"Les sardinières" - Lithographie originale sur Japon - L'Estampe Moderne

Rare original color lithograph, executed by Louis Borgex for L'Estampe Moderne, series number 19 published in November 1898.
One of 50 deluxe proofs printed on Japan paper with wide margins, artist's signature and date in the plate, publisher's dry stamp representing a child's profile in the lower margin, numbered stamp from the deluxe edition on verso; print preceded by a tissue guard with the artist's name, title, and an excerpt from a work.
Lithograph inspired by verses extracted from the collection La Mer by Jean Richepin, reproduced on the print's tissue guard.
Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of original chromolithographs which, unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards, were created specifically by each artist for the magazine. Thus 100 prints appeared in total, covering the major artistic movements of the late 19th century: Symbolism, Art Nouveau, Pre-Raphaelites, Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F.
This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick, silky, satin and pearlescent, it contributes to making each page a work in its own right. Its ink absorption quality and affinity with colors also make it the ideal support for these very fine lithographs.
French collectors' interest in artistic posters grew in the early 1890s. Octave Uzanne, to describe this fever, invented the term "affichomanie." The poster, originally popular and pasted on the streets of the capital, then became an art object and its ephemeral medium became precious and devoted to preservation.
Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works, by the most prominent European artists of the moment: Georges de Feure, Eugène Grasset, Henri Detouche, Emile Berchmans, Louis Rhead, Gaston de Latenay, Lucien Lévy-Dhurmer, Gustave-Max Stevens, Charles Doudelet, Hans Christiansen, Henri Fantin-Latour, Steinlen, Ibels, Engels, Willette, Henri Meunier, Evenepoël, Bellery-Desfontaines, Charles Léandre, etc.
Handsome copy.