First editions, fine papers and deluxe printings of French and foreign literature, 16th to 21st century

First edition, with service de presse stamp at head of second cover.
Spine slightly sunned, the page bearing the autograph inscription is partially shaded, otherwise a handsome copy complete with publisher's slip.
Precious and fine autograph inscription from Jacques Chastenet to his fellow Immortal of the Académie Française, General Weygand: "... cette esquisse d'une époque qui n'a pas profité de la victoire à laquelle il avait tant contribué." ["... this sketch of an era that did not benefit from the victory to which he had so greatly contributed."]

First edition, press service stamp on head of second cover.
Spine slightly sunned.
Precious autograph inscription from Henry Bordeaux to his fellow Immortal of the Académie Française, General Weygand.

First edition illustrated with 48 color lithographs by the author, one of a few named copies on japon reserved for the principal collaborators of the publication, ours specially printed for the celebrated bibliophile Colonel Sickles, deluxe issue.

This copy is complete, as stipulated in the justification, with the duplicate set of lithographs in black and in color.

The work is also illustrated with 40 decorated initials designed by the prestigious bookbinder Paul Bonet.

This is Maurice de Vlaminck's most important illu

First edition, with printed press service stamp at head of one endpaper.
Two small stains to margin of front cover, otherwise handsome copy complete with publisher's slip.
Precious autograph inscription from Jules Romains to his fellow Immortal of the Académie Française, General Weygand.

Extremely important edition, comprising a large number of works appearing here in their first edition. The complete set of these 27 volumes is rare (Clouzot). The titles present in first edition are: Mattea, Lettres d’un Voyageur, La Dernière Aldini, Les Maîtres mosaïstes, L’Uscoque, Spiridion, Les Sept Cordes de la lyre, Gabriel,

First edition printed in 130 copies, all nominative and numbered, on Rives vellum.
Full chocolate-brown morocco binding, spine with four double raised bands framed by black fillets extending onto the covers, gilt date at foot, gilt rolls on the caps, endpapers and pastedowns of hand-made paper, quintuple gilt fillet borders on the pastedowns, double gilt fillets on the board edges, original wrappers and spine preserved, top edge gilt.
Illustrated with a frontispiece, 15 plates and 6 vignettes by Georges Leroux engraved on copper by Raoul Serres.
This copy is supplemented, at the end of the volume, with a suite of the 22 illustrations together with the printed menu for the dinner