Minimal foxing to rear board, light sunning to head of front board, otherwise a handsome copy.
Collected edition of the French translation, no deluxe copies issued.
Boards slightly and marginally soiled, two small spots on the edges not affecting the leaves.
Very rare presentation copy signed and inscribed in Arabic by Mahmoud Darwish, the poet of the Palestinian condition, on the half-title page.
First edition, one of 70 numbered copies on pur fil paper, the deluxe issue after 2 reimposed on pur fil vergé hors commerce reserved for Jacques Hébertot and 13 on holland paper.
A handsome and rare copy of this response by Albert Camus to Jean-Paul Sartre's "Les mains sales".
First edition of the French translation established by Jean Cohen, the original English edition having appeared the same year.
Half brown sheep bindings, smooth spines decorated with black and gilt fillets, gilt friezes at head and tail of spines, marbled paper boards, marbled endpapers and pastedowns, marbled edges, Romantic bindings.
Light rubbing to some boards, two tears to the lower headcap and top edge of the fourth volume, some minor foxing.
William Golding is considered one of the most important precursors of anarchist and utilitarian thought; he is the father of Mary Wollstonecraft Godwin, better known as Mary Shelley.
Second edition with some parts in first edition as expanded with two new pieces: "L'occasion" and "Le carrosse du Saint Sacrement".
Half red straight-grained morocco binding with corners signed Blanchetière at the top of the first endpaper. Smooth spine decorated with a large mirror tool and roulettes. Separating fillets on the boards. Very fresh copy, uncut, however some brown spots on Le carrosse du saint sacrement.
Very handsome copy.
Provenance: from the library of Jacques Crépineau, famous collector of Romantic books, with his bookplate. Theater historian and director of the Michodière theater.
This is Prosper Mérimée's first work composed of 6 theatrical pieces. "First dramatic manifestation, in France, of Romantic creation, the Théâtre de Clara Gazul is an original pastiche that shows a moralist's irony, but also a parodic exaggeration of Spanish culture (cries, tears, revenge, killings)." "More intended for reading than for performance, the work achieved considerable success from its publication." Larousse Encyclopédie