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Univers
Departments / Fine Arts

Photography

326 results
  2. L'année dernière à Marienbad
    Alain ROBBE-GRILLET
    L'année dernière à Marienbad
    Last Year at Marienbad
    Les Editions de Minuit|Paris 1961|14 x 19 cm|broché
    First edition, one of 90 numbered copies on pure laid paper, the only deluxe copies.
    Handsome copy.
    Work illustrated with 48 photographs hors-texte from this cult film directed by Alain Resnais.
    Alain Robbe-Grillet submitted the screenplay version of "L'année dernière à Marienbad" to the filmmaker before shooting, this version presenting some slight variations from the film.
    €1,500
  3. [Photographie] Portrait photographique de Eugène Delacroix
    Eugène DELACROIX, Pierre PETIT
    [Photographie] Portrait photographique de Eugène Delacroix
    Pierre Petit|Paris 1858|6 x 10.40 cm|une feuille

    An original albumen carte-de-visite photograph of Eugène Delacroix, depicting the artist seated in a chair — his most famous portrait. The session at Pierre Petit’s studio yielded multiple poses; variants of this print survive at the Musée d’Orsay and the Metropolitan Museum of Art, New York. Mounted on card, with Pierre Petit’s signature in the lower margin and his studio advertisement on the verso.

    €1,600
  4. [Photographie] Portrait photographique de Dominique Ingres
    Jean Auguste Dominique INGRES, Eugène DISDERI
    [Photographie] Portrait photographique de Dominique Ingres
    Eugène Disdéri|Paris 1860|6 x 10.50 cm|une feuille
    Full-length carte-de-visite albumen photograph of the painter Ingres. Taken by Disdéri, who himself developed this carte-de-visite process in 1854.
    Photograph mounted on card bearing the name of Disdéri et Cie. Photographer's advertisement on verso, at the address on boulevard des Italiens. Fine print.
    This sitting at Disdéri's studio produced several photographs of the painter, with slightly different poses. This same photograph can be found at the Ingres Museum in Montauban and at the Musée d'Orsay.
    €1,200
  6. Portrait photographique original de Nicolas de Staël contemplatif et signé par Denise Colomb
    (Nicolas de STAËL) Denise COLOMB
    Portrait photographique original de Nicolas de Staël contemplatif et signé par Denise Colomb
    Paris 1990|18 x 26.50 cm|une feuille
    Original portrait of Nicolas de Staël signed by Denise Colomb

    Silver pint portrait of Nicolas de Staël by Denise Colomb. Later print made by the photographer in the 1990s from her 1954 negatives.
    Signed by Denise Colomb in the lower right-hand corner. On the back:     "N. D. S. 1954" with a signed inscription by Denise Colomb to photographer Serge Tamagnot: "Pour mon cher ami Serge/ Le roi des collages. Denise Colomb 7-5-2000 Bon anniversaire à Serge, je penserai à toi le 9 mai" (For my friend Serge/The king of collages. Denise Colomb 7-5-2000 Happy birthday Serge, I'll be thinking of you on May 9).
    An exceptional picture of the painter, eyes lost in the distance, in his Parisian atelier rue Gauguet one year before his death. Sitting in front of one of his works, we see the piling up of the painter's canvases in the room behind him.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio.
    “It is said that his workshop was the cave of a palaeontological potter. With sediment, layers of paleo... A crucible, a large material well, riddled with pigments, paintbrushes, pots of plastered trowels, buckets, rags. In a strong smell of turpentine. A workshop covered, soiled, stained with dirt, with masonry clay. Its wingspan, its strength, its topsail height springs into this crater of Vesuvius. Slightly disoriented, he leans, he pours. To paint, for him, is to be prey to vertigo, to unpredictable, accidental, chance junctions. (Patrick Grainville, Les Yeux de Milos).
    €1,800
  7. Monumentale photographie représentant Thierry Mugler entouré des artistes de son spectacle de cabaret "Mugler Follies"
    (Thierry MUGLER) Sylvie GERMOND
    Monumentale photographie représentant Thierry Mugler entouré des artistes de son spectacle de cabaret "Mugler Follies"
    Monumental photograph of Thierry Mugler surrounded by the performers of his cabaret show "Mugler Follies"
    s. l. • (Paris) 19 décembre 2013|116.50 x 86.50 cm|une photographie encadrée
    Very large-format photograph of Thierry Mugler surrounded by the performers of his cabaret show "Mugler Follies" in a silver metal frame and under a mat bearing colorful birthday wishes and signed inscriptions in felt-tip pens.
    Several celebrities are pictured including singer Marie-France (interpreter of Marlene Dietrich and Marilyn Monroe) and drag queen Lola Dragoness Von Flame.
    Signed and dated by the photographer Sylvie Germond on the back. A small crack in the glass to the bottom left corner.
    Enclosed: a folder of computer graphics used to design the Mugler Follies sets and costumes.
    A monumental and unique photograph, bearing witness to the eccentricity of the costumes designed by Mugler and the attachment of the artists who worked with him.
    €2,500
  9. Photographie originale - Christopher Street Liberation Day March, New York - Master and Slave
    Jean-Pierre LAFFONT
    Photographie originale - Christopher Street Liberation Day March, New York - Master and Slave
    Paris 1970|19.50 x 30 cm|une photographie

    "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

    Original photo from Christopher Street Liberation Day March, New York - "Master and Slave"
    Original black and white silver print ; with the stamp of Jean-Pierre Laffont for the Gamma agency, and a lengthy mimeographed caption for the French press.
    Original prints from this event are extremely rare, as museums and galleries only have modern reprints.
    A touching and vivid account of the first Gay Pride March, in the aftermath of the Stonewall riots that became the cradle of the modern LGBTQ+ rights movement and subsequent gay liberation movements around the world.
    On June 28, 1969, police raided Stonewall, a mafia-owned dance bar in Greenwich Village catering primarily to gay and transgender people. The city had revoked the liquor licenses of gay bars and police officers regularly hassled its customers because of their sexual orientation. That night at Stonewall was one too many: cornered by Village residents and customers, the police were forced to retreat inside the bar and the riot lasted seven days. On June 6, 2019, nearly 50 years after the historic uprising, the New York Police Department has apologized for its role in the events.
    Now considered to be the origin of the gay liberation movement, Stonewall led to the creation of some of the first gay rights activist organizations, such as the Gay Liberation Front and Street Transvestite Action Revolutionaries (better known as STAR and founded by two of the most prominent transgender activists: Marsha P. Johnson and Sylvia Rivera). The uprising called for a new kind of movement. With this purpose, the Christopher Street Liberation Day March was held on June 28, 1970, one year to the day after Stonewall. Only a few brave groups first gathered at Sheridan Square (Greenwich village), before other people started joining in on their way to Sheep Meadow in Central Park, finally attracting more than 10,000 demonstrators. Annual Pride events were subsequently held in the summer in NYC and other major U.S. cities before reaching other continents after a few years, with hundreds of millions of people gathering for what has become one of the most prominent human rights demonstrations around the world.
    This beautiful picture shows a couple of young women sitting in the grass and wearing two matching t-shirts "Master" and "Slave". One is holding a flyer announcing the Harmonyville Music Festival, a major Woodstock-inspired event planned for August 1970 which never took place.

    Jean-Pierre Laffont first arrived in the U.S. in 1965 and began his career as a photojournalist in New York for Status Magazine and then as U.S. correspondent for the French agency Reporters Associés. He became Senior Foreign Correspondent for Gamma Press and in 1969 opened the Gamma Presse Images office in the U.S with his wife Eliane. Laffont covered major American historical events- the Civil Rights movement and social protests against racial discrimination, the Vietnam War, demonstrations for Peace, women's rights, and gay liberation, etc. Initially intended for the press, his artworks have now reached iconic status and are featured in international photographic collections.
    €1,500
  10. Photographie originale - Christopher Street Liberation Day March, New York - "Perverts' Union for Gay Liberation"
    Jean-Pierre LAFFONT
    Photographie originale - Christopher Street Liberation Day March, New York - "Perverts' Union for Gay Liberation"
    Paris 1970|19.50 x 30 cm|une photographie

    "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

    Original photo from Christopher Street Liberation Day March, New York - "Perverts' Union for Gay Liberation"
    Original black and white silver print ; with the stamp of Jean-Pierre Laffont for the Gamma agency, and a lengthy mimeographed caption for the French press.
    Original prints from this event are extremely rare, as museums and galleries only have modern reprints.
    A touching and vivid account of the first Gay Pride March, in the aftermath of the Stonewall riots that became the cradle of the modern LGBTQ+ rights movement and subsequent gay liberation movements around the world.
    On June 28, 1969, police raided Stonewall, a mafia-owned dance bar in Greenwich Village catering primarily to gay and transgender people. The city had revoked the liquor licenses of gay bars and police officers regularly hassled its customers because of their sexual orientation. That night at Stonewall was one too many: cornered by Village residents and customers, the police were forced to retreat inside the bar and the riot lasted seven days. On June 6, 2019, nearly 50 years after the historic uprising, the New York Police Department has apologized for its role in the events.
    Now considered to be the origin of the gay liberation movement, Stonewall led to the creation of some of the first gay rights activist organizations, such as the Gay Liberation Front and Street Transvestite Action Revolutionaries (better known as STAR and founded by two of the most prominent transgender activists: Marsha P. Johnson and Sylvia Rivera). The uprising called for a new kind of movement. With this purpose, the Christopher Street Liberation Day March was held on June 28, 1970, one year to the day after Stonewall. Only a few brave groups first gathered at Sheridan Square (Greenwich village), before other people started joining in on their way to Sheep Meadow in Central Park, finally attracting more than 10,000 demonstrators. Annual Pride events were subsequently held in the summer in NYC and other major U.S. cities before reaching other continents after a few years, with hundreds of millions of people gathering for what has become one of the most prominent human rights demonstrations around the world.
    This fine photograph shows three young women holding a sign "Perverts' Union for Gay Liberation" and another that reads "Gay Pride".
    Jean-Pierre Laffont first arrived in the U.S. in 1965 and began his career as a photojournalist in New York for Status Magazine and then as U.S. correspondent for the French agency Reporters Associés. He became Senior Foreign Correspondent for Gamma Press and in 1969 opened the Gamma Presse Images office in the U.S with his wife Eliane. Laffont covered major American historical events- the Civil Rights movement and social protests against racial discrimination, the Vietnam War, demonstrations for Peace, women's rights, and gay liberation, etc. Initially intended for the press, his artworks have now reached iconic status and are featured in international photographic collections.
    €1,200
  11. Photographie originale - Christopher Street Liberation Day March, New York - Militant en fauteuil roulant
    Jean-Pierre LAFFONT
    Photographie originale - Christopher Street Liberation Day March, New York - Militant en fauteuil roulant
    Paris 1970|19.50 x 30 cm|une photographie

    "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

    Original photo from Christopher Street Liberation Day March, New York - "Activist in a Wheelchair"
    Original black and white silver print ; with the stamp of Jean-Pierre Laffont for the Gamma agency, and a lengthy mimeographed caption for the French press.
    Original prints from this event are extremely rare, as museums and galleries only have modern reprints.
    A touching and vivid account of the first Gay Pride March, in the aftermath of the Stonewall riots that became the cradle of the modern LGBTQ+ rights movement and subsequent gay liberation movements around the world.
    On June 28, 1969, police raided Stonewall, a mafia-owned dance bar in Greenwich Village catering primarily to gay and transgender people. The city had revoked the liquor licenses of gay bars and police officers regularly hassled its customers because of their sexual orientation. That night at Stonewall was one too many: cornered by Village residents and customers, the police were forced to retreat inside the bar and the riot lasted seven days. On June 6, 2019, nearly 50 years after the historic uprising, the New York Police Department has apologized for its role in the events.
    Now considered to be the origin of the gay liberation movement, Stonewall led to the creation of some of the first gay rights activist organizations, such as the Gay Liberation Front and Street Transvestite Action Revolutionaries (better known as STAR and founded by two of the most prominent transgender activists: Marsha P. Johnson and Sylvia Rivera). The uprising called for a new kind of movement. With this purpose, the Christopher Street Liberation Day March was held on June 28, 1970, one year to the day after Stonewall. Only a few brave groups first gathered at Sheridan Square (Greenwich village), before other people started joining in on their way to Sheep Meadow in Central Park, finally attracting more than 10,000 demonstrators. Annual Pride events were subsequently held in the summer in NYC and other major U.S. cities before reaching other continents after a few years, with hundreds of millions of people gathering for what has become one of the most prominent human rights demonstrations around the world.
    This fine picture shows a man in a wheelchair with a sign that reads "Gay Pride" in the middle of the crowd.
    Jean-Pierre Laffont first arrived in the U.S. in 1965 and began his career as a photojournalist in New York for Status Magazine and then as U.S. correspondent for the French agency Reporters Associés. He became Senior Foreign Correspondent for Gamma Press and in 1969 opened the Gamma Presse Images office in the U.S with his wife Eliane. Laffont covered major American historical events- the Civil Rights movement and social protests against racial discrimination, the Vietnam War, demonstrations for Peace, women's rights, and gay liberation, etc. Initially intended for the press, his artworks have now reached iconic status and are featured in international photographic collections.
    €1,200
  12. Photographie originale signée - Christopher Street Liberation Day March, New York - "Gay People This Is Your Church"
    Jean-Pierre LAFFONT
    Photographie originale signée - Christopher Street Liberation Day March, New York - "Gay People This Is Your Church"
    Paris 1970|19.50 x 30 cm|une photographie

    "On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)


    Original black and white silver print ; with the stamp of Jean-Pierre Laffont for the Gamma agency, and a lengthy mimeographed caption for the French press.
    Original prints from this event are extremely rare, as museums and galleries only have modern reprints.
    A touching and vivid account of the first Gay Pride March, in the aftermath of the Stonewall riots that became the cradle of the modern LGBTQ+ rights movement and subsequent gay liberation movements around the world.
    On June 28, 1969, police raided Stonewall, a mafia-owned dance bar in Greenwich Village catering primarily to gay and transgender people. The city had revoked the liquor licenses of gay bars and police officers regularly hassled its customers because of their sexual orientation. That night at Stonewall was one too many: cornered by Village residents and customers, the police were forced to retreat inside the bar and the riot lasted seven days. On June 6, 2019, nearly 50 years after the historic uprising, the New York Police Department has apologized for its role in the events.
    Now considered to be the origin of the gay liberation movement, Stonewall led to the creation of some of the first gay rights activist organizations, such as the Gay Liberation Front and Street Transvestite Action Revolutionaries (better known as STAR and founded by two of the most prominent transgender activists: Marsha P. Johnson and Sylvia Rivera). The uprising called for a new kind of movement. With this purpose, the Christopher Street Liberation Day March was held on June 28, 1970, one year to the day after Stonewall. Only a few brave groups first gathered at Sheridan Square (Greenwich village), before other people started joining in on their way to Sheep Meadow in Central Park, finally attracting more than 10,000 demonstrators. Annual Pride events were subsequently held in the summer in NYC and other major U.S. cities before reaching other continents after a few years, with hundreds of millions of people gathering for what has become one of the most prominent human rights demonstrations around the world.
    Wonderful full-length portrait of Rev. Robert Clement, wearing his cassock and proudly holding a sign that reads "Gay people this is your church". In 1970, he founded the Church of the Beloved Disciple, the first “gay church” in New York City, not only welcoming gay parishioners, but also the first to include openly gay pastors. Rev. Clement created and celebrated the first "Holy Unions" – same-sex religious marriage ceremonies.
    Jean-Pierre Laffont first arrived in the U.S. in 1965 and began his career as a photojournalist in New York for Status Magazine and then as U.S. correspondent for the French agency Reporters Associés. He became Senior Foreign Correspondent for Gamma Press and in 1969 opened the Gamma Presse Images office in the U.S with his wife Eliane. Laffont covered major American historical events- the Civil Rights movement and social protests against racial discrimination, the Vietnam War, demonstrations for Peace, women's rights, and gay liberation, etc. Initially intended for the press, his artworks have now reached iconic status and are featured in international photographic collections.
    €1,800
  13. [PHOTOGRAPHIE] Portrait photographique de Ottorino Respighi
    Ottorino RESPIGHI
    [PHOTOGRAPHIE] Portrait photographique de Ottorino Respighi
    Becker & Maatz|Berlin 1930|24 x 31.40 cm|une feuille
    Fine photographic portrait of Ottorino Respighi. Photogravure-type print with pen inscription: A Mr. G. Hogge. Ottorino Respighi. In ricordo cordialissimo. Liege. 26. III. 1931. ["To Mr. G. Hogge. Ottorino Respighi. In fondest remembrance. Liege. 26. III. 1931."] Hogge was artistic director of the Liège opera.
    One sheet. Portrait size: 16.1x22cm. At top a thin 0.5 cm tear with creasing. One corner at bottom of page with small creases. A small crease in left margin extending 10 cm. On verso, traces of removal in upper margin, and 2 circles at bottom. Good copy.
    Ottorino Respighi was a composer, conductor and violinist. Having died in 1936, this photograph represents one of his final appearances before his death.

    €450
  17. Béranger - Ses amis, ses ennemis et ses critiques
    Arthur ARNOULD
    Béranger - Ses amis, ses ennemis et ses critiques
    Joël Cherbuliez|Paris 1864|11.50 x 18.50 cm|2 volumes reliés
    First edition.
    Half red shagreen bindings, spines with four raised bands set with black fillets and decorated with double black compartments adorned with central gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, speckled edges, contemporary bindings.
    Some foxing otherwise handsome copy.
    Our copy is enhanced with an original photograph of a painted portrait representing Béranger pasted on an endpaper of the first volume.

    €100
  20. [PHOTOGRAPHIE] Portrait photographique de Jules Verne
    (Jules VERNE) NADAR [Félix TOURNACHON]
    [PHOTOGRAPHIE] Portrait photographique de Jules Verne
    Nadar|Paris 1878|6 x 10.50 cm|une photographie
    Original albumen photograph representing Jules Verne, carte-de-visite format, mounted on heavy cardboard from the Nadar studio "51 rue d'Anjou St Honoré".
    Pen annotation on verso, with advertising information for the Nadar studio. Gold medal. Universal Exhibition 1878. Blue stamp; Publisher J. Kuhn, Paris.
    Jules Verne met Nadar in 1861 and the two men became friends, the man left a deep impression on him and his adventures inspired him for Five Weeks in a Balloon [Nadar would join with Jules Verne to create a Society for the encouragement of balloon transport], From the Earth to the Moon and Around the Moon. The author describes him thus in From the Earth to the Moon: "He is a man of 42 years, tall, but already a little stooped, like those caryatids who carry balconies on their shoulders. His strong head, a veritable lion's mane, shook at moments a fiery hair, which made him a true mane. A short face, broad at the temples, adorned with a bristling mustache like a cat's whiskers and small somewhat disheveled tufts, a myopic gaze, completed this eminently feline physiognomy."
    Handsome portrait of the writer by Nadar where he appears particularly warm and benevolent.
    €2,500
  21. 50x50 - Catalogue de l'exposition des 50 ans de Tati
    Fabien OUAKI, COLLECTIF
    50x50 - Catalogue de l'exposition des 50 ans de Tati
    Fabien Ouaki|s. l. 1998|23 x 31 cm|broché

    First edition of this exhibition catalogue celebrating the 50th anniversary of Tati's existence at the Union centrale des Arts Décoratifs in Paris from March 13 to April 5, 1998.
    The catalogue is illustrated with 50 photographs by Xavier Lambours, Jean Larivière, Céline Larmet, Tanguy Loyzance, Toby Mac Farlan Pond, Chema Madoz, Dolorès Marat, Jean-Baptiste Mondino, Sarah Moon, Xavier de Nauw, Judy Olausen, Ouka Lele, Martin Parr, Olivier Rebuffa, Liz Redeal, Paolo Roversi, Richard Schroeder, Michel Séméniako, Malick Sidibé, JeanLoup Sieff, Peggy Sirota, Eric Traoré, Donna Trope and Robert Van der Hilst.
    Handsome copy.




    €80
  22. Nanisme et sclérodermie
    Paul PEUGNIEZ
    Nanisme et sclérodermie
    Imprimerie Picarde|Amiens s. d. [circa 1915]|14.50 x 22.50 cm|broché
    The first edition, published in a small number of copies.
    Boards marginally and slightly browned, a number written in pen in upper left corner of front board which also bears trace of a postal stamp, handsome interior condition.
    Rare copy.
    Printed stamp reproducing Professor Peugniez's signature at head of title page.
    Illustrated pamphlet with 6 photographic plates hors-texte and figures in the text.
    €150
  23. Jazz N°12 de la première série
    Pierre MAC ORLAN, Jacques DYSSORD
    Jazz N°12 de la première série
    Jazz|Paris Décembre 1929|24.50 x 31.50 cm|agrafé
    First edition of this issue.
    Light stains on the covers, a small lack to the lower right corner of the first cover, handsome interior condition.
    The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
    Contributions by Pierre Mac Orlan "Vieille et jeune Bretagne" ["Old and young Brittany"], Jacques Dyssord "Clemenceau", Pierre Ichac "Un auteur dramatique chez les mangeurs d'homme" ["A playwright among the cannibals"], Claude Aveline "Le souvenir de Bourdelle" ["The memory of Bourdelle"], Eli Lotar "Amsterdam", Louis Hirschauer "Retour du Soudan" ["Return from Sudan"], André Hunebelle "Art abstrait" ["Abstract art"]...
    Issue illustrated with works by Carlo Rim and Georges Grosz as well as numerous photographs by Germaine Krull, Yvonne Chevalier, Eli Lotar, Jean Collar, Sougez...


    €250
  24. Jazz N°14 de la première série
    TITAŸNA, Léo LARGUIER
    Jazz N°14 de la première série
    Jazz|Paris Février 1930|24.50 x 31.50 cm|agrafé
    First edition of this issue.
    Some tears to the spine, a lack to the lower left corner of the back cover.
    The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
    Contributions by Léo Larguier "La brocante en l'an 2030", Jacques Maret "Peintures sous verre", Emile Condroyer "Islande", André Beucler "Batoum", Jean Schlicklin "Bréhat"...
    Issue illustrated with numerous photographs by Germaine Krull, Sébastien Gallais, Paul Nadar, Henri Manuel, De Smet...


    €300
  25. Jazz N°9 de la première série
    Joseph CONRAD, Carlo RIM
    Jazz N°9 de la première série
    Jazz|Paris Septembre 1929|24.50 x 31.50 cm|agrafé
    First edition of this issue.
    Two tears to the spine, some stains to margins of covers.
    The magazine "Jazz" celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
    Contributions by Joseph Conrad "Atterrissages et départs", Henri de Montherlant "Les conduites de taureaux en Camargue", Florent Fels "La route", Titaÿna "Panama", Pierre Lazareff "Vie intime des artistes du music-hall", Paul Chauveau "Jean Cocteau l'imposteur", Urbain Faure "plongeurs de nacre... pêcheurs de perles"...
    Issue illustrated with works by Jean Cocteau, Henri-Pierre Gassier as well as numerous photographs by Jean Dreville, Eli Lotar, Kertesz, Carlo Rim, Titaÿna, Pierre Ichac, Germaine Krull, Urbain Faure...


    €400
  26. Jazz N°2 de la première série
    TITAŸNA, Carlo RIM
    Jazz N°2 de la première série
    Jazz|Paris Janvier 1929|24.50 x 31.50 cm|agrafé
    First edition of this issue.
    Small tears of no consequence to spine, some light stains at foot of front cover.
    The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
    Contributions by Jacques Dyssord "Rue de Lappe," Florent Fels "Le port d'Amsterdam," Joseph Delteil "Le Paradis terrestre," Henri Thétard "Fêtes foraines," Waldemar George "Expressionisme," Carlo Rim: "La rue chinoise"...
    Issue illustrated with works by Moïse Kisling, Louis Touchagues, Jean Cocteau, Bécan, Carlo Rim as well as numerous photographs by Germaine Krull, Achay, Manuel frères...


    €400
  27. Jazz N°11 de la première série
    TITAŸNA, Carlo RIM
    Jazz N°11 de la première série
    Jazz|Paris Novembre 1929|24.50 x 31.50 cm|agrafé
    First edition of this issue.
    Very light marginal worming to covers, handsome copy.
    The magazine "Jazz," celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
    Contributions by Titaÿna "La vie à bord des grands paquebots," Carlo Rim "Lubaki, peintre nègre," Georges Altman "Vladimlir Iliitch Lénine," Serge "Promenade en avion," André Hunebelle "Images du verre," Legrand-Chabrier "Contorsions," Ivan Goll "Sodome et Berlin," Georges Thiry "Antoine, photographe nègre"...
    Issue illustrated with works by Carlo Rim, Antoinette Lubaki and Sem as well as numerous photographs by Eli Lotar, Antoine, Rap, Gergely, Hansa Luftbild, Sougez, Keystone, Jean Painlevé...


    €400
  28. Jazz N°6 de la première série
    TITAŸNA, Carlo RIM
    Jazz N°6 de la première série
    Jazz|Paris Mai 1929|24.50 x 31.50 cm|agrafé
    First edition of this issue.
    Marginal stains to covers, pleasant interior condition.
    The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and was published monthly between December 1928 and March 1930, comprising 15 issues plus 2 supplements.
    Contributions by Titaÿna "Bagdad", Ilya Ehrenbourg "Slovaquie", Marcel Zahar "Centenaire du bec de gaz", Carlo Rim "Rues", Pierre Scize "Le cinéma"...
    Issue illustrated with works by Carlo Rim, Honoré Daumier, Eugène Delacroix, Francisco de Goya, Paul Gavarni as well as numerous photographs by Germaine Krull, Laszlo Moholy Nagy, Ilya Ehrenbourg, Achay, Plicka...


    €400
  29. Jazz N°7 de la première série
    TITAŸNA, Carlo RIM
    Jazz N°7 de la première série
    Jazz|Paris Juin 1929|24.50 x 31.50 cm|agrafé
    First edition of this issue.
    Light marginal foxing to the covers, minor tears to the spine without consequence, handsome interior condition.
    The magazine "Jazz", celebrated for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
    Contributions by Titaÿna "Alep", Florent Fels "Joris Ivens", Jean Dorsenne "L'Océanie à travers les artistes", Carlo Rim "Rues", Legrand-Chabrier "Frégoli"...
    Issue illustrated with works by Carlo Rim, Serge and Sennep as well as numerous photographs by Germaine Krull, Joris Ivens, Brunoff, Titaÿna, Castelli, Douaze, Manuel...


    €400
  30. Jazz N°5 de la première série
    TITAŸNA, Carlo RIM
    Jazz N°5 de la première série
    Jazz|Paris Avril 1929|24.50 x 31.50 cm|agrafé
    First edition of this issue announcing the forthcoming publication by "Sans pareil" of "Plan de l'aiguille" by Blaise Cendrars photographed with a cigarette between his lips.
    Minor marginal foxing.
    The magazine "Jazz," famous for the quality of its illustrations and photographs, was founded in 1929 by Titaÿna with Carlo Rim as editor-in-chief, and appeared monthly between December 1928 and March 1930, totaling 15 issues plus 2 supplements.
    Contributions by Titaÿna "Jérusalem," Jacques Dyssord "Défense et illustration du chantage," Florent Fels "Acier," Paul Chauveau "Ubu de chair," Pierre Scize "Lorsque Charlot parut...," Jacques Heller "Le voyageur, le sauvage et le sociologue..."
    Issue illustrated with works by Alfred Jarry, Louis Touchagues, Carlo Rim and Serge as well as numerous photographs by Germaine Krull, Eli Lotar, Jacques Heller, Achay, Titaÿna...


    €400
  31. Portrait photographique original de Nicolas de Staël dans son atelier
    (Nicolas de STAËL) Denise COLOMB
    Portrait photographique original de Nicolas de Staël dans son atelier
    Paris s. d. [circa 1954]|14.50 x 20.40 cm|une photographie
    Original photographic portrait of Nicolas de Staël in his atelier.
    Paris n.d. (circa 1954), photo: 14,5x20,4cm ; leaf : 18,2x24cm.
    Original silver print portrait of Nicolas de Staël by Denise Colomb.
    The painter sits in his Parisian atelier in rue Gauget, one year before his death.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio.

    “It is said that his workshop was the cave of a palaeontological potter. With sediment, layers of paleo... A crucible, a large material well, riddled with pigments, paintbrushes, pots of plastered trowels, buckets, rags. In a strong smell of turpentine. A workshop covered, soiled, stained with dirt, with masonry clay. Its wingspan, its strength, its topsail height springs into this crater of Vesuvius. Slightly disoriented, he leans, he pours. To paint, for him, is to be prey to vertigo, to unpredictable, accidental, chance junctions. (Patrick Grainville, Les Yeux de Milos).
    €1,800
  32. Portrait photographique original de Nicolas de Staël assis devant une de ses toiles
    (Nicolas de STAËL) Denise COLOMB
    Portrait photographique original de Nicolas de Staël assis devant une de ses toiles
    Paris s. d. [circa 1954]|17.40 x 20.40 cm|une feuille
    Original photographic portrait of Nicolas de Staël sitting in front of one of his paintings
    Paris s.d. (circa 1954), photograph: 17.4 x 20.4cm; leaf: 18.2 x 24cm

    Original silver print portrait of Nicolas de Staël by Denise Colomb.
    Beautiful candid shot of the painter, preparing to speak, in his atelier in rue Gauget in Paris, one year before his death. Seated in front of one of his works, we see the piling up of the painter's canvases in the room behind him.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio.

    “It is said that his workshop was the cave of a palaeontological potter. With sediment, layers of paleo... A crucible, a large material well, riddled with pigments, paintbrushes, pots of plastered trowels, buckets, rags. In a strong smell of turpentine. A workshop covered, soiled, stained with dirt, with masonry clay. Its wingspan, its strength, its topsail height springs into this crater of Vesuvius. Slightly disoriented, he leans, he pours. To paint, for him, is to be prey to vertigo, to unpredictable, accidental, chance junctions. (Patrick Grainville, Les Yeux de Milos).
    €2,300
  33. Portrait photographique original de Nicolas de Staël contemplatif
    (Nicolas de STAËL) Denise COLOMB
    Portrait photographique original de Nicolas de Staël contemplatif
    Paris s. d. [circa 1954]|19.10 x 29 cm|une feuille
    Original photographic portrait of Nicolas de Staël in his atelier.
    Paris n.d. (circa 1954), photo: 19,1x29cm ; leaf: 20,5x30,5cm.
    Exceptional original silver print portrait of Nicolas de Staël by Denise Colomb.
    A small tear in the lower part of the leaf, not affecting the photograph.
    Large format picture of the painter, eyes lost in the distance, in his Parisian atelier rue Gauguet one year before his death. Sitting in front of one of his works, we see the piling up of the painter's canvases in the room behind him.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio.
    “It is said that his workshop was the cave of a palaeontological potter. With sediment, layers of paleo... A crucible, a large material well, riddled with pigments, paintbrushes, pots of plastered trowels, buckets, rags. In a strong smell of turpentine. A workshop covered, soiled, stained with dirt, with masonry clay. Its wingspan, its strength, its topsail height springs into this crater of Vesuvius. Slightly disoriented, he leans, he pours. To paint, for him, is to be prey to vertigo, to unpredictable, accidental, chance junctions. (Patrick Grainville, Les Yeux de Milos).
    €2,300
  34. "Nature morte" photographique originale de l'atelier de Nicolas de Staël
    (Nicolas de STAËL) Denise COLOMB
    "Nature morte" photographique originale de l'atelier de Nicolas de Staël
    Paris s. d. [circa 1954]|24.20 x 31.10 cm|une feuille
    Original view of Nicolas de Staël's atelier
    Paris n.d. (circa 1954), 24,2x31,1cm, one leaf.
    Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb.
    Traces of folds, small pieces of paper missing in the lower left corner.
    Splendid "still life" in large format of the painter's Parisian atelier rue Gauguet, taken one year before his death. His masterpieces are jumbled together with firewood and numerous pots of paint.
    The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio.
    “It is said that his workshop was the cave of a palaeontological potter. With sediment, layers of paleo... A crucible, a large material well, riddled with pigments, paintbrushes, pots of plastered trowels, buckets, rags. In a strong smell of turpentine. A workshop covered, soiled, stained with dirt, with masonry clay. Its wingspan, its strength, its topsail height springs into this crater of Vesuvius. Slightly disoriented, he leans, he pours. To paint, for him, is to be prey to vertigo, to unpredictable, accidental, chance junctions. (Patrick Grainville, Les Yeux de Milos).
    €800
  35. Vue photographique de l'atelier de Nicolas de Staël avec deux toiles
    (Nicolas de STAËL) Denise COLOMB
    Vue photographique de l'atelier de Nicolas de Staël avec deux toiles
    Paris s. d. [circa 1954]|17.30 x 12.20 cm|une feuille
    Original view of Nicolas de Staël's atelier with his palette and three paintings
    Paris n.d. (circa 1954), photo:17,3x12,2cm ; leaf: 24x18,2cm.
    Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb.
    Small trace of rust on the upper right corner.
    Charming view of the painter's atelier, 7 rue Gauguet in Paris, taken one year before his death. Featuring his palette as well as two paintings from his Flowers series (1952-1953), and an abstract composition on the right.
    Taken by Denise Colomb, great portraitist of the 20th century known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studios.
    “It is said that his workshop was the cave of a palaeontological potter. With sediment, layers of paleo... A crucible, a large material well, riddled with pigments, paintbrushes, pots of plastered trowels, buckets, rags. In a strong smell of turpentine. A workshop covered, soiled, stained with dirt, with masonry clay. Its wingspan, its strength, its topsail height springs into this crater of Vesuvius. Slightly disoriented, he leans, he pours. To paint, for him, is to be prey to vertigo, to unpredictable bifurcations of accident, of chance. (Patrick Grainville, Les Yeux de Milos)
    €800
  36. Vue photographique originale de l'atelier de Nicolas de Staël avec sa palette et ses pinceaux
    (Nicolas de STAËL) Denise COLOMB
    Vue photographique originale de l'atelier de Nicolas de Staël avec sa palette et ses pinceaux
    Paris s. d. [circa 1954]|17.30 x 12.20 cm|une feuille
    Original view of Nicolas de Staël's atelier with his palette and brushes
    Paris n.d. (circa 1954), photograph :17,3x12,2cm ; leaf : 24x18,2cm.
    Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb.
    Intimate view of the painter's atelier, 7 rue Gauguet in Paris, taken one year before his death. In the background is one of his paintings from his famous series Flowers (1952-1953).
    Taken by Denise Colomb, great portraitist of the 20th century known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studios.
    “It is said that his workshop was the cave of a palaeontological potter. With sediment, layers of paleo... A crucible, a large material well, riddled with pigments, paintbrushes, pots of plastered trowels, buckets, rags. In a strong smell of turpentine. A workshop covered, soiled, stained with dirt, with masonry clay. Its wingspan, its strength, its topsail height springs into this crater of Vesuvius. Slightly disoriented, he leans, he pours. To paint, for him, is to be prey to vertigo, to unpredictable bifurcations of accident, of chance. (Patrick Grainville, Les Yeux de Milos)
    €800
  37. Ensemble de 11 vues photographiques originales autour de l'atelier de Nicolas de Staël
    (Nicolas de STAËL) Denise COLOMB
    Ensemble de 11 vues photographiques originales autour de l'atelier de Nicolas de Staël
    Paris s. d. [circa 1954]|18 x 23.90 cm|une feuille
    Set of 11 original photographs of Nicolas de Staël's studio by Denise Colomb, in period printing.

    Small fold marks at the corners of some photographs.

    Superb views of the building housing the painter's studio, at 7 rue Gauguet in Paris, taken one year before his tragic end. The cracked and textured walls bear a striking resemblance to his "brushed, indeed masoned painting" (Marcelin Pleynet and Michel Seuphor), those knife-applied impastos that had considerable influence on abstract painting in the second half of the century.

    The photographs were taken by Denise Colomb, great portraitist of the 20th century, who immortalized Antonin Artaud, and created spectacular views of the studios of Giacometti, Picasso, Soulages and Miro.

    "They say his studio was a paleontological potter's cave. With sediments, paleolithic layers... A crucible, a great material well, riddled with pigments, brushes, pots of plastered trowels, buckets, rags. In a strong smell of turpentine. A studio gorged, soiled, plumed with grime, the pastes of masonry. His span, his strength, his topgallant height soar in this Vesuvius crater. Slightly off course, he leans, he pours. To paint, for him, is to be prey to vertigo, to unpredictable bifurcations of accident, of chance." (Patrick Grainville, Les Yeux de Milos).
    €2,300
  38. Ensemble de 3 vues photographiques originales d'oeuvres de Nicolas de Staël
    (Nicolas de STAËL) Denise COLOMB
    Ensemble de 3 vues photographiques originales d'oeuvres de Nicolas de Staël
    Paris s. d. [circa 1954]|33 x 23 cm|une feuille
    Original black and white photographs of 3 Nicolas de Staël's paintings
    Paris n.d. (circa 1954), two nudes: 33x23cm ; flowers and nude painting: 24x30,5cm, three leaves.
    Set of 3 original silver prints of Nicolas de Staël's paintings by Denise Colomb.
    Folds and small tears to the margins of the photo featuring two nudes. Traces left by a typed paper to the margins of the flower painting. Darker traces and folds to the margins of the standing nude.
    Photos of de Staël's paintings taken in the painter's Parisian atelier rue Gauguet, one year before his death: a painting from his famous Flowers series (1953-1954), as well as two paintings of nudes, a subject that became a leitmotiv in his work from 1951 until his death in 1955.
    Taken by Denise Colomb, great portraitist of the 20th century known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studios.
    €1,350
  39. Ensemble de 8 photographies de famille : Nicolas de Staël, sa compagne Jeannine Guillou et leur fille Anne
    (Nicolas de STAEL)
    Ensemble de 8 photographies de famille : Nicolas de Staël, sa compagne Jeannine Guillou et leur fille Anne
    Paris s. d. [circa 1944]|formats divers |10 feuilles
    Set of 8 photographs of Nicolas de Staël's family circa 1942-1944, in original silver gelatin prints.

    The photographs were taken around 1944, two years after the birth of Anne de Stäel, daughter of the painter and his companion, the artist Jeannine Guillou. In September 1943, the family consisting of Anne and young Antek (future writer known under the name Antoine Tudal), son from Jeannine Guillou's previous marriage, arrived in Paris and settled, thanks to the friendship of gallerist Jeanne Bucher, at 54, rue Nollet, in the private mansion of architect Pierre Chareau. Staël transformed the large ground-floor salon into a studio where he devoted himself entirely to abstraction characterized by interlaced geometric lines, rhythming a dark canvas.

    - Portrait of the complete family (Nicolas de Staël, Jeannine Guillou holding Anne in her arms, Antek Teslar aged 14), in front of the private mansion on rue Nollet
    - Jeannine Guillou and Anne in the garden of the private mansion on rue Nollet
    - Jeannine smiling, holding Anne in her arms, rue Nollet.
    - Jeannine smiling, holding Anne in her arms in front of a Moroccan decor, rue Nollet.
    - Reproduction of Jeannine Guillou's identity photograph, in profile.
    - View of the interior facade of the private mansion on rue Nollet.
    - Jeannine Guillou in beach costume
    - Contact sheet with two of the previous photographs, as well as two others showing Antek Teslar studying in the attic of the private mansion (25.2x20.4cm).


    €2,000
  40. Photographie originale de Pablo Picasso dans son atelier avec une de ses céramiques
    (Pablo PICASSO) Michel SIMA
    Photographie originale de Pablo Picasso dans son atelier avec une de ses céramiques
    s. d. [vers 1948]|17.30 x 21.30 cm|une feuille
    n.d. [around 1948], Photograph: 17.3 x 21.3cm; Leaf: 18 x 24cm, one leaf.

    Rare original photograph of Pablo Picasso turning towards one of his ceramic creations, taken by Michel Sima.
    Contemporary silver print. Pencil inscription on the back. Very light scratch on the surface, not affecting the image.

    “In September 1946, Pablo Picasso set up his workshop in the attic of the Château Grimaldi in Antibes, in a former “guards room” to which the curator Romuald Dor de la Souchère gave him the keys so that he could work there as he pleased. It is the artist Michel Sima, sculptor and photographer, who introduced the two men. Arriving from his native Poland in 1929, Sima, whose real name was Michel Smajewki, met Picasso in Paris, where he frequented the Académie de la Grande Chaumière and was the pupil of Zadkine. From mid-September to mid-November 1946 in Antibes, then from 1947-48 and until the beginning of the 50's in Vallauris, Sima regularly photographed Picasso, who willingly posed for the camera - alone or with his companion Françoise Gilot, in front of completed works or those in progress, staring at the lens, or on the contrary, focusing on his work” (Anne de Staël, L'Atelier des combles, 2009).

    Sublime chiaroscuro shot of the master contemplating his work.
    Provenance: Paul Destribats collection.
    €1,800
  41. Photographie originale de Pablo Picasso dans son atelier de Vallauris avec ses céramiques et un plâtre
    (Pablo PICASSO) Michel SIMA
    Photographie originale de Pablo Picasso dans son atelier de Vallauris avec ses céramiques et un plâtre
    Original photograph of Pablo Picasso in his workshop in Vallauris with his ceramics and plaster
    s. d. [vers 1948]|17.30 x 21.30 cm|une feuille
    Original photograph of Pablo Picasso in his workshop in Vallauris with his ceramics and plaster
    s.d. [around 1948], Photograph: 17.3 x 21.3cm; Leaf: 18 x 24cm, one leaf.

    Splendid portrait of Pablo Picasso, taken by Michel Sima in Picasso's Madoura workshop in Vallauris with his ceramics and a plaster model of his Centaure (1948).

    Contemporary silver print. Pencil inscription on the back.
    Thanks to the author of this superb portrait, Picasso began his impressive ceramic production at the Madoura workshop, in the small town of Vallauris known for its pottery tradition. Sima photographed with vigour the master and his many creations exhibited on the bare walls of his workshop bathed with Mediterranean light. Picasso produced 2000 unique pieces between 1947 and 1948 and revolutionised the forms and techniques of this medium, to which he added fragments of pigments, saggar, broken bricks to the bellies of his ceramics in the form of owls, doves, fauna, invisible women...

    "Au mois de septembre 1946, Pablo Picasso installe son atelier dans les combles du château Grimaldi d'Antibes, dans une ancienne "salle des gardes" dont le conservateur Romuald Dor de la Souchère lui a confié les clés pour qu'il y travaille à sa guise. C'est l'artiste Michel Sima, sculpteur et photographe, qui a fait se rencontrer les deux hommes. Arrivé de sa Pologne natale en 1929, Sima, de son vrai nom Michel Smajewski , avait fait la connaissance de Picasso à Paris, où il avait fréquenté l'Académie de la Grande Chaumière et été l'élève de Zadkine. De la mi-septembre à la mi-novembre 1946 à Antibes, puis en 1947-48 et jusqu'au début des années 50 à Vallauris, Sima photographiera régulièrement Picasso, qui se prête volontiers au jeu de la pose - seul ou avec sa compagne Françoise Gilot, devant des oeuvres terminées ou en cours d'achèvement, fixant l'objectif ou au contraire concentré sur son travail" (Anne de Staël, L'Atelier des combles, 2009).

    Magnificent contrasting and brilliant print of Pablo Picasso in his creative sanctuary.
    Provenance: Paul Destribats collection.
    €2,300
  43. Hugo Erfurth Preis - Internationaler fotopreis der Stadt Leverkusen und der Agfa Gevaert-Ag Leverkusen
    William KLEIN
    Hugo Erfurth Preis - Internationaler fotopreis der Stadt Leverkusen und der Agfa Gevaert-Ag Leverkusen
    Museum Morsbroich Leverkusen|Leverkusen 1993|21 x 27 cm|broché
    First edition of the exhibition catalog for the retrospective of photographic works by William Klein, Jörg Krichbaum and Anton Corbijn at the Morsbroich Museum in Leverkusen.
    Richly illustrated.
    Complete with dust jacket which has a scratch to the lower left corner of the front panel.
    Autograph inscription signed by William Klein to Thierry Marlat on the dust jacket, with William Klein having crossed out the surnames of the two other photographers participating in the exhibition.
    €400
  46. Documents N°1 de la deuxième année
    Georges BATAILLE, Jacques BARON
    Documents N°1 de la deuxième année
    Calmann Lévy|Paris 1930|22 x 27.50 cm|broché
    First edition of this issue of this important journal dealing notably with archaeology, fine arts and ethnography and whose principal editors were Georges Bataille and Carl Einstein.
    Fine copy despite a light stain affecting the margins of the leaves which are slightly and partially cockled.
    Contributions by Marcel Griaule: "Légende illustrée de la reine de Saba", Jacques Baron: "Jacques Lipchitz", Georges Bataille "Le bas matérialisme et la gnose", Jiujiro Nakaya: "Figurines néolithiques du Japon", Robert Desnos: "Pygmalion et le Sphynx", Carl Einstein, Michel Leiris, Georges Henri Rivière...
    Issue illustrated with photographs by Jacques-André Boiffard.
    €400
  47. Documents N°8 de la deuxième année
    Georges BATAILLE, Carl EINSTEIN
    Documents N°8 de la deuxième année
    Calmann Lévy|Paris 1930|22 x 27.50 cm|broché
    First edition of this issue of this important journal dealing notably with archaeology, fine arts and ethnography and whose principal editors were Georges Bataille and Carl Einstein.
    A small tear at the foot of the spine, a slight tear without loss at the foot of pages 21-22.
    Contributions by Heinrich Ehl: "L'heure de naissance de l'art européen occidental", Georges Bataille "La mutilation sacrificielle et l'oreille coupée de Vincent Van Gogh", Michel Leiris: "Le "caput mortuum" ou la femme de l'alchimiste", Jean Bourdeillette: "Franz Xaver Messerschmidt", Zdenko Reich: "Le massacre des porcs", Carl Einstein: "L'enfance néoloithique (Hans Arp)", Jacques Prévert, Maurice Leenhardt.
    Issue illustrated with photographs by Jacques-André Boiffard.
    €350
  48. Le troisième oeil - La vie de Nicéphore Niepce
    Odette JOYEUX
    Le troisième oeil - La vie de Nicéphore Niepce
    Editions Ramsay|Paris 1990|15 x 24 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy, iconography.
    Beautiful full-page autograph inscription dated and signed by Odette Joyeux to Christian Giudicelli: "A Christian Giudicelli, à mon cher Christian à mon tour de "doubler". Je te fais parvenir un nouvel exemplaire de ces troisièmes regards dont je t'ai tant parlé en souhaitant que tu en sois content. Ton amie, ton interrète Odette (Joyeux), Mars 1990." ["To Christian Giudicelli, to my dear Christian, my turn to 'double.' I am sending you a new copy of these 'Third Looks' which I have spoken to you about so much, hoping that you will be pleased with it. Your friend, your interpreter Odette (Joyeux), March 1990."]


    €70
  51. Documents N°4 de la deuxième année
    Georges BATAILLE, Michel LEIRIS
    Documents N°4 de la deuxième année
    Calmann Lévy|Paris 1930|22 x 27.50 cm|broché
    First edition of this issue of this important review dealing notably with archaeology, fine arts and ethnography and having Georges Bataille and Carl Einstein as its principal driving forces.
    A very small tear at the lower left corner of the first cover, light dampstain at head and foot of the leaves.
    Contributions by Leo Frobenius: "Dessins rupestres du sud de la Rhodésie", Carl Einstein: "Léger : oeuvres récentes", Georges Bataille "Les pieds nickelés", Robert Desnos: "La ligne générale", Henry-Charles Puech: "Les prisons de Jean-Baptiste Piranèse", Michel Leiris, Georges Ribemont-Desaignes, Docteur Pudelko...
    €300
  52. Documents N°6 de la deuxième année
    Georges BATAILLE, Georges RIBEMONT-DESSAIGNES
    Documents N°6 de la deuxième année
    Calmann Lévy|Paris 1930|22 x 27.50 cm|broché
    First edition of this issue of the important review dealing notably with archaeology, fine arts and ethnography, with Georges Bataille and Carl Einstein as its principal editors.
    Very handsome copy.
    Contributions by Georges Ribemont-Dessaignes: "Giorgio de Chirico", Emile Waldamnn: "The Schmitz Collection", Dr Eckart von Sydow "Janus Masks from Cross River (Cameroon)"...

    €500
  53. Documents N°8 de la deuxième année
    Georges BATAILLE, Carl EINSTEIN
    Documents N°8 de la deuxième année
    Calmann Lévy|Paris 1930|22 x 27.50 cm|broché
    First edition of this issue of the important journal dealing notably with archaeology, fine arts and ethnography with Georges Bataille and Carl Einstein as principal editors.
    Very handsome copy.
    Contributions by Heinrich Ehl: "L'heure de naissance de l'art européen occidental", Georges Bataille "La mutilation sacrificielle et l'oreille coupée de Vincent Van Gogh", Michel Leiris: "Le "caput mortuum" ou la femme de l'alchimiste", Jean Bourdeillette: "Franz Xaver Messerschmidt", Zdenko Reich: "Le massacre des porcs", Carl Einstein: "L'enfance néoloithique (Hans Arp)", Jacques Prévert, Maurice Leenhardt.
    Issue illustrated with photographs by Jacques-André Boiffard
    €400
  54. Photographie originale en couleurs représentant André Salmon interviewé par son grand ami Carlo Rim
    André SALMON, Carlo RIM
    Photographie originale en couleurs représentant André Salmon interviewé par son grand ami Carlo Rim
    S. n.|Sanary-sur-Mer 1967|9 x 9 cm|une feuille
    Original color photograph depicting the poet André Salmon, comfortably seated in a deck chair at his Sanary-sur-Mer property "La Hune," alongside his great friend Carlo Rim who is smiling slightly and leaning in his direction to hear his voice.
    The photograph is captioned on the back by Carlo Rim: "C.R. et A.S. (enregistrant un dialogue) / La Hune Sanary 1967." ["C.R. and A.S. (recording a dialogue) / La Hune Sanary 1967."] in blue ballpoint pen.
    Handsome copy.
    Provenance: from the library of the Provençal writer, filmmaker and caricaturist Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.

    €80
  55. L' U.R.S.S. à l'heure Malenkov
    Pierre & Hélène LAZAREFF
    L' U.R.S.S. à l'heure Malenkov
    La Table Ronde|Paris 1954|14 x 20 cm|broché
    First edition, a Service de Presse (advance) copy.
    Work illustrated with photographs in hors-texte.
    Spine ridged, lightly sunned, very light corner creases on the covers
    Autograph inscription signed by Pierre Lazareff, enhanced with the signature of Hélène, to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob: "... ce témoignage non engagé..." ["this unbiased testimony..."]
    €60
  56. Opera cum Novo Commentario ad Modum Joannis Bond
    HORACE [Quintus Horatius Flaccus]
    Opera cum Novo Commentario ad Modum Joannis Bond
    Ex typographia Firminorum Didot|Paris 1855|9 x 14.50 cm|relié
    First edition from the Didot presses of Bond's commentaries. Pages with red borders. Preface in French and text in Latin. Bond's notes are distributed around the text following the model of Renaissance typography.
    Publisher's binding in full brown cloth, smooth spine slightly faded, joint cracked one cm at head of lower board, front board hinge split, endpapers and pastedowns darkened as usual.
    Very handsome edition of the works of Horace, with typography executed by the Didot workshop in particularly refined lowercase letters. Work illustrated with 10 original photographic vignettes printed in sepia and mounted, two double-page maps and 6 photographic landscape views mounted.
    One of the earliest books illustrated with photography: apart from the frontispiece, the 11 wood-engraved vignettes after Barrias and the 2 double-page lithographed plans, the work is illustrated with 6 original photographic views, printed in sepia and mounted hors texte. This edition forms the first title of the collection, followed subsequently by a Virgil and an Anacreon similarly illustrated, and one of the first productions of photographic publishing in France.
    €400
  59. Voyage au Congo suivi de Retour du Tchad
    André GIDE, Marc ALLÉGRET
    Voyage au Congo suivi de Retour du Tchad
    Nrf|Paris 1929|25.50 x 33.50 cm|relié
    Voyage au Congo suivi de Retour du Tchad
    Nrf | Paris 1929 | 25,5 x 33,5 cm | full calf & custom chemise and slipcase
    First collective edition of two journeys in Africa by André Gide published successively in 1927 and 1928. First edition, grand papier (deluxe copy) with 64 photographs by Marc Allégret printed in sepia and four maps. One of 28 numbered copies on japon impérial, the tirage de tête.
    Our copy includes the 1928 colophon of first issue copies on japon impérial. Copies printed on Arches bear the date 1929 (Bibliographie des écrits d'André Gide, Arnold Naville).
    The high ink absorption quality of papier japon and its affinity with color make it the ideal medium for Marc Allégret's famous sepia heliographed photographs.
    White aniline calf with gilt titanium joints, ink-painted boards and spine in green, yellow and red, colors of the Republic of the Congo-Brazzaville flag, decoration continuing edge-to-edge on the liners, loose endpapers on papier japon dyed with Kakishibu by the binder, title lengthwise on the spine, decorated chemise titled on the spine, and matching custom slipcase. Wrappers and spine preserved.
    Binding signed by Julie Auzillon, gilt title by Geneviève Quarré de Boiry and gilt top edge by Jean-Luc Bongrain (2022).
    Very scarce tirage de tête on papier japon of this masterpiece book of photographs and the first account of travel to these very remote territories of central Africa by an intellectual, and outspoken critic of colonialism.
    Unique copy set in a stunning art binding, in the colors of the Republic of Congo-Brazzaville.
    €20,000
  61. Photographien
    Gisèle FREUND
    Photographien
    Schirmer - Mosel|München [Munich] • & Paris • & London 1993|23 x 29 cm|broché
    First edition.
    Spine and boards slightly and marginally sunned, handsome copy.
    Foreword by Christian Caujolle.
    Work illustrated with photographs by Gisèle Freund.
    Fine autograph inscription dated and signed by Gisèle Freund: "Für Enrike [sic], mit einem grossen Dank für ihre Hilfe bei des Überarbeitung (Übersetzung meiner "Erinnerungen") und ihre neue Übersetzung, die nun lesereich geworben ist. In Freundschaft, Gisèle F..." ["For Enrike [sic], with great thanks for her help with the revision (translation of my "Memories") and her new translation, which has now become widely read. In friendship, Gisèle F..."] adorned with three stylized seagulls.
    Provenance: library of Ulrike Bergweiler.


    €350
  64. Photographie de l'édition originale de Madame Bovary de Gustave Flaubert contrecollée sur aluminium
    Photographie de l'édition originale de Madame Bovary de Gustave Flaubert contrecollée sur aluminium
    Photograph of the first edition of Madame Bovary by Gustave Flaubert, mounted on aluminum. For decoration.
    Librairie Le Feu Follet|Paris 2022|60 x 60 cm|Photographie|autre

    Original photograph of the first edition of Gustave Flaubert's Madame Bovary dressed in a signed binding on a library background.
    Printed on Premium Luster 270 g, laminated on Dibond (aluminum).
    Hanging system on reverse.


    Certificate of authenticity provided by Librairie Le Feu Follet.


    Photo credits @Librairie Le Feu Follet. All rights reserved.

    €270
  67. La Maison de Freud, Berggasse 19 Vienne
    Edmund ENGELMAN
    La Maison de Freud, Berggasse 19 Vienne
    Seuil|Paris 1979|22 x 27 cm|broché
    First edition illustrated with numerous photographic reproductions by Edmund Engelman. Long and interesting preface in which the photographer relates his photographic experience and his encounter with the founder of psychoanalysis.
    Autograph inscription signed by the author "Pour Nadine Nimier Très cordialement Edmund Engelman." ["For Nadine Nimier Very cordially Edmund Engelman."] Nadine Nimier receives Engelman on her show "Les Après-midi de France Culture" on January 23, 1980 while he is visiting Paris for the exhibition of his photographs at the Erval gallery.
    Includes:
    - The exhibition invitation card annotated by Nadine Nimier
    - A signed autograph greeting card from Engelman addressed to Nadine Nimier
    - A business card from Engelman
    - Three original photographs showing Engelman
    - Two newspaper clippings about the exhibition
    - The mimeographed document describing the format of the "Les Après-midi de France Culture" show in which Engelman was invited
    Covers somewhat damaged by the journalist who probably used the work to prepare her review.

    €300
  69. Photographie originale inédite de Pablo Picasso à la Maison de Marcus Lucretius Fronto, Pompéi printemps 1917
    (Pablo PICASSO) Jean COCTEAU
    Photographie originale inédite de Pablo Picasso à la Maison de Marcus Lucretius Fronto, Pompéi printemps 1917
    Paris 1917|6.30 x 8.60 cm|une photographie
    Original photograph, likely unique and unpublished, of Pablo Picasso at the Casa di Marco Lucrezio, Pompeii spring 1917
    Paris 1917 | 6,3 x 8,6 cm | one photograph
    Original photograph depicting Pablo Picasso in the spring of 1917 at the Casa di Marco Lucrezio in Pompeii, holding a twig, in front of a wall on which there is a Pompeian fresco.

    Contemporary silver print, perhaps unique, from Jean Cocteau's personal archives then the Maurice Sachs collection.
    Exceptional almost undiscovered and probably unpublished photograph taken by Jean Cocteau during the stay.

    On 16 April 1917, Picasso visits Pompeii accompanied by Jean Cocteau and Léonide Massine to prepare the ballet Parade, the first work described as “surrealist” by Guillaume Apollinaire, for the new season of Serge de Diaghilev's Ballets Russes. On his return, this initiatory journey inspired his monumental painting: the Parade stage curtain, a real visual signature of the ballet, marking the beginnings of Picasso's neo-classical period, and today preserved at the Musée national d'Art Moderne Georges Pompidou. Pierre Daix, in his bibliography dedicated to the painter, recounts the aesthetic shock caused by the discovery of the Pompeian frescoes:
    “Giovanni Carandente, to whom we owe the best studies on this trip, highlights that Picasso “was strongly struck by the animation and the sensuality that the cataclysm of the year 79 AD had brutally destroyed. If it is true, as he wrote to Gertrude Stein, that he immediately drew “many Pompeian fantasies which are a little daring”, attracted as he was by the erotic elation that emerges from these licentious paintings, [...] these memories settled in him to emerge with force thereafter. [...] Everything that had made up the Pompeian universe was preserved on the site as well as in the National Archaeological Museum of Naples [...].

    In its singularity, this universe contributed to enriching Picasso's cultural heritage with something more alive, more trembling than he had gained from his museum visits until then. He particularly loved the conciseness of the paintings: two or three years later, the impressions felt in Pompeii were to translate into a real creative explosion, a series of paintings which all bore traces of these never buried memories. This source was to remain alive until La Danse of 1925.” (Pierre Daix, Picasso).

    Unique and early original photograph of Picasso, taken and printed by his friend Jean Cocteau, in a mythical place that will influence his aesthetic for the long-term.

    Provenance: Jean Cocteau's personal archives then the Maurice Sachs collection and Max-Philippe Delatte.
    €10,000
  70. Photographie originale probablement unique de Pablo Picasso à Montparnasse devant le café La Rotonde, le 12 août 1916
    (Pablo PICASSO) Moïse KISLING
    Photographie originale probablement unique de Pablo Picasso à Montparnasse devant le café La Rotonde, le 12 août 1916
    Paris 12 août 1916|6.30 x 8.60 cm|une feuille
    Original photograph likely unique taken by Jean Cocteau showing Pablo Picasso and Co in Montparnasse in front of the café La Rotonde, the 12 August 1916
    Paris 12 august 1916 | 6,3 x 8,6 cm | one photograph
    Original photograph by Jean Cocteau taken on 12 August 1916, showing Manuel Ortiz de Zárate, Moïse Kisling, Max Jacob, Pablo Picasso and the model Pâquerette, his girlfriend at the time, posing in front of the famous café La Rotonde on Boulevard du Montparnasse in Paris.

    Contemporary silver print, probably unique, from Jean Cocteau's personal archives then the Maurice Sachs collection.

    This image was published in Billy Klüver's book entitled A day with Picasso: twenty-four photographs by Jean Cocteau (1997). However, Klüver states that he didn't know the original photograph and used a modern reprint from the negative in the Cocteau archives for his work. We have not found any other copy of our original photograph in international public collections.
    Billy Klüver has assembled and commented on the twenty-one photographs taken by Jean Cocteau on 12 August 1916 in Montparnasse, close to this intersection of the Boulevard Raspail and the Boulevard du Montparnasse, which was named Place Pablo-Picasso in 1994. They take us to the café La Rotonde, before which a beaming Picasso in a cap speaks with Max Jacob whose baldness shines in the sun, behind them Henri-Pierre Roché in uniform and Manuel Ortiz de Zarate, sit at a table on the terrace of the same café where Pablo is next to the glowing Pâquerette and the young Polish painter Moïse Kisling. Pâquerette, with her hair in a headband, a chic dress, is the queen of the encounter. [...] It's the relaxed life at the back. Pâquerette, or rather Émilienne Pâquerette Geslot, was then a star model of the fashion designer Poiret who was all the rage at the time. A real one-day film of Picasso outside of his studio.” (Pierre Daix, Picasso) In his book, Klüver questions the presence of all these artistic authorities in the making in a Paris that is deserted by war. The answer is, according to him, to search in the direction of the Salon d'Antin, an exhibition organized by André Salmon in July 1916, in which all the protagonists of our photograph took part, with the exception of Pâquerette. It is also on this occasion that Picasso reveals his Demoiselles d'Avignon to the public.

    This extremely rare image, taken by Jean Cocteau with his mother's Kodak camera, immortalizes a moment of joy that depicts the artistic all-Montparnasse of the early 20th century.

    Provenance: Jean Cocteau's personal archives then the Maurice Sachs collection and Max-Philippe Delatte.
    €10,000
  72. Inventaire des objets ayant appartenu à une Femme de Bois-Colombes
    Christian BOLTANSKI
    Inventaire des objets ayant appartenu à une Femme de Bois-Colombes
    Centre national d'art contemporain|Paris 1974|14 x 21 cm|broché
    Centre national d'art contemporain

    Paris 1974 14 x 21 cm | in original wrappers
    First edition of this inventory composed of 295 photographs of personal items, furniture that belonged to an anonymous woman from the Parisian suburbs.

    Very beautiful copy of this artist's book, published on the occasion of the Boltanski – Monory exhibition from 15 October to 2 December 1974 at the CNAC (National center of Contemporary Art).
    €500
  80. Catalogue Mazda. Quelques Illuminations du Tour de France de la Lumière
    COLLECTIF
    Catalogue Mazda. Quelques Illuminations du Tour de France de la Lumière
    Les Ateliers A.B.C. • La compagnie des lampes|Paris s. d. [1937]|14.50 x 21 cm|broché
    First edition illustrated with more than 100 superb heliogravure photographs of French monuments and churches illuminated by the Mazda company.
    A slight lack to foot of spine.
    Handsome copy with unfaded blue covers and complete with its two tissue paper sheets protecting the very first and very last pages of this catalogue celebrating the glory of the Mazda company.
    €120
  83. Ensemble de six négatifs photographiques visualisant des hémorragies au microscope
    Alfred L. COPLEY
    Ensemble de six négatifs photographiques visualisant des hémorragies au microscope
    S. n.|s. l. • (Paris) s. d. [ca 1950]|11 x 8.50 cm|5 négatifs en plastique & 1 en verre
    [NEW YORK SCHOOL] Alfred L. COPLEY

    Collection of six photographic negatives showing haemorrhages under a microscope
    [Paris ca 1950] | 11 x 8.5 cm | 5 plastic negatives & 1 glass
    Collection of six photographic negatives (5 on plastic and 1 on glass) showing haemorrhages under a microscope made in the 1950s by Alfred L. Copley in his Parisian laboratory. Each negative, except one, is accompanied by a technical sheet on Copley's laboratory letterhead.

    Under the pseudonym L. Acopley, this scientist and artist from the School of New York produced emblematic works of abstract expressionism. A doctor by training, he was particularly interested in hemorheology, in other words the study of the flow properties of blood. The negatives that we have to offer are a valuable testimony to his research and were an undeniable inspiration for his pictorial works.

    His works today are preserved at the National Museum of Modern Art in Tokyo, at the Art Institute of Chicago, at the Stedelijk Museum in Amsterdam and at the Israel Museum in Jerusalem.
    €600
  84. Ensemble de six photographies originales figurant l'intérieur de la villa Pax à Boulouris
    Antoine BANDIERI (Jenny MEURLOT)
    Ensemble de six photographies originales figurant l'intérieur de la villa Pax à Boulouris
    Collection of six original photographs showing the interior of the Pax Villa in Boulouris-sur-Mer owned by Jenny Meurlot
    S. n.|s. l. • [Boulouris] [Saint-Raphaël] s. d. [ca 1920-1930]|12 x 17 cm|6 photographies montées sur carton
    Collection of six original photographs showing the interior of the Pax Villa in Boulouris-sur-Mer owned by Jenny Meurlot
    [Boulouris ca 1920-30] | 12 x 17 cm & 16,5 x 22,5 cm |6 photographs mounted on card
    Collection of six original photographs, contemporary silver print. All the photographs are mounted on strong boards and show the interior of the Pax Villa in Boulouris-sur-Mer owned by Jenny Meurlot, who also appears on two of them. Some of the photographs are discreetly side-stitched in the margin. Four of the photographs show, on the lower right margin, the engraved signature of the Raphaël studio A. Bandieri.

    Jenny (Eugénie) Meurlot was a pupil of Jules Chérét, a close friend of Sarah Bernhardt and Natalie Clifford Barney, but also an ambassador and muse of René Lalique. In her residence, the Pax villa in Boulouris-sur-Mer in Var, she hosts many artists (Mucha, Dufy) and keeps an important collection of works of art. On two of the photographs, we can make out her portrait as Sappho, painted by Jan Styka (1858-1925), currently kept at the Smart Museum of Art in Chicago.

    Very beautiful collection, testimony to the elegance of the illustrious home of the artist.
    €1,200
  86. Fétichisme - Fetish - The best of international contemporary fetish photography - Fantasies by 85 photographers
    COLLECTIF
    Fétichisme - Fetish - The best of international contemporary fetish photography - Fantasies by 85 photographers
    Feierabend books|Köln [Cologne] 2007|20.50 x 31 cm|reliure de l'éditeur
    The first edition, of which there were no deluxe copies.
    A handsome copy despite light scratches on the back cover.
    Introduction in English and German by Karsten Zang.
    Publisher's full cardboard binding, smooth spine, illustrated covers, black paper endpapers and pastedowns.
    Rich iconography, each of the 85 photographers presenting 3, 4, 5 or 6 photographs.



    €300
  87. Portrait photographique de jeunesse du père de Louis-Ferdinand Céline accompagné de ses trois frères
    (Louis-Ferdinand CÉLINE) (René, Georges and Charles DESTOUCHES)
    Portrait photographique de jeunesse du père de Louis-Ferdinand Céline accompagné de ses trois frères
    Paris circa 1875|13.20 x 21.80 cm|une photographie

    Original photograph mounted on rigid cardboard, showing Fernand Destouches, father of writer Louis-Ferdinand Céline (top right) posing alongside his brothers René, Georges and Charles - from top to bottom and left to right.
    Edges of the rigid cardboard slightly bumped.
     
    This portrait of the four Destouches brothers in uniform with laurel collar, dates from their happy schoolboy years at the Le Havre lyceum. The photograph, a true incarnation of a carefree and bygone past, must undoubtedly have held importance in the eyes of the four brothers, who would reproduce as adults the exact pose of this childhood portrait for a second, family portrait, preserved in the collection of François Gibault (Anton, Sonia, « Louis-Ferdinand Céline, d'un Havre à l'autre : entre autofiction, transposition et imaginaire », Le Territoire littéraire du Havre dans la première moitié du XXè siècle, 2013, fig. 20, photograph taken around 1905).
     
    Our photograph is reproduced on page 11 of the Album Céline (Gallimard, 1977).

    €3,000
  90. Le masque et l'humain
    Thérèse LE PRAT
    Le masque et l'humain
    La Colombe|Paris 1959|28.50 x 38 cm|reliure de l'éditeur
    First edition printed in 500 numbered copies.
    Publisher's full grey cloth binding, smooth spine, retaining the illustrated dust jacket with small foxing to the rear panel and slight marginal tears.
    Some discoloration to the margin of the front panel of the photographic jacket, occasional interior foxing.
    Work illustrated with 48 photographs by Thérèse Le Prat.
    Text by Philippe Stern and Thérèse Le Prat.
    Autograph inscription signed by Thérèse Le Prat to photographer Jean-Louis Nou who was her protégé and whom she introduced to photography: "A Jean Louis Nou qfin qu'il persévère... Thérèse Le Prat."
    Our copy exceptionally contains an autograph letter signed and dated July 21, 1964 from Thérèse Le Prat to Jean Louis Nou informing him of the dates of her exhibition entitled "En ses métamorphoses, un seul et même visage", envelope included.
    €400
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