"Rieuse" - Lithographie originale sur Chine - L'Estampe Moderne

Rare original lithograph executed by Emile Berchmans for L'Estampe Moderne, series number 2 published in June 1897.
One of 50 deluxe proofs printed on China paper with wide margins, printed in brown ink in the manner of sanguine, artist's signature and date in the plate, publisher's dry stamp representing a child's profile in the lower margin, mounted on a sheet of laid paper with on the verso the numbered stamp of the deluxe edition, occasional marginal foxing.
Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of unpublished chromolithographs which, unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards, were specially created by each artist for the magazine. Thus 100 prints appeared in total, covering the major artistic movements of the late 19th century: Symbolism, Art Nouveau, Pre-Raphaelites, Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also provided a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F.
This print in a beautiful format is superbly printed on one of the most prestigious papers: China paper. "Despite all its qualities, China paper, too insubstantial, owes its reputation not to its own beauty, but to its particular affinities with printing ink. Its texture, smooth and soft together, is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings..." (Anatole France).
French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne, to describe this fever, invented the term "affichomanie". The poster, originally popular and posted in the streets of the capital, then became an art object and its ephemeral medium became precious and destined for preservation.
Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right, on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works, by the most prominent European artists of the moment: Georges de Feure, Eugène Grasset, Henri Detouche, Emile Berchmans, Louis Rhead, Gaston de Latenay, Lucien Lévy-Dhurmer, Gustave-Max Stevens, Charles Doudelet, Hans Christiansen, Henri Fantin-Latour, Steinlen, Ibels, Engels, Willette, Henri Meunier, Evenepoël, Bellery-Desfontaines, Charles Léandre, etc.
Handsome copy in the artist's academic style.