First Editions

Bibliothèque de La Pléiade edition printed on Bible paper.
Rhodoïd slightly yellowed as sometimes occurs.
Rich iconography.
Publisher's full brown grained sheepskin binding, orange top edge, smooth spine decorated with gilt fillets.
Fine copy complete with its rhodoïd, dust jacket and soft slipcase.

First edition of the French translation by A. J. B. Defauconpret. Illustrated vi­gnette on the title page of each volume, with two illustrations in each volume (60 in total) by Louis Marckl after Noël Bertrand.
Green half shagreen binding, spine with five raised bands elaborately framed in gilt and blind, spine-ends stamped with a gilt rosette bearing cabbalistic signs, marbled paper boards, marbled endpa­pers and pastedowns, speckled edges, contemporary bindings.
Spines slightly lightened, some corners slightly dulled, more pronounced foxing on some volumes, a tear not affecting text to pp. 303-304 of vol. 2, a restored tear and a marginal lack of paper not af­fecting text to pp. 213-214 of vol. 5.

Autograph letter signed by James Fen­imore Cooper in French, bound in the first volume, written to Charles Goss­elin, publisher of his complete works.
Slight folds to the corners of the leaf, pencil and pen notes by a previous bib­liographer.

Handsomely bound set, exceptionally containing an autograph letter signed by the author to his publisher.

First edition, a Service de Presse (advance) copy.
A discreet restoration using a small adhesive piece on the verso of the first cover extending onto the first endpaper.

Autograph inscription signed by André Breton: "A Claude Aveline, hommage d'André Breton".
Nicknamed at 21 "the world's youngest publisher," Claude Aveline would publish from 1922 onwards, thanks to André Gide and Georges Duhamel, some fifty works. In 1934, he would engage in politics, alongside Henri Barbusse and Romain Rolland, in the anti-fascist movement then, from August 1940, in the Resistance first in Paris then in the free zone where he would miraculously escape arrest by the Gestapo in April 1944.

First edition, one of 12 numbered copies on hollande paper, the only large paper copies.

Full red shagreen binding, spine with three raised bands decorated with gilt fillets and gilt cartouche enriched with black typographic motifs, marbled paper endpapers and pastedowns, bookplate affixed to pastedown, original wrappers and spine preserved, top edge gilt, other edges uncut.

Foxing to some uncut edges.

Autograph inscription signed by Georges Clemenceau to Monsieur Henry Leyret, political and judicial chronicler and editor at L'Aurore.

First edition, one of 75 numbered copies on surfine colored paper.
Work illustrated with 3 aquatints by Mimi Parent.
One scratch with three light stains on the first cover.
Handsome copy.
Precious and surrealist autograph inscription signed by José Pierre to Marie Cermínová Toyen: "A Toyen, les violons monégasques fabriqués secrètement dans les presbytères en partant de l'anémone de mer, José." (To Toyen, the Monégasque violins secretly manufactured in presbyteries starting from the sea anemone, José.)
Signatures of José Pierre and Mimi Parent below the justification page.

First edition, one of 200 numbered copies on Hollande paper, the only large paper copies.

Bradel binding in half blue morocco with corners, spine with five raised bands highlighted with gilt dots and decorated with triple gilt compartments, gilt date at tail, gilt fillets on marbled paper boards, guards and pastedowns of combed paper, original wrappers and spine preserved, top edge gilt, others uncut, binding signed Canape.

Rare copy of Guy de Maupassant's masterpiece beautifully bound in an elegant signed binding.