First editions and fine papers of poetry collections, lyrical works, poems in verse and prose, calligrams

First edition, one of 300 numbered copies on Lana, the only printing with 3 Hollande and 200 Rives.
A very good copy.

First edition printed in 99 numbered copies on tinted laid paper.
Spine and covers very lightly and marginally faded without any consequence.

First edition, illustrated with a title vignette and 6 figures engraved by Lambert after famous paintings. At the end of the work, 12 pages with engraved frames featuring different motifs including astrological signs, one per month; the souvenir section to be filled in by the owner.
Contemporary full straight-grained red morocco binding. Smooth spine decorated in grotesque style with a central radiating tool and scattered stars (the spine evokes Bozerian bindings). Decorative border on covers. Scattered pale foxing, very light. Edges gilt. Very handsome copy.
The almanac contains the calendar for the year and numerous texts by Ducis, Tissot, Fanny de Beauharnais, Boufflers, Berchoux...

First French translation established by Lanza Del Vasto, one of the numbered copies on Lana vellum, the only edition along with 105 copies on Arches vellum.
Inscription by Lanza Del Vasto.
Work illustrated with woodcuts by the latter.
Handsome copy.

Edition with some parts in first edition, one of 30 copies numbered in Roman numerals on Holland paper, deluxe copy.
Fine full-page inscription by Jacques-Noir.
Work decorated with headpieces, initial letters, tailpieces, 5 illustrations including two in color and two facsimiles.
Spine lightly sunned otherwise handsome full-margined copy.

First edition of this work printed in "a few copies".
The work has a blank cover, the title page bears a stain in the corner of the first cover. Previously unpublished piece by François Villon. Fine copy.
Rare.

Half black calf binding, smooth spine decorated with gilt and blind fillets, significant lack to upper joint, surface abrasions.
Rare.

Fourth edition.
A very slight tear at the foot of the spine, otherwise a handsome copy.

The first edition, published in a small number of copies.
Illustrations in the text.
Minor tears without loss at head of front cover which also has a tiny corner chip at foot.
Rare.

New revised edition, one year after the first edition.
Inscription from Guillevic.
Cover illustrated with a black and white photographic portrait.
Iconography.
Spine with minor rubbing traces, covers very slightly and marginally faded with some corner creases, handsome interior condition.

New edition.
Autograph inscription from the author.
Illustrated.

New edition, one of the numbered copies, only printing.
Publisher's full purple cloth binding.
Handsome copy.

First edition, one of 2000 numbered copies on alfa paper, the only issue along with 8 Japan and 100 Holland copies.
Spine sunned with minor corner restorations at head and foot, tiny tears of no consequence at heads of boards, handsome interior condition.
Beautiful illustrated cover.

First edition printed in a numbered edition of 350 copies on Holland paper.
Spine slightly faded and warped, small stains on the first cover, one endpaper slightly and partially shadowed, otherwise handsome interior condition.
Provenance: from Albert Natural's collection of Swiss Romandy poets that he built up from the 1920s onwards.

First hors commerce collected edition printed in 300 copies on laid paper.
Inscribed by Henry Spiess.
Rare and handsome copy.

First edition, one of 337 numbered copies on wove paper, deluxe copies.
Handsome copy.

First edition, one of 300 copies on laid paper, ours unnumbered.
Foxing to cover and first leaf, otherwise a handsome copy.

First edition.
Rare collection of poems.
Beautiful poetic inscription by the author.

Second edition, one of 50 numbered copies on Robur paper, deluxe issue.
Spine and covers lightly and marginally faded without consequence, otherwise a pleasant copy.

First edition on ordinary paper, only 12 Holland deluxe copies were printed.
Light scattered foxing, complete with publisher's catalogue at rear.

First edition on ordinary paper, from a limited edition of only 75 copies reprinted on deluxe paper.
Handsome copy.

First edition, one of 343 numbered copies on Arches paper, ours one of the few hors commerce copies reserved for the author.
Autograph inscription signed by Gaspard-Michel to the wife of Joannin Ardouin who was proofreader at Emile-Paul frères in the form of verse.
Endpapers partially and lightly shaded, otherwise handsome copy with fragile covers without any defect.

First edition, one of 79 numbered copies on wove paper, deluxe copy after 36 Holland.
Fine copy.

New edition, one of 20 numbered copies on China paper, deluxe issue.
Some light foxing affecting almost exclusively the deckled edges, otherwise a handsome full-margined copy.

First edition, one of 79 numbered copies on pur fil, the only large paper copies along with 36 Hollande.
A very good copy.

First edition.
Bradel binding in half cardboard imitating vellum, smooth spine decorated with a gilt floral motif, date and double gilt fillet at foot, marbled paper boards, original wrappers preserved.
Rare collection of poems by Magu, poet-weaver from the Île-de-France region.

Fifth edition.
Bradel binding in half vellum-effect boards, smooth spine decorated with a gilt floral motif, date and double gilt fillet at foot, marbled paper boards, original wrappers preserved.
Rare collection of poems by Magu, poet-weaver from the Île-de-France region.

First collected edition on wove paper. There were 10 copies on Arches paper.
In original wrappers.
Pristine copy, unopened.

NB: This work is available at the bookstore upon request within 48 hours.

First edition published in a small number of copies, with no mention of deluxe copies.
Our copy lacks the drawing by J.F. Raffaelli as frontispiece.
Minor scattered worming of no consequence.
Rare copy of the author's third work.

First edition, one of 500 numbered copies on alfa paper, the only issue with 10 on Holland paper.
Inscription from A.M. Gossez to a friend on the front endpaper.
Two small tape marks on the front endpaper, otherwise a handsome copy.

The first edition, of which there were no deluxe copies.
Spine split, a marginal tear on the first cover, a pale angular dampstain at head of the final leaves.

Published the same year as the first edition.
Very slight foxing, not serious.

Published the same year as the first edition.
Slight foxing, not serious.

First edition on ordinary paper, with only 5 Japan and 20 Holland deluxe copies printed.
Publisher's sand-colored cardboard binding, spine absent, front board identical to front cover, traces of rubbing to corners, small marginal ink stain to head of rear board.
Handsome interior condition.

First edition.
Rare foxing, leaves partly detached.

First edition, one of 10 numbered copies on pur chiffon, deluxe issue with 2 Angoumois laid papers.
Fine inscription from Michel Mercoeur to a close friend.
Rare.

First edition.
Spine and covers marginally faded, internally good.

First edition on ordinary paper.
Autograph inscription from Henry Spiess.

First edition published in a small number of copies.
Handsome full-page autograph inscription from the author to Edmond Haraucourt.
A tiny tear without loss to head of front cover, otherwise a handsome copy.

First edition on ordinary paper, of which only 3 copies on Japan paper and 12 on Holland paper were printed as deluxe copies.
Signed autograph inscription by André Ferdinand-Herold.
Front board detached, spine split and worn.

First edition printed in a small number, no mention is made of deluxe copies
Rare inscription from Jean Carrère to Robert Vallée.
Spine slightly faded, tiny worming to boards.

First edition with no mention of deluxe copies.
Inscribed by Nicolas Beauduin to Albert de Bersaucourt.
Work illustrated by Maurice de Linière.
Spine slightly faded, otherwise handsome copy.

First edition, one of the numbered copies of the first issue printed, with no mention of deluxe copies.
Handsome copy.

First edition.
Half red shagreen binding, spine with four raised bands showing slight traces of rubbing, marbled paper boards, upper corners slightly bumped, marbled endpapers and pastedowns, bookplate pasted to verso of front board and stamp of the same bibliophile at foot of title page.
Anglo-American poets and novelists, the Puritans, poetry of revenge, the young Acadian woman...
Occasional foxing affecting mainly the first pages of the volume.

First edition, one of 450 numbered copies on laid Grifo paper, the only issue with 50 on pure thread.
Beautiful full-page autograph inscription from the author to a close friend.
Handsome and rare copy.

First edition, one of the copies on chestnut paper, the only printing with 550 Bonet. Minor marginal lacks not affecting text on the pages of the first leaf which was badly cut, otherwise a handsome copy.

Reprint published in 2000 numbered copies.
Folded cover illustrated by Picasso.
Light rubbing to covers.

First edition, of which there were no deluxe copies.
Rare inscription by Carmelo Arden Quin, founder of the MADI movement, to a very close friend.
A slight tear repaired at the foot of the spine, rear cover marginally stained, otherwise a handsome copy.

First edition.
Rare autograph tribute from the author.
Tiny lack at foot of one joint, pale corner dampstain at head of first pages, some foxing.

First edition.
Autograph inscription from the author.
Two small insignificant stains on the first cover, a tiny lack on the second cover, some light foxing to interior.
Rare.

Edition published for Les Amis de Paul Fort, one of 50 numbered copies on Japan paper initialed by the author for which an original page of Florilège was announced, our copy lacks this page, deluxe copy.
Handsome copy complete with its publisher's slip.

First edition printed in a small number of copies.
Interesting anthology, illustrated.

First edition, one of 110 numbered copies on Holland paper, the only print run with 15 Japan and 50 hors commerce.
Handsome copy.

First edition, one of 350 copies on Holland paper, this copy unnumbered, the only issue with 30 Japan and 50 hors commerce copies.
Occasional minor worming, otherwise a handsome copy.

First edition.
Work illustrated with drawings in text and hors-texte by Willette.
Minor staining to front cover which also shows a crease mark.

First edition, one of 110 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe issue.
Preface by Benjamin Crémieux.
Handsome copy.

First edition, one of 250 numbered copies on Arches laid paper, the only issue with 5 Japan copies and 25 hors commerce copies.
A marginal shadow affecting the front cover, small marginal tears with slight lacks to the boards.

First edition on ordinary paper; only 12 copies were printed on Holland paper.
Handsome copy.

First edition, of which there were no deluxe copies.
Light stains on the back cover.
Rare.

First edition with no mention of deluxe copies.
Work illustrated with a frontispiece engraved by Armbruster.
Handsome copy.

First edition, of which there were no deluxe copies.
Deferential autograph inscription from Paul Bouju to Sully Prudhomme.
Handsome and rare copy.

First edition, of which there were no deluxe copies.
Rare and handsome autograph inscription from Jean Carrère to G. de Labruyère.
Light worming affecting the endpapers and rear board, otherwise a handsome copy.

First edition printed on ordinary paper, only 20 copies on Holland paper were issued.
Magnificent full-page autograph inscription from the author to Renée Dunan in the form of a poem.
Handsome copy.

First edition, one of 550 numbered copies on bouffant paper, the only printing with 50 on Montgolfier vellum.
Illustrations hors texte.
Our copy is complete with publisher's slip and errata.
Rare.

First illustrated edition preceded by an introduction by Pierre Leroux.
Half chocolate shagreen binding, spine with four raised bands decorated with gilt compartments and fillets, some traces of use, contemporary binding. Work illustrated with steel engravings in and outside the text after drawings by Daubigny, Gérard-Séguin, Cabasson, Adrien Guignet, C. Marville, C. Nanteuil, Staal, Traviès and others.
As frontispiece, a portrait of the author engraved by Pannier.
Rare.

New edition, one of 500 copies on superior offset paper, the only printing with 10 deluxe papers.
Handsome autograph inscription signed by Pierre Albert-Birot to Claire Goll.
Spine slightly faded, otherwise handsome copy.

First edition.
Rare and handsome copy despite some worming affecting the boards.

First edition, one of 100 numbered copies on Arches vellum, ours unnumbered, the only printing along with 100 other deluxe copies.
Work illustrated with a portrait of the author drawn by Despiau, painting by C. Guérin engraved by Germain.
Handsome copy.

First edition, a Service de Presse (advance) copy.
Autograph inscription signed by Henri de Régnier to Abel Hermant.
Complete with the publisher's catalogue at rear.

First edition printed to only 100 numbered copies.
A very good and rare copy.

First edition, one of 50 numbered copies on pur fil, the only deluxe copies with 5 on Japan and 20 on Holland paper.
Handsome full-margined copy with two small wormholes.

Reprint, a Service de Presse (advance) copy.
Three small spots of no significance to the front cover, otherwise a handsome copy.

First edition of which no deluxe copies are mentioned.
Half red shagreen with corners, spine with five raised bands, soiled covers preserved, top edge gilt.
Fine copy despite some worming affecting the endpapers.

First edition, one of 400 numbered copies on alfa paper, the only issue with 10 on Japan paper, 25 on Holland paper and 65 on vellum.
Worming to endpapers, otherwise a handsome copy.

First edition, one of 1000 copies numbered on "bouffant" paper, only draw with 20 Arches paper.
Rare consignment of Nicolas Beauduin.
Bites on the boards, otherwise beautiful complete copy of his prayer to insert.

First edition of the author's first novel, of which there were no deluxe copies.
Autograph inscription signed by André Mary to Charles Morice.
Spine split with small lack at foot, otherwise a handsome and rare copy.

First edition.
Small stains on the first cover, some light foxing affecting the first leaves, otherwise a rare and handsome copy.

First edition, one of 190 numbered copies on Arches paper, the only printing apart from 10 on Japan paper.
Autograph inscription from the publisher, handsome copy.

First edition, one of 10 numbered copies on Japan paper, deluxe issue with 10 on China paper.
Handsome autograph inscription from Armand Godoy to Madame E. Joly.
Handsome full-margined copy.

New edition.
Presentation in French, text in Burgundian.
A fine and rare copy.

First edition, one of 45 numbered copies on pure wove paper, deluxe issue.
A very handsome copy.

First edition of this offprint from the March 1980 issue of Europe magazine, one of 30 numbered copies, the only deluxe copies.
Handsome copy.

First edition.
Work illustrated with engravings 'in the Gothic style' after drawings by Colin.
Repaired tear with two small lacks affecting the spine, light foxing.

New edition printed in a small number of copies.
With a frontispiece portrait of the author.
A handsome and rare copy.

First edition, one of 20 numbered copies on laid Arches paper, head print.
Nice copy.
Signed autograph of Nicolas Beauduin.

First edition, one of 500 numbered copies on biblio vellum, the only issue.
Autograph inscription signed by Nicolas Beauduin.
Very light foxing on the covers, otherwise handsome copy.

First edition, one of 20 numbered copies on Arches laid paper, deluxe copy.
Fine autograph inscription signed by Nicolas Beauduin.
Two small innocuous stains on the front cover, a slight marginal tear on the back cover, otherwise handsome copy.

First edition, one of 10 numbered copies on Lafuma paper hand-justified by the author in the names of the 9 Muses and their mother, this copy in the name of Terpsichore, deluxe copy.
Fine autograph inscription by Nicolas Beauduin.
Marginal dampstain affecting the covers and the first three and last leaves.

First edition of the critical study and literal translation, verse by verse, from the Saxon manuscript discovered in 1794 at the library of Bamberg Cathedral by Canon G. Gley.
Two tiny lacks at foot of spine and at head, otherwise handsome copy. Rare.

First edition published in a small number of copies and presented in typescript form.
Author's signature at end.
Minor marginal losses of no consequence to the second cover, rare.