Il Ciarlatano. Costruzione n°70

Épinal print, color lithograph, large format, printed on heavy paper.
Two tears to right margin affecting the print, slight lack to left margin, corners folded.
These plates are cardboard constructions or models, on which a pattern was printed.
This pattern must be cut out then assembled to construct various objects or life scenes. Épinal imagery published several series of cut-out models including the "Grandes Constructions" in 39 x 49 cm format, the "Moyennes Constructions" and the "Petites Constructions". From 1880 to 1908, constructions were published featuring architecture, costumes, boats and various vehicles. During this same period, paper theaters or "théâtre chez soi" also enjoyed great success. This type of toy developed and lasted until the Second World War.
Once sold by peddlers, Épinal prints owe their name to Jean-Charles Pellerin, who was the first printer to publish this type of image in series, and who lived in the town of Épinal (Vosges). The subjects are very varied but generally revolve around religion, history (French Revolution, battles, military uniforms), or drawn from popular novels. Épinal imagery has its origins in imagery, a popular art form born in the 15th century intended primarily for the illiterate rural public.
Originally, the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored using stencils. In the 19th century, lead castings were made from the engraved wood blocks: stereotypes, which allowed production to be increased. In 1820, lithography was adopted, which brought about a radical change in style, with finer drawings. In 1900, coloring was still done by stencil, using a machine that could color 300 images per hour, the Aquatype.