Poetry

Edition illustrated with vignettes, from the Petits Classiques françois collection, printed in 500 copies at the expense and under the supervision of Charles Nodier and the publisher, using Didot l'Aîné's typefaces.
Half navy blue morocco binding with corners, spine with five raised bands decorated with double blind-stamped compartments, marbled paper boards, marbled endpapers and pastedowns, marbled edges, two corners slightly bumped.
Handsome copy despite some light foxing.

Edition from the Petits Classiques françois collection, printed in 500 copies at the expense and under the supervision of Charles Nodier and the publisher, using Didot l'Aîné's typefaces.
Half navy blue morocco binding with corners, spine with five raised bands decorated with double blind-stamped compartments, marbled paper boards, marbled endpapers and pastedowns, marbled edges, two corners slightly bumped.
Handsome copy despite some light foxing.

Edition from the collection Petits Classiques françois printed in 500 copies at the expense and under the care of Charles Nodier and the publisher with the typefaces of Didot l'Aîné.
Half navy blue morocco with corners, spine with five raised bands decorated with double blind compartments, marbled paper boards, marbled endpapers and pastedowns, marbled edges, two corners very slightly bumped.
Handsome copy despite some minor foxing.

First edition on ordinary paper.
Handsome copy despite a crease mark at the foot of the text block.
Signed autograph inscription from Jean Marcenac to the poet Charles Dobzynski and his wife Eliane: "... ce livre écrit pour eux..." ["... this book written for them..."]
Our copy is enhanced with two manuscript corrections by the author on pages 48 and 144.

First edition, one of the rare deluxe copies printed on Japan paper and not on Holland paper, contrary to what is indicated in the table of contents of each issue.
Contributions by Albert Mérat "Vers", Charles Morice "Dans le marbre", Maurice du Plessys "Pour Marie-aux-fleurs", Ernest Raynaud "L'opale", Ernerst Raynaud "Albert Mérat", Ernest Delahaye "Etude sur Rimbaud"...
Handsome copy complete with its double wrapper covering only the rare deluxe copies.

First edition, one of the rare deluxe copies printed on Japan paper.
Contributions by Albert Mérat "Chambres anciennes", Jean Bourguignon "Humour et humoristes", Léon Maillard "Honoré de Balzac", Henri Marsac "La prairie et le ruisseau", Emile Maison "Ceci n'est pas une bluette", Ernest Delahaye and Cazals "Pauvre Lélian"...
Handsome copy complete with its double wrapper covering only the rare deluxe copies.

First edition, one of the rare deluxe copies printed on Japan paper and not on Holland paper, contrary to what is indicated in the contents of each issue.
Contributions by Jean Moréas "Poésie", Jules Laloue "Eglogue", Frédéric-Auguste Cazals "Un café littéraire", Ernest Raynaud "Promenade au salon", Henri Marsac "Douze aquarelles d'Albert Trachsel"...
Handsome copy complete with its double wrapper covering only the rare deluxe copies.

First edition, one of the rare deluxe copies printed on Japan paper.
Contributions by Jean Moréas "L'amour dérobé", Eugène Ledrain "Louis Ménard", Frédéric-Auguste Cazals, Lucien Hubert "Bibelots", Albert Mérat "Les prêtres" and "Les moines"...
A handsome copy complete with its double wrapper covering only the rare deluxe copies.

First edition, one of the rare deluxe copies printed on Japan paper and not on Holland paper contrary to what is announced in the table of contents.
Contributions by Albert Mérat "Les exemples", Aimé Passereau "Les joyeusetés", Léon Frapié "Léon Riotor", Léon Maillard "Jules Valadon", Paul Fleurot "La fête de Diderot"...
Handsome copy complete with its double wrapper covering only the rare deluxe copies.

First edition, one of the rare deluxe copies printed on Japan paper and not on Holland paper contrary to what is announced in the table of contents.
Contributions by Paul Verlaine with the unpublished poem "A mon fils", Georges Izambard "Mai", Frédéric-Auguste Cazals "Le Procope", Ernest Raynaud "Promenade au salon", Lionel des Rieux "Stances", Albert Mérat "Trois âges : Attique ; Moyen-Age ; Renaissance française ; le triomphe de la république"...
Handsome copy complete with its double wrapper covering only the rare deluxe copies.

First edition.
Contributions by Albert Rafols-Casamada, Victor Combalia, Carles H. Mor, Vicenç Altaio, Joaquim Sala-Sanahuja, Giuseppe Ungaretti.
Issue illustrated with drawings by Gemma Sin, Francesca Llopis, Hernandes Pijuan, Maria Girona, Albert Rafols Casamada.
Subscription form included.
Our copy is enhanced with an autograph letter signed by Albert Rafols Casamada, dated December 1, 1982, presenting the magazine to Georges Raillard, renowned art critic and friend of Joan Miro and Antoni Tapies who was director of the French Institute of Barcelona. He also relates the upcoming exhibitions in which he will participate.

First edition.
Contributions by Albert Rafols-Casamada, Victor Combalia, Joan Brossa, Jaume VallorbaPlana, Jordi Coca, Carles H. Mor.
Issue illustrated with drawings by Silvia Gubern, Dolors Dalmau, Miquel Barcelo, Ramon Herros, Hernandes Pijuan, Maria Girona, Sindria Segura.
Handsome copy.

First edition.
Handsome copy despite a crease mark at the head of the first cover.
Dated autograph inscription signed by René Depestre, in Spanish, to a woman named Elisa.

First edition of this journal edited by Charles Dobzynski, which, according to our research, only published four issues in three volumes.
A handsome and rare set despite the slightly sunned spines and a repair using adhesive tape at the head of issue number 1.
Contributions by C. Dobzynski, H. Sloves, S. Aleichem translated by E. Fleg, S. Asch translated by Claude Paris, E. Kaganowski, R. Feigelson, H. Barbusse with an unpublished letter, B. Chagall translated by I. Chagall, I. Opatochou translated by Claude Paris...
The double issue 3-4 being devoted to the centenary of Sholem Aleichem's birth.

First edition on ordinary paper.
Handsome copy.
Autograph inscription dated and signed by Jean-Pierre Luminet to the poet Charles Dobzynski: "... pour commencer en littérature cette année mondiale de l'astronomie 2009, 400 ans tout juste après que l'oeil de Galilée se soit (sic) tourné pour la 1ère fois vers les étoiles..." ["... to begin in literature this world year of astronomy 2009, exactly 400 years after Galileo's eye turned for the first time towards the stars..."]

First edition.
Handsome copy.
Work illustrated with drawings by Jean-Marie Lewigue.
Autograph inscription signed by Jean Rousselot to the poet Charles Dobzynski.

Edition en format livre de forme.
Petites rousseurs en marges du premier plat.
Envoi autographe signé d'Eugène Guillevic à Jean-Baptiste Para.

Illustrated edition with 144 original color compositions by Georges Lepape, one of the numbered copies on Rives laid paper.
Handsome set despite minor soiling to the bottom edges of the slipcases.

The first edition, published in a small number of copies.
Half red shagreen binding, spine with five raised bands set with gilt fillets, double gilt fillets on marbled paper boards, marbled endpapers and pastedowns, marbled edges, contemporary binding.
Some light foxing, corners slightly bumped.

Collected edition with some parts in first edition, one of 200 numbered copies on Rives paper, the only issue.
Copy in mint condition.

First edition.
Handsome copy.
Autograph inscription signed by Jean Rousselot to the poet Charles Dobzynski.

First edition in French, a Service de Presse (advance) copy.
Spine and covers marginally sunned, otherwise a handsome copy.
Autograph inscription dated and signed by Aïgui and translator Léon Robel to poet Charles Dobzynski.

An edition of 500 copies, this one of 100 copies on Japon imperial paper, with a black-and-white suite of Léon Carré's 20 color illustrations.
Publisher's blue paper covers with gilt arabesques in relief, spine very slightly creased and sunned, the chemise with a few tears, slipcase with slight tears to two edges.

Bell's Edition. The Poets of Great Britain Complete from Chaucer to Churchill,

At the Apollo Press, by the Martins, Edinburgh 1779 - 1804, In-18 (8.5 x 13.5 cm), 99 parts in 34 bound volumes

Very rare collation of volumes from the famous Bell edition of British poets in uniform binding, which adds up to 101 volumes here and whose printing was widely spread over time, the volumes being sold by author. Volume 8, which brought together parts 5 and 6 of Edmund Spencer's poetic works is unfortunately missing. Some volumes appear for the first time, others are second editions. This particularly important edition for British poetry brings together 39 poets from Chaucer to Charles Churchill and 99 figures (portraits and frontispieces). It is precious because many poets saw their first complete edition this way, notably John Donne.

English binding in contemporary blond sheepskin. Spine decorated with various finishing tools, including a kneeling King, with multiple filets Title piece in green morocco. Overall, clean paper, but some browned leaves with foxing, notably some engravings.

First edition of the French translation.
Spine very slightly faded.
Autograph inscription signed by Israël Eliraz to Charles Dobzynski.
Our copy is enriched with a signed autograph letter by Israël Eliraz, dated 1999, regarding a collection of poems he had sent him.

First edition of the French translation established by Adonis and Anne Wade Minkowski
Handsome copy.
Afterword by Adonis.
Autograph inscriptions signed by Adonis and Anne Wade Minkowski to Charles Dobzynski.

The first collected edition in French, of which there were no deluxe copies.
Handsome copy.
Foreword by Alain Bosquet.
Rare dated and signed autograph inscription from Lubomir Levtchev to Charles Dobzynski.

First edition in French, of which there were no deluxe copies.
Handsome copy.
Rare autograph inscription dated and signed by Nanni Balestrini to Jean-Baptiste Para.

First edition, a service de presse (advance) copy.
Light worming to slightly sunned spine.
Precious autograph inscription signed by Henri de Montherlant: "A Charles Maurras avec mon ancienne admiration." ["To Charles Maurras with my longstanding admiration."]

First edition printed on laid paper.
Boards slightly soiled, a crease mark at foot of front board.
Precious signed autograph inscription by Jean Lorrain: "A Charles Maurras homme lumineux ces contes gris de souris et de mystère" ["To Charles Maurras luminous man these gray mouse and mystery tales"]

New edition. Frontispiece by Chéron
Contemporary full blonde calf binding. Raised spine richly decorated. Havana morocco title label, decorated havana morocco volume label. Triple fillet frame on boards. Roll on edges and interior. A slight lack at foot of volume II. Rubbing. 2 corners slightly bumped. One corner knocked. Scuffs on boards of volume I. Fine copies, with fresh paper. A note added in contemporary hand on Le flatteur). Beautiful, well-printed edition.
These diverse works contain the Odes, Cantatas, Epistles, Allegories, Epigrams, and comedies (Le flatteur, Le capricieux, Le caffé, La ceinture magique) by the author. Preface by Jean-Baptiste Rousseau.

First edition on ordinary paper.
Two pale dampstains to spine.
Fine full-page autograph inscription dated and signed by Louis Guillaume to Yanette Delétang-Tardif: "... si lucide à la limite des songes et de la vie, ce long rêve de son ami..." ["... so lucid at the boundary of dreams and life, this long dream of his friend..."] accompanied by three quotations, each in the original language of the poet, from Schiller, Calderon and Tertullian.

First edition.
Handsome copy despite a small stain at foot of first cover.
Dated autograph inscription signed by Armand Monjo to poet Charles Dobzynski: "... ces poèmes de dialogue et de salutation pour nos frères les éléments, jalons indipensables sur le chemin des hommes" ["... these poems of dialogue and greeting for our brothers the elements, indispensable milestones on the path of men"].

First edition of the French translation established by Claude Couffon with the Spanish text en regard.
Handsome copy despite two slight tears at head and foot of spine.
Autograph inscription signed by Claude Couffon to poet Charles Dobzynski enhanced with an autograph inscription signed by Rafael Alberti enriched with a drawing depicting a sailboat, a fish, a starfish and a sun.

First edition in French.
Handsome copy.
Autograph inscription signed by Adonis to Charles Dobzynski.

First edition, one of 90 numbered copies on alfa paper, the only deluxe copies after 7 Normandy.
Marginal foxing to front cover and spine, some light interior foxing.
Autograph inscription signed by André Cayatte to Carlo Suarès.

First edition on ordinary paper.
A transverse fold mark on the first cover.
Autograph inscription dated and signed by Jean-Pierre Luminet to the poet Charles Dobzynski: "... grand-maître de l'opéra comique..." ["... grand master of comic opera..."]

First edition of the French translation established by Eugène Guillevic, of which there were no deluxe copies.
Publisher's binding in full red boards, smooth spine.
Handsome copy.
Autograph inscriptions signed by Maria Banus and Eugène Guillevic to the poet Charles Dobzynski.
Manuscript note by Maria Banus on the half-title page.

The first edition, of which there were no deluxe copies.
Handsome copy despite small rust stains at the staples.
Autograph inscription signed by Aaron Kramer to poet Charles Dobzynski.

First edition, one of the copies on "bouffant" paper.
Pleasant copy.
Beautiful autograph shipment signed by Rebé Rougerie to Charles Dobzynski.

first edition.
Illustrated book of drawings by Jean-Jacques Badaire.
Beautiful copy.
Autograph signed by Salah Stétié to poet Charles Dobzynski.

First edition for which it was not drawn from large papers.
Pleasant copy, a few reading marks in pencil in the margins of certain sheets.
Autograph signed by Jean Ristat to his friend the poet Charles Dobzynski: "For Charles Dobzynski, my friendship ..."

first edition on current paper.
Back slightly passed.
Autograph signed by Raph Feigelson to poet Charles Dobzynski.

First edition of the French translation prepared next to the Arabic text by André Velter and the author.
Pleasant copy.
Autograph signed by Adonis to Charles Dobzynski.

First edition, on current paper, of the French translation prepared by Milos Sova.
Preface and adaptation by Jean Marcenac.
Publisher's binding in full yellow cardboard, smooth back, full copy of its jacket identical to the boards.
Some reading marks in black ink on the margins of certain pages.
Beautiful autograph shipment dated and signed by Vitezslav Nezval, in French, to his friend the poet Charles Dobzynski: "To the great poet Charles Dobzynski with my memory of an unforgettable meeting in Paris. Fraternally, his friend Vitezslav Nezval. Paris, 28 IV 54 . "
Our copy is also enriched with this beautiful autograph signed by Jean Marcenac to his friend: "For my brother Charles because his genius (sic) the beauty of his heart. With the faithful tenderness of Jean Marcenac."

first edition printed in 500 numbered copies on Auvergne.
Pleasant copy of this poem which consists of a typographic exercise in three colors and which unfolds in the manner of the famous "Liberty" by Paul Eluard
Autograph shipment dated by Pierre Seghers to his friend the poet Charles Dobzynski.

First edition for which it was not drawn from large papers.
Pleasant complete copy of his prayer to insert.
Autograph dated and signed by René Depestre to the poet Charles Dobzynski and his wife Eliane: "... who are always welcome in the affection, loyalty and admiration of their old friend."

first edition printed in 150 numbered copies, ours one of 50 out of business.
Pleasant copy despite the marginally and slightly sunny boards at the top.
Autograph signed by Bernard Vargaftig to his friends Charles and Eliane (Dobzynski).

first edition printed in 50 numbered and justified copies on Arches paper by Bonaventure Fieullien, ours printed for André Bocquetin with his bookplate pasted on a guard.
Pleasant copy.
This calligraphed album, engraved and printed on his hand presses by Bonaventure Fieullien (Franciscan monk who studied at the Academy of Brussels under the direction of the Belgian painter Oswald Poreau and who worked in sculpture, stained glass and painting, but who was especially recognized for his remarkable and spectacular illustrated books with amazing idiosyncratic lettering) was illuminated by Madeleine Smets-Lefrancq.
Signatures of Bonaventure Fieullien and Madeleine Smets-Lefrancq below the justification for the draw.

First edition of this catalogue of the exhibition held at the Centre Georges Pompidou from July 12 to November 6, 1978.
Numerous contributions.
Iconography.
Handsome copy.

First edition, one of 680 copies on tinted laid, only print after 20 Johannot "pur-fil" paper vellum.
Pleasant copy.
Book illustrated with a frontispiece by Jean Dubuffet.
Autograph signed by Jean Tortel to poet Charles Dobzynski.

First edition, printed in 1000 copies, of the French translation prepared by André Velter and the author.
Pleasant copy.
Autograph signed by Adonis to Charles Dobzynski.

First edition for which it was not drawn from large papers.
Beautiful illustrated copy of drawings by Gianni Burattoni.
Autograph signed by Jean Ristat to the poet Charles Dobzynski who was a close friend of Louis Aragon.

First edition for which it was not drawn from large papers.
Pleasant copy.
Autograph signed by Alain Suied to the poet Charles Dobzynski who was a close friend of Louis Aragon: "... this word for the other called poetry. In the proximity, Alain Suied"

first edition printed in 150 numbered copies, ours not justified.
Rare and pleasant copy.
Illustrated book of 3 drawings by Gisèle Celan-Lestrange.
Autograph signed by Martine Broda to poet Charles Dobzynski.

First edition, one of the numbered copies on "bouffant" paper.
Pleasant copy despite a tiny stain at the top of the first board.
Autograph dedication signed by René Char to poet Charles Dobzynski.

First edition, one of 950 numbered copies on Alfa paper.
Pleasant copy.
Autograph dedication signed by René Char to Eliane Dobzynski, wife of poet Charles Dobzynski.

first edition on current paper.
Illustrated book of five drawings by André Masson.
Pleasant copy.
Autograph signed by André Frénaud to the poet Charles Dobzynski: "... attentive to the great upheavals of history with its hopes and disappointments ..."

First edition for which it was not drawn from large papers.
Pleasant copy.
Autograph dedication signed by Israel Eliraz to the poet Charles Dobzynski enriched with an autograph letter dated and signed, of a page.

First edition of the French translation for which no large papers were printed.
Pleasant copy.
Autograph signed by Adonis to Charles Dobzynski.

First edition, on current pope, of the French translation.
Pleasant copy.
Autograph dated and signed by Adonis to Charles Dobzynski.

First edition for which it was not drawn from large papers.
Beautiful copy illustrated with a frontispiece by Gianni Burattoni.
Autograph signed by Jean Ristat to the poet Charles Dobzynski who was a close friend of Louis Aragon: "... or how not to finish with the Alexandrian - for example -"

first edition on current paper.
Nice complete copy of his jacket with a slightly lightened back.
Autograph signed by Yves Bonnefoy to the poet Charles Dobzynski.

Edition with some parts in first edition. Autograph inscription from the author: "A mon cousin et bon ami Sicard. Auguste Barbier." ["To my cousin and good friend Sicard. Auguste Barbier."] Followed by a note: "Après la mort de M. Sicard, M. Auguste Barbier est venu à Angers et a donné ce livre à M. Selou, notaire." ["After the death of M. Sicard, M. Auguste Barbier came to Angers and gave this book to M. Selou, notary."] Iambes is augmented with 3 unpublished poems and the collection Lazare appears for the first time.
Contemporary half green Russian leather with corners. Smooth spine decorated with a large central decorative panel, roll tool at foot. Gilt title and date. Rubbing to corners. Some pale foxing and browning.
Very handsome copy.
Les Iambes initially appeared in 1832 and remains the author's best-known collection, which made him immediately famous and made him the spokesman for the July 1830 Revolution, and one of the essential figures of Romanticism. "This collection ranks him among the greatest combat poets between Agrippa d'Aubigné and Victor Hugo" (Laffont-Bompiani, Dictionnaire des Oeuvres). Hugo said he found in Iambes "astonishing verses that no one else will ever write again" and Baudelaire that he was "naturally a poet and a great poet." The series of poems on social misery, Lazare, which completes the work is one of Barbier's greatest successes and makes the entire collection the most important published by the author, in an inspiration that the poet, for many critics, would never surpass again.

NB : Cet ouvrage est disponible à la librairie sur demande sous 48 heures.

first edition on current paper, mention of third edition.
Ex-dono of Charles Dobzynski at the head of the title page.
Enriched autograph signed by René Lacôte to his friend the poet Charles Dobzynski: "... with the keen friendship of his comrade ..."

first edition on current paper.
Illustrated book of 7 drawings by Karel Appel.
Beautiful copy.
Autograph dated and signed by André Verdet to his friend the poet Charles Dobzynski: "For my friend Charles Dobzynski, to my spatio-poet accomplice, very much his own A. Verdet." enriched with a large original tricolor design.

first edition.
Enriched autograph signed by René Lacôte to his friend the poet Charles Donzynski.

first edition on current paper.
Pleasant copy.
Autograph signed by Pierre Torreilles to poet Charles Dobzynski.

First edition for which it was not drawn from large papers.
Beautiful copy.
Autograph signed by Jean Ristat to Charles Dobzynski who was a close friend of Louis Aragon.
Our copy is enriched with a handwritten correction by Jean Ristat page 13.

First edition, one of the numbered copies.
Illustrated cover by Jean Lurçat.
Autograph shipment signed by Jean Marcenac to poet Charles Dobzynski.

First edition for which it was not drawn from large papers.
Beautiful copy despite a small stain at the head of the second board.
Autograph signed by Jean Ristat to the poet Charles Dobzynski who was a close friend of Louis Aragon.

First edition of this bilingual poetic anthology (Spanish-French) established by Josette and Georges Colomer for which it was not printed from large papers.
Publisher's binding in full black cardboard, smooth back, illustrated first cover.
Iconography and original drawings by Josep Castell.
Pleasant copy.
Beautiful autograph dedication signed by Georges Colomer enriched by the signature of his wife Josette to their friend the poet Charles Dobzynski: "... those painful poems that tell the tragedy of the Spanish Republic ..."

first edition illustrated with photographs of Louis Monier.
Preface by Jean Dutourd, comments by Alain Paucard.
Pleasant copy.
autograph dedication of the author auotgraphe dated and signed by Louis Monier to Charles Dobzynski.

First edition, in paperback format, of the French translation and the presentation drawn up by Alain Suied.
Iconography.
Autograph shipment signed by Alain Suied to his friend the poet Charles Dobzynski.

First edition printed in very small numbers, it was only printed in a few Japan and Whatman in large papers.
Bradel binding in half caramel morocco, smooth back decorated with two golden typographic motifs, slightly rubbed caps, preserved covers, golden head, binding from the contemporary signed Pottier.
Autograph dedication signed by Pierre Quillard to Paul Bernard.

Bibliothèque de La Pléiade edition printed on India paper.
Publisher's full brown grained sheepskin binding, orange top edge, smooth spines decorated with gilt fillets.
Handsome copy, complete with its dust jacket, cellophane wrapper and soft slipcase.

first edition on current paper.
Binding in half brown heartache, back with five nerves slightly cleared up and with small traces of friction, golden date in tail, boards, guards and counterplates of marbled paper, covers and back preserved, golden head, binding signed Canape & Corriez.
Beautiful autograph dedication signed by Jean Royère: "To the poet Armand Godoy / I offer these first beginnings / which were mine / as a testimony of aesthetic communion."

First edition, one of 40 numbered copies on pure rag paper, deluxe copies.
A very fine copy.

First edition, one of 21 numbered copies on pure Lana rag paper, ours unnumbered, the only deluxe copies.
Copy in mint condition.

first edition on current paper.
Pleasant copy.
Autograph signed by Paul Fort to Armand Godoy.

First edition of the translation, notes and presentation by Jean Markale, of which there were no deluxe copies.
Preceded by "Braise au trépied de Keridwen" by André Breton.
Handsome copy.

Pléiade library edition printed on Bible paper.
Publisher's binding in full green grained sheepskin, blue top edge, smooth spine decorated with gilt fillets, complete with its glassine, dust jacket and soft slipcase.

First edition, one of 25 numbered copies on Alfa paper, only large papers.
Some small foxinges without gravity affecting the margins of certain pages, otherwise pleasant copy.
Autograph signed by Léon Lemonnier to André Lautier.

First edition, one of the numbered copies of the first printing, no mention is made of deluxe copies.
Light marginal foxing on the very first pages, small tears at foot and head of spine, otherwise a rare and handsome copy.

New edition.
Full red morocco binding signed by Richard de Coverly at the bottom of the front pastedown. Raised bands spine, decorated. Gilt title and date. Triple fillet border. The 5 table leaves are restored. Handsome copy.
This collection contains 245 riddles in poetic form, a game enjoyed in many literary salons. Table of explanations of the riddles at the end, with manuscript pagination.

first edition on current paper.
Back passed, otherwise nice copy.
Autograph signed by Jean Mogin to Jules Supervielle.

First edition on tinted laid paper; only a few Whatman deluxe copies were printed.
Spine and covers uniformly sunned, some foxing affecting mainly the beginning and end of the volume.

First edition published in honor of Isaac Merritt Singer and printed in 80 numbered copies on Holland paper, head print after 30 Japan.
Book decorated with 8 original serigraphs by Cozette de Charmoy.
The translation into English of Jean-Loup Philippe's seven poems is located at the end of the volume.
Beautiful copy.
Handwritten signatures of Jean-Loup Philippe and Cozette de Charmoy at the justification of the print.