notice by Georges Valois.

First edition.
Bradel binding in full caramel boards, smooth spine, navy blue shagreen title-label, headcaps rubbed, library label at head of spine, corners slightly bumped.
Work illustrated with a frontispiece portrait of the author.
Some light foxing.